UPC · Release
Mahler, Philharmonia Orchestra, Lorin Maazel
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The UPC for “Complete Symphonies nos. 1-9” by Mahler, Philharmonia Orchestra, Lorin Maazel is 635212036327. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Signum Classics. This release contains 56 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam, schleppend - Wie ein Naturlaut | — | ||
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 2-1 | Symphony no. 2, Resurrection: I. Allegro maestoso | — | ||
| 3-1 | Symphony no. 2, Resurrection: II. Andante moderato. Sehr gemächlich | — | ||
| 3-2 | Symphony no. 2, Resurrection: III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 3-3 | Symphony no. 2, Resurrection: IV. “Urlicht”. Sehr feierlich, aber schlicht | — | ||
| 3-4 | Symphony no. 2, Resurrection: V. Finale | — | ||
| 4-1 | Symphony no. 3, Part One: I. Kräftig. Entscheiden | — | ||
| 5-1 | Symphony no. 3, Part Two: II. Tempo di Menuetto. Sehr mässig | — | ||
| 5-2 | Symphony no. 3, Part Two: III. Comodo. Scherzando. Ohne Hast | — | ||
| 5-3 | Symphony no. 3, Part Two: IV. Sehr langsam. Misterioso | — | ||
| 5-4 | Symphony no. 3, Part Two: V. Lustig im Tempo und Keck in Ausdruck | — | ||
| 5-5 | Symphony no. 3, Part Two: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 6-1 | Symphony no. 4: I. Bedächtig, nicht eilen | — | ||
| 6-2 | Symphony no. 4: II. In gemächlicher Bewegung, ohne Hast | — | ||
| 6-3 | Symphony no. 4: III. Ruhevoll, poco adagio | — | ||
| 6-4 | Symphony no. 4: IV. Sehr behaglich | — | ||
| 7-1 | Symphony no. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 7-2 | Symphony no. 5: II. Stürmisch bewegt, mit grösster Vehemenz | — | ||
| 7-3 | Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell | — | ||
| 7-4 | Symphony no. 5: IV. Adagietto. Sehr langsam | — | ||
| 7-5 | Symphony no. 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch | — | ||
| 8-1 | Symphony no. 6: I. Allegro energico, ma non troppo | — | ||
| 9-1 | Symphony no. 6: II. Scherzo. Wuchtig | — | ||
| 9-2 | Symphony no. 6: III. Andante | — | ||
| 9-3 | Symphony no. 6: IV. Finale. Allegro moderato - Allegro energico | — | ||
| 10-1 | Symphony no. 7: I. Langsam (Adagio). Allegro con fuoco | — | ||
| 10-2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | — | ||
| 11-1 | Symphony no. 7: III. Scherzo. Schattenhaft | — | ||
| 11-2 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | — | ||
| 11-3 | Symphony no. 7: V. Rondo-Finale. Allegro ordinario | — | ||
| 12-1 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: I. Veni, creator spiritus | — | ||
| 12-2 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: II. Imple superna gratia | — | ||
| 12-3 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: III. Infirma nostri corporis | — | ||
| 12-4 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: IV. Accede lumen | — | ||
| 12-5 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: V. Veni, creator spiritus | — | ||
| 12-6 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: VI. Gloria sit Patri Domino | — | ||
| 13-1 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: I. Poco adagio | — | ||
| 13-2 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: II. Waldung, sie schwankt heran | — | ||
| 13-3 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: III. Ewiger Wonnebrand | — | ||
| 13-4 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: IV. Wie Felsenabgrund Mir zu Füssen | — | ||
| 13-5 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: V. Gerettet ist das edle Glied | — | ||
| 13-6 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: VI. Und bleibt ein Erdenrest - Hier ist die Aussicht frei | — | ||
| 13-7 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: VII. Höchste Herrscherin der Welt | — | ||
| 13-8 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: VIII. Dir, der Unberührbaren | — | ||
| 13-9 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: IX. Bei der Liebe | — | ||
| 13-10 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: X. Neige, neige, du Ohnegleiche | — | ||
| 13-11 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: XI. Komm! Hebe dich | — | ||
| 13-12 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: XII. Blicket auf zum Retterblick | — | ||
| 13-13 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: XIII. Alles Vergängliche | — | ||
| 14-1 | Symphony no. 9: I. Andante comodo | — | ||
| 14-2 | Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 15-1 | Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 15-2 | Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend | — |
Musical Works (ISWC)
Credits Graph
