UPC · Album
Artaxerxes
Arne, The Mozartists, Ian Page
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635212067222 is the Universal Product Code (UPC barcode) for the release “Artaxerxes” by Arne, The Mozartists, Ian Page, released 2021-01-01 on Signum Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include GBLLH2167201, GBLLH2167202, GBLLH2167203.
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Track List (59)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Artaxerxes, Act One: Overture (Poco più che andante – Larghetto – Gavotta) | The Mozartists, Ian Page | GBLLH2167201 |
| Artaxerxes, Act One: Recitative: “Still silence reigns around” (Mandane, Arbaces) | Elizabeth Watts, Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167202 |
| Artaxerxes, Act One: No. 1, Duettino: “Fair Aurora, prithee stay” (Mandane, Arbaces) | Elizabeth Watts, Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167203 |
| Artaxerxes, Act 1: Recitative: “Alas, thou know’st that for my love to thee” (Arbaces, Mandane) | Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167204 |
| Artaxerxes, Act One: No. 2, Air: “Adieu, thou lovely youth” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167205 |
| Artaxerxes, Act One: Recitative: “O cruel parting! How can I survive?” (Arbaces, Mandane) | Caitlin Hulcup, Andrew Staples, The Mozartists, Ian Page | GBLLH2167206 |
| Artaxerxes, Act One: No. 3, Air: “Amid a thousand racking woes” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167207 |
| Artaxerxes, Act One: Recitative: “Be firm, my heart” (Artabanes, Artaxerxes) | Andrew Staples, Christopher Ainslie, The Mozartists, Ian Page | GBLLH2167208 |
| Artaxerxes, Act One: No. 4, Air: “Behold, on Lethe’s dismal strand” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | GBLLH2167209 |
| Artaxerxes, Act One: Recitative: “Stay, Artaxerxes, stay” (Semira, Artaxerxes) | Rebecca Bottone, Christopher Ainslie, The Mozartists, Ian Page | GBLLH2167210 |
| Artaxerxes, Act One: No. 5, Air: “Fair Semira, lovely maid” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | GBLLH2167211 |
| Artaxerxes, Act One: Recitative: “I fear some dread disaster” (Semira, Rimenes) | Rebecca Bottone, Daniel Norman, The Mozartists, Ian Page | GBLLH2167212 |
| Artaxerxes, Act One: No. 6, Air: “When real joy we miss” (Rimenes) | Daniel Norman, The Mozartists, Ian Page | GBLLH2167213 |
| Artaxerxes, Act One: Recitative: “Ye Gods, protectors of the Persian Empire” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167214 |
| Artaxerxes, Act One: No. 7, Air: “How hard is the fate” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167215 |
| Artaxerxes, Act One: Recitative: “Whither do I fly?” (Tutti) | Christopher Ainslie, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167216 |
| Artaxerxes, Act One: No. 8, Air: “Thy father! Away, I renounce the soft claim” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | GBLLH2167217 |
| Artaxerxes, Act One: Recitative: “Ye cruel Gods, what crime have I committed” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167218 |
| Artaxerxes, Act One: No. 9, Air: “Acquit thee of this foul offence” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167219 |
| Artaxerxes, Act One: Recitative: “Appearance, I must own, is strong against me” (Arbaces, Artaxerxes, Rimenes, Mandane) | Caitlin Hulcup, Christopher Ainslie, Daniel Norman, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167220 |
| Artaxerxes, Act One: No. 10, Air: “O too lovely, too unkind” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167221 |
| Artaxerxes, Act One: Accompanied recitative: “Dear and beloved shade” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167222 |
| Artaxerxes, Act One: No. 11, Air: “Fly, soft ideas, fly” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167223 |
| Artaxerxes, Act Two: Recitative: “Guards, speed ye to the tower” (Artaxerxes, Artabanes) | Christopher Ainslie, Andrew Staples, The Mozartists, Ian Page | GBLLH2167224 |
| Artaxerxes, Act Two: No. 12, Air: “In infancy, our hopes and fears” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | GBLLH2167225 |
| Artaxerxes, Act Two: Recitative: “So far my great resolve succeeds” (Artabanes, Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167226 |
| Artaxerxes, Act Two: No. 13, Air: “Disdainful you fly me” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167227 |
| Artaxerxes, Act Two: Recitative: “Why, my dear friend, so pensive” (Rimenes, Artabanes, Semira) | Daniel Norman, Andrew Staples, Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167228 |
| Artaxerxes, Act Two: No. 14, Air: “To sigh and complain” (Rimenes) | Daniel Norman, The Mozartists, Ian Page | GBLLH2167229 |
| Artaxerxes, Act Two: Recitative: “How many links to dire misfortune’s chain” (Semira, Mandane) | Rebecca Bottone, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167230 |
