UPC · Release
Robert Johnson & The Last of the Mississippi Blues Singers
Robert Johnson
Last verified:
636551050326 is the Universal Product Code (UPC barcode) for the release “Robert Johnson & The Last of the Mississippi Blues Singers” by Robert Johnson, released 2007-01-01 on Complete Blues The Works. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 138 tracks, each with its own ISRC. Tracks include USSM11101507, GBEEJ0700238, GBEEJ0700235.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (138)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kind Hearted Woman Blues | Robert Johnson | T-902.771.017-4 | |
| 2 | Kind Hearted Woman Blues (take 2) | Robert Johnson | — | |
| 3 | I Believe I’ll Dust My Broom | Robert Johnson | T-301.203.303-9 | |
| 4 | Sweet Home Chicago | Robert Johnson | T-902.779.496-3 | |
| 5 | Ramblin’ on My Mind (take 1) | Robert Johnson | T-305.776.914-5 | |
| 6 | Ramblin’ on My Mind (take 2) | Robert Johnson | — | |
| 7 | When You Got a Good Friend | Robert Johnson | — | |
| 8 | When You Got a Good Friend (take 2) | Robert Johnson | — | |
| 9 | Come On in My Kitchen | Robert Johnson | — | |
| 10 | Come On in My Kitchen (take 2) | Robert Johnson | — | |
| 11 | Terraplane Blues | Robert Johnson | T-919.808.815-2 | |
| 12 | Phonograph Blues (take 1) | Robert Johnson | — | |
| 13 | Phonograph Blues (take 2) | Robert Johnson | — | |
| 14 | 32–20 Blues | Robert Johnson | T-010.164.443-2 | |
| 15 | They’re Red Hot | Robert Johnson | T-802.746.958-6 | |
| 16 | Dead Shrimp Blues | Robert Johnson | — | |
| 17 | Cross Road Blues | Robert Johnson | T-072.368.239-0 | |
| 19 | Walkin’ Blues | Robert Johnson | T-070.247.648-9 | |
| 20 | Last Fair Deal Gone Down | Robert Johnson | T-929.035.583-8 | |
| 21 | Preachin’ Blues (Up Jumped the Devil) | Robert Johnson | — | |
| 22 | If I Had Possession Over Judgement Day | Robert Johnson | — | |
| 2-1 | Stones in My Passway | Robert Johnson | — | |
| 2-2 | I’m a Steady Rollin’ Man | Robert Johnson | — | |
| 2-3 | From Four Until Late | Robert Johnson | — | |
| 2-4 | Hellhound on My Trail | Robert Johnson | T-906.726.547-8 | |
| 2-5 | Little Queen of Spades (take 1) | Robert Johnson | T-902.777.581-1 | |
| 2-6 | Little Queen of Spades (take 2) | Robert Johnson | T-902.777.581-1 | |
| 2-7 | Malted Milk | Robert Johnson | T-070.242.059-4 | |
| 2-8 | Drunken Hearted Man | Robert Johnson | T-915.867.064-5 | |
| 2-9 | Drunken Hearted Man (take 2) | Robert Johnson | T-915.867.064-5 | |
| 2-10 | Me and the Devil Blues (take 1) | Robert Johnson | T-925.012.713-0 | |
| 2-11 | Me and the Devil Blues (take 2) | Robert Johnson | — | |
| 2-12 | Stop Breakin’ Down Blues (take 1) | Robert Johnson | T-011.333.430-7 | |
| 2-13 | Stop Breakin’ Down Blues (take 2) | Robert Johnson | T-011.333.430-7 | |
| 2-14 | Traveling Riverside Blues | Robert Johnson | T-070.187.795-3 | |
| 2-16 | Honeymoon Blues | Robert Johnson | — | |
| 2-17 | Love in Vain Blues (take 1) | Robert Johnson | T-305.776.900-9 | |
| 2-18 | Love in Vain Blues (take 2) | Robert Johnson | — | |
| 2-19 | Milkcow’s Calf Blues | Robert Johnson | — | |
| 2-20 | Milkcow’s Calf Blues (take 2) | Robert Johnson | — | |
| 3-1 | The New Frisco Train | — | ||
| 3-2 | The Panama Limited | Bukka White | — | |
| 3-3 | I Am in the Heavenly Way | — | ||
| 3-4 | The Promise True and Grand | — | ||
| 3-5 | Pinebluff Arkansas | — | ||
| 3-6 | Shake ’Em On Down | Bukka White | T-700.061.921-8 | |
| 3-7 | Sic ’em Dogs On | — | ||
| 3-8 | Po Boy | — | ||
| 3-9 | Black Train Blues | — | ||
| 3-10 | Strange Place Blues | Bukka White | — | |
| 3-11 | When Can I Change My Clothes | — | ||
| 3-12 | Sleepy Man Blues | — | ||
| 3-13 | Parchman Farm Blues | Bukka White | T-070.242.836-1 | |
