UPC · Release
Music for Ballet Classes, Volume Five
Charles Mathews
634158584756
40 tracksReleased 2016-01-01
Last verified:
634158584756 is the Universal Product Code (UPC barcode) for the release “Music for Ballet Classes, Volume Five” by Charles Mathews, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC.
Format
6Number system
34158Manufacturer
58475Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMusic for Ballet Classes, Volume Five
ISWC2 works
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Warmup (3/4, 64 counts): Keegan’s Waltz | — | ||
| 2 | Plié (3/4, 64 counts): Fanny Elssler pas de deux from La Fille mal gardée | — | ||
| 3 | Battement tendu (2/4, 64 counts): Grand Pas de deux from Don Quixote | — | ||
| 4 | Battement tendu (3/4, 64 counts): Minuet in G major | — | ||
| 5 | Battement glissé (2/4, 128 counts): Persischer Marsch | — | ||
| 6 | Battement glissé (3/4, 64 counts): Frühlingsstimmen | — | ||
| 7 | Battement jeté (2/4, 64 counts): Russischer Marsch | — | ||
| 8 | Rond de jambe (3/4, 64 counts): Waltz in A minor | — | ||
| 9 | Battement fondu (Habanera, 64 counts): "Vesti la giubba" from Pagliacci | — | ||
| 10 | Battement frappé (2/4, 64 counts): Tambourin | — | ||
| 11 | Adage (3/4, 64 counts): Ma Vlast: No. 2. Vltava | — | ||
| 12 | Adage (4/4, 64 counts): Pas de deux from Le Corsaire | — | ||
| 13 | Grand Battement (2/4, 64 counts): La gazza ladra | — | ||
| 14 | Grand Battement en cloche (3/4, 64 counts): Male Variation from Diana and Actaeon (Pas de deux) | — | ||
| 15 | Stretching (3/4, 64 counts): Pas de deux from Paquita | — | ||
| 16 | Port de bras (4/4, 64 counts): Nocturne in C-sharp minor | — | ||
| 17 | Port de bras (3/4, 32 counts): The Flower Duet from Lakmé | — | ||
| 18 | Battement tendu (2/4, 64 counts): Toreador Song from Carmen | — | ||
| 19 | Battement tendu (faster) (2/4, 64 counts): Clog Dance from La Fille mal gardée | — | ||
| 20 | Adage (slow) (3/4, 32 counts): Dance With Paris from Romeo and Juliet | — | ||
| 21 | Adage (faster) (6/8, 128 counts): Kingdom of the Shades from La Bayadere | — | ||
| 22 | Pirouettes en diagonal (3/4, 80 counts): Tavern Scene from Don Quixote | — | ||
| 23 | Pirouettes en diagonal (3/4, 128 counts): The Blue Danube | — | ||
| 24 | Warmup jumps (2/4, 64 counts): The Baltimore Salute | — | ||
| 25 | Assemblés (2/4, 128 counts): I Wish I Was in Dixie | — | ||
| 26 | Jetés (6/8, 96 counts): Ballet Music from Jerusalem | — | ||
| 27 | Brisé volé (6/8, 128 counts): Maypole Dance from La Fille mal gardée | — | ||
| 28 | Balloné (6/8, 128 counts): Ballet Music from Gustave III | — | ||
| 29 | Sissones (3/4, 64 counts): Solor’s Variation from La Bayadere | — | ||
| 30 | Sissones (faster) (3/4, 64 counts): Male Variation from Tchaikovsky Pas de Deux | — | ||
| 31 | Grand Allegro (3/4, 64 counts): Slave’s Variation from Le Corsaire | — | ||
| 32 | Grand Allegro (faster) (3/4, 64 counts): Etude in D minor | — | ||
| 33 | Tour en l'air (4/4, 32 counts): Jean de Brienne’s Variation from Raymonda | — | ||
| 34 | Fouettés (Coda, 96 counts): Dizzy Fingers | — | ||
| 35 | Pointe warmup (2/4, 128 counts): Desecration Humoresque | — | ||
| 36 | Pointe passé (2/4, 128 counts): Cupid’s Variation from Don Quixote | — | ||
| 37 | Pointe balloné (6/8, 64 counts): Coda from Swan Lake, Act II | — | ||
| 38 | Pointe pirouettes (3/4, 64 counts): Skater’s Waltz | — | ||
| 39 | Pointe posé turns (2/4, 64 counts): Kitri’s Variation from Don Quixote, Act 1 | — | ||
| 40 | Reverence (3/4, 8 counts) | — |
Warmup (3/4, 64 counts): Keegan’s Waltz
—
Plié (3/4, 64 counts): Fanny Elssler pas de deux from La Fille mal gardée
—
Battement tendu (2/4, 64 counts): Grand Pas de deux from Don Quixote
—
Battement tendu (3/4, 64 counts): Minuet in G major
—
Battement glissé (2/4, 128 counts): Persischer Marsch
—
Battement glissé (3/4, 64 counts): Frühlingsstimmen
—
Battement jeté (2/4, 64 counts): Russischer Marsch
—
Rond de jambe (3/4, 64 counts): Waltz in A minor
—
Battement fondu (Habanera, 64 counts): "Vesti la giubba" from Pagliacci
—
Battement frappé (2/4, 64 counts): Tambourin
—
Adage (3/4, 64 counts): Ma Vlast: No. 2. Vltava
—
Adage (4/4, 64 counts): Pas de deux from Le Corsaire
—
Grand Battement (2/4, 64 counts): La gazza ladra
—
Grand Battement en cloche (3/4, 64 counts): Male Variation from Diana and Actaeon (Pas de deux)
—
Stretching (3/4, 64 counts): Pas de deux from Paquita
—
Port de bras (4/4, 64 counts): Nocturne in C-sharp minor
—
Port de bras (3/4, 32 counts): The Flower Duet from Lakmé
—
Battement tendu (2/4, 64 counts): Toreador Song from Carmen
—
Battement tendu (faster) (2/4, 64 counts): Clog Dance from La Fille mal gardée
—
Adage (slow) (3/4, 32 counts): Dance With Paris from Romeo and Juliet
—
Adage (faster) (6/8, 128 counts): Kingdom of the Shades from La Bayadere
—
Pirouettes en diagonal (3/4, 80 counts): Tavern Scene from Don Quixote
—
Pirouettes en diagonal (3/4, 128 counts): The Blue Danube
—
Warmup jumps (2/4, 64 counts): The Baltimore Salute
—
Assemblés (2/4, 128 counts): I Wish I Was in Dixie
—
Jetés (6/8, 96 counts): Ballet Music from Jerusalem
—
Brisé volé (6/8, 128 counts): Maypole Dance from La Fille mal gardée
—
Balloné (6/8, 128 counts): Ballet Music from Gustave III
—
Sissones (3/4, 64 counts): Solor’s Variation from La Bayadere
—
Sissones (faster) (3/4, 64 counts): Male Variation from Tchaikovsky Pas de Deux
—
Grand Allegro (3/4, 64 counts): Slave’s Variation from Le Corsaire
—
Grand Allegro (faster) (3/4, 64 counts): Etude in D minor
—
Tour en l'air (4/4, 32 counts): Jean de Brienne’s Variation from Raymonda
—
Fouettés (Coda, 96 counts): Dizzy Fingers
—
Pointe warmup (2/4, 128 counts): Desecration Humoresque
—
Pointe passé (2/4, 128 counts): Cupid’s Variation from Don Quixote
—
Pointe balloné (6/8, 64 counts): Coda from Swan Lake, Act II
—
Pointe pirouettes (3/4, 64 counts): Skater’s Waltz
—
Pointe posé turns (2/4, 64 counts): Kitri’s Variation from Don Quixote, Act 1
—
Reverence (3/4, 8 counts)
—
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Musical Works (ISWC)
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What is UPC 634158584756?
634158584756 is a Universal Product Code (UPC) assigned to Music for Ballet Classes, Volume Five by Charles Mathews. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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