635212036327 is a Universal Product Code (UPC) assigned to Complete Symphonies nos. 1-9 by Mahler, Philharmonia Orchestra, Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Symphonies nos. 1-9” by Mahler, Philharmonia Orchestra, Lorin Maazel is 635212036327. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Signum Classics. This release contains 56 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: I. Langsam, schleppend - Wie ein Naturlaut | — | ||
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 2-1 | Symphony no. 2, Resurrection: I. Allegro maestoso | — | ||
| 3-1 | Symphony no. 2, Resurrection: II. Andante moderato. Sehr gemächlich | — | ||
| 3-2 | Symphony no. 2, Resurrection: III. Scherzo. In ruhig fliessender Bewegung | — | ||
| 3-3 | Symphony no. 2, Resurrection: IV. “Urlicht”. Sehr feierlich, aber schlicht | — | ||
| 3-4 | Symphony no. 2, Resurrection: V. Finale | — | ||
| 4-1 | Symphony no. 3, Part One: I. Kräftig. Entscheiden | — | ||
| 5-1 | Symphony no. 3, Part Two: II. Tempo di Menuetto. Sehr mässig | — | ||
| 5-2 | Symphony no. 3, Part Two: III. Comodo. Scherzando. Ohne Hast | — | ||
| 5-3 | Symphony no. 3, Part Two: IV. Sehr langsam. Misterioso | — | ||
| 5-4 | Symphony no. 3, Part Two: V. Lustig im Tempo und Keck in Ausdruck | — | ||
| 5-5 | Symphony no. 3, Part Two: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 6-1 | Symphony no. 4: I. Bedächtig, nicht eilen | — | ||
| 6-2 | Symphony no. 4: II. In gemächlicher Bewegung, ohne Hast | — | ||
| 6-3 | Symphony no. 4: III. Ruhevoll, poco adagio | — | ||
| 6-4 | Symphony no. 4: IV. Sehr behaglich | — | ||
| 7-1 | Symphony no. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 7-2 | Symphony no. 5: II. Stürmisch bewegt, mit grösster Vehemenz | — | ||
| 7-3 | Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell | — | ||
| 7-4 | Symphony no. 5: IV. Adagietto. Sehr langsam | — | ||
| 7-5 | Symphony no. 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch | — | ||
| 8-1 | Symphony no. 6: I. Allegro energico, ma non troppo | — | ||
| 9-1 | Symphony no. 6: II. Scherzo. Wuchtig | — | ||
| 9-2 | Symphony no. 6: III. Andante | — | ||
| 9-3 | Symphony no. 6: IV. Finale. Allegro moderato - Allegro energico | — | ||
| 10-1 | Symphony no. 7: I. Langsam (Adagio). Allegro con fuoco | — | ||
| 10-2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | — | ||
| 11-1 | Symphony no. 7: III. Scherzo. Schattenhaft | — | ||
| 11-2 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | — | ||
| 11-3 | Symphony no. 7: V. Rondo-Finale. Allegro ordinario | — | ||
| 12-1 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: I. Veni, creator spiritus | — | ||
| 12-2 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: II. Imple superna gratia | — | ||
| 12-3 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: III. Infirma nostri corporis | — | ||
| 12-4 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: IV. Accede lumen | — | ||
| 12-5 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: V. Veni, creator spiritus | — | ||
| 12-6 | Symphony no. 8, “Symphony of a Thousand”: Part 1. Veni, creator spiritus: VI. Gloria sit Patri Domino | — | ||
| 13-1 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: I. Poco adagio | — | ||
| 13-2 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: II. Waldung, sie schwankt heran | — | ||
| 13-3 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: III. Ewiger Wonnebrand | — | ||
| 13-4 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: IV. Wie Felsenabgrund Mir zu Füssen | — | ||
| 13-5 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: V. Gerettet ist das edle Glied | — | ||
| 13-6 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: VI. Und bleibt ein Erdenrest - Hier ist die Aussicht frei | — | ||
| 13-7 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: VII. Höchste Herrscherin der Welt | — | ||
| 13-8 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: VIII. Dir, der Unberührbaren | — | ||
| 13-9 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: IX. Bei der Liebe | — | ||
| 13-10 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: X. Neige, neige, du Ohnegleiche | — | ||
| 13-11 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: XI. Komm! Hebe dich | — | ||
| 13-12 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: XII. Blicket auf zum Retterblick | — | ||
| 13-13 | Symphony no. 8, “Symphony of a Thousand”: Part 2. Final Scene From Goethe’s Faust: XIII. Alles Vergängliche | — | ||
| 14-1 | Symphony no. 9: I. Andante comodo | — | ||
| 14-2 | Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 15-1 | Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 15-2 | Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend | — |
