Screamin' and Hollerin' the Blues

UPC · Release

Screamin' and Hollerin' the Blues

Charley Patton

630814021221
142 tracksReleased 2001-01-01Revenant

Last verified:

630814021221 is the Universal Product Code (UPC barcode) for the release Screamin' and Hollerin' the Blues by Charley Patton, released 2001-01-01 on Revenant. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 142 tracks, each with its own ISRC. Tracks include USUG10300425, GBHVK1100441, QM9AA1694796.

Format

6Number system
30814Manufacturer
02122Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCScreamin' and Hollerin' the Blues
ISRC19 recordings
ISWC28 works
IPI7 songwriters

Track List (142)

Prayer of Death, Part 1
Prayer of Death, Part 1
Prayer of Death, Part 2
Prayer of Death, Part 2
Charley Patton
Screamin’ and Hollerin’ the Blues
Screamin’ and Hollerin’ the Blues
Charley Patton
Banty Rooster Blues
Banty Rooster Blues
Tom Rushen Blues
Tom Rushen Blues
It Won't Be Long
It Won't Be Long
Shake It and Break It (but Don't Let It Fall Mama)
Shake It and Break It (but Don't Let It Fall Mama)
Pea Vine Blues
Pea Vine Blues
Mississippi Boweavil Blues
Mississippi Boweavil Blues
Lord I'm Discouraged
Lord I'm Discouraged
I'm Goin' Home
I'm Goin' Home
Snatch It and Grab It
Snatch It and Grab It
A Rag Blues
A Rag Blues
How Come Mama Blues
How Come Mama Blues
Voice Throwin' Blues
Voice Throwin' Blues
Walter "Buddy Boy" Hawkins
Hammer Blues (Take 1) / I Shall Not Be Moved (Take 1)
Hammer Blues (Take 1) / I Shall Not Be Moved (Take 1)
High Water Everywhere, Part 1
High Water Everywhere, Part 1
High Water Everywhere, Part 2
High Water Everywhere, Part 2
I Shall Not Be Moved
I Shall Not Be Moved
Rattlesnake Blues
Rattlesnake Blues
Going to Move to Alabama
Going to Move to Alabama
Hammer Blues (take 2)
Hammer Blues (take 2)
Joe Kirby
Joe Kirby
Frankie and Albert
Frankie and Albert
Devil Sent the Rain Blues
Devil Sent the Rain Blues
Magnolia Blues
Magnolia Blues
Runnin' Wild Blues
Runnin' Wild Blues
Some Happy Day
Some Happy Day
Mean Black Moan
Mean Black Moan
Green River Blues
Green River Blues
That's My Man
That's My Man
Honey Dripper Blues No. 2
Honey Dripper Blues No. 2
Eight Hour Woman
Eight Hour Woman
Nickel's Worth of Liver Blues No. 2
Nickel's Worth of Liver Blues No. 2
Some These Days I'll Be Gone (Take 1) / Elder Greene Blues (Take 2)
Some These Days I'll Be Gone (Take 1) / Elder Greene Blues (Take 2)
Jim Lee, Part 1
Jim Lee, Part 1
Jim Lee, Part 2
Jim Lee, Part 2
Mean Black Cat Blues
Mean Black Cat Blues
Jesus Is a Dying Bed Maker
Jesus Is a Dying Bed Maker
Elder Greene Blues (take 1)
Elder Greene Blues (take 1)
When Your Way Gets Dark
When Your Way Gets Dark
Some These Days I'll Be Gone (take 2)
Some These Days I'll Be Gone (take 2)
Heart Like Railroad Steel
Heart Like Railroad Steel
Circle Round the Moon
Circle Round the Moon
You're Gonna Need Somebody When You Die
You're Gonna Need Somebody When You Die
Be True Be True Blues
Be True Be True Blues
Farrell Blues
Farrell Blues
Tell Me Man Blues
Tell Me Man Blues
Come Back Corrina
Come Back Corrina
Some Summer Day
Some Summer Day
Bird Nest Bound
Bird Nest Bound
Future Blues
Future Blues
Willie Brown
M&O Blues
M&O Blues
Walkin' Blues
Walkin' Blues
My Black Mama, Part I
My Black Mama, Part I
My Black Mama, Part II
My Black Mama, Part II
Preachin' the Blues, Part I
Preachin' the Blues, Part I
Son House
Preachin' the Blues, Part II
Preachin' the Blues, Part II
Dry Spell Blues, Part I
Dry Spell Blues, Part I
Dry Spell Blues, Part II
Dry Spell Blues, Part II
All Night Long Blues (take 1)
All Night Long Blues (take 1)
On the Wall
On the Wall
All Night Long Blues (take 2)
All Night Long Blues (take 2)
By the Moon and Stars
By the Moon and Stars
Long Ways From Home
Long Ways From Home
Dry Well Blues
Dry Well Blues
Moon Going Down
Moon Going Down
We All Gonna Face the Rising Sun
We All Gonna Face the Rising Sun
Moaner, Let's Go Down in the Valley
Moaner, Let's Go Down in the Valley
Jesus Got His Arms Around Me
Jesus Got His Arms Around Me
God Won't Forsake His Own
God Won't Forsake His Own
I'll Be There
I'll Be There
Where Was Eve Sleeping?
Where Was Eve Sleeping?
I Know My Time Ain't Long
I Know My Time Ain't Long
Watch and Pray
Watch and Pray
Headlines, 19 April 1930
Headlines, 19 April 1930
Headlines, 12 April 1930
Headlines, 12 April 1930
High Sheriff
High Sheriff
Charley Patton
Jersey Bull Blues
Jersey Bull Blues
Hang It on the Wall
Hang It on the Wall
34 Blues
34 Blues
Love My Stuff
