UPC · Release
Screamin' and Hollerin' the Blues
Charley Patton
Last verified:
630814021221 is the Universal Product Code (UPC barcode) for the release “Screamin' and Hollerin' the Blues” by Charley Patton, released 2001-01-01 on Revenant. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 142 tracks, each with its own ISRC. Tracks include USUG10300425, GBHVK1100441, QM9AA1694796.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (142)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pony Blues | Charley Patton | T-071.603.597-0 | |
| 2 | A Spoonful Blues | Charley Patton | T-071.603.604-2 | |
| 3 | Down the Dirt Road Blues | Charley Patton | T-071.603.586-7 | |
| 4 | Prayer of Death, Part 1 | — | ||
| 5 | Prayer of Death, Part 2 | Charley Patton | — | |
| 6 | Screamin’ and Hollerin’ the Blues | Charley Patton | — | |
| 7 | Banty Rooster Blues | — | ||
| 8 | Tom Rushen Blues | — | ||
| 9 | It Won't Be Long | — | ||
| 10 | Shake It and Break It (but Don't Let It Fall Mama) | — | ||
| 11 | Pea Vine Blues | — | ||
| 12 | Mississippi Boweavil Blues | — | ||
| 13 | Lord I'm Discouraged | — | ||
| 14 | I'm Goin' Home | — | ||
| 15 | Snatch It and Grab It | — | ||
| 16 | A Rag Blues | — | ||
| 17 | How Come Mama Blues | — | ||
| 18 | Voice Throwin' Blues | Walter "Buddy Boy" Hawkins | — | |
| 2-1 | Hammer Blues (Take 1) / I Shall Not Be Moved (Take 1) | — | ||
| 2-1 | High Water Everywhere, Part 1 | — | ||
| 2-2 | High Water Everywhere, Part 2 | — | ||
| 2-3 | I Shall Not Be Moved | — | ||
| 2-4 | Rattlesnake Blues | — | ||
| 2-5 | Going to Move to Alabama | — | ||
| 2-6 | Hammer Blues (take 2) | — | ||
| 2-7 | Joe Kirby | — | ||
| 2-8 | Frankie and Albert | — | ||
| 2-9 | Devil Sent the Rain Blues | — | ||
| 2-10 | Magnolia Blues | — | ||
| 2-11 | Runnin' Wild Blues | — | ||
| 2-12 | Some Happy Day | — | ||
| 2-13 | Mean Black Moan | — | ||
| 2-14 | Green River Blues | — | ||
| 2-15 | That's My Man | — | ||
| 2-16 | Honey Dripper Blues No. 2 | — | ||
| 2-17 | Eight Hour Woman | — | ||
| 2-18 | Nickel's Worth of Liver Blues No. 2 | — | ||
| 3-1 | Some These Days I'll Be Gone (Take 1) / Elder Greene Blues (Take 2) | — | ||
| 3-1 | Jim Lee, Part 1 | — | ||
| 3-2 | Jim Lee, Part 2 | — | ||
| 3-3 | Mean Black Cat Blues | — | ||
| 3-4 | Jesus Is a Dying Bed Maker | — | ||
| 3-5 | Elder Greene Blues (take 1) | — | ||
| 3-6 | When Your Way Gets Dark | — | ||
| 3-7 | Some These Days I'll Be Gone (take 2) | — | ||
| 3-8 | Heart Like Railroad Steel | — | ||
| 3-9 | Circle Round the Moon | — | ||
| 3-10 | You're Gonna Need Somebody When You Die | — | ||
| 3-11 | Be True Be True Blues | — | ||
| 3-12 | Farrell Blues | — | ||
| 3-13 | Tell Me Man Blues | — | ||
| 3-14 | Come Back Corrina | — | ||
| 4-1 | Some Summer Day | — | ||
| 4-2 | Bird Nest Bound | — | ||
| 4-3 | Future Blues | Willie Brown | — | |
| 4-4 | M&O Blues | — | ||
| 4-5 | Walkin' Blues | — | ||
| 4-6 | My Black Mama, Part I | — | ||
| 4-7 | My Black Mama, Part II | — | ||
| 4-8 | Preachin' the Blues, Part I | Son House | — | |
| 4-9 | Preachin' the Blues, Part II | — | ||
| 4-10 | Dry Spell Blues, Part I | — | ||
| 4-11 | Dry Spell Blues, Part II | — | ||
| 4-12 | All Night Long Blues (take 1) | — | ||
| 4-13 | On the Wall | — | ||
| 4-14 | All Night Long Blues (take 2) | — | ||
| 4-15 | By the Moon and Stars | — | ||
| 4-16 | Long Ways From Home | — | ||
| 5-1 | Dry Well Blues | — | ||
| 5-2 | Moon Going Down | — | ||
| 5-3 | We All Gonna Face the Rising Sun | — | ||
| 5-4 | Moaner, Let's Go Down in the Valley | — | ||
| 5-5 | Jesus Got His Arms Around Me | — | ||
| 5-6 | God Won't Forsake His Own | — | ||
| 5-7 | I'll Be There | — | ||
| 5-8 | Where Was Eve Sleeping? | — | ||
| 5-9 | I Know My Time Ain't Long | — | ||
| 5-10 | Watch and Pray | — | ||
| 5-11 | Headlines, 19 April 1930 | — | ||
| 5-12 | Headlines, 12 April 1930 | — | ||
| 5-13 | High Sheriff | Charley Patton | — | |
| 5-14 | Stone Pony Blues | Charley Patton | T-071.603.605-3 | |
| 5-15 | Jersey Bull Blues | — | ||
| 5-16 | Hang It on the Wall | — | ||
| 5-17 | 34 Blues | — | ||
| 5-18 | Love My Stuff | Charley Patton | — | |
| 5-19 | Poor Me | — | ||
| 5-20 | Revenue Man Blues | — | ||
| 5-21 | Troubled 'bout My Mother | — | ||
| 5-22 | Oh, Death | — | ||
| 5-23 | Yellow Bee | — | ||
| 5-24 | Mind Reader Blues | — | ||
| 6-1 | Booze and Blues | — | ||
| 6-2 | The Crowing Rooster | Walter Rhodes | — | |
| 6-3 | I Will Turn Your Money Green | — | ||
| 6-4 | Ham Hound Crave | Rube Lacy | — | |
| 6-5 | Bye-Bye Blues | Tommy Johnson | — | |
| 6-6 | Maggie Campbell Blues | Tommy Johnson | — | |
| 6-7 | Big Road Blues | — | ||
| 6-8 | Kansas City Blues | — | ||
| 6-9 | Rowdy Blues | — | ||
| 6-10 | Mississippi Bottom Blues | Kid Bailey | — | |
| 6-11 | Cold Woman Blues | Blind Joe Reynolds | — | |
| 6-12 | Sitting on Top of the World | Mississippi Sheiks | T-302.341.957-6 | |
| 6-13 | Just a Spoonful | — | ||
| 6-14 | Banty Rooster | — | ||
| 6-15 | My Grey Pony | — | ||
| 6-16 | Dark Road Blues | — | ||
| 6-17 | Blues | — | ||
| 6-18 | Sic 'em Dogs | — | ||
| 6-19 | Po' Boy | — | ||
| 6-20 | Make Me a Pallet on the Floor | — | ||
| 6-21 | County Farm Blues | Son House | — | |
| 6-22 | Saddle My Pony | — | ||
| 6-23 | Forty Four | — | ||
| 6-24 | Too Close | — | ||
| 7-1 | Interviewed by Pete Welding (ca. 1967) | — | ||
| 7-2 | Interviewed by Gayle Dean Wardlow, Part 1 (1968) | — | ||
| 7-3 | Interviewed by Gayle Dean Wardlow, Part 2 (1968) | — | ||
| 7-4 | Interviewed by Gayle Dean Wardlow, Part 3 (1968) | — | ||
| 7-5 | Interviewed by Gayle Dean Wardlow, Part 4 (1968) | — | ||
| 7-6 | Interviewed by Gayle Dean Wardlow, Part 5 (1968) | — | ||
| 7-7 | Interviewed by Gayle Dean Wardlow, Part 6 (1968) | — | ||
| 7-8 | Interviewed by Gayle Dean Wardlow, Part 7 (1968) | — | ||
| 7-9 | Interviewed by Gayle Dean Wardlow, Part 8 (1968) | — | ||
| 7-10 | Interviewed by Gayle Dean Wardlow, Part 9 (1968) | — | ||
| 7-11 | Interviewed by Gayle Dean Wardlow, Part 10 (1968) | — | ||
| 7-12 | Interviewed by Gayle Dean Wardlow, Part 11 (1968) | — | ||
| 7-13 | Interviewed by Gayle Dean Wardlow, Part 12 (1968) | — | ||
| 7-14 | Interviewed by Gayle Dean Wardlow, Part 13 (1968) | — | ||
| 7-15 | Interviewed by Gayle Dean Wardlow, Part 14 (1968) | — | ||
| 7-16 | Interviewed by Gayle Dean Wardlow, Part 15 (1968) | — | ||
| 7-17 | Interviewed by Gayle Dean Wardlow, Part 1 (1968-69) | — | ||
| 7-18 | Interviewed by Gayle Dean Wardlow, Part 2 (1968-69) | — | ||
| 7-19 | Interviewed by Gayle Dean Wardlow, Part 3 (1968-69) | — | ||
| 7-20 | Interviewed by Gayle Dean Wardlow, Part 4 (1968-69) | — | ||
| 7-21 | Interviewed by Gayle Dean Wardlow, Part 5 (1968-69) | — | ||
| 7-22 | Interviewed by Gayle Dean Wardlow, Part 6 (1968-69) | — | ||
| 7-23 | Interviewed by Gayle Dean Wardlow, Part 7 (1968-69) | — | ||
| 7-24 | Interviewed by Gayle Dean Wardlow, Part 8 (1968-69) | — | ||
| 7-25 | Interviewed by Gayle Dean Wardlow, Part 9 (1968-69) | — | ||
| 7-26 | Interviewed by Chris Strachwitz (ca. 1964) | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ham Hound Crave | Rube Lacy | — |
| Mississippi Bottom Blues | Kid Bailey | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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People also ask
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What is UPC 630814021221?
630814021221 is a Universal Product Code (UPC) assigned to Screamin' and Hollerin' the Blues by Charley Patton. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 142 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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