UPC · Release
Wolfgang Amadeus Mozart, Classical Opera Company, The Mozartists, Ian Page
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The UPC for “Mozart in London” by Wolfgang Amadeus Mozart, Classical Opera Company, The Mozartists, Ian Page is 635212053423. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Signum Classics. This release contains 35 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in E-flat major, K. 16: I. Molto allegro | — | ||
| 2 | Symphony no. 1 in E-flat major, K. 16: II. Andante | — | ||
| 3 | Symphony no. 1 in E-flat major, K. 16: III. Presto | — | ||
| 4 | Judith, Act II: “Sleep, gentle Cherub! Sleep descend” | — | ||
| 5 | Judith, Act I: “O torment great, too great to bear” | — | ||
| 6 | Artaxerxes, Act I, Scene 2: "Amid a thousand racking Woes" | — | ||
| 7 | Artaxerxes, Act I, Scene 13: “O too lovely, too unkind” | — | ||
| 8 | Harpsichord Concerto in D major, op. 1 no. 6: I. Allegro assai | — | ||
| 9 | Harpsichord Concerto in D major, op. 1 no. 6: II. Andante | — | ||
| 10 | Harpsichord Concerto in D major, op. 1 no. 6: III. Allegro moderato | — | ||
| 11 | Ezio: "Non so d’onde viene" | — | ||
| 12 | Berenice: "Confusa, smarrita" | — | ||
| 13 | The Guardian Outwitted: "O Dolly, I part" | — | ||
| 14 | The Maid of the Mill, Act III, Scene 1: "To speak my mind of womankind" | — | ||
| 15 | The Maid of the Mill, Act II, Scene 8: "Hist, hist! I hear my mother call" | — | ||
| 16 | Symphony no. 4 in D major, K. 19: I. Allegro | — | ||
| 17 | Symphony no. 4 in D major, K. 19: II. Andante | — | ||
| 18 | Symphony no. 4 in D major, K. 19: III. Presto | — | ||
| 19 | Ezio: "Caro mio bene, addio" | — | ||
| 2-1 | Symphony in F major, K. 19a: I. Allegro assai | — | ||
| 2-2 | Symphony in F major, K. 19a: II. Andante | — | ||
| 2-3 | Symphony in F major, K. 19a: III. Presto | — | ||
| 2-4 | Adriano in Siria, Act II: "Ah, come mi balza il cor!" | — | ||
| 2-5 | Adriano in Siria, Act II: "Deh lascia, o ciel pietoso" | — | ||
| 2-6 | Adriano in Siria, Act II; "Cara la dolce amma" | — | ||
| 2-7 | The Capricious Lovers, Overture: I. Allegro | — | ||
| 2-8 | The Capricious Lovers, Overture II: Allegretto | — | ||
| 2-9 | The Capricious Lovers, Overture: III. Allegro | — | ||
| 2-10 | The Capricious Lovers, Act I, Scene 8: "Thus laugh’d at, jilted and betray’d" | — | ||
| 2-11 | Pharnaces: "In this I fear my latest breath" | — | ||
| 2-12 | Va, dal furor portata, K. 21 | — | ||
| 2-13 | Solimano: "Se non ti moro a lato" | — | ||
| 2-14 | Symphony in E-flat major, op. 7 no. 6: I. Allegro | — | ||
| 2-15 | Symphony in E-flat major, op. 7 no. 6: II. Andante | — | ||
| 2-16 | Symphony in E-flat major, op. 7 no. 6: III. Presto | — |
Creative Contributors (ISNI)
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635212053423 is a Universal Product Code (UPC) assigned to Mozart in London by Wolfgang Amadeus Mozart, Classical Opera Company, The Mozartists, Ian Page. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Mozart in London” by Wolfgang Amadeus Mozart, Classical Opera Company, The Mozartists, Ian Page is 635212053423. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Signum Classics. This release contains 35 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in E-flat major, K. 16: I. Molto allegro | — | ||
| 2 | Symphony no. 1 in E-flat major, K. 16: II. Andante | — | ||
| 3 | Symphony no. 1 in E-flat major, K. 16: III. Presto | — | ||
| 4 | Judith, Act II: “Sleep, gentle Cherub! Sleep descend” | — | ||
| 5 | Judith, Act I: “O torment great, too great to bear” | — | ||
| 6 | Artaxerxes, Act I, Scene 2: "Amid a thousand racking Woes" | — | ||
| 7 | Artaxerxes, Act I, Scene 13: “O too lovely, too unkind” | — | ||
| 8 | Harpsichord Concerto in D major, op. 1 no. 6: I. Allegro assai | — | ||
| 9 | Harpsichord Concerto in D major, op. 1 no. 6: II. Andante | — | ||
| 10 | Harpsichord Concerto in D major, op. 1 no. 6: III. Allegro moderato | — | ||
| 11 | Ezio: "Non so d’onde viene" | — | ||
| 12 | Berenice: "Confusa, smarrita" | — | ||
| 13 | The Guardian Outwitted: "O Dolly, I part" | — | ||
| 14 | The Maid of the Mill, Act III, Scene 1: "To speak my mind of womankind" | — | ||
| 15 | The Maid of the Mill, Act II, Scene 8: "Hist, hist! I hear my mother call" | — | ||
| 16 | Symphony no. 4 in D major, K. 19: I. Allegro | — | ||
| 17 | Symphony no. 4 in D major, K. 19: II. Andante | — | ||
| 18 | Symphony no. 4 in D major, K. 19: III. Presto | — | ||
| 19 | Ezio: "Caro mio bene, addio" | — | ||
| 2-1 | Symphony in F major, K. 19a: I. Allegro assai | — | ||
| 2-2 | Symphony in F major, K. 19a: II. Andante | — | ||
| 2-3 | Symphony in F major, K. 19a: III. Presto | — | ||
| 2-4 | Adriano in Siria, Act II: "Ah, come mi balza il cor!" | — | ||
| 2-5 | Adriano in Siria, Act II: "Deh lascia, o ciel pietoso" | — | ||
| 2-6 | Adriano in Siria, Act II; "Cara la dolce amma" | — | ||
| 2-7 | The Capricious Lovers, Overture: I. Allegro | — | ||
| 2-8 | The Capricious Lovers, Overture II: Allegretto | — | ||
| 2-9 | The Capricious Lovers, Overture: III. Allegro | — | ||
| 2-10 | The Capricious Lovers, Act I, Scene 8: "Thus laugh’d at, jilted and betray’d" | — | ||
| 2-11 | Pharnaces: "In this I fear my latest breath" | — | ||
| 2-12 | Va, dal furor portata, K. 21 | — | ||
| 2-13 | Solimano: "Se non ti moro a lato" | — | ||
| 2-14 | Symphony in E-flat major, op. 7 no. 6: I. Allegro | — | ||
| 2-15 | Symphony in E-flat major, op. 7 no. 6: II. Andante | — | ||
| 2-16 | Symphony in E-flat major, op. 7 no. 6: III. Presto | — |