| Artaxerxes, Act Two: No. 15, Air: “If o’er the cruel tyrant love” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167231 |
| Artaxerxes, Act Two: Recitative: “Which fatal evil shall I first oppose?” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167232 |
| Artaxerxes, Act Two: No. 16, Air: “If the river’s swelling waves” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167233 |
| Artaxerxes, Act Two: Recitative: “Ye solid pillars of the Persian Empire” (Tutti) | Christopher Ainslie, Elizabeth Watts, Caitlin Hulcup, Andrew Staples, Rebecca Bottone, Daniel Norman, The Mozartists, Ian Page | GBLLH2167234 |
| Artaxerxes, Act Two: No. 17, Air: “By that belov’d embrace” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167235 |
| Artaxerxes, Act Two: Recitative: “Ah me, at poor Arbaces’ parting” (Mandane, Artabanes) | Elizabeth Watts, Andrew Staples, The Mozartists, Ian Page | GBLLH2167236 |
| Artaxerxes, Act Two: No. 18, Air: “Monster, away” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167237 |
| Artaxerxes, Act Two: Recitative: “See, lov’d Semira” (Artaxerxes, Semira, Artabanes) | Christopher Ainslie, Rebecca Bottone, Andrew Staples, The Mozartists, Ian Page | GBLLH2167238 |
| Artaxerxes, Act Two: Accompanied recitative: “At last my soul has room” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | GBLLH2167239 |
| Artaxerxes, Act Two: No. 19, Air: “Thou, like the glorious sun” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | GBLLH2167240 |
| Artaxerxes, Act Three: No. 20, Air: “Why is death for ever late” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167241 |
| Artaxerxes, Act Three: Recitative: “Arbaces! Gracious Heav’n” (Artaxerxes, Arbaces) | Christopher Ainslie, Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167242 |
| Artaxerxes, Act Three: No. 21, Air: “Water parted from the sea” (Arbaces) | Caitlin Hulcup, The Mozartists, Ian Page | GBLLH2167243 |
| Artaxerxes, Act Three: Recitative: “That face, secure in conscious innocence” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | GBLLH2167244 |
| Artaxerxes, Act Three: No. 22, Air: “Though oft a cloud with envious shade” (Artaxerxes) | Christopher Ainslie, The Mozartists, Ian Page | GBLLH2167245 |
| Artaxerxes, Act Three: Recitative: “My son, Arbaces... where art thou retir’d?” (Artabanes, Rimenes) | Andrew Staples, Daniel Norman, The Mozartists, Ian Page | GBLLH2167246 |
| Artaxerxes, Act Three: No. 23, Air: “O let the danger of a son” (Rimenes) | Daniel Norman, The Mozartists, Ian Page | GBLLH2167247 |
| Artaxerxes, Act Three: Accompanied recitative: “Ye adverse Gods!” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | GBLLH2167248 |
| Artaxerxes, Act Three: No. 24, Air: “O, much lov’d son, if death” (Artabanes) | Andrew Staples, The Mozartists, Ian Page | GBLLH2167249 |
| Artaxerxes, Act Three: Recitative: “Perhaps the King releas’d Arbaces” (Mandane, Semira) | Elizabeth Watts, Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167250 |
| Artaxerxes, Act Three: No. 25, Air: “Let not rage, thy bosom firing” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167251 |
| Artaxerxes, Act Three: Recitative: “What have I done? Alas, I vainly thought” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167252 |
| Artaxerxes, Act Three: No. 26, Air: “’Tis not true that in our grief” (Semira) | Rebecca Bottone, The Mozartists, Ian Page | GBLLH2167253 |
| Artaxerxes, Act Three: Recitative: “Nor here my searching eyes” (Arbaces, Mandane) | Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167254 |
| Artaxerxes, Act Three: No. 27, Duetto: “For thee I live, my dearest” (Arbaces, Mandane) | Caitlin Hulcup, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167255 |
| Artaxerxes, Act Three: Recitative: “To you, my people, much belov’d” (Artaxerxes, Artabanes, Semira, Mandane) | Christopher Ainslie, Andrew Staples, Rebecca Bottone, Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167256 |
| Artaxerxes, Act Three: No. 28, Air: “The soldier, tir’d of war’s alarms” (Mandane) | Elizabeth Watts, The Mozartists, Ian Page | GBLLH2167257 |
| Artaxerxes, Act Three: Recitative: “Behold, my King, Arbaces at thy feet” (Arbaces, Artaxerxes, Mandane, Artabanes) | Caitlin Hulcup, Christopher Ainslie, Elizabeth Watts, Andrew Staples, The Mozartists, Ian Page | GBLLH2167258 |
| Artaxerxes, Act Three: No. 29, Finale: “Live to us, to Empire live” (Semira, Mandane, Arbaces, Artabanes) | Rebecca Bottone, Elizabeth Watts, Caitlin Hulcup, Christopher Ainslie, Andrew Staples, The Mozartists, Ian Page | GBLLH2167259 |
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What is UPC 635212067222?
635212067222 is a Universal Product Code (UPC) assigned to Artaxerxes by Arne, The Mozartists, Ian Page. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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