Love My Stuff
Charley Patton
Poor Me
Poor Me
Revenue Man Blues
Revenue Man Blues
Troubled 'bout My Mother
Troubled 'bout My Mother
Oh, Death
Oh, Death
Yellow Bee
Yellow Bee
Mind Reader Blues
Mind Reader Blues
Booze and Blues
Booze and Blues
The Crowing Rooster
The Crowing Rooster
Walter Rhodes
I Will Turn Your Money Green
I Will Turn Your Money Green
Ham Hound Crave
Ham Hound Crave
Rube Lacy
Bye-Bye Blues
Bye-Bye Blues
Tommy Johnson
Maggie Campbell Blues
Maggie Campbell Blues
Tommy Johnson
Big Road Blues
Big Road Blues
Kansas City Blues
Kansas City Blues
Rowdy Blues
Rowdy Blues
Mississippi Bottom Blues
Mississippi Bottom Blues
Kid Bailey
Cold Woman Blues
Cold Woman Blues
Blind Joe Reynolds
Just a Spoonful
Just a Spoonful
Banty Rooster
Banty Rooster
My Grey Pony
My Grey Pony
Dark Road Blues
Dark Road Blues
Blues
Blues
Sic 'em Dogs
Sic 'em Dogs
Po' Boy
Po' Boy
Make Me a Pallet on the Floor
Make Me a Pallet on the Floor
County Farm Blues
County Farm Blues
Son House
Saddle My Pony
Saddle My Pony
Forty Four
Forty Four
Too Close
Too Close
Interviewed by Pete Welding (ca. 1967)
Interviewed by Pete Welding (ca. 1967)
Interviewed by Gayle Dean Wardlow, Part 1 (1968)
Interviewed by Gayle Dean Wardlow, Part 1 (1968)
Interviewed by Gayle Dean Wardlow, Part 2 (1968)
Interviewed by Gayle Dean Wardlow, Part 2 (1968)
Interviewed by Gayle Dean Wardlow, Part 3 (1968)
Interviewed by Gayle Dean Wardlow, Part 3 (1968)
Interviewed by Gayle Dean Wardlow, Part 4 (1968)
Interviewed by Gayle Dean Wardlow, Part 4 (1968)
Interviewed by Gayle Dean Wardlow, Part 5 (1968)
Interviewed by Gayle Dean Wardlow, Part 5 (1968)
Interviewed by Gayle Dean Wardlow, Part 6 (1968)
Interviewed by Gayle Dean Wardlow, Part 6 (1968)
Interviewed by Gayle Dean Wardlow, Part 7 (1968)
Interviewed by Gayle Dean Wardlow, Part 7 (1968)
Interviewed by Gayle Dean Wardlow, Part 8 (1968)
Interviewed by Gayle Dean Wardlow, Part 8 (1968)
Interviewed by Gayle Dean Wardlow, Part 9 (1968)
Interviewed by Gayle Dean Wardlow, Part 9 (1968)
Interviewed by Gayle Dean Wardlow, Part 10 (1968)
Interviewed by Gayle Dean Wardlow, Part 10 (1968)
Interviewed by Gayle Dean Wardlow, Part 11 (1968)
Interviewed by Gayle Dean Wardlow, Part 11 (1968)
Interviewed by Gayle Dean Wardlow, Part 12 (1968)
Interviewed by Gayle Dean Wardlow, Part 12 (1968)
Interviewed by Gayle Dean Wardlow, Part 13 (1968)
Interviewed by Gayle Dean Wardlow, Part 13 (1968)
Interviewed by Gayle Dean Wardlow, Part 14 (1968)
Interviewed by Gayle Dean Wardlow, Part 14 (1968)
Interviewed by Gayle Dean Wardlow, Part 15 (1968)
Interviewed by Gayle Dean Wardlow, Part 15 (1968)
Interviewed by Gayle Dean Wardlow, Part 1 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 1 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 2 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 2 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 3 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 3 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 4 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 4 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 5 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 5 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 6 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 6 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 7 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 7 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 8 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 8 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 9 (1968-69)
Interviewed by Gayle Dean Wardlow, Part 9 (1968-69)
Interviewed by Chris Strachwitz (ca. 1964)
Interviewed by Chris Strachwitz (ca. 1964)

Additional database matches (2)

Ham Hound Crave
Rube Lacy
Mississippi Bottom Blues
Kid Bailey

Identifier Graph

UPCScreamin' and H…ISRCPony BluesISRCA Spoonful BluesISRCDown the Dirt R…ISRCPrayer of Death…

People also ask

What is UPC 630814021221?
UPC 630814021221 is the Universal Product Code (barcode) for "Screamin' and Hollerin' the Blues" by Charley Patton, released on Revenant.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 630814021221?
UPC 630814021221 contains 142 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 630814021221?

630814021221 is a Universal Product Code (UPC) assigned to Screamin' and Hollerin' the Blues by Charley Patton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 142 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm