UPC · Release
King Crimson
Last verified:
633367198129 is the Universal Product Code (UPC barcode) for the release “On (and Off) the Road” by King Crimson, released 2016-01-01 on Discipline Global Mobile. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 300 tracks, each with its own ISRC. Tracks include GBCTX1600002, GBCTX1600003, GBCTX2400702.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Elephant Talk | King Crimson | T-070.262.308-2 | |
| 2 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 3 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 4 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 5 | Thela Hun Ginjeet | King Crimson | T-070.278.856-4 | |
| 6 | The Sheltering Sky | King Crimson | T-010.479.881-3 | |
| 7 | Discipline | King Crimson | T-070.261.244-9 | |
| 8 | A Selection of Adrian’s Vocal Loops, Part 1 | — | ||
| 9 | A Selection of Adrian’s Vocal Loops, Part 2 | — | ||
| 2-1 | Discipline | — | ||
| 2-2 | Thela Hun Ginjeet | — | ||
| 2-3 | Red | — | ||
| 2-4 | Matte Kudasai | — | ||
| 2-5 | The Sheltering Sky | — | ||
| 2-6 | Frame By Frame | — | ||
| 2-7 | Manhattan | — | ||
| 2-8 | Indiscipline | — | ||
| 2-9 | Neal and Jack and Me | — | ||
| 2-10 | Elephant Talk | — | ||
| 2-11 | Larks’ Tongues in Aspic, Part II | — | ||
| 3-1 | Neal and Jack and Me | — | ||
| 3-2 | Heartbeat | — | ||
| 3-3 | Sartori in Tangier | — | ||
| 3-4 | Waiting Man | — | ||
| 3-5 | Neurotica | — | ||
| 3-6 | Two Hands | — | ||
| 3-7 | The Howler | — | ||
| 3-9 | Absent Lovers (instrumental, studio recording) | — | ||
| 4-1 | Waiting Man | — | ||
| 4-2 | Thela Hun Ginjeet | — | ||
| 4-3 | Frame by Frame | — | ||
| 4-4 | Matte Kudasai | — | ||
| 4-5 | The Sheltering Sky | — | ||
| 4-6 | Neal and Jack and Me | — | ||
| 4-7 | Elephant Talk | — | ||
| 4-8 | Indiscipline | — | ||
| 4-9 | Heartbeat | — | ||
| 4-10 | Larks’ Tongues in Aspic, Part II | — | ||
| 5-1 | San Francisco | King Crimson | — | |
| 5-2 | Tony bass riff | — | ||
| 5-3 | Sequenced | — | ||
| 5-4 | Steinberger melody | — | ||
| 5-5 | Fragmented | — | ||
| 5-6 | Not one of those | — | ||
| 5-7 | ZZZZ’s | — | ||
| 5-8 | Reel 3 jam | — | ||
| 5-9 | Robert and Bill | — | ||
| 5-10 | Say NO | — | ||
| 5-11 | Robert’s ballad | — | ||
| 5-12 | Heat in the Jungle | — | ||
| 5-13 | Grace Jones | — | ||
| 5-14 | Adrian looped | — | ||
| 5-15 | Yoli Yoli | King Crimson | — | |
| 5-16 | Adrian and Robert | — | ||
| 6-1 | Three of a Perfect Pair | — | ||
| 6-2 | Model Man | King Crimson | T-900.224.347-2 | |
| 6-3 | Sleepless | — | ||
| 6-4 | Man With an Open Heart | — | ||
| 6-5 | Nuages (That Which Passes, Passes Like Clouds) | King Crimson | T-900.224.348-3 | |
| 6-6 | Industry | — | ||
| 6-7 | Dig Me | — | ||
| 6-8 | No Warning | — | ||
| 6-9 | Larks’ Tongues in Aspic, Part III | — | ||
| 6-10 | The King Crimson Barber Shop | — | ||
| 6-11 | Robert’s Ballad | — | ||
| 6-12 | Shidare Zakura | — | ||
| 6-13 | Industrial Zone A | — | ||
| 6-14 | Industrial Zone B | — | ||
| 6-15 | Industrial Zone C | — | ||
| 7-1 | Entry of the Crims | King Crimson | T-914.475.260-3 | |
| 7-2 | Larks’ Tongues in Aspic, Part Three | King Crimson | T-914.540.377-6 | |
| 7-3 | Thela Hun Ginjeet | — | ||
| 7-4 | Red | King Crimson | T-010.244.793-7 | |
| 7-5 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 7-6 | Industry | King Crimson | T-011.294.864-7 | |
| 7-7 | Dig Me | King Crimson | T-011.294.867-0 | |
| 7-8 | Three of a Perfect Pair | King Crimson | T-070.188.515-5 | |
| 7-9 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 8-1 | Sartori in Tangier | King Crimson | T-900.206.567-0 | |
| 8-2 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 8-3 | Man With an Open Heart | King Crimson | T-011.294.865-8 | |
| 8-4 | Waiting Man | King Crimson | T-070.281.090-9 | |
| 8-5 | Sleepless | King Crimson | T-011.294.863-6 | |
| 8-6 | Larks’ Tongues in Aspic, Part II | — | ||
| 8-7 | Discipline | — | ||
| 8-8 | Heartbeat | King Crimson | T-070.078.056-8 | |
| 8-9 | Elephant Talk | — | ||
| 9-1 | Are you recording Gary? | — | ||
| 9-2 | Discipline Redux | — | ||
| 9-3 | Beat Redux | — | ||
| 9-4 | Three of a Perfect Pair Redux | — | ||
| 10-15 | Elephant Talk | King Crimson | T-070.262.308-2 | |
| 10-16 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 10-17 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 10-18 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 10-19 | Thela Hun Ginjeet | King Crimson | T-070.278.856-4 | |
| 10-20 | The Sheltering Sky | King Crimson | T-010.479.881-3 | |
| 10-21 | Discipline | King Crimson | T-070.261.244-9 | |
| 10-23 | A Selection of Adrian’s Vocal Loops | — | ||
| 10-26 | The Terrifying Tale of Thela Hun Ginjeet | King Crimson | — | |
| 10-35 | Elephant Talk (live, 1981‐10: The Venue) | — | ||
| 10-36 | Frame by Frame (live, 1982‐03‐15: BBC) | — | ||
| 10-37 | Indiscipline (live, 1982‐03‐15: BBC) | — | ||
| 11-18 | Absent Lovers (instrumental, studio recording) | — | ||
| 11-19 | Neil and Jack and Me (alt. take) | — | ||
| 11-20 | Absent Lovers (live, Oxford) | — | ||
| 11-29 | Neal and Jack and Me (alternate) | — | ||
| 11-30 | Heartbeat (alternate) | — | ||
| 11-31 | Sartori in Tangier (alternate) | — | ||
| 11-32 | Waiting Man (alternate) | — | ||
| 11-33 | Neurotica (alternate) | — | ||
| 11-34 | Two Hands (alternate) | — | ||
| 11-35 | The Howler (alternate) | — | ||
| 11-36 | Requiem (alternate) | — | ||
| 11-37 | Heartbeat (studio) | — | ||
| 11-38 | Waiting Man (live, Munich 1982) | — | ||
| 11-39 | Heartbeat (live, Munich 1982) | — | ||
| 12-42 | Sleepless | — | ||
| 13-15 | Elephant Talk | King Crimson | T-070.262.308-2 | |
| 13-16 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 13-17 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 13-18 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 13-19 | Thela Hun Ginjeet | King Crimson | T-070.278.856-4 | |
| 13-20 | The Sheltering Sky | King Crimson | T-010.479.881-3 | |
| 13-21 | Discipline | King Crimson | T-070.261.244-9 | |
| 13-23 | A selection of Adrian’s vocal loops | — | ||
| 13-26 | The Terrifying Tale of Thela Hun Ginjeet | King Crimson | — | |
| 13-35 | Elephant Talk (live, 1981‐10: The Venue) | — | ||
| 13-36 | Frame by Frame (live, 1982‐03‐15: BBC) | — | ||
| 13-37 | Indiscipline (live, 1982‐03‐15: BBC) | — | ||
| 13-38 | Soundcheck and French TV interview, Moles Club, October 5, 1981 | — | ||
| 13-39 | Waiting Man | — | ||
| 13-40 | Matte Kudasai | — | ||
| 13-41 | The Sheltering Sky | — | ||
| 13-42 | Neal and Jack and Me | — | ||
| 13-43 | Indiscipline | — | ||
| 13-44 | Heartbeat | — | ||
| 13-45 | Larks’ Tongues in Aspic, Part II | — | ||
| 14-18 | Absent Lovers (instrumental, studio recording) | — | ||
| 14-27 | Neal and Jack and Me (alternate) | — | ||
| 14-28 | Heartbeat (alternate) | — | ||
| 14-29 | Sartori in Tangier (alternate) | — | ||
| 14-30 | Waiting Man (alternate) | — | ||
| 14-31 | Neurotica (alternate) | — | ||
| 14-32 | Two Hands (alternate) | — | ||
| 14-33 | The Howler (alternate) | — | ||
| 14-34 | Requiem (alternate) | — | ||
| 14-35 | Neil and Jack and Me (alt. take) | — | ||
| 14-36 | Absent Lovers (live, Oxford) | — | ||
| 14-37 | Heartbeat (studio) | — | ||
| 14-38 | Waiting Man | — | ||
| 14-39 | Matte Kudasai | — | ||
| 14-40 | The Sheltering Sky | — | ||
| 14-41 | Neal and Jack and Me | — | ||
| 14-42 | Indiscipline | — | ||
| 14-43 | Heartbeat | — | ||
| 15-42 | Sleepless | — | ||
| 15-43 | No Warning | — | ||
| 15-44 | Larks’ Tongues in Aspic, Part III | — | ||
| 15-45 | Thela Hun Ginjeet | — | ||
| 15-46 | Back Stage | — | ||
| 15-47 | Frame by Frame | — | ||
| 15-48 | Matte Kudasai | — | ||
| 15-49 | Industry | — | ||
| 15-50 | Dig Me | — | ||
| 15-51 | Three of a Perfect Pair | — | ||
| 15-52 | Indiscipline | — | ||
| 15-53 | Street Movie (Three of a Perfect Pair) | — | ||
| 15-54 | Sartori in Tangier | — | ||
| 15-55 | Man With an Open Heart | — | ||
| 15-56 | Waiting Man | — | ||
| 15-57 | Sleepless | — | ||
| 15-58 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-59 | Discipline | — | ||
| 15-60 | Elephant Talk | — | ||
| 15-61 | Heartbeat | — | ||
| 15-62 | Indiscipline (incomplete) | — | ||
| 15-63 | Sartori in Tangier | — | ||
| 15-64 | Man With an Open Heart | — | ||
| 15-65 | Waiting Man | — | ||
| 15-66 | Sleepless | — | ||
| 15-67 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-68 | Discipline | — | ||
| 15-69 | Elephant Talk | — | ||
| 15-70 | Heartbeat | — | ||
| 15-71 | Man With an Open Heart (incomplete) | — | ||
| 15-72 | Waiting Man | — | ||
| 15-73 | Sleepless | — | ||
| 15-74 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-75 | Discipline | — | ||
| 15-76 | Elephant Talk | — | ||
| 15-77 | Heartbeat | — | ||
| 15-78 | Waiting Man (incomplete) | — | ||
| 15-79 | Sleepless | — | ||
| 15-80 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-81 | Discipline | — | ||
| 15-82 | Elephant Talk | — | ||
| 15-83 | Heartbeat | — | ||
| 16-1 | Discipline | — | ||
| 16-2 | Thela Hun Ginjeet | — | ||
| 16-3 | Red | — | ||
| 16-4 | Elephant Talk | — | ||
| 16-5 | Matte Kudasai | — | ||
| 16-6 | The Sheltering Sky | — | ||
| 16-7 | Indiscipline | — | ||
| 16-8 | Frame by Frame | — | ||
| 16-9 | Larks’ Tongues in Aspic, Part II | — | ||
| 17-1 | Thela Hun Ginjeet | — | ||
| 17-2 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 17-3 | Indiscipline | — | ||
| 17-4 | Heartbeat | — | ||
| 17-5 | The Sheltering Sky | — | ||
| 17-6 | Larks’ Tongues in Aspic, Part II | — | ||
| 17-7 | Waiting Man | — | ||
| 17-8 | Red | — | ||
| 17-9 | Neal and Jack and Me | — | ||
| 17-10 | Elephant Talk | — | ||
| 18-1 | Waiting Man | — | ||
| 18-2 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 18-3 | The Sheltering Sky | — | ||
| 18-4 | Neal and Jack and Me | — | ||
| 18-5 | Indicispline | — | ||
| 18-6 | Heartbeat | — | ||
| 18-7 | Larks’ Tongues in Aspic, Part II | — | ||
| 18-8 | No Warning | — | ||
| 18-9 | Larks’ Tongues in Aspic, Part III | — | ||
| 18-10 | Thela Hun Ginjeet | — | ||
| 18-11 | Back Stage | — | ||
| 18-12 | Frame by Frame | — | ||
| 18-13 | Matte Kudasai | — | ||
| 18-14 | Industry | — | ||
| 18-15 | Dig Me | — | ||
| 18-16 | Three of a Perfect Pair | — | ||
| 18-17 | Indiscipline | — | ||
| 18-18 | Street Movie (Three of a Perfect Pair) | — | ||
| 18-19 | Sartori in Tangier | — | ||
| 18-20 | Man With an Open Heart | — | ||
| 18-21 | Waiting Man | — | ||
| 18-22 | Sleepless | — | ||
| 18-23 | Larks’ Tongues in Aspic, Part II | — | ||
| 18-24 | Discipline | — | ||
| 18-25 | Elephant Talk | — | ||
| 18-26 | Heartbeat | — | ||
| 19-1 | Thela Hun Ginjeet | — | ||
| 19-2 | Red | — | ||
| 19-3 | The Howler | — | ||
| 19-4 | Frame by Frame | — | ||
| 19-5 | Matte Kudasai | — | ||
| 19-6 | The Sheltering Sky | — | ||
| 19-7 | Discipline | — | ||
| 19-8 | Elephant Talk | — | ||
| 19-9 | Indiscipline | — | ||
| 19-10 | Neurotica | — | ||
| 19-11 | Heartbeat | — | ||
| 19-12 | Sartori in Tangier | — | ||
| 19-13 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-14 | Waiting Man (incomplete) | — | ||
| 19-15 | Thela Hun Ginjeet | — | ||
| 19-16 | Red | — | ||
| 19-17 | The Howler | — | ||
| 19-18 | Frame by Frame (incomplete) | — | ||
| 19-19 | Matte Kudasai | — | ||
| 19-20 | The Sheltering Sky | — | ||
| 19-21 | Neal and Jack and Me | — | ||
| 19-22 | Discipline | — | ||
| 19-23 | Elephant Talk | — | ||
| 19-24 | Indiscipline | — | ||
| 19-25 | Neurotica | — | ||
| 19-26 | Heartbeat | — | ||
| 19-27 | Sartori in Tangier | — | ||
| 19-28 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-29 | Waiting Man | — | ||
| 19-30 | Thela Hun Ginjeet | — | ||
| 19-31 | Red | — | ||
| 19-32 | Matte Kudasai | — | ||
| 19-33 | The Sheltering Sky | — | ||
| 19-34 | Neil and Jack and Me | — | ||
| 19-35 | Elephant Talk | — | ||
| 19-36 | Indiscipline (incomplete) | — | ||
| 19-37 | Waiting Man | — | ||
| 19-38 | Thela Hun Ginjeet | — | ||
| 19-39 | Red | — | ||
| 19-40 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 19-41 | The Sheltering Sky | — | ||
| 19-42 | Neal and Jack and Me | — | ||
| 19-43 | Elephant Talk | — | ||
| 19-44 | Indiscipline | — | ||
| 19-45 | Heartbeat | — | ||
| 19-46 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-47 | Thela Hun Ginjeet | — | ||
| 19-49 | Indiscipline | — | ||
| 19-50 | Heartbeat | — | ||
| 19-51 | The Sheltering Sky | — | ||
| 19-52 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-53 | Waiting Man | — | ||
| 19-54 | Matte Kudasai | — | ||
| 19-55 | The Sheltering Sky | — | ||
| 19-56 | Neal and Jack and Me | — | ||
| 19-57 | Indiscipline | — | ||
| 19-58 | Heartbeat | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem (extended version) | King Crimson | — |
| Matte Kudasai (alternative version) | King Crimson | T-070.270.308-9 |
| Elephant Talk (12″ dance mix) | King Crimson | T-070.262.308-2 |
| Discipline (rough mix) | King Crimson | T-070.261.244-9 |
| Neal and Jack and Me | King Crimson | — |
| Sartori in Tangier | King Crimson | — |
| Neurotica | King Crimson | T-070.155.086-8 |
| Two Hands | King Crimson | — |
| The Howler | King Crimson | — |
| Requiem | King Crimson | T-010.302.555-3 |
| Model Man | King Crimson | — |
| Sleepless | King Crimson | — |
| Industry | King Crimson | — |
| Dig Me | King Crimson | — |
| No Warning | King Crimson | — |
| Larks’ Tongues in Aspic, Part III | King Crimson | T-914.540.377-6 |
| The King Crimson Barber Shop | King Crimson | — |
| Industrial Zone A | King Crimson | — |
| Industrial Zone B | King Crimson | — |
| Sleepless (Tony Levin mix) | King Crimson | — |
| Sleepless (Bob Clearmountain mix) | King Crimson | — |
| Sleepless (dance mix) | King Crimson | — |
| The Terrifying Tale of Thela Hun Ginjeet | King Crimson | — |
| Matte Kudasai (alternative version) | King Crimson | T-070.270.308-9 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
633367198129 is a Universal Product Code (UPC) assigned to On (and Off) the Road by King Crimson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 300 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
633367198129 is the Universal Product Code (UPC barcode) for the release “On (and Off) the Road” by King Crimson, released 2016-01-01 on Discipline Global Mobile. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 300 tracks, each with its own ISRC. Tracks include GBCTX1600002, GBCTX1600003, GBCTX2400702.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Elephant Talk | King Crimson | T-070.262.308-2 | |
| 2 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 3 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 4 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 5 | Thela Hun Ginjeet | King Crimson | T-070.278.856-4 | |
| 6 | The Sheltering Sky | King Crimson | T-010.479.881-3 | |
| 7 | Discipline | King Crimson | T-070.261.244-9 | |
| 8 | A Selection of Adrian’s Vocal Loops, Part 1 | — | ||
| 9 | A Selection of Adrian’s Vocal Loops, Part 2 | — | ||
| 2-1 | Discipline | — | ||
| 2-2 | Thela Hun Ginjeet | — | ||
| 2-3 | Red | — | ||
| 2-4 | Matte Kudasai | — | ||
| 2-5 | The Sheltering Sky | — | ||
| 2-6 | Frame By Frame | — | ||
| 2-7 | Manhattan | — | ||
| 2-8 | Indiscipline | — | ||
| 2-9 | Neal and Jack and Me | — | ||
| 2-10 | Elephant Talk | — | ||
| 2-11 | Larks’ Tongues in Aspic, Part II | — | ||
| 3-1 | Neal and Jack and Me | — | ||
| 3-2 | Heartbeat | — | ||
| 3-3 | Sartori in Tangier | — | ||
| 3-4 | Waiting Man | — | ||
| 3-5 | Neurotica | — | ||
| 3-6 | Two Hands | — | ||
| 3-7 | The Howler | — | ||
| 3-9 | Absent Lovers (instrumental, studio recording) | — | ||
| 4-1 | Waiting Man | — | ||
| 4-2 | Thela Hun Ginjeet | — | ||
| 4-3 | Frame by Frame | — | ||
| 4-4 | Matte Kudasai | — | ||
| 4-5 | The Sheltering Sky | — | ||
| 4-6 | Neal and Jack and Me | — | ||
| 4-7 | Elephant Talk | — | ||
| 4-8 | Indiscipline | — | ||
| 4-9 | Heartbeat | — | ||
| 4-10 | Larks’ Tongues in Aspic, Part II | — | ||
| 5-1 | San Francisco | King Crimson | — | |
| 5-2 | Tony bass riff | — | ||
| 5-3 | Sequenced | — | ||
| 5-4 | Steinberger melody | — | ||
| 5-5 | Fragmented | — | ||
| 5-6 | Not one of those | — | ||
| 5-7 | ZZZZ’s | — | ||
| 5-8 | Reel 3 jam | — | ||
| 5-9 | Robert and Bill | — | ||
| 5-10 | Say NO | — | ||
| 5-11 | Robert’s ballad | — | ||
| 5-12 | Heat in the Jungle | — | ||
| 5-13 | Grace Jones | — | ||
| 5-14 | Adrian looped | — | ||
| 5-15 | Yoli Yoli | King Crimson | — | |
| 5-16 | Adrian and Robert | — | ||
| 6-1 | Three of a Perfect Pair | — | ||
| 6-2 | Model Man | King Crimson | T-900.224.347-2 | |
| 6-3 | Sleepless | — | ||
| 6-4 | Man With an Open Heart | — | ||
| 6-5 | Nuages (That Which Passes, Passes Like Clouds) | King Crimson | T-900.224.348-3 | |
| 6-6 | Industry | — | ||
| 6-7 | Dig Me | — | ||
| 6-8 | No Warning | — | ||
| 6-9 | Larks’ Tongues in Aspic, Part III | — | ||
| 6-10 | The King Crimson Barber Shop | — | ||
| 6-11 | Robert’s Ballad | — | ||
| 6-12 | Shidare Zakura | — | ||
| 6-13 | Industrial Zone A | — | ||
| 6-14 | Industrial Zone B | — | ||
| 6-15 | Industrial Zone C | — | ||
| 7-1 | Entry of the Crims | King Crimson | T-914.475.260-3 | |
| 7-2 | Larks’ Tongues in Aspic, Part Three | King Crimson | T-914.540.377-6 | |
| 7-3 | Thela Hun Ginjeet | — | ||
| 7-4 | Red | King Crimson | T-010.244.793-7 | |
| 7-5 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 7-6 | Industry | King Crimson | T-011.294.864-7 | |
| 7-7 | Dig Me | King Crimson | T-011.294.867-0 | |
| 7-8 | Three of a Perfect Pair | King Crimson | T-070.188.515-5 | |
| 7-9 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 8-1 | Sartori in Tangier | King Crimson | T-900.206.567-0 | |
| 8-2 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 8-3 | Man With an Open Heart | King Crimson | T-011.294.865-8 | |
| 8-4 | Waiting Man | King Crimson | T-070.281.090-9 | |
| 8-5 | Sleepless | King Crimson | T-011.294.863-6 | |
| 8-6 | Larks’ Tongues in Aspic, Part II | — | ||
| 8-7 | Discipline | — | ||
| 8-8 | Heartbeat | King Crimson | T-070.078.056-8 | |
| 8-9 | Elephant Talk | — | ||
| 9-1 | Are you recording Gary? | — | ||
| 9-2 | Discipline Redux | — | ||
| 9-3 | Beat Redux | — | ||
| 9-4 | Three of a Perfect Pair Redux | — | ||
| 10-15 | Elephant Talk | King Crimson | T-070.262.308-2 | |
| 10-16 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 10-17 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 10-18 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 10-19 | Thela Hun Ginjeet | King Crimson | T-070.278.856-4 | |
| 10-20 | The Sheltering Sky | King Crimson | T-010.479.881-3 | |
| 10-21 | Discipline | King Crimson | T-070.261.244-9 | |
| 10-23 | A Selection of Adrian’s Vocal Loops | — | ||
| 10-26 | The Terrifying Tale of Thela Hun Ginjeet | King Crimson | — | |
| 10-35 | Elephant Talk (live, 1981‐10: The Venue) | — | ||
| 10-36 | Frame by Frame (live, 1982‐03‐15: BBC) | — | ||
| 10-37 | Indiscipline (live, 1982‐03‐15: BBC) | — | ||
| 11-18 | Absent Lovers (instrumental, studio recording) | — | ||
| 11-19 | Neil and Jack and Me (alt. take) | — | ||
| 11-20 | Absent Lovers (live, Oxford) | — | ||
| 11-29 | Neal and Jack and Me (alternate) | — | ||
| 11-30 | Heartbeat (alternate) | — | ||
| 11-31 | Sartori in Tangier (alternate) | — | ||
| 11-32 | Waiting Man (alternate) | — | ||
| 11-33 | Neurotica (alternate) | — | ||
| 11-34 | Two Hands (alternate) | — | ||
| 11-35 | The Howler (alternate) | — | ||
| 11-36 | Requiem (alternate) | — | ||
| 11-37 | Heartbeat (studio) | — | ||
| 11-38 | Waiting Man (live, Munich 1982) | — | ||
| 11-39 | Heartbeat (live, Munich 1982) | — | ||
| 12-42 | Sleepless | — | ||
| 13-15 | Elephant Talk | King Crimson | T-070.262.308-2 | |
| 13-16 | Frame by Frame | King Crimson | T-070.263.061-2 | |
| 13-17 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 13-18 | Indiscipline | King Crimson | T-010.479.862-0 | |
| 13-19 | Thela Hun Ginjeet | King Crimson | T-070.278.856-4 | |
| 13-20 | The Sheltering Sky | King Crimson | T-010.479.881-3 | |
| 13-21 | Discipline | King Crimson | T-070.261.244-9 | |
| 13-23 | A selection of Adrian’s vocal loops | — | ||
| 13-26 | The Terrifying Tale of Thela Hun Ginjeet | King Crimson | — | |
| 13-35 | Elephant Talk (live, 1981‐10: The Venue) | — | ||
| 13-36 | Frame by Frame (live, 1982‐03‐15: BBC) | — | ||
| 13-37 | Indiscipline (live, 1982‐03‐15: BBC) | — | ||
| 13-38 | Soundcheck and French TV interview, Moles Club, October 5, 1981 | — | ||
| 13-39 | Waiting Man | — | ||
| 13-40 | Matte Kudasai | — | ||
| 13-41 | The Sheltering Sky | — | ||
| 13-42 | Neal and Jack and Me | — | ||
| 13-43 | Indiscipline | — | ||
| 13-44 | Heartbeat | — | ||
| 13-45 | Larks’ Tongues in Aspic, Part II | — | ||
| 14-18 | Absent Lovers (instrumental, studio recording) | — | ||
| 14-27 | Neal and Jack and Me (alternate) | — | ||
| 14-28 | Heartbeat (alternate) | — | ||
| 14-29 | Sartori in Tangier (alternate) | — | ||
| 14-30 | Waiting Man (alternate) | — | ||
| 14-31 | Neurotica (alternate) | — | ||
| 14-32 | Two Hands (alternate) | — | ||
| 14-33 | The Howler (alternate) | — | ||
| 14-34 | Requiem (alternate) | — | ||
| 14-35 | Neil and Jack and Me (alt. take) | — | ||
| 14-36 | Absent Lovers (live, Oxford) | — | ||
| 14-37 | Heartbeat (studio) | — | ||
| 14-38 | Waiting Man | — | ||
| 14-39 | Matte Kudasai | — | ||
| 14-40 | The Sheltering Sky | — | ||
| 14-41 | Neal and Jack and Me | — | ||
| 14-42 | Indiscipline | — | ||
| 14-43 | Heartbeat | — | ||
| 15-42 | Sleepless | — | ||
| 15-43 | No Warning | — | ||
| 15-44 | Larks’ Tongues in Aspic, Part III | — | ||
| 15-45 | Thela Hun Ginjeet | — | ||
| 15-46 | Back Stage | — | ||
| 15-47 | Frame by Frame | — | ||
| 15-48 | Matte Kudasai | — | ||
| 15-49 | Industry | — | ||
| 15-50 | Dig Me | — | ||
| 15-51 | Three of a Perfect Pair | — | ||
| 15-52 | Indiscipline | — | ||
| 15-53 | Street Movie (Three of a Perfect Pair) | — | ||
| 15-54 | Sartori in Tangier | — | ||
| 15-55 | Man With an Open Heart | — | ||
| 15-56 | Waiting Man | — | ||
| 15-57 | Sleepless | — | ||
| 15-58 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-59 | Discipline | — | ||
| 15-60 | Elephant Talk | — | ||
| 15-61 | Heartbeat | — | ||
| 15-62 | Indiscipline (incomplete) | — | ||
| 15-63 | Sartori in Tangier | — | ||
| 15-64 | Man With an Open Heart | — | ||
| 15-65 | Waiting Man | — | ||
| 15-66 | Sleepless | — | ||
| 15-67 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-68 | Discipline | — | ||
| 15-69 | Elephant Talk | — | ||
| 15-70 | Heartbeat | — | ||
| 15-71 | Man With an Open Heart (incomplete) | — | ||
| 15-72 | Waiting Man | — | ||
| 15-73 | Sleepless | — | ||
| 15-74 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-75 | Discipline | — | ||
| 15-76 | Elephant Talk | — | ||
| 15-77 | Heartbeat | — | ||
| 15-78 | Waiting Man (incomplete) | — | ||
| 15-79 | Sleepless | — | ||
| 15-80 | Larks’ Tongues in Aspic, Part II | — | ||
| 15-81 | Discipline | — | ||
| 15-82 | Elephant Talk | — | ||
| 15-83 | Heartbeat | — | ||
| 16-1 | Discipline | — | ||
| 16-2 | Thela Hun Ginjeet | — | ||
| 16-3 | Red | — | ||
| 16-4 | Elephant Talk | — | ||
| 16-5 | Matte Kudasai | — | ||
| 16-6 | The Sheltering Sky | — | ||
| 16-7 | Indiscipline | — | ||
| 16-8 | Frame by Frame | — | ||
| 16-9 | Larks’ Tongues in Aspic, Part II | — | ||
| 17-1 | Thela Hun Ginjeet | — | ||
| 17-2 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 17-3 | Indiscipline | — | ||
| 17-4 | Heartbeat | — | ||
| 17-5 | The Sheltering Sky | — | ||
| 17-6 | Larks’ Tongues in Aspic, Part II | — | ||
| 17-7 | Waiting Man | — | ||
| 17-8 | Red | — | ||
| 17-9 | Neal and Jack and Me | — | ||
| 17-10 | Elephant Talk | — | ||
| 18-1 | Waiting Man | — | ||
| 18-2 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 18-3 | The Sheltering Sky | — | ||
| 18-4 | Neal and Jack and Me | — | ||
| 18-5 | Indicispline | — | ||
| 18-6 | Heartbeat | — | ||
| 18-7 | Larks’ Tongues in Aspic, Part II | — | ||
| 18-8 | No Warning | — | ||
| 18-9 | Larks’ Tongues in Aspic, Part III | — | ||
| 18-10 | Thela Hun Ginjeet | — | ||
| 18-11 | Back Stage | — | ||
| 18-12 | Frame by Frame | — | ||
| 18-13 | Matte Kudasai | — | ||
| 18-14 | Industry | — | ||
| 18-15 | Dig Me | — | ||
| 18-16 | Three of a Perfect Pair | — | ||
| 18-17 | Indiscipline | — | ||
| 18-18 | Street Movie (Three of a Perfect Pair) | — | ||
| 18-19 | Sartori in Tangier | — | ||
| 18-20 | Man With an Open Heart | — | ||
| 18-21 | Waiting Man | — | ||
| 18-22 | Sleepless | — | ||
| 18-23 | Larks’ Tongues in Aspic, Part II | — | ||
| 18-24 | Discipline | — | ||
| 18-25 | Elephant Talk | — | ||
| 18-26 | Heartbeat | — | ||
| 19-1 | Thela Hun Ginjeet | — | ||
| 19-2 | Red | — | ||
| 19-3 | The Howler | — | ||
| 19-4 | Frame by Frame | — | ||
| 19-5 | Matte Kudasai | — | ||
| 19-6 | The Sheltering Sky | — | ||
| 19-7 | Discipline | — | ||
| 19-8 | Elephant Talk | — | ||
| 19-9 | Indiscipline | — | ||
| 19-10 | Neurotica | — | ||
| 19-11 | Heartbeat | — | ||
| 19-12 | Sartori in Tangier | — | ||
| 19-13 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-14 | Waiting Man (incomplete) | — | ||
| 19-15 | Thela Hun Ginjeet | — | ||
| 19-16 | Red | — | ||
| 19-17 | The Howler | — | ||
| 19-18 | Frame by Frame (incomplete) | — | ||
| 19-19 | Matte Kudasai | — | ||
| 19-20 | The Sheltering Sky | — | ||
| 19-21 | Neal and Jack and Me | — | ||
| 19-22 | Discipline | — | ||
| 19-23 | Elephant Talk | — | ||
| 19-24 | Indiscipline | — | ||
| 19-25 | Neurotica | — | ||
| 19-26 | Heartbeat | — | ||
| 19-27 | Sartori in Tangier | — | ||
| 19-28 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-29 | Waiting Man | — | ||
| 19-30 | Thela Hun Ginjeet | — | ||
| 19-31 | Red | — | ||
| 19-32 | Matte Kudasai | — | ||
| 19-33 | The Sheltering Sky | — | ||
| 19-34 | Neil and Jack and Me | — | ||
| 19-35 | Elephant Talk | — | ||
| 19-36 | Indiscipline (incomplete) | — | ||
| 19-37 | Waiting Man | — | ||
| 19-38 | Thela Hun Ginjeet | — | ||
| 19-39 | Red | — | ||
| 19-40 | Matte Kudasai | King Crimson | T-070.270.308-9 | |
| 19-41 | The Sheltering Sky | — | ||
| 19-42 | Neal and Jack and Me | — | ||
| 19-43 | Elephant Talk | — | ||
| 19-44 | Indiscipline | — | ||
| 19-45 | Heartbeat | — | ||
| 19-46 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-47 | Thela Hun Ginjeet | — | ||
| 19-49 | Indiscipline | — | ||
| 19-50 | Heartbeat | — | ||
| 19-51 | The Sheltering Sky | — | ||
| 19-52 | Larks’ Tongues in Aspic, Part II | — | ||
| 19-53 | Waiting Man | — | ||
| 19-54 | Matte Kudasai | — | ||
| 19-55 | The Sheltering Sky | — | ||
| 19-56 | Neal and Jack and Me | — | ||
| 19-57 | Indiscipline | — | ||
| 19-58 | Heartbeat | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem (extended version) | King Crimson | — |
| Matte Kudasai (alternative version) | King Crimson | T-070.270.308-9 |
| Elephant Talk (12″ dance mix) | King Crimson | T-070.262.308-2 |
| Discipline (rough mix) | King Crimson | T-070.261.244-9 |
| Neal and Jack and Me | King Crimson | — |
| Sartori in Tangier | King Crimson | — |
| Neurotica | King Crimson | T-070.155.086-8 |
| Two Hands | King Crimson | — |
| The Howler | King Crimson | — |
| Requiem | King Crimson | T-010.302.555-3 |
| Model Man | King Crimson | — |
| Sleepless | King Crimson | — |
| Industry | King Crimson | — |
| Dig Me | King Crimson | — |
| No Warning | King Crimson | — |
| Larks’ Tongues in Aspic, Part III | King Crimson | T-914.540.377-6 |
| The King Crimson Barber Shop | King Crimson | — |
| Industrial Zone A | King Crimson | — |
| Industrial Zone B | King Crimson | — |
| Sleepless (Tony Levin mix) | King Crimson | — |
| Sleepless (Bob Clearmountain mix) | King Crimson | — |
| Sleepless (dance mix) | King Crimson | — |
| The Terrifying Tale of Thela Hun Ginjeet | King Crimson | — |
| Matte Kudasai (alternative version) | King Crimson | T-070.270.308-9 |