| 3-14 | Good Gin Blues | Bukka White | — | |
| 3-15 | High Fever Blues | — | ||
| 3-16 | District Attorney Blues | — | ||
| 3-17 | Fixin’ to Die Blues | Bukka White | — | |
| 3-18 | Aberdeen Mississippi Blues | — | ||
| 3-19 | Bukka’s Jitterbug Swing | — | ||
| 3-20 | Special Steam Line | — | ||
| 3-21 | Catfish Blues | — | ||
| 3-22 | Ride ’em on Down | — | ||
| 3-23 | Rocking Chair Blues | — | ||
| 3-24 | My Little Girl | — | ||
| 3-25 | Let Me Be Your Boss | — | ||
| 3-26 | Left My Baby Crying | — | ||
| 4-1 | Sleepy Woman Blues | — | ||
| 4-2 | Don’t Go Down Baby | — | ||
| 4-3 | Bertha Lee Blues | — | ||
| 4-4 | Boogie Woogie Woman | — | ||
| 4-5 | Hollow Log Blues | — | ||
| 4-6 | In the Evening | — | ||
| 4-7 | My Baby Left Me | — | ||
| 4-8 | Cotton Pickin’ Blues | — | ||
| 4-9 | You Can Mistreat Me Here | — | ||
| 4-10 | New “shake ’em on Down” | — | ||
| 4-11 | Bottle It Up and Go | — | ||
| 4-12 | Whiskey Head Woman | — | ||
| 4-13 | Brown Skin Girl | — | ||
| 4-14 | Cotton Patch Blues | — | ||
| 4-15 | Baby Don’t You Want to Go? | — | ||
| 4-16 | Baby, Please Don’t Tell on Me | — | ||
| 4-17 | I’m Going Don’t You Know | — | ||
| 4-18 | New Highway 51 | — | ||
| 4-19 | She’s Just Good Huggin’ Size | — | ||
| 4-20 | My Little Girl | — | ||
| 4-21 | My Baby’s Gone | — | ||
| 4-22 | It’s Hard to Be Lonesome | — | ||
| 4-23 | My Baby’s Doggin’ Me | — | ||
| 4-24 | She’s a Good Looking Mama | — | ||
| 4-25 | Whiskey Head Man | — | ||
| 4-26 | New Sugar Mama | — | ||
| 4-27 | Down to Skin and Bones | — | ||
| 5-1 | Katy Mae Blues | — | ||
| 5-2 | Love With a Feeling | — | ||
| 5-3 | Drop Down Mama | — | ||
| 5-4 | Black Minnie | — | ||
| 5-5 | Elsie Blues | — | ||
| 5-6 | Des’e My Blues | — | ||
| 5-7 | Cross Cut Saw Blues #1 | — | ||
| 5-8 | Cross Cut Saw Blues #2 | — | ||
| 5-9 | Classy Mae Blues | — | ||
| 5-10 | You Can’t Read My Mind | — | ||
| 5-11 | Travelin’ Highway Man | — | ||
| 5-12 | Deep Blue Sea Blues | — | ||
| 5-13 | I’m a Guitar King | — | ||
| 5-14 | It’s a Crying Pity | — | ||
| 5-15 | Mozelle Blues | — | ||
| 5-16 | Blues Trip Me This Morning | — | ||
| 5-17 | Mr So and So Blues | — | ||
| 5-18 | Roll Me, Baby | — | ||
| 5-19 | I Love My Baby | — | ||
| 5-20 | Shake It Up and Go | — | ||
| 5-21 | Blue as I Can Be | — | ||
| 5-22 | Bluebird Blues #1 | — | ||
| 5-23 | Bluebird Blues #2 | — | ||
| 6-1 | Spread My Raincoat Down | — | ||
| 6-2 | You Got to Roll #1 | — | ||
| 6-3 | You Got to Roll #2 | — | ||
| 6-4 | Stagolee | — | ||
| 6-5 | Just a Spoonful | — | ||
| 6-6 | Hellatakin’ Blues | — | ||
| 6-7 | Worried Life Blues | — | ||
| 6-8 | Water Coast Blues | — | ||
| 6-9 | The Army Blues | — | ||
| 6-10 | Tear It Down Rag | — | ||
| 6-11 | Wind Howlin’ Blues | — | ||
| 6-12 | Roamin’ and Ramblin’ Blues | — | ||
| 6-13 | Little Girl in Rome | Otto Virgial | — | |
| 6-14 | Bad Notion Blues | Otto Virgial | — | |
| 6-15 | Got the Blues About Rome | Otto Virgial | — | |
| 6-16 | Seven Year Itch | — | ||
| 6-17 | Black Spider Blues | Robert Lockwood | — | |
| 6-18 | I'm Gonna Train My Baby | Robert Lockwood | — | |
| 6-19 | Little Boy Blue | Robert Lockwood | — | |
| 6-20 | Take a Little Walk With Me | Robert Lockwood | — | |
| 6-21 | I’m Gonna Dig Myself a Hole | — | ||
| 6-22 | Dust My Broom | — |
Additional database matches (57)
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People also ask
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What is UPC 636551050326?
636551050326 is a Universal Product Code (UPC) assigned to Robert Johnson & The Last of the Mississippi Blues Singers by Robert Johnson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 138 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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