UPC · Release
Porgy and Bess (Selections): Original Cast and Other Early Recordings (Recorded 1935–1942)
Gershwin, Anne Brown, Todd Duncan and 4 more
Last verified:
636943121924 is the Universal Product Code (UPC barcode) for the release “Porgy and Bess (Selections): Original Cast and Other Early Recordings (Recorded 1935–1942)” by Gershwin, Anne Brown, Todd Duncan, Avon Long, Paul Robeson, Lawrence Tibbett, Jascha Heifetz, released 2003-01-01 on Naxos Historical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include HKI190226301, HKI190226302, HKI190226303.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Porgy and Bess: Act I, Scene 1. Overture | Decca Symphony Orchestra, Alexander Smallens | — | |
| 2 | Porgy and Bess: Act I, Scene 1. Summertime | Anne Brown | T9109785093 | |
| 3 | Porgy and Bess: Act I, Scene 1. Summertime and Crap Game | Harriet Jackson, Eva Jessye Choir | — | |
| 4 | Porgy and Bess: Act I, Scene 1. A Woman Is a Sometime Thing | Edward Matthews | T-004.011.617-3 | |
| 5 | Porgy and Bess: Act I, Scene 2. My Man’s Gone Now | Anne Brown, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens | T-903.720.769-5 | |
| 6 | Porgy and Bess: Act II, Scene 1. It Take a Long Pull to Get There | Edward Matthews, Decca Symphony Orchestra, Alexander Smallens | — | |
| 7 | Porgy and Bess: Act II, Scene 1. I Got Plenty o’ Nuttin’ | Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens | — | |
| 8 | Porgy and Bess: Act II, Scene 1. Buzzard Song | Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens | — | |
| 9 | Porgy and Bess: Act II, Scene 1. Bess, You Is My Woman | Anne Brown, Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens | T-903.624.216-7 | |
| 10 | Porgy and Bess: Act II, Scene 2. It Ain’t Necessarily So | Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens | — | |
| 11 | Porgy and Bess: Act II, Scene 2. What You Want Wid Bess? | Anne Brown, Todd Duncan, Decca Symphony Orchestra, Alexander Smallