UPC · Album

Artaxerxes

Arne, The Mozartists, Ian Page

635212067222
59 tracksReleased 2021-01-01Signum Classics

Last verified:

635212067222 is the Universal Product Code (UPC barcode) for the release Artaxerxes by Arne, The Mozartists, Ian Page, released 2021-01-01 on Signum Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include GBLLH2167201, GBLLH2167202, GBLLH2167203.

Format

6Number system
35212Manufacturer
06722Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCArtaxerxes
ISRC59 recordings

Track List (59)

Artaxerxes, Act One: Overture (Poco più che andante – Larghetto – Gavotta)
The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Still silence reigns around” (Mandane, Arbaces)
Elizabeth Watts, Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act One: No. 1, Duettino: “Fair Aurora, prithee stay” (Mandane, Arbaces)
Elizabeth Watts, Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act 1: Recitative: “Alas, thou know’st that for my love to thee” (Arbaces, Mandane)
Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act One: No. 2, Air: “Adieu, thou lovely youth” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “O cruel parting! How can I survive?” (Arbaces, Mandane)
Caitlin Hulcup, Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act One: No. 3, Air: “Amid a thousand racking woes” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Be firm, my heart” (Artabanes, Artaxerxes)
Andrew Staples, Christopher Ainslie, The Mozartists, Ian Page
Artaxerxes, Act One: No. 4, Air: “Behold, on Lethe’s dismal strand” (Artabanes)
Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Stay, Artaxerxes, stay” (Semira, Artaxerxes)
Rebecca Bottone, Christopher Ainslie, The Mozartists, Ian Page
Artaxerxes, Act One: No. 5, Air: “Fair Semira, lovely maid” (Artaxerxes)
Christopher Ainslie, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “I fear some dread disaster” (Semira, Rimenes)
Rebecca Bottone, Daniel Norman, The Mozartists, Ian Page
Artaxerxes, Act One: No. 6, Air: “When real joy we miss” (Rimenes)
Daniel Norman, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Ye Gods, protectors of the Persian Empire” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act One: No. 7, Air: “How hard is the fate” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Whither do I fly?” (Tutti)
Christopher Ainslie, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act One: No. 8, Air: “Thy father! Away, I renounce the soft claim” (Artabanes)
Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Ye cruel Gods, what crime have I committed” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act One: No. 9, Air: “Acquit thee of this foul offence” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act One: Recitative: “Appearance, I must own, is strong against me” (Arbaces, Artaxerxes, Rimenes, Mandane)
Caitlin Hulcup, Christopher Ainslie, Daniel Norman, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act One: No. 10, Air: “O too lovely, too unkind” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act One: Accompanied recitative: “Dear and beloved shade” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act One: No. 11, Air: “Fly, soft ideas, fly” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “Guards, speed ye to the tower” (Artaxerxes, Artabanes)
Christopher Ainslie, Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 12, Air: “In infancy, our hopes and fears” (Artaxerxes)
Christopher Ainslie, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “So far my great resolve succeeds” (Artabanes, Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 13, Air: “Disdainful you fly me” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “Why, my dear friend, so pensive” (Rimenes, Artabanes, Semira)
Daniel Norman, Andrew Staples, Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 14, Air: “To sigh and complain” (Rimenes)
Daniel Norman, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “How many links to dire misfortune’s chain” (Semira, Mandane)
Rebecca Bottone, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 15, Air: “If o’er the cruel tyrant love” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “Which fatal evil shall I first oppose?” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 16, Air: “If the river’s swelling waves” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “Ye solid pillars of the Persian Empire” (Tutti)
Christopher Ainslie, Elizabeth Watts, Caitlin Hulcup, Andrew Staples, Rebecca Bottone, Daniel Norman, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 17, Air: “By that belov’d embrace” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “Ah me, at poor Arbaces’ parting” (Mandane, Artabanes)
Elizabeth Watts, Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 18, Air: “Monster, away” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Two: Recitative: “See, lov’d Semira” (Artaxerxes, Semira, Artabanes)
Christopher Ainslie, Rebecca Bottone, Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Two: Accompanied recitative: “At last my soul has room” (Artabanes)
Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Two: No. 19, Air: “Thou, like the glorious sun” (Artabanes)
Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 20, Air: “Why is death for ever late” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “Arbaces! Gracious Heav’n” (Artaxerxes, Arbaces)
Christopher Ainslie, Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 21, Air: “Water parted from the sea” (Arbaces)
Caitlin Hulcup, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “That face, secure in conscious innocence” (Artaxerxes)
Christopher Ainslie, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 22, Air: “Though oft a cloud with envious shade” (Artaxerxes)
Christopher Ainslie, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “My son, Arbaces... where art thou retir’d?” (Artabanes, Rimenes)
Andrew Staples, Daniel Norman, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 23, Air: “O let the danger of a son” (Rimenes)
Daniel Norman, The Mozartists, Ian Page
Artaxerxes, Act Three: Accompanied recitative: “Ye adverse Gods!” (Artabanes)
Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 24, Air: “O, much lov’d son, if death” (Artabanes)
Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “Perhaps the King releas’d Arbaces” (Mandane, Semira)
Elizabeth Watts, Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 25, Air: “Let not rage, thy bosom firing” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “What have I done? Alas, I vainly thought” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 26, Air: “’Tis not true that in our grief” (Semira)
Rebecca Bottone, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “Nor here my searching eyes” (Arbaces, Mandane)
Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 27, Duetto: “For thee I live, my dearest” (Arbaces, Mandane)
Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “To you, my people, much belov’d” (Artaxerxes, Artabanes, Semira, Mandane)
Christopher Ainslie, Andrew Staples, Rebecca Bottone, Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 28, Air: “The soldier, tir’d of war’s alarms” (Mandane)
Elizabeth Watts, The Mozartists, Ian Page
Artaxerxes, Act Three: Recitative: “Behold, my King, Arbaces at thy feet” (Arbaces, Artaxerxes, Mandane, Artabanes)
Caitlin Hulcup, Christopher Ainslie, Elizabeth Watts, Andrew Staples, The Mozartists, Ian Page
Artaxerxes, Act Three: No. 29, Finale: “Live to us, to Empire live” (Semira, Mandane, Arbaces, Artabanes)
Rebecca Bottone, Elizabeth Watts, Caitlin Hulcup, Christopher Ainslie, Andrew Staples, The Mozartists, Ian Page

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People also ask

What is UPC 635212067222?
UPC 635212067222 is the Universal Product Code (barcode) for "Artaxerxes" by Arne, The Mozartists, Ian Page, released on Signum Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 635212067222?
UPC 635212067222 contains 59 tracks, each with its own ISRC.
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What is UPC 635212067222?

635212067222 is a Universal Product Code (UPC) assigned to Artaxerxes by Arne, The Mozartists, Ian Page. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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