UPC · Release
Holy Ghost
Albert Ayler
Last verified:
630814021320 is the Universal Product Code (UPC barcode) for the release “Holy Ghost” by Albert Ayler, released 2004-01-01 on Revenant. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (124)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonnymoon for Two | — | ||
| 2 | Summertime | — | ||
| 3 | On Green Dolphin Street | — | ||
| 4 | [spoken introduction by broadcast announcer and Borge Roger Henrichsen] | — | ||
| 5 | Four | — | ||
| 6 | Spirits (incomplete) | — | ||
| 7 | Saints | — | ||
| 8 | Ghosts (incomplete) | — | ||
| 2-1 | The Wizard | — | ||
| 2-2 | Children | — | ||
| 2-3 | Spirits (theme) | — | ||
| 2-4 | [spoken radio introduction] | — | ||
| 2-5 | Spirits | — | ||
| 2-6 | Vibrations | — | ||
| 2-7 | [tune Q] | — | ||
| 2-8 | Mothers | — | ||
| 2-9 | Children | — | ||
| 2-10 | Spirits (theme) | — | ||
| 2-11 | [untitled] | — | ||
| 3-1 | [spoken introduction] | — | ||
| 3-2 | Spirits Rejoice | — | ||
| 3-3 | D.C. | — | ||
| 3-4 | [untitled minor waltz] | — | ||
| 3-5 | Our Prayer | — | ||
| 3-6 | [spoken introduction] | — | ||
| 3-7 | [F# tune] | — | ||
| 3-8 | Ghosts | — | ||
| 3-9 | Spirits Rejoice | — | ||
| 3-10 | Prophet / Ghosts / Spiritual Bells | — | ||
| 3-11 | Our Prayer / Spirits Rejoice | — | ||
| 4-1 | [untitled] / Truth Is Marchin’ In | — | ||
| 4-2 | Spirits | — | ||
| 4-3 | Zion Hill | — | ||
| 4-4 | Spirits | — | ||
| 4-5 | Spiritual Bells | — | ||
| 4-6 | [F# tune] | — | ||
| 5-1 | [concert announcement] | — | ||
| 5-2 | Ghosts / Bells | — | ||
| 5-3 | Truth Is Marching In | — | ||
| 5-4 | Omega | — | ||
| 5-5 | Our Prayer | — | ||
| 5-6 | [spoken introduction] | — | ||
| 5-7 | Truth Is Marching In | — | ||
| 5-8 | Bells | — | ||
| 5-9 | Spirits Rejoice | — | ||
| 5-10 | [Free Spiritual Music, Part IV] | — | ||
| 6-1 | Truth Is Marching In / Omega | — | ||
| 6-2 | Japan / Universal Indians | — | ||
| 6-3 | Our Prayer | — | ||
| 6-4 | Love Cry / Truth Is Marching In / Our Prayer | — | ||
| 6-5 | Venus / Upper and Lower Egypt | — | ||
| 6-6 | [blues] | — | ||
| 6-7 | [sermon] | — | ||
| 6-8 | Thank God for Women | — | ||
| 6-9 | New Ghosts (demo fragments) | — | ||
| 7-1 | Prophet John | — | ||
| 7-2 | Judge Ye Not | — | ||
| 7-3 | Mothers / Children | — | ||
| 7-4 | [untitled] (incomplete) | — | ||
| 7-5 | [C minor] | — | ||
| 7-6 | [F minor / C minor] | — | ||
| 8-1 | [travel and plans] | — | ||
| 8-2 | [Holbaek] | — | ||
| 8-3 | [the New Blues] | — | ||
| 8-4 | [Christmastime stateside] | — | ||
| 8-5 | [a great change] | — | ||
| 8-6 | [traveling and Coltrane] | — | ||
| 8-7 | [drummers and Sunny Murray] | — | ||
| 8-8 | [a job to do] | — | ||
| 8-9 | [birth, family, first music] | — | ||
| 8-10 | [academy, the road, school] | — | ||
| 8-11 | [young professional and army] | — | ||
| 8-12 | [Sweden] | — | ||
| 8-13 | [New York] | — | ||
| 8-14 | [1964] | — | ||
| 8-15 | [frustration, sources] | — | ||
| 8-16 | [1966 tour and Coltrane] | — | ||
| 8-17 | [impulse! and Mary Maria] | — | ||
| 8-18 | [the artist’s life] | — | ||
| 8-19 | [question: LeRoi jones] | — | ||
| 8-20 | [question: “For John Coltrane”] | — | ||
| 8-21 | [question: socio‐political connections] | — | ||
| 8-22 | [question: instrumentation, engineering] | — | ||
| 8-23 | [choosing the players] | — | ||
| 9-1 | [current activity] | — | ||
| 9-2 | [Antibes] | — | ||
| 9-3 | [Japan / Coltrane’s funeral] | — | ||
| 9-4 | [clubs] | — | ||
| 9-5 | [ahead of my time] | — | ||
| 9-6 | [home Lives: Brooklyn and Cleveland] | — | ||
| 9-7 | [impulse!, part 1: Hippies] | — | ||
| 9-8 | [“Space Music”] | — | ||
| 9-9 | [Don] | — | ||
| 9-10 | [“Thank God for Women”] | — | ||
| 9-11 | [blues & rhythm] | — | ||
| 9-12 | [copying my records] | — | ||
| 9-13 | [impulse!, part 2: New Grass] | — | ||
| 9-14 | [tone and “vibration”] | — | ||
| 9-15 | [Rollins, Coleman and Coltrane] | — | ||
| 9-16 | [Maeght group] | — | ||
| 9-17 | [serenity of life] | — | ||
| 9-18 | [childhood memories, part 1] | — | ||
| 9-19 | (Blairman enters) | — | ||
| 9-20 | [early professional career] | — | ||
| 9-21 | [childhood memories, part 2] | — | ||
| 9-22 | [Don’s music] | — | ||
| 9-23 | [“I Love America” and youth] | — | ||
| 9-24 | [Mary and golf] | — | ||
| 9-25 | [early relationships and Mary Maria] | — | ||
| 9-26 | [Japan work and warm weather] | — | ||
| 9-27 | [play solo] | — | ||
| 9-28 | [naming tunes] | — | ||
| 9-29 | [Charles Ives] | — | ||
| 9-30 | [influences] | — | ||
| 9-31 | [practicing] | — | ||
| 9-32 | [The Healing Force] | — | ||
| 9-33 | [diet and America] | — | ||
| 9-34 | [defining “improvisation”] | — | ||
| 9-35 | [Sonny Rollins, reactions, and Miles Davis] | — | ||
| 9-36 | [Newport ’67] | — | ||
| 9-37 | [New York: keeping to oneself] (Mary Maria joins) | — | ||
| 9-38 | [Don and Mocqui Cherry interview with Daniel Caux] | — | ||
| 10-1 | Tenderly | — | ||
| 10-2 | Leap Frog | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 630814021320?
630814021320 is a Universal Product Code (UPC) assigned to Holy Ghost by Albert Ayler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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