UPC · Release
Robert Fripp
Last verified:
633367197924 is the Universal Product Code (UPC barcode) for the release “Exposures” by Robert Fripp, released 2022-01-01 on Discipline Global Mobile. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 748 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Major Loops I | — | ||
| 2-1 | Major Loops II | — | ||
| 3-1 | Major Loops III | — | ||
| 3-2 | Loops: Breathless | — | ||
| 4-1 | Exposure Master Loops I | — | ||
| 4-2 | Exposure Master Loops II | — | ||
| 4-3 | C Sharp Bass Joins and Becomes Seascape | — | ||
| 4-4 | Lost in the Bush of Ghosts I | — | ||
| 4-5 | Lost in the Bush of Ghosts II | — | ||
| 4-6 | Lost in the Bush of Ghosts III | — | ||
| 4-7 | Lost in the Bush of Ghosts IV | — | ||
| 4-8 | Lost in the Bush of Ghosts V | — | ||
| 5-1 | Preface/You Burn Me Up I’m a Cigarette | — | ||
| 5-2 | North Star | — | ||
| 5-3 | Disengage | — | ||
| 5-4 | I Smile Like Chicago | — | ||
| 5-5 | Exposure | — | ||
| 5-6 | NY3 (lyric version) | — | ||
| 5-7 | Häaden Two | — | ||
| 5-8 | Mary | — | ||
| 5-9 | Breathless | — | ||
| 5-10 | NYCNY / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 5-11 | Water Music I / Here Comes the Flood | — | ||
| 5-12 | Water Music II | — | ||
| 5-13 | Postscript | — | ||
| 5-14 | Exposure II | — | ||
| 5-15 | NY3 (alt. take/Rough mix) | — | ||
| 5-16 | You Burn Me Up I’m a Cigarette (alt. take/rough mix) | — | ||
| 5-17 | Disengage (alt. take/rough mix) | — | ||
| 5-18 | Chicago (alt. take/rough mix Aug 8th) | — | ||
| 5-19 | Chicago (alt. take/rough mix Aug 9th) | — | ||
| 5-20 | Mary (sax) | — | ||
| 5-21 | North Star (old riff - take 6) | — | ||
| 5-22 | North Star 2 (take 7) | — | ||
| 5-23 | Exposure IV | — | ||
| 5-24 | NY3 | — | ||
| 5-25 | Mary (revised remix take 26) | — | ||
| 6-1 | Preface | — | ||
| 6-2 | You Burn Me Up I’m a Cigarette | — | ||
| 6-3 | Breathless | — | ||
| 6-4 | Disengage | — | ||
| 6-5 | North Star | — | ||
| 6-6 | Chicago | — | ||
| 6-7 | NY3 | — | ||
| 6-8 | Mary | — | ||
| 6-9 | Exposure | — | ||
| 6-10 | Häaden Two | — | ||
| 6-11 | Urban Landscape | — | ||
| 6-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 6-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 6-14 | Water Music I | — | ||
| 6-15 | Here Comes the Flood | — | ||
| 6-16 | Water Music II | — | ||
| 6-17 | Postscript | — | ||
| 6-18 | Loops: Here Comes the Flood | — | ||
| 7-1 | Preface | — | ||
| 7-2 | You Burn Me Up I’m a Cigarette | — | ||
| 7-3 | Breathless | — | ||
| 7-4 | Disengage II (Daryl Hall vocal) | — | ||
| 7-5 | North Star | — | ||
| 7-6 | Chicago (Daryl Hall vocal) | — | ||
| 7-7 | New York, New York, New York (Daryl Hall vocal) | — | ||
| 7-8 | Mary | — | ||
| 7-9 | Exposure | — | ||
| 7-10 | Häaden Two | — | ||
| 7-11 | Urban Landscape | — | ||
| 7-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 7-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 7-14 | Water Music I | — | ||
| 7-15 | Here Comes the Flood | — | ||
| 7-16 | Water Music II | — | ||
| 7-17 | Postscript | — | ||
| 7-18 | Exposure (Daryl Hall vocal) | — | ||
| 7-19 | Mary (Daryl Hall vocal) | — | ||
| 7-20 | Disengage | — | ||
| 7-21 | Chicago | — | ||
| 7-22 | NY3 | — | ||
| 7-23 | Exposure (from Peter Gabriel II) | — | ||
| 7-24 | Urban Landscape (from Daryl Hall Sacred Songs) | — | ||
| 7-25 | NYCNY (from Daryl Hall Sacred Songs) | — | ||
| 7-26 | Here Comes the Flood (early mix) | — | ||
| 8-1 | Preface | — | ||
| 8-2 | You Burn Me Up I’m a Cigarette | — | ||
| 8-3 | Breathless | — | ||
| 8-4 | Disengage | — | ||
| 8-5 | North Star | — | ||
| 8-6 | Chicago | — | ||
| 8-7 | NY3 | — | ||
| 8-8 | Mary | — | ||
| 8-9 | Exposure | — | ||
| 8-10 | Häaden Two | — | ||
| 8-11 | Urban Landscape | — | ||
| 8-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 8-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 8-14 | Water Music I | — | ||
| 8-15 | Here Comes the Flood | — | ||
| 8-16 | Water Music II | — | ||
| 8-17 | Postscript | — | ||
| 8-18 | Disengage | — | ||
| 8-19 | Chicago | — | ||
| 8-20 | NY3 | — | ||
| 8-21 | Mary | — | ||
| 8-22 | Exposure | — | ||
| 8-23 | Chicago | — | ||
| 9-1 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 9-2 | North Star | — | ||
| 9-3 | Disengage | — | ||
| 9-4 | Chicago | — | ||
| 9-5 | Exposure | — | ||
| 9-6 | NY3 (lyric version) | — | ||
| 9-7 | Häaden Two | — | ||
| 9-8 | Mary | — | ||
| 9-9 | Breathless | — | ||
| 9-10 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 9-11 | Water Music I / Here Comes the Flood | — | ||
| 9-12 | Water Music II (extended) | — | ||
| 9-13 | Postscript | — | ||
| 9-14 | Loops for Married Men | — | ||
| 10-1 | Test Loop | — | ||
| 10-2 | Loop I | — | ||
| 10-3 | Loop II | — | ||
| 10-4 | Loop III | — | ||
| 10-5 | Loop IV | — | ||
| 10-6 | Loop IV and Solo | — | ||
| 11-1 | Loop I | — | ||
| 11-2 | Loop II | — | ||
| 11-3 | Loop III | — | ||
| 11-4 | Partial Loop III and Solo | — | ||
| 12-1 | Green Music for Libraries I | — | ||
| 12-2 | Green Music for Libraries II | — | ||
| 12-3 | Music for Journalists I | — | ||
| 12-4 | Music for Journalists II | — | ||
| 12-5 | Music for Journalists III | — | ||
| 12-6 | Music for Journalists IV | — | ||
| 13-1 | Loop and Solo I | — | ||
| 13-2 | Loop and Solo II | — | ||
| 13-3 | RF Dialogue | — | ||
| 13-4 | Loop and Solo III | — | ||
| 13-5 | RF Dialogue | — | ||
| 13-6 | Loop IV | — | ||
| 13-7 | RF Dialogue | — | ||
| 13-8 | Loop and Solo IV the Product of Us All | — | ||
| 13-9 | RF Dialogue | — | ||
| 13-10 | Berkeley Loop, Montreal Solo | — | ||
| 13-11 | ’79 Aug 17, Montreal Loop | — | ||
| 13-12 | ’79 Aug 16, Sainte-Foy Loop | — | ||
| 14-1 | Red Two Scorer | — | ||
| 14-2 | God Save the Queen | — | ||
| 14-3 | 1983 | — | ||
| 14-4 | Under Heavy Manners | — | ||
| 14-5 | The Zero of the Signified | — | ||
| 14-6 | God Save the King | — | ||
| 14-7 | Music on Hold | — | ||
| 15-1 | Under Heavy Manners (extended) | — | ||
| 15-2 | 1983 (band version) | — | ||
| 15-3 | The Zero of the Signified (extended) | — | ||
| 15-4 | Water Music II (Full-Length version) | — | ||
| 15-5 | Under Heavy Manners | — | ||
| 15-6 | The Zero of the Signified | — | ||
| 15-7 | Music on Hold (jam) | — | ||
| 16-1 | Funky Frippertronics | — | ||
| 16-2 | Feel II | — | ||
| 16-3 | Spanish Landscape | — | ||
| 16-4 | AA III | — | ||
| 16-5 | Urban Landscape (Band version) | — | ||
| 16-6 | Step ’n’ Fetch It | — | ||
| 16-7 | Morning | — | ||
| 16-8 | Music on Hold (Frippertronics version) | — | ||
| 16-9 | Seascape | — | ||
| 16-10 | Italian Afternoon | — | ||
| 16-11 | Water Music II (extended) | — | ||
| 17-1 | RF Announcement | — | ||
| 17-2 | Inductive Resonance | — | ||
| 17-3 | Trap | — | ||
| 17-4 | Heptaparaparshinokh | — | ||
| 17-5 | RF Announcement | — | ||
| 17-6 | Thrang Thrang Gozinbulx III | — | ||
| 17-7 | Boy at Piano | — | ||
| 17-8 | Christian Children Marching, Singing | — | ||
| 17-9 | Dislocated | — | ||
| 17-10 | RF Announcement | — | ||
| 17-11 | Thrang Thrang Gozinbulx II | — | ||
| 17-12 | Minor Man | — | ||
| 17-13 | Prelude | — | ||
| 17-14 | Ooh! Mr. Fripp | — | ||
| 17-15 | Farewell Johnny Brill | — | ||
| 17-16 | Eye Needles | — | ||
| 17-17 | Inductive Resonance | — | ||
| 17-18 | Heptaparaparshinokh | — | ||
| 17-19 | Dislocated | — | ||
| 17-20 | Disengage | — | ||
| 17-21 | F Sharp Minor | — | ||
| 18-1 | Inductive Resonance | — | ||
| 18-2 | Thrang Thrang Gozinbulx I | — | ||
| 18-3 | Trap | — | ||
| 18-4 | Boy at Piano | — | ||
| 18-5 | Heptaparaparshinokh | — | ||
| 18-6 | Thrang Thrang Gozinbulx II | — | ||
| 18-7 | Christian Children Marching, Singing | — | ||
| 18-8 | Ooh! Mr. Fripp | — | ||
| 18-9 | Dislocated | — | ||
| 18-10 | Minor Man | — | ||
| 18-11 | Thrang Thrang Gozinbulx III | — | ||
| 18-12 | Farewell Johnny Brill | — | ||
| 18-13 | Inductive Resonance | — | ||
| 18-14 | RF Combined Announcements | — | ||
| 18-15 | Heptaparaparshinokh | — | ||
| 18-16 | Inductive Resonance | — | ||
| 18-17 | Cognitive Dissonance | — | ||
| 18-18 | Dislocated | — | ||
| 18-19 | H.G. Wells | — | ||
| 18-20 | Eye Needles | — | ||
| 18-21 | Trap | — | ||
| 19-1 | Inductive Resonance | — | ||
| 19-2 | Minor Man | — | ||
| 19-3 | Heptaparaparshinokh | — | ||
| 19-4 | Dislocated | — | ||
| 19-5 | Eye Needles | — | ||
| 19-6 | Cognitive Dissonance | — | ||
| 19-7 | H.G. Wells | — | ||
| 19-8 | Trap | — | ||
| 19-9 | Glass Flutes | — | ||
| 19-10 | Johnny Brill | — | ||
| 19-11 | Christian Children Marching, Singing | — | ||
| 19-12 | Boy at Piano | — | ||
| 19-13 | Inductive Resonance (alt. take) | — | ||
| 19-14 | Heptaparaparshinokh (alt. take) | — | ||
| 19-15 | Dislocated (alt. take) | — | ||
| 19-16 | Eye Needles (alt. take) | — | ||
| 19-17 | Trap (alt. take) | — | ||
| 20-1 | 1984 | — | ||
| 20-2 | 1985 | — | ||
| 20-3 | 1986 | — | ||
| 20-4 | 1987 | — | ||
| 20-5 | 1988 | — | ||
| 20-6 | 1989 | — | ||
| 20-7 | 1984 (single edit) | — | ||
| 20-8 | 1984 (mix 1) | — | ||
| 20-9 | 1984 (mix 2) | — | ||
| 21-1 | Washington Square I | — | ||
| 21-2 | Washington Square II | — | ||
| 21-3 | Washington Square III | — | ||
| 21-4 | Washington Square IV | — | ||
| 21-5 | Washington Square V | — | ||
| 21-6 | Washington Square VI | — | ||
| 21-7 | Washington Square VII | — | ||
| 21-8 | Washington Square VIII | — | ||
| 21-9 | Washington Square IX | — | ||
| 21-10 | Washington Square X | — | ||
| 21-11 | Washington Square XI | — | ||
| 22-1 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 22-2 | Breathless | — | ||
| 22-3 | Disengage | — | ||
| 22-4 | North Star | — | ||
| 22-5 | Chicago | — | ||
| 22-6 | NY3 | — | ||
| 22-7 | Mary | — | ||
| 22-8 | Exposure | — | ||
| 22-9 | Häaden Two | — | ||
| 22-10 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherborne House | — | ||
| 22-11 | Water Music I / Here Comes the Flood | — | ||
| 22-12 | Water Music II | — | ||
| 22-13 | Postscript | — | ||
| 22-14 | Disengage | — | ||
| 22-15 | Chicago | — | ||
| 22-16 | NY3 | — | ||
| 22-17 | Mary | — | ||
| 22-18 | Exposure | — | ||
| 22-19 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 22-20 | Breathless | — | ||
| 22-21 | Disengage II | — | ||
| 22-22 | North Star | — | ||
| 22-23 | Chicago | — | ||
| 22-24 | New York, New York, New York | — | ||
| 22-25 | Mary | — | ||
| 22-26 | Exposure | — | ||
| 22-27 | Häaden Two | — | ||
| 22-28 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherborne House | — | ||
| 22-29 | Water Music I / Here Comes the Flood | — | ||
| 22-30 | Water Music II | — | ||
| 22-31 | Postscript | — | ||
| 22-32 | Exposure (Daryl Hall vocal) | — | ||
| 22-33 | Mary (Daryl Hall vocal) | — | ||
| 22-34 | Disengage | — | ||
| 22-35 | Chicago | — | ||
| 22-36 | NY3 | — | ||
| 22-37 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 22-38 | North Star | — | ||
| 22-39 | Disengage | — | ||
| 22-40 | I Smile Like Chicago | — | ||
| 22-41 | Exposure | — | ||
| 22-42 | NY3 (lyric version) | — | ||
| 22-43 | Häaden Two | — | ||
| 22-44 | Mary | — | ||
| 22-45 | Breathless | — | ||
| 22-46 | NYCNY / First Inaugural Address to the I.A.C.E. Sherborne House | — | ||
| 22-47 | Water Music I / Here Comes the Flood | — | ||
| 22-48 | Water Music II | — | ||
| 22-49 | Postscript | — | ||
| 23-1 | Red Two Scorer | — | ||
| 23-2 | God Save the Queen | — | ||
| 23-3 | 1983 | — | ||
| 23-4 | Under Heavy Manners | — | ||
| 23-5 | The Zero of the Signified | — | ||
| 23-6 | Morning | — | ||
| 23-7 | Seascape | — | ||
| 23-8 | Funky Frippertronics | — | ||
| 23-9 | The Zero of the Signified (extended) | — | ||
| 23-10 | Inductive Resonance | — | ||
| 23-11 | Minor Man | — | ||
| 23-12 | Heptaparaparshinokh | — | ||
| 23-13 | Dislocated | — | ||
| 23-14 | Eye Needles | — | ||
| 23-15 | Cognitive Dissonance | — | ||
| 23-16 | H.G. Wells | — | ||
| 23-17 | Trap | — | ||
| 24-1 | 1984 | — | ||
| 24-2 | 1985 | — | ||
| 24-3 | 1986 | — | ||
| 24-4 | 1987 | — | ||
| 24-5 | 1988 | — | ||
| 24-6 | 1989 | — | ||
| 24-7 | Washington Square I | — | ||
| 24-8 | Washington Square II | — | ||
| 24-9 | Washington Square III | — | ||
| 24-10 | Washington Square IV | — | ||
| 24-11 | Washington Square V | — | ||
| 24-12 | Washington Square VI | — | ||
| 24-13 | Washington Square VII | — | ||
| 24-14 | Washington Square VIII | — | ||
| 24-15 | Washington Square IX | — | ||
| 24-16 | Washington Square X | — | ||
| 24-17 | Washington Square XI | — | ||
| 25-1 | Preface | — | ||
| 25-2 | You Burn Me Up I’m a Cigarette | — | ||
| 25-3 | Breathless | — | ||
| 25-4 | Disengage | — | ||
| 25-5 | North Star | — | ||
| 25-6 | Chicago | — | ||
| 25-7 | NY3 | — | ||
| 25-8 | Mary | — | ||
| 25-9 | Exposure | — | ||
| 25-10 | Häaden Two | — | ||
| 25-11 | Urban Landscape | — | ||
| 25-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-14 | Water Music I | — | ||
| 25-15 | Here Comes the Flood | — | ||
| 25-16 | Water Music II | — | ||
| 25-17 | Postscript | — | ||
| 25-18 | Preface | — | ||
| 25-19 | You Burn Me Up I’m a Cigarette | — | ||
| 25-20 | Breathless | — | ||
| 25-21 | Disengage (Daryl Hall vocal) | — | ||
| 25-22 | North Star | — | ||
| 25-23 | Chicago (Daryl Hall vocal) | — | ||
| 25-24 | NY3 (Daryl Hall vocal) | — | ||
| 25-25 | Mary (Daryl Hall vocal) | — | ||
| 25-26 | Exposure (Daryl Hall vocal) | — | ||
| 25-27 | Häaden Two | — | ||
| 25-28 | Urban Landscape | — | ||
| 25-29 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-30 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-31 | Water Music I | — | ||
| 25-32 | Here Comes the Flood | — | ||
| 25-33 | Water Music II | — | ||
| 25-34 | Postscript | — | ||
| 25-35 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 25-36 | North Star | — | ||
| 25-37 | Disengage | — | ||
| 25-38 | I Smile Like Chicago | — | ||
| 25-39 | Exposure | — | ||
| 25-40 | NY3 (lyric version) | — | ||
| 25-41 | Häaden Two | — | ||
| 25-42 | Mary | — | ||
| 25-43 | Breathless | — | ||
| 25-44 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-45 | Water Music I / Here Comes the Flood | — | ||
| 25-46 | Water Music II | — | ||
| 25-47 | Postscript | — | ||
| 25-48 | Red Two Scorer | — | ||
| 25-49 | God Save the Queen | — | ||
| 25-50 | 1983 | — | ||
| 25-51 | Under Heavy Manners | — | ||
| 25-52 | The Zero of the Signified (extended) | — | ||
| 25-53 | Under Heavy Manners | — | ||
| 25-54 | The Zero of the Signified | — | ||
| 25-55 | Morning | — | ||
| 25-56 | Seascape | — | ||
| 25-57 | Funky Frippertronics | — | ||
| 25-58 | The Zero of the Signified (extended) | — | ||
| 25-59 | Urban Landscape (band version) | — | ||
| 25-60 | Chicago (Terre Roche vocal) | — | ||
| 25-61 | Water Music II (extended) | — | ||
| 25-62 | Feel | — | ||
| 25-63 | AA | — | ||
| 25-64 | Morning | — | ||
| 25-65 | Funky Frippertronics | — | ||
| 25-66 | Step ’n’ Fetch It | — | ||
| 25-67 | Spanish Landscape | — | ||
| 25-68 | Italian Afternoon | — | ||
| 25-69 | Seascape | — | ||
| 25-70 | Funky Frippertronics | — | ||
| 25-71 | Feel II | — | ||
| 25-72 | Spanish Landscape | — | ||
| 25-73 | AA III | — | ||
| 25-74 | Urban Landscape (band version) | — | ||
| 25-75 | Step ’n’ Fetch It | — | ||
| 25-76 | Morning | — | ||
| 25-77 | Music on Hold (Frippertronics version) | — | ||
| 25-78 | Seascape | — | ||
| 25-79 | Italian Afternoon | — | ||
| 25-80 | Water Music II (extended) | — | ||
| 25-81 | Preface | — | ||
| 25-82 | You Burn Me Up I’m a Cigarette | — | ||
| 25-83 | Breathless | — | ||
| 25-84 | Disengage II | — | ||
| 25-85 | North Star | — | ||
| 25-86 | Chicago | — | ||
| 25-87 | New York, New York, New York | — | ||
| 25-88 | Mary | — | ||
| 25-89 | Exposure | — | ||
| 25-90 | Häaden Two | — | ||
| 25-91 | Urban Landscape | — | ||
| 25-92 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-93 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-94 | Water Music I | — | ||
| 25-95 | Here Comes the Flood | — | ||
| 25-96 | Water Music II | — | ||
| 25-97 | Postscript | — | ||
| 25-98 | Exposure (Daryl Hall vocal) | — | ||
| 25-99 | Mary (Daryl Hall vocal) | — | ||
| 25-100 | Disengage | — | ||
| 25-101 | Chicago | — | ||
| 25-102 | NY3 | — | ||
| 25-103 | Preface/You Burn Me Up I'm a Cigarette | — | ||
| 25-104 | North Star | — | ||
| 25-105 | Disengage | — | ||
| 25-106 | I Smile Like Chicago | — | ||
| 25-107 | Exposure | — | ||
| 25-108 | NY3 (lyric version) | — | ||
| 25-109 | Häaden Two | — | ||
| 25-110 | Mary | — | ||
| 25-111 | Breathless | — | ||
| 25-112 | NYCNY / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-113 | Water Music I / Here Comes the Flood | — | ||
| 25-114 | Water Music II | — | ||
| 25-115 | Postscript | — | ||
| 25-116 | Preface | — | ||
| 25-117 | You Burn Me Up I’m a Cigarette | — | ||
| 25-118 | Breathless | — | ||
| 25-119 | Disengage | — | ||
| 25-120 | North Star | — | ||
| 25-121 | Chicago | — | ||
| 25-122 | NY3 | — | ||
| 25-123 | Mary | — | ||
| 25-124 | Exposure | — | ||
| 25-125 | Häaden Two | — | ||
| 25-126 | Urban Landscape | — | ||
| 25-127 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-128 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-129 | Water Music I | — | ||
| 25-130 | Here Comes the Flood | — | ||
| 25-131 | Water Music II | — | ||
| 25-132 | Postscript | — | ||
| 25-133 | Preface | — | ||
| 25-134 | You Burn Me Up I’m a Cigarette | — | ||
| 25-135 | Breathless | — | ||
| 25-136 | Disengage | — | ||
| 25-137 | North Star | — | ||
| 25-138 | Chicago | — | ||
| 25-139 | NY3 | — | ||
| 25-140 | Mary | — | ||
| 25-141 | Exposure | — | ||
| 25-142 | Häaden Two | — | ||
| 25-143 | Urban Landscape | — | ||
| 25-144 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-145 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-146 | Water Music I | — | ||
| 25-147 | Here Comes the Flood | — | ||
| 25-148 | Water Music II | — | ||
| 25-149 | Postscript | — | ||
| 25-150 | Under Heavy Manners | — | ||
| 25-151 | The Zero of the Signified | — | ||
| 26-1 | Major Loops: I | — | ||
| 26-2 | Major Loops: II | — | ||
| 26-3 | Major Loops: III | — | ||
| 26-4 | Exposure Master Loops I | — | ||
| 26-5 | Exposure Master Loops II | — | ||
| 26-6 | C Sharp Bass Joins and Becomes Seascape | — | ||
| 26-7 | Feb 5: The Kitchen, New York, 1st & 2nd Show | — | ||
| 26-8 | May: Loops: Here Comes the Flood | — | ||
| 26-9 | May: Loops | — | ||
| 26-10 | May: Loops for Married Men | — | ||
| 26-11 | Jun: Flood & Frenzy Loops | — | ||
| 26-12 | Jun: Loops for Breathless | — | ||
| 26-13 | Apr 23: Polygram, London | — | ||
| 26-14 | Apr 24: Polygram, London | — | ||
| 26-15 | Apr 25: Pizza Express Notting Hill, London | — | ||
| 26-16 | Apr 26: Virgin Records Marble Arch, London | — | ||
| 26-17 | May 7: Theatre Populier, Amsterdam | — | ||
| 26-18 | May 9: The Club, Brussels | — | ||
| 26-19 | May 12: Le Trompe L'Oiel, Paris | — | ||
| 26-20 | May 13: Le Trompe L'Oiel, Paris | — | ||
| 26-21 | May 17: Malmen Club, Brussels | — | ||
| 26-22 | May 18: Wintergarden, Carlsberg Glyptotek, Copenhagen | — | ||
| 26-23 | May 23: Polydor, Paris | — | ||
| 26-24 | May 24: Theatre Le Palace, Paris | — | ||
| 26-25 | May 25: Theatre Le Palace, Paris | — | ||
| 26-26 | May 25: The Music Box, Paris | — | ||
| 26-27 | May 26: Theatre Le Palace, Paris | — | ||
| 26-28 | May 27: Theatre Le Palace, Paris | — | ||
| 26-29 | May 28: D.G.G. Offices, Hamburg | — | ||
| 26-30 | May 28: GOVI Schallplatten, Hamburg | — | ||
| 26-31 | Jun 6: Passim, Boston | — | ||
| 26-32 | Jun 8: Plastic Fantastic, Philadelphia | — | ||
| 26-33 | Jun 9: Sigma Sound, Philadelphia | — | ||
| 26-34 | Jun 10: Sheraton, New York | — | ||
| 26-35 | Jun 12: Second Chance, Ann Arbor | — | ||
| 26-36 | Jun 13: Peaches, Detroit | — | ||
| 26-37 | Jun 14: Record Revolution, Cleveland | — | ||
| 26-38 | Jun 15: Peaches EAST, Cleveland | — | ||
| 26-39 | Jun 16: Washington Ethical Society, Washington | — | ||
| 26-40 | Jun 17: Penguin Feather, Washington | — | ||
| 26-41 | Jun 18: The Sound Warehouse, Chicago | — | ||
| 26-42 | Jun 19: Charlotte's Web, Rockford | — | ||
| 26-43 | Jun 21: Walkers Arts Centre, Minneapolis | — | ||
| 26-44 | Jun 22: Walkers Arts Centre, Minneapolis | — | ||
| 26-45 | Jun 24: The Kitchen, New York | — | ||
| 26-46 | Jun 25: The Kitchen, New York | — | ||
| 26-47 | Jun 26: The Kitchen, New York | — | ||
| 26-48 | Jun 28: The Kitchen, New York | — | ||
| 26-49 | Jun 29: The Kitchen, New York | — | ||
| 26-50 | Jun 30: The Kitchen, New York | — | ||
| 27-1 | Jul 1: The Kitchen, New York | — | ||
| 27-2 | Jul 5: Just a Song, Albany | — | ||
| 27-3 | Jul 6: WCMF Studio, Rochester | — | ||
| 27-4 | Jul 7: Oasis, Pittsburgh | — | ||
| 27-5 | Jul 8: Disc Records, Louisville | — | ||
| 27-6 | Jul 10: Peaches, Fort Lauderdale | — | ||
| 27-7 | Jul 11: WRAS Radio Performance, Atlanta | — | ||
| 27-8 | Jul 12: Peaches, Atlanta | — | ||
| 27-9 | Jul 13: Cactus, Houston | — | ||
| 27-10 | Jul 14: Sound Warehouse, Austin | — | ||
| 27-11 | Jul 16: Peaches, Fort Worth | — | ||
| 27-12 | Jul 17: Peaches, Dallas | — | ||
| 27-13 | Jul 18: Streetside Records, St. Louis | — | ||
| 27-14 | Jul 19: Peaches, St. Louis | — | ||
| 27-15 | Jul 20: Caper's Corner, Kansas City | — | ||
| 27-16 | Jul 21: Peaches, Denver | — | ||
| 27-17 | Jul 24: Tower Records, San Diego | — | ||
| 27-18 | Jul 25: Madame Wong's, Los Angeles | — | ||
| 27-19 | Jul 26: Madame Wong's, Los Angeles | — | ||
| 27-20 | Jul 27: Tower Records, Hollywood | — | ||
| 27-21 | Jul 28: Mabuhay Gardens, San Francisco | — | ||
| 27-22 | Jul 29: Mabuhay Gardens, San Francisco | — | ||
| 27-23 | Jul 30: Bear's Lair, Berkeley | — | ||
| 27-24 | Jul 30: Tower Records, Berkeley | — | ||
| 27-25 | Jul 30: Tower Records, San Jose | — | ||
| 27-26 | Aug 1: Everybody's, Portland | — | ||
| 27-27 | Aug 1: Music Millenium, Portland | — | ||
| 27-28 | Aug 2: Pike's Place Theatre, Seattle | — | ||
| 27-29 | Aug 3: Tower Records, Seattle | — | ||
| 27-30 | Aug 5: Robson Square Theatre, Vancouver | — | ||
| 27-31 | Aug 6: Robson Square Theatre, Vancouver | — | ||
| 27-32 | Aug 7: Provincial Museum, Edmonton | — | ||
| 27-33 | Aug 8: Centennial Planetarium, Calgary | — | ||
| 27-34 | Aug 9: Winnipeg Art Gallery, Winnipeg | — | ||
| 27-35 | Aug 11: Bathurst Street Theatre, Toronto | — | ||
| 27-36 | Aug 12: Bathurst Street Theatre, Toronto | — | ||
| 27-37 | Aug 13: National Art Center, Ottawa | — | ||
| 27-38 | Aug 15: Café Campus, Quebec City | — | ||
| 27-39 | Aug 16: Café Campus, Quebec City | — | ||
| 27-40 | Aug 17: Le Pretzel Enchainé, Montreal | — | ||
| 27-41 | Aug 19: Le Pretzel Enchainé, Montreal | — | ||
| 27-42 | Sep 8: Tribal Stomp Festival, Monterey | — | ||
| 27-43 | Dec 20: Blue Rock Studio, New York: Lost in the Bush of Ghosts I-V | — | ||
| 27-44 | Feb 20: Houston Hall, Philadelphia | — | ||
| 27-45 | Feb 21: Houston Hall, Philadelphia, 1st Show | — | ||
| 27-46 | Feb 21: Houston Hall, Philadelphia, 2nd Show | — | ||
| 27-47 | Jul 27: Washington Square Church, New York | — | ||
| 27-48 | Jul 28: Washington Square Church, New York | — | ||
| 27-49 | Jul 29: Washington Square Church, New York | — | ||
| 27-50 | Jul 30: Washington Square Church, New York | — | ||
| 27-51 | Aug 1: Washington Square Church, New York, Aft. | — | ||
| 27-52 | Aug 1: Washington Square Church, New York, Eve. | — | ||
| 27-53 | Aug 2: Washington Square Church, New York, Aft. | — | ||
| 27-54 | Aug 2: Washington Square Church, New York, Eve. | — | ||
| 27-55 | Aug 4: Inroads, New York | — | ||
| 27-56 | Aug 5: Inroads, New York | — | ||
| 27-57 | Aug 6: Inroads, New York | — | ||
| 27-58 | Aug 7: Inroads, New York | — | ||
| 27-59 | Feb 13: Matrix Studio, New York | — | ||
| 27-60 | Jun 13: VA Chapel Theatre, New York, 1st Show | — | ||
| 27-61 | Jun 13: VA Chapel Theatre, New York, 2nd Show | — | ||
| 27-62 | Jul 17: WOMAD, Royal Bath & West Showground | — | ||
| 27-63 | Mar 2: Mandeville Auditorium, San Diego | — | ||
| 27-64 | Mar 3: The Roxy, Los Angeles, 1st Show | — | ||
| 27-65 | Mar 3: The Roxy, Los Angeles, 2nd Show | — | ||
| 27-66 | Mar 4: McKenna Theatre, San Francisco, 1st Show | — | ||
| 27-67 | Mar 4: McKenna Theatre, San Francisco, 2nd Show | — | ||
| 27-68 | Mar 6: Wheeler Auditorium, Berkeley | — | ||
| 27-69 | Mar 8: Neeb Hall, Tempe | — | ||
| 27-70 | Mar 10: Rose Room, New Brunswick | — | ||
| 27-71 | Mar 11: Union Auditorium, Stony Brook | — | ||
| 27-72 | Mar 12: Alexander Hall, Princeton | — | ||
| 27-73 | Mar 15: Gaston Hall, Washington | — | ||
| 27-74 | Mar 22: Paradise, Boston, 1st Show | — | ||
| 27-75 | Mar 22: Paradise, Boston, 2nd Show | — | ||
| 27-76 | Mar 23: Toad's Place, New Haven | — | ||
| 27-77 | Mar 26: University of Guelph, Ontario | — | ||
| 27-78 | Mar 27: Theatre of Arts, Waterloo, 1st Show | — | ||
| 27-79 | Mar 27: Theatre of Arts, Waterloo, 2nd Show | — | ||
| 27-80 | Mar 28: Arthouse Theatre, University of Western Ontario | — | ||
| 27-81 | Mar 29: Carleton University, Ottawa | — | ||
| 27-82 | Mar 30: McGill University, Montreal | — | ||
| 27-83 | Apr 1: University of Toronto, 1st Show | — | ||
| 27-84 | Apr 1: University of Toronto, 2nd Show | — | ||
| 28-1 | Inductive Resonance | — | ||
| 28-2 | Minor Man | — | ||
| 28-3 | Heptaparaparshinokh | — | ||
| 28-4 | Dislocated | — | ||
| 28-5 | Eye Needles | — | ||
| 28-6 | Cognitive Dissonance | — | ||
| 28-7 | H.G. Wells | — | ||
| 28-8 | Trap | — | ||
| 28-9 | 1984 | — | ||
| 28-10 | 1985 | — | ||
| 28-11 | 1986 | — | ||
| 28-12 | 1987 | — | ||
| 28-13 | 1988 | — | ||
| 28-14 | 1989 | — | ||
| 28-15 | Washington Square Church I | — | ||
| 28-16 | Washington Square Church II | — | ||
| 28-17 | Washington Square Church III | — | ||
| 28-18 | Washington Square Church IV | — | ||
| 28-19 | Washington Square Church V | — | ||
| 28-20 | Washington Square Church VI | — | ||
| 28-21 | Washington Square Church VII | — | ||
| 28-22 | Washington Square Church VIII | — | ||
| 28-23 | Washington Square Church IX | — | ||
| 28-24 | Washington Square Church X | — | ||
| 28-25 | Washington Square Church XI | — | ||
| 28-26 | 1984 | — | ||
| 28-27 | 1985 | — | ||
| 28-28 | 1986 | — | ||
| 28-29 | 1987 | — | ||
| 28-30 | 1988 | — | ||
| 28-31 | 1989 | — | ||
| 28-32 | 1984 (single edit) | — | ||
| 28-33 | 1984 (mix 1) | — | ||
| 28-34 | 1984 (mix 2) | — | ||
| 28-35 | Glass Flutes | — | ||
| 28-36 | Johnny Brill | — | ||
| 28-37 | Christian Children Marching, Singing | — | ||
| 28-38 | Boy at Piano | — | ||
| 28-39 | Inductive Resonance (alternate version) | — | ||
| 28-40 | Heptaparaparshinokh (alternate version) | — | ||
| 28-41 | Dislocated (alternate version) | — | ||
| 28-42 | Eye Needles (alternate version) | — | ||
| 28-43 | Trap (alternate version) | — | ||
| 28-44 | God Save the King | — | ||
| 28-45 | Under Heavy Manners | — | ||
| 28-46 | Heptaparaparshinokh | — | ||
| 28-47 | Inductive Resonance | — | ||
| 28-48 | Cognitive Dissonance | — | ||
| 28-49 | Dislocated | — | ||
| 28-50 | H. G. Wells | — | ||
| 28-51 | Eye Needles | — | ||
| 28-52 | Trap | — | ||
| 29-1 | Seattle Space Music | — | ||
| 29-2 | House of Music | — | ||
| 29-3 | Celebration | — | ||
| 29-4 | Urban Landscape II | — | ||
| 29-5 | Urban Landscape III | — | ||
| 29-6 | Easter Sunday | — | ||
| 29-7 | Good King Wenceslas | — | ||
| 29-8 | Silent Night | — | ||
| 29-9 | Volo Ergo Sum | — | ||
| 29-10 | Night I | — | ||
| 29-11 | Night II | — | ||
| 29-12 | Marriagemuzic | — | ||
| 30-1 | Slow Stomp 1 | — | ||
| 30-2 | Cry to the Faith | — | ||
| 30-3 | Fat Itch Theory | — | ||
| 30-4 | Slow Stomp 2 | — | ||
| 30-5 | Hitting the Groove Factor | — | ||
| 30-6 | Toy Fact Hither | — | ||
| 30-7 | 353 West 48th Street | — | ||
| 30-8 | Groove | — | ||
| 30-9 | You Burn Me Up I’m a Cigarette IV | — | ||
| 30-10 | Breathless IV | — | ||
| 30-11 | Breathless Solo | — | ||
| 30-12 | Disengage II | — | ||
| 30-13 | Disengage VI | — | ||
| 30-14 | North Star III | — | ||
| 30-15 | Chicago II | — | ||
| 30-16 | NYC III | — | ||
| 30-17 | Mary | — | ||
| 30-18 | Exposure I | — | ||
| 30-19 | Häaden Two II | — | ||
| 30-20 | I May Not Have Had Enough of Me but I’ve Had Enough of You II | — | ||
| 31-1 | Tune-Up | — | ||
| 31-2 | Riff and Roll | — | ||
| 31-3 | Groove | — | ||
| 31-4 | Bass and Drum Groove | — | ||
| 31-5 | Idea: Slow Drums | — | ||
| 31-6 | Idea: Fast Drums | — | ||
| 31-7 | Ballad | — | ||
| 31-8 | You Burn Me Up I’m a Cigarette I | — | ||
| 31-9 | You Burn Me Up I’m a Cigarette II | — | ||
| 31-10 | You Burn Me Up I’m a Cigarette III | — | ||
| 31-11 | Breathless I | — | ||
| 31-12 | Breathless II | — | ||
| 31-13 | Breathless III | — | ||
| 31-14 | Disengage I | — | ||
| 31-15 | Disengage II | — | ||
| 31-16 | Disengage | — | ||
| 31-17 | North Star I | — | ||
| 31-18 | North Star II | — | ||
| 31-19 | North-Ish Star II | — | ||
| 31-20 | North-Ish Star | — | ||
| 31-21 | NYC I | — | ||
| 31-22 | NYC II | — | ||
| 31-23 | Exposure V | — | ||
| 31-24 | Häaden Two I | — | ||
| 31-25 | Häaden Two III | — | ||
| 31-26 | I May Not Have Had Enough of Me but I’ve Had Enough of You I | — | ||
| 32-1 | RF Announcement | — | ||
| 32-2 | Inductive Resonance | — | ||
| 32-3 | Trap | — | ||
| 32-4 | Heptaparaparshinokh | — | ||
| 32-5 | RF Announcement | — | ||
| 32-6 | Thrang Thrang Gozinbulx II | — | ||
| 32-7 | Boy at Piano | — | ||
| 32-8 | Christian Children Marching, Singing | — | ||
| 32-9 | Dislocated | — | ||
| 32-10 | RF Announcement | — | ||
| 32-11 | Thrang Thrang Gozinbulx III | — | ||
| 32-12 | Minor Man | — | ||
| 32-13 | Farewell Johnny Brill | — | ||
| 32-14 | Eye Needles | — | ||
| 32-15 | Inductive Resonance | — | ||
| 32-16 | Dislocated | — | ||
| 32-17 | Heptaparaparshinokh | — | ||
| 32-18 | Farewell Johnny Brill | — | ||
| 32-19 | Inductive Resonance | — | ||
| 32-20 | A Few Goodies There | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
633367197924 is a Universal Product Code (UPC) assigned to Exposures by Robert Fripp. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 748 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
633367197924 is the Universal Product Code (UPC barcode) for the release “Exposures” by Robert Fripp, released 2022-01-01 on Discipline Global Mobile. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 748 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Major Loops I | — | ||
| 2-1 | Major Loops II | — | ||
| 3-1 | Major Loops III | — | ||
| 3-2 | Loops: Breathless | — | ||
| 4-1 | Exposure Master Loops I | — | ||
| 4-2 | Exposure Master Loops II | — | ||
| 4-3 | C Sharp Bass Joins and Becomes Seascape | — | ||
| 4-4 | Lost in the Bush of Ghosts I | — | ||
| 4-5 | Lost in the Bush of Ghosts II | — | ||
| 4-6 | Lost in the Bush of Ghosts III | — | ||
| 4-7 | Lost in the Bush of Ghosts IV | — | ||
| 4-8 | Lost in the Bush of Ghosts V | — | ||
| 5-1 | Preface/You Burn Me Up I’m a Cigarette | — | ||
| 5-2 | North Star | — | ||
| 5-3 | Disengage | — | ||
| 5-4 | I Smile Like Chicago | — | ||
| 5-5 | Exposure | — | ||
| 5-6 | NY3 (lyric version) | — | ||
| 5-7 | Häaden Two | — | ||
| 5-8 | Mary | — | ||
| 5-9 | Breathless | — | ||
| 5-10 | NYCNY / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 5-11 | Water Music I / Here Comes the Flood | — | ||
| 5-12 | Water Music II | — | ||
| 5-13 | Postscript | — | ||
| 5-14 | Exposure II | — | ||
| 5-15 | NY3 (alt. take/Rough mix) | — | ||
| 5-16 | You Burn Me Up I’m a Cigarette (alt. take/rough mix) | — | ||
| 5-17 | Disengage (alt. take/rough mix) | — | ||
| 5-18 | Chicago (alt. take/rough mix Aug 8th) | — | ||
| 5-19 | Chicago (alt. take/rough mix Aug 9th) | — | ||
| 5-20 | Mary (sax) | — | ||
| 5-21 | North Star (old riff - take 6) | — | ||
| 5-22 | North Star 2 (take 7) | — | ||
| 5-23 | Exposure IV | — | ||
| 5-24 | NY3 | — | ||
| 5-25 | Mary (revised remix take 26) | — | ||
| 6-1 | Preface | — | ||
| 6-2 | You Burn Me Up I’m a Cigarette | — | ||
| 6-3 | Breathless | — | ||
| 6-4 | Disengage | — | ||
| 6-5 | North Star | — | ||
| 6-6 | Chicago | — | ||
| 6-7 | NY3 | — | ||
| 6-8 | Mary | — | ||
| 6-9 | Exposure | — | ||
| 6-10 | Häaden Two | — | ||
| 6-11 | Urban Landscape | — | ||
| 6-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 6-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 6-14 | Water Music I | — | ||
| 6-15 | Here Comes the Flood | — | ||
| 6-16 | Water Music II | — | ||
| 6-17 | Postscript | — | ||
| 6-18 | Loops: Here Comes the Flood | — | ||
| 7-1 | Preface | — | ||
| 7-2 | You Burn Me Up I’m a Cigarette | — | ||
| 7-3 | Breathless | — | ||
| 7-4 | Disengage II (Daryl Hall vocal) | — | ||
| 7-5 | North Star | — | ||
| 7-6 | Chicago (Daryl Hall vocal) | — | ||
| 7-7 | New York, New York, New York (Daryl Hall vocal) | — | ||
| 7-8 | Mary | — | ||
| 7-9 | Exposure | — | ||
| 7-10 | Häaden Two | — | ||
| 7-11 | Urban Landscape | — | ||
| 7-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 7-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 7-14 | Water Music I | — | ||
| 7-15 | Here Comes the Flood | — | ||
| 7-16 | Water Music II | — | ||
| 7-17 | Postscript | — | ||
| 7-18 | Exposure (Daryl Hall vocal) | — | ||
| 7-19 | Mary (Daryl Hall vocal) | — | ||
| 7-20 | Disengage | — | ||
| 7-21 | Chicago | — | ||
| 7-22 | NY3 | — | ||
| 7-23 | Exposure (from Peter Gabriel II) | — | ||
| 7-24 | Urban Landscape (from Daryl Hall Sacred Songs) | — | ||
| 7-25 | NYCNY (from Daryl Hall Sacred Songs) | — | ||
| 7-26 | Here Comes the Flood (early mix) | — | ||
| 8-1 | Preface | — | ||
| 8-2 | You Burn Me Up I’m a Cigarette | — | ||
| 8-3 | Breathless | — | ||
| 8-4 | Disengage | — | ||
| 8-5 | North Star | — | ||
| 8-6 | Chicago | — | ||
| 8-7 | NY3 | — | ||
| 8-8 | Mary | — | ||
| 8-9 | Exposure | — | ||
| 8-10 | Häaden Two | — | ||
| 8-11 | Urban Landscape | — | ||
| 8-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 8-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 8-14 | Water Music I | — | ||
| 8-15 | Here Comes the Flood | — | ||
| 8-16 | Water Music II | — | ||
| 8-17 | Postscript | — | ||
| 8-18 | Disengage | — | ||
| 8-19 | Chicago | — | ||
| 8-20 | NY3 | — | ||
| 8-21 | Mary | — | ||
| 8-22 | Exposure | — | ||
| 8-23 | Chicago | — | ||
| 9-1 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 9-2 | North Star | — | ||
| 9-3 | Disengage | — | ||
| 9-4 | Chicago | — | ||
| 9-5 | Exposure | — | ||
| 9-6 | NY3 (lyric version) | — | ||
| 9-7 | Häaden Two | — | ||
| 9-8 | Mary | — | ||
| 9-9 | Breathless | — | ||
| 9-10 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 9-11 | Water Music I / Here Comes the Flood | — | ||
| 9-12 | Water Music II (extended) | — | ||
| 9-13 | Postscript | — | ||
| 9-14 | Loops for Married Men | — | ||
| 10-1 | Test Loop | — | ||
| 10-2 | Loop I | — | ||
| 10-3 | Loop II | — | ||
| 10-4 | Loop III | — | ||
| 10-5 | Loop IV | — | ||
| 10-6 | Loop IV and Solo | — | ||
| 11-1 | Loop I | — | ||
| 11-2 | Loop II | — | ||
| 11-3 | Loop III | — | ||
| 11-4 | Partial Loop III and Solo | — | ||
| 12-1 | Green Music for Libraries I | — | ||
| 12-2 | Green Music for Libraries II | — | ||
| 12-3 | Music for Journalists I | — | ||
| 12-4 | Music for Journalists II | — | ||
| 12-5 | Music for Journalists III | — | ||
| 12-6 | Music for Journalists IV | — | ||
| 13-1 | Loop and Solo I | — | ||
| 13-2 | Loop and Solo II | — | ||
| 13-3 | RF Dialogue | — | ||
| 13-4 | Loop and Solo III | — | ||
| 13-5 | RF Dialogue | — | ||
| 13-6 | Loop IV | — | ||
| 13-7 | RF Dialogue | — | ||
| 13-8 | Loop and Solo IV the Product of Us All | — | ||
| 13-9 | RF Dialogue | — | ||
| 13-10 | Berkeley Loop, Montreal Solo | — | ||
| 13-11 | ’79 Aug 17, Montreal Loop | — | ||
| 13-12 | ’79 Aug 16, Sainte-Foy Loop | — | ||
| 14-1 | Red Two Scorer | — | ||
| 14-2 | God Save the Queen | — | ||
| 14-3 | 1983 | — | ||
| 14-4 | Under Heavy Manners | — | ||
| 14-5 | The Zero of the Signified | — | ||
| 14-6 | God Save the King | — | ||
| 14-7 | Music on Hold | — | ||
| 15-1 | Under Heavy Manners (extended) | — | ||
| 15-2 | 1983 (band version) | — | ||
| 15-3 | The Zero of the Signified (extended) | — | ||
| 15-4 | Water Music II (Full-Length version) | — | ||
| 15-5 | Under Heavy Manners | — | ||
| 15-6 | The Zero of the Signified | — | ||
| 15-7 | Music on Hold (jam) | — | ||
| 16-1 | Funky Frippertronics | — | ||
| 16-2 | Feel II | — | ||
| 16-3 | Spanish Landscape | — | ||
| 16-4 | AA III | — | ||
| 16-5 | Urban Landscape (Band version) | — | ||
| 16-6 | Step ’n’ Fetch It | — | ||
| 16-7 | Morning | — | ||
| 16-8 | Music on Hold (Frippertronics version) | — | ||
| 16-9 | Seascape | — | ||
| 16-10 | Italian Afternoon | — | ||
| 16-11 | Water Music II (extended) | — | ||
| 17-1 | RF Announcement | — | ||
| 17-2 | Inductive Resonance | — | ||
| 17-3 | Trap | — | ||
| 17-4 | Heptaparaparshinokh | — | ||
| 17-5 | RF Announcement | — | ||
| 17-6 | Thrang Thrang Gozinbulx III | — | ||
| 17-7 | Boy at Piano | — | ||
| 17-8 | Christian Children Marching, Singing | — | ||
| 17-9 | Dislocated | — | ||
| 17-10 | RF Announcement | — | ||
| 17-11 | Thrang Thrang Gozinbulx II | — | ||
| 17-12 | Minor Man | — | ||
| 17-13 | Prelude | — | ||
| 17-14 | Ooh! Mr. Fripp | — | ||
| 17-15 | Farewell Johnny Brill | — | ||
| 17-16 | Eye Needles | — | ||
| 17-17 | Inductive Resonance | — | ||
| 17-18 | Heptaparaparshinokh | — | ||
| 17-19 | Dislocated | — | ||
| 17-20 | Disengage | — | ||
| 17-21 | F Sharp Minor | — | ||
| 18-1 | Inductive Resonance | — | ||
| 18-2 | Thrang Thrang Gozinbulx I | — | ||
| 18-3 | Trap | — | ||
| 18-4 | Boy at Piano | — | ||
| 18-5 | Heptaparaparshinokh | — | ||
| 18-6 | Thrang Thrang Gozinbulx II | — | ||
| 18-7 | Christian Children Marching, Singing | — | ||
| 18-8 | Ooh! Mr. Fripp | — | ||
| 18-9 | Dislocated | — | ||
| 18-10 | Minor Man | — | ||
| 18-11 | Thrang Thrang Gozinbulx III | — | ||
| 18-12 | Farewell Johnny Brill | — | ||
| 18-13 | Inductive Resonance | — | ||
| 18-14 | RF Combined Announcements | — | ||
| 18-15 | Heptaparaparshinokh | — | ||
| 18-16 | Inductive Resonance | — | ||
| 18-17 | Cognitive Dissonance | — | ||
| 18-18 | Dislocated | — | ||
| 18-19 | H.G. Wells | — | ||
| 18-20 | Eye Needles | — | ||
| 18-21 | Trap | — | ||
| 19-1 | Inductive Resonance | — | ||
| 19-2 | Minor Man | — | ||
| 19-3 | Heptaparaparshinokh | — | ||
| 19-4 | Dislocated | — | ||
| 19-5 | Eye Needles | — | ||
| 19-6 | Cognitive Dissonance | — | ||
| 19-7 | H.G. Wells | — | ||
| 19-8 | Trap | — | ||
| 19-9 | Glass Flutes | — | ||
| 19-10 | Johnny Brill | — | ||
| 19-11 | Christian Children Marching, Singing | — | ||
| 19-12 | Boy at Piano | — | ||
| 19-13 | Inductive Resonance (alt. take) | — | ||
| 19-14 | Heptaparaparshinokh (alt. take) | — | ||
| 19-15 | Dislocated (alt. take) | — | ||
| 19-16 | Eye Needles (alt. take) | — | ||
| 19-17 | Trap (alt. take) | — | ||
| 20-1 | 1984 | — | ||
| 20-2 | 1985 | — | ||
| 20-3 | 1986 | — | ||
| 20-4 | 1987 | — | ||
| 20-5 | 1988 | — | ||
| 20-6 | 1989 | — | ||
| 20-7 | 1984 (single edit) | — | ||
| 20-8 | 1984 (mix 1) | — | ||
| 20-9 | 1984 (mix 2) | — | ||
| 21-1 | Washington Square I | — | ||
| 21-2 | Washington Square II | — | ||
| 21-3 | Washington Square III | — | ||
| 21-4 | Washington Square IV | — | ||
| 21-5 | Washington Square V | — | ||
| 21-6 | Washington Square VI | — | ||
| 21-7 | Washington Square VII | — | ||
| 21-8 | Washington Square VIII | — | ||
| 21-9 | Washington Square IX | — | ||
| 21-10 | Washington Square X | — | ||
| 21-11 | Washington Square XI | — | ||
| 22-1 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 22-2 | Breathless | — | ||
| 22-3 | Disengage | — | ||
| 22-4 | North Star | — | ||
| 22-5 | Chicago | — | ||
| 22-6 | NY3 | — | ||
| 22-7 | Mary | — | ||
| 22-8 | Exposure | — | ||
| 22-9 | Häaden Two | — | ||
| 22-10 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherborne House | — | ||
| 22-11 | Water Music I / Here Comes the Flood | — | ||
| 22-12 | Water Music II | — | ||
| 22-13 | Postscript | — | ||
| 22-14 | Disengage | — | ||
| 22-15 | Chicago | — | ||
| 22-16 | NY3 | — | ||
| 22-17 | Mary | — | ||
| 22-18 | Exposure | — | ||
| 22-19 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 22-20 | Breathless | — | ||
| 22-21 | Disengage II | — | ||
| 22-22 | North Star | — | ||
| 22-23 | Chicago | — | ||
| 22-24 | New York, New York, New York | — | ||
| 22-25 | Mary | — | ||
| 22-26 | Exposure | — | ||
| 22-27 | Häaden Two | — | ||
| 22-28 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherborne House | — | ||
| 22-29 | Water Music I / Here Comes the Flood | — | ||
| 22-30 | Water Music II | — | ||
| 22-31 | Postscript | — | ||
| 22-32 | Exposure (Daryl Hall vocal) | — | ||
| 22-33 | Mary (Daryl Hall vocal) | — | ||
| 22-34 | Disengage | — | ||
| 22-35 | Chicago | — | ||
| 22-36 | NY3 | — | ||
| 22-37 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 22-38 | North Star | — | ||
| 22-39 | Disengage | — | ||
| 22-40 | I Smile Like Chicago | — | ||
| 22-41 | Exposure | — | ||
| 22-42 | NY3 (lyric version) | — | ||
| 22-43 | Häaden Two | — | ||
| 22-44 | Mary | — | ||
| 22-45 | Breathless | — | ||
| 22-46 | NYCNY / First Inaugural Address to the I.A.C.E. Sherborne House | — | ||
| 22-47 | Water Music I / Here Comes the Flood | — | ||
| 22-48 | Water Music II | — | ||
| 22-49 | Postscript | — | ||
| 23-1 | Red Two Scorer | — | ||
| 23-2 | God Save the Queen | — | ||
| 23-3 | 1983 | — | ||
| 23-4 | Under Heavy Manners | — | ||
| 23-5 | The Zero of the Signified | — | ||
| 23-6 | Morning | — | ||
| 23-7 | Seascape | — | ||
| 23-8 | Funky Frippertronics | — | ||
| 23-9 | The Zero of the Signified (extended) | — | ||
| 23-10 | Inductive Resonance | — | ||
| 23-11 | Minor Man | — | ||
| 23-12 | Heptaparaparshinokh | — | ||
| 23-13 | Dislocated | — | ||
| 23-14 | Eye Needles | — | ||
| 23-15 | Cognitive Dissonance | — | ||
| 23-16 | H.G. Wells | — | ||
| 23-17 | Trap | — | ||
| 24-1 | 1984 | — | ||
| 24-2 | 1985 | — | ||
| 24-3 | 1986 | — | ||
| 24-4 | 1987 | — | ||
| 24-5 | 1988 | — | ||
| 24-6 | 1989 | — | ||
| 24-7 | Washington Square I | — | ||
| 24-8 | Washington Square II | — | ||
| 24-9 | Washington Square III | — | ||
| 24-10 | Washington Square IV | — | ||
| 24-11 | Washington Square V | — | ||
| 24-12 | Washington Square VI | — | ||
| 24-13 | Washington Square VII | — | ||
| 24-14 | Washington Square VIII | — | ||
| 24-15 | Washington Square IX | — | ||
| 24-16 | Washington Square X | — | ||
| 24-17 | Washington Square XI | — | ||
| 25-1 | Preface | — | ||
| 25-2 | You Burn Me Up I’m a Cigarette | — | ||
| 25-3 | Breathless | — | ||
| 25-4 | Disengage | — | ||
| 25-5 | North Star | — | ||
| 25-6 | Chicago | — | ||
| 25-7 | NY3 | — | ||
| 25-8 | Mary | — | ||
| 25-9 | Exposure | — | ||
| 25-10 | Häaden Two | — | ||
| 25-11 | Urban Landscape | — | ||
| 25-12 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-13 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-14 | Water Music I | — | ||
| 25-15 | Here Comes the Flood | — | ||
| 25-16 | Water Music II | — | ||
| 25-17 | Postscript | — | ||
| 25-18 | Preface | — | ||
| 25-19 | You Burn Me Up I’m a Cigarette | — | ||
| 25-20 | Breathless | — | ||
| 25-21 | Disengage (Daryl Hall vocal) | — | ||
| 25-22 | North Star | — | ||
| 25-23 | Chicago (Daryl Hall vocal) | — | ||
| 25-24 | NY3 (Daryl Hall vocal) | — | ||
| 25-25 | Mary (Daryl Hall vocal) | — | ||
| 25-26 | Exposure (Daryl Hall vocal) | — | ||
| 25-27 | Häaden Two | — | ||
| 25-28 | Urban Landscape | — | ||
| 25-29 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-30 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-31 | Water Music I | — | ||
| 25-32 | Here Comes the Flood | — | ||
| 25-33 | Water Music II | — | ||
| 25-34 | Postscript | — | ||
| 25-35 | Preface / You Burn Me Up I’m a Cigarette | — | ||
| 25-36 | North Star | — | ||
| 25-37 | Disengage | — | ||
| 25-38 | I Smile Like Chicago | — | ||
| 25-39 | Exposure | — | ||
| 25-40 | NY3 (lyric version) | — | ||
| 25-41 | Häaden Two | — | ||
| 25-42 | Mary | — | ||
| 25-43 | Breathless | — | ||
| 25-44 | Urban Landscape / I May Not Have Had Enough of Me but I’ve Had Enough of You / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-45 | Water Music I / Here Comes the Flood | — | ||
| 25-46 | Water Music II | — | ||
| 25-47 | Postscript | — | ||
| 25-48 | Red Two Scorer | — | ||
| 25-49 | God Save the Queen | — | ||
| 25-50 | 1983 | — | ||
| 25-51 | Under Heavy Manners | — | ||
| 25-52 | The Zero of the Signified (extended) | — | ||
| 25-53 | Under Heavy Manners | — | ||
| 25-54 | The Zero of the Signified | — | ||
| 25-55 | Morning | — | ||
| 25-56 | Seascape | — | ||
| 25-57 | Funky Frippertronics | — | ||
| 25-58 | The Zero of the Signified (extended) | — | ||
| 25-59 | Urban Landscape (band version) | — | ||
| 25-60 | Chicago (Terre Roche vocal) | — | ||
| 25-61 | Water Music II (extended) | — | ||
| 25-62 | Feel | — | ||
| 25-63 | AA | — | ||
| 25-64 | Morning | — | ||
| 25-65 | Funky Frippertronics | — | ||
| 25-66 | Step ’n’ Fetch It | — | ||
| 25-67 | Spanish Landscape | — | ||
| 25-68 | Italian Afternoon | — | ||
| 25-69 | Seascape | — | ||
| 25-70 | Funky Frippertronics | — | ||
| 25-71 | Feel II | — | ||
| 25-72 | Spanish Landscape | — | ||
| 25-73 | AA III | — | ||
| 25-74 | Urban Landscape (band version) | — | ||
| 25-75 | Step ’n’ Fetch It | — | ||
| 25-76 | Morning | — | ||
| 25-77 | Music on Hold (Frippertronics version) | — | ||
| 25-78 | Seascape | — | ||
| 25-79 | Italian Afternoon | — | ||
| 25-80 | Water Music II (extended) | — | ||
| 25-81 | Preface | — | ||
| 25-82 | You Burn Me Up I’m a Cigarette | — | ||
| 25-83 | Breathless | — | ||
| 25-84 | Disengage II | — | ||
| 25-85 | North Star | — | ||
| 25-86 | Chicago | — | ||
| 25-87 | New York, New York, New York | — | ||
| 25-88 | Mary | — | ||
| 25-89 | Exposure | — | ||
| 25-90 | Häaden Two | — | ||
| 25-91 | Urban Landscape | — | ||
| 25-92 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-93 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-94 | Water Music I | — | ||
| 25-95 | Here Comes the Flood | — | ||
| 25-96 | Water Music II | — | ||
| 25-97 | Postscript | — | ||
| 25-98 | Exposure (Daryl Hall vocal) | — | ||
| 25-99 | Mary (Daryl Hall vocal) | — | ||
| 25-100 | Disengage | — | ||
| 25-101 | Chicago | — | ||
| 25-102 | NY3 | — | ||
| 25-103 | Preface/You Burn Me Up I'm a Cigarette | — | ||
| 25-104 | North Star | — | ||
| 25-105 | Disengage | — | ||
| 25-106 | I Smile Like Chicago | — | ||
| 25-107 | Exposure | — | ||
| 25-108 | NY3 (lyric version) | — | ||
| 25-109 | Häaden Two | — | ||
| 25-110 | Mary | — | ||
| 25-111 | Breathless | — | ||
| 25-112 | NYCNY / First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-113 | Water Music I / Here Comes the Flood | — | ||
| 25-114 | Water Music II | — | ||
| 25-115 | Postscript | — | ||
| 25-116 | Preface | — | ||
| 25-117 | You Burn Me Up I’m a Cigarette | — | ||
| 25-118 | Breathless | — | ||
| 25-119 | Disengage | — | ||
| 25-120 | North Star | — | ||
| 25-121 | Chicago | — | ||
| 25-122 | NY3 | — | ||
| 25-123 | Mary | — | ||
| 25-124 | Exposure | — | ||
| 25-125 | Häaden Two | — | ||
| 25-126 | Urban Landscape | — | ||
| 25-127 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-128 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-129 | Water Music I | — | ||
| 25-130 | Here Comes the Flood | — | ||
| 25-131 | Water Music II | — | ||
| 25-132 | Postscript | — | ||
| 25-133 | Preface | — | ||
| 25-134 | You Burn Me Up I’m a Cigarette | — | ||
| 25-135 | Breathless | — | ||
| 25-136 | Disengage | — | ||
| 25-137 | North Star | — | ||
| 25-138 | Chicago | — | ||
| 25-139 | NY3 | — | ||
| 25-140 | Mary | — | ||
| 25-141 | Exposure | — | ||
| 25-142 | Häaden Two | — | ||
| 25-143 | Urban Landscape | — | ||
| 25-144 | I May Not Have Had Enough of Me but I’ve Had Enough of You | — | ||
| 25-145 | First Inaugural Address to the I.A.C.E. Sherbourne House | — | ||
| 25-146 | Water Music I | — | ||
| 25-147 | Here Comes the Flood | — | ||
| 25-148 | Water Music II | — | ||
| 25-149 | Postscript | — | ||
| 25-150 | Under Heavy Manners | — | ||
| 25-151 | The Zero of the Signified | — | ||
| 26-1 | Major Loops: I | — | ||
| 26-2 | Major Loops: II | — | ||
| 26-3 | Major Loops: III | — | ||
| 26-4 | Exposure Master Loops I | — | ||
| 26-5 | Exposure Master Loops II | — | ||
| 26-6 | C Sharp Bass Joins and Becomes Seascape | — | ||
| 26-7 | Feb 5: The Kitchen, New York, 1st & 2nd Show | — | ||
| 26-8 | May: Loops: Here Comes the Flood | — | ||
| 26-9 | May: Loops | — | ||
| 26-10 | May: Loops for Married Men | — | ||
| 26-11 | Jun: Flood & Frenzy Loops | — | ||
| 26-12 | Jun: Loops for Breathless | — | ||
| 26-13 | Apr 23: Polygram, London | — | ||
| 26-14 | Apr 24: Polygram, London | — | ||
| 26-15 | Apr 25: Pizza Express Notting Hill, London | — | ||
| 26-16 | Apr 26: Virgin Records Marble Arch, London | — | ||
| 26-17 | May 7: Theatre Populier, Amsterdam | — | ||
| 26-18 | May 9: The Club, Brussels | — | ||
| 26-19 | May 12: Le Trompe L'Oiel, Paris | — | ||
| 26-20 | May 13: Le Trompe L'Oiel, Paris | — | ||
| 26-21 | May 17: Malmen Club, Brussels | — | ||
| 26-22 | May 18: Wintergarden, Carlsberg Glyptotek, Copenhagen | — | ||
| 26-23 | May 23: Polydor, Paris | — | ||
| 26-24 | May 24: Theatre Le Palace, Paris | — | ||
| 26-25 | May 25: Theatre Le Palace, Paris | — | ||
| 26-26 | May 25: The Music Box, Paris | — | ||
| 26-27 | May 26: Theatre Le Palace, Paris | — | ||
| 26-28 | May 27: Theatre Le Palace, Paris | — | ||
| 26-29 | May 28: D.G.G. Offices, Hamburg | — | ||
| 26-30 | May 28: GOVI Schallplatten, Hamburg | — | ||
| 26-31 | Jun 6: Passim, Boston | — | ||
| 26-32 | Jun 8: Plastic Fantastic, Philadelphia | — | ||
| 26-33 | Jun 9: Sigma Sound, Philadelphia | — | ||
| 26-34 | Jun 10: Sheraton, New York | — | ||
| 26-35 | Jun 12: Second Chance, Ann Arbor | — | ||
| 26-36 | Jun 13: Peaches, Detroit | — | ||
| 26-37 | Jun 14: Record Revolution, Cleveland | — | ||
| 26-38 | Jun 15: Peaches EAST, Cleveland | — | ||
| 26-39 | Jun 16: Washington Ethical Society, Washington | — | ||
| 26-40 | Jun 17: Penguin Feather, Washington | — | ||
| 26-41 | Jun 18: The Sound Warehouse, Chicago | — | ||
| 26-42 | Jun 19: Charlotte's Web, Rockford | — | ||
| 26-43 | Jun 21: Walkers Arts Centre, Minneapolis | — | ||
| 26-44 | Jun 22: Walkers Arts Centre, Minneapolis | — | ||
| 26-45 | Jun 24: The Kitchen, New York | — | ||
| 26-46 | Jun 25: The Kitchen, New York | — | ||
| 26-47 | Jun 26: The Kitchen, New York | — | ||
| 26-48 | Jun 28: The Kitchen, New York | — | ||
| 26-49 | Jun 29: The Kitchen, New York | — | ||
| 26-50 | Jun 30: The Kitchen, New York | — | ||
| 27-1 | Jul 1: The Kitchen, New York | — | ||
| 27-2 | Jul 5: Just a Song, Albany | — | ||
| 27-3 | Jul 6: WCMF Studio, Rochester | — | ||
| 27-4 | Jul 7: Oasis, Pittsburgh | — | ||
| 27-5 | Jul 8: Disc Records, Louisville | — | ||
| 27-6 | Jul 10: Peaches, Fort Lauderdale | — | ||
| 27-7 | Jul 11: WRAS Radio Performance, Atlanta | — | ||
| 27-8 | Jul 12: Peaches, Atlanta | — | ||
| 27-9 | Jul 13: Cactus, Houston | — | ||
| 27-10 | Jul 14: Sound Warehouse, Austin | — | ||
| 27-11 | Jul 16: Peaches, Fort Worth | — | ||
| 27-12 | Jul 17: Peaches, Dallas | — | ||
| 27-13 | Jul 18: Streetside Records, St. Louis | — | ||
| 27-14 | Jul 19: Peaches, St. Louis | — | ||
| 27-15 | Jul 20: Caper's Corner, Kansas City | — | ||
| 27-16 | Jul 21: Peaches, Denver | — | ||
| 27-17 | Jul 24: Tower Records, San Diego | — | ||
| 27-18 | Jul 25: Madame Wong's, Los Angeles | — | ||
| 27-19 | Jul 26: Madame Wong's, Los Angeles | — | ||
| 27-20 | Jul 27: Tower Records, Hollywood | — | ||
| 27-21 | Jul 28: Mabuhay Gardens, San Francisco | — | ||
| 27-22 | Jul 29: Mabuhay Gardens, San Francisco | — | ||
| 27-23 | Jul 30: Bear's Lair, Berkeley | — | ||
| 27-24 | Jul 30: Tower Records, Berkeley | — | ||
| 27-25 | Jul 30: Tower Records, San Jose | — | ||
| 27-26 | Aug 1: Everybody's, Portland | — | ||
| 27-27 | Aug 1: Music Millenium, Portland | — | ||
| 27-28 | Aug 2: Pike's Place Theatre, Seattle | — | ||
| 27-29 | Aug 3: Tower Records, Seattle | — | ||
| 27-30 | Aug 5: Robson Square Theatre, Vancouver | — | ||
| 27-31 | Aug 6: Robson Square Theatre, Vancouver | — | ||
| 27-32 | Aug 7: Provincial Museum, Edmonton | — | ||
| 27-33 | Aug 8: Centennial Planetarium, Calgary | — | ||
| 27-34 | Aug 9: Winnipeg Art Gallery, Winnipeg | — | ||
| 27-35 | Aug 11: Bathurst Street Theatre, Toronto | — | ||
| 27-36 | Aug 12: Bathurst Street Theatre, Toronto | — | ||
| 27-37 | Aug 13: National Art Center, Ottawa | — | ||
| 27-38 | Aug 15: Café Campus, Quebec City | — | ||
| 27-39 | Aug 16: Café Campus, Quebec City | — | ||
| 27-40 | Aug 17: Le Pretzel Enchainé, Montreal | — | ||
| 27-41 | Aug 19: Le Pretzel Enchainé, Montreal | — | ||
| 27-42 | Sep 8: Tribal Stomp Festival, Monterey | — | ||
| 27-43 | Dec 20: Blue Rock Studio, New York: Lost in the Bush of Ghosts I-V | — | ||
| 27-44 | Feb 20: Houston Hall, Philadelphia | — | ||
| 27-45 | Feb 21: Houston Hall, Philadelphia, 1st Show | — | ||
| 27-46 | Feb 21: Houston Hall, Philadelphia, 2nd Show | — | ||
| 27-47 | Jul 27: Washington Square Church, New York | — | ||
| 27-48 | Jul 28: Washington Square Church, New York | — | ||
| 27-49 | Jul 29: Washington Square Church, New York | — | ||
| 27-50 | Jul 30: Washington Square Church, New York | — | ||
| 27-51 | Aug 1: Washington Square Church, New York, Aft. | — | ||
| 27-52 | Aug 1: Washington Square Church, New York, Eve. | — | ||
| 27-53 | Aug 2: Washington Square Church, New York, Aft. | — | ||
| 27-54 | Aug 2: Washington Square Church, New York, Eve. | — | ||
| 27-55 | Aug 4: Inroads, New York | — | ||
| 27-56 | Aug 5: Inroads, New York | — | ||
| 27-57 | Aug 6: Inroads, New York | — | ||
| 27-58 | Aug 7: Inroads, New York | — | ||
| 27-59 | Feb 13: Matrix Studio, New York | — | ||
| 27-60 | Jun 13: VA Chapel Theatre, New York, 1st Show | — | ||
| 27-61 | Jun 13: VA Chapel Theatre, New York, 2nd Show | — | ||
| 27-62 | Jul 17: WOMAD, Royal Bath & West Showground | — | ||
| 27-63 | Mar 2: Mandeville Auditorium, San Diego | — | ||
| 27-64 | Mar 3: The Roxy, Los Angeles, 1st Show | — | ||
| 27-65 | Mar 3: The Roxy, Los Angeles, 2nd Show | — | ||
| 27-66 | Mar 4: McKenna Theatre, San Francisco, 1st Show | — | ||
| 27-67 | Mar 4: McKenna Theatre, San Francisco, 2nd Show | — | ||
| 27-68 | Mar 6: Wheeler Auditorium, Berkeley | — | ||
| 27-69 | Mar 8: Neeb Hall, Tempe | — | ||
| 27-70 | Mar 10: Rose Room, New Brunswick | — | ||
| 27-71 | Mar 11: Union Auditorium, Stony Brook | — | ||
| 27-72 | Mar 12: Alexander Hall, Princeton | — | ||
| 27-73 | Mar 15: Gaston Hall, Washington | — | ||
| 27-74 | Mar 22: Paradise, Boston, 1st Show | — | ||
| 27-75 | Mar 22: Paradise, Boston, 2nd Show | — | ||
| 27-76 | Mar 23: Toad's Place, New Haven | — | ||
| 27-77 | Mar 26: University of Guelph, Ontario | — | ||
| 27-78 | Mar 27: Theatre of Arts, Waterloo, 1st Show | — | ||
| 27-79 | Mar 27: Theatre of Arts, Waterloo, 2nd Show | — | ||
| 27-80 | Mar 28: Arthouse Theatre, University of Western Ontario | — | ||
| 27-81 | Mar 29: Carleton University, Ottawa | — | ||
| 27-82 | Mar 30: McGill University, Montreal | — | ||
| 27-83 | Apr 1: University of Toronto, 1st Show | — | ||
| 27-84 | Apr 1: University of Toronto, 2nd Show | — | ||
| 28-1 | Inductive Resonance | — | ||
| 28-2 | Minor Man | — | ||
| 28-3 | Heptaparaparshinokh | — | ||
| 28-4 | Dislocated | — | ||
| 28-5 | Eye Needles | — | ||
| 28-6 | Cognitive Dissonance | — | ||
| 28-7 | H.G. Wells | — | ||
| 28-8 | Trap | — | ||
| 28-9 | 1984 | — | ||
| 28-10 | 1985 | — | ||
| 28-11 | 1986 | — | ||
| 28-12 | 1987 | — | ||
| 28-13 | 1988 | — | ||
| 28-14 | 1989 | — | ||
| 28-15 | Washington Square Church I | — | ||
| 28-16 | Washington Square Church II | — | ||
| 28-17 | Washington Square Church III | — | ||
| 28-18 | Washington Square Church IV | — | ||
| 28-19 | Washington Square Church V | — | ||
| 28-20 | Washington Square Church VI | — | ||
| 28-21 | Washington Square Church VII | — | ||
| 28-22 | Washington Square Church VIII | — | ||
| 28-23 | Washington Square Church IX | — | ||
| 28-24 | Washington Square Church X | — | ||
| 28-25 | Washington Square Church XI | — | ||
| 28-26 | 1984 | — | ||
| 28-27 | 1985 | — | ||
| 28-28 | 1986 | — | ||
| 28-29 | 1987 | — | ||
| 28-30 | 1988 | — | ||
| 28-31 | 1989 | — | ||
| 28-32 | 1984 (single edit) | — | ||
| 28-33 | 1984 (mix 1) | — | ||
| 28-34 | 1984 (mix 2) | — | ||
| 28-35 | Glass Flutes | — | ||
| 28-36 | Johnny Brill | — | ||
| 28-37 | Christian Children Marching, Singing | — | ||
| 28-38 | Boy at Piano | — | ||
| 28-39 | Inductive Resonance (alternate version) | — | ||
| 28-40 | Heptaparaparshinokh (alternate version) | — | ||
| 28-41 | Dislocated (alternate version) | — | ||
| 28-42 | Eye Needles (alternate version) | — | ||
| 28-43 | Trap (alternate version) | — | ||
| 28-44 | God Save the King | — | ||
| 28-45 | Under Heavy Manners | — | ||
| 28-46 | Heptaparaparshinokh | — | ||
| 28-47 | Inductive Resonance | — | ||
| 28-48 | Cognitive Dissonance | — | ||
| 28-49 | Dislocated | — | ||
| 28-50 | H. G. Wells | — | ||
| 28-51 | Eye Needles | — | ||
| 28-52 | Trap | — | ||
| 29-1 | Seattle Space Music | — | ||
| 29-2 | House of Music | — | ||
| 29-3 | Celebration | — | ||
| 29-4 | Urban Landscape II | — | ||
| 29-5 | Urban Landscape III | — | ||
| 29-6 | Easter Sunday | — | ||
| 29-7 | Good King Wenceslas | — | ||
| 29-8 | Silent Night | — | ||
| 29-9 | Volo Ergo Sum | — | ||
| 29-10 | Night I | — | ||
| 29-11 | Night II | — | ||
| 29-12 | Marriagemuzic | — | ||
| 30-1 | Slow Stomp 1 | — | ||
| 30-2 | Cry to the Faith | — | ||
| 30-3 | Fat Itch Theory | — | ||
| 30-4 | Slow Stomp 2 | — | ||
| 30-5 | Hitting the Groove Factor | — | ||
| 30-6 | Toy Fact Hither | — | ||
| 30-7 | 353 West 48th Street | — | ||
| 30-8 | Groove | — | ||
| 30-9 | You Burn Me Up I’m a Cigarette IV | — | ||
| 30-10 | Breathless IV | — | ||
| 30-11 | Breathless Solo | — | ||
| 30-12 | Disengage II | — | ||
| 30-13 | Disengage VI | — | ||
| 30-14 | North Star III | — | ||
| 30-15 | Chicago II | — | ||
| 30-16 | NYC III | — | ||
| 30-17 | Mary | — | ||
| 30-18 | Exposure I | — | ||
| 30-19 | Häaden Two II | — | ||
| 30-20 | I May Not Have Had Enough of Me but I’ve Had Enough of You II | — | ||
| 31-1 | Tune-Up | — | ||
| 31-2 | Riff and Roll | — | ||
| 31-3 | Groove | — | ||
| 31-4 | Bass and Drum Groove | — | ||
| 31-5 | Idea: Slow Drums | — | ||
| 31-6 | Idea: Fast Drums | — | ||
| 31-7 | Ballad | — | ||
| 31-8 | You Burn Me Up I’m a Cigarette I | — | ||
| 31-9 | You Burn Me Up I’m a Cigarette II | — | ||
| 31-10 | You Burn Me Up I’m a Cigarette III | — | ||
| 31-11 | Breathless I | — | ||
| 31-12 | Breathless II | — | ||
| 31-13 | Breathless III | — | ||
| 31-14 | Disengage I | — | ||
| 31-15 | Disengage II | — | ||
| 31-16 | Disengage | — | ||
| 31-17 | North Star I | — | ||
| 31-18 | North Star II | — | ||
| 31-19 | North-Ish Star II | — | ||
| 31-20 | North-Ish Star | — | ||
| 31-21 | NYC I | — | ||
| 31-22 | NYC II | — | ||
| 31-23 | Exposure V | — | ||
| 31-24 | Häaden Two I | — | ||
| 31-25 | Häaden Two III | — | ||
| 31-26 | I May Not Have Had Enough of Me but I’ve Had Enough of You I | — | ||
| 32-1 | RF Announcement | — | ||
| 32-2 | Inductive Resonance | — | ||
| 32-3 | Trap | — | ||
| 32-4 | Heptaparaparshinokh | — | ||
| 32-5 | RF Announcement | — | ||
| 32-6 | Thrang Thrang Gozinbulx II | — | ||
| 32-7 | Boy at Piano | — | ||
| 32-8 | Christian Children Marching, Singing | — | ||
| 32-9 | Dislocated | — | ||
| 32-10 | RF Announcement | — | ||
| 32-11 | Thrang Thrang Gozinbulx III | — | ||
| 32-12 | Minor Man | — | ||
| 32-13 | Farewell Johnny Brill | — | ||
| 32-14 | Eye Needles | — | ||
| 32-15 | Inductive Resonance | — | ||
| 32-16 | Dislocated | — | ||
| 32-17 | Heptaparaparshinokh | — | ||
| 32-18 | Farewell Johnny Brill | — | ||
| 32-19 | Inductive Resonance | — | ||
| 32-20 | A Few Goodies There | — |
