UPC · Release
La Diva II
Natalie Choquette
Last verified:
620323504322 is the Universal Product Code (UPC barcode) for the release “La Diva II” by Natalie Choquette, released 1997-01-01 on ISBA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Fledermaus: “Mein Herr Marquis” | — | ||
| 2 | Le nozze di Figaro: “Non so più” | — | ||
| 3 | Le nozze di Figaro: “Voi che sapete” | — | ||
| 4 | Tosca: “Vissi d’arte” | — | ||
| 5 | Suor Angelica: “Senza mamma” | — | ||
| 6 | Sadko: Chanson hindoue | — | ||
| 7 | Otello: “Ave Maria” | — | ||
| 8 | Turandot: “Nessun dorma” | — | ||
| 9 | Dido & Aeneas: “When I am Laid” | — | ||
| 10 | Lakmé : « Viens Malika » … « Dôme épais » | — | ||
| 11 | Gianni Schicchi : “O mio babbino caro” | — | ||
| 12 | Mattinata | — | ||
| 13 | Roméo et Juliette : « Ah ! Je veux vivre » | — |
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Creative Contributors (ISNI)
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What is UPC 620323504322?
620323504322 is a Universal Product Code (UPC) assigned to La Diva II by Natalie Choquette. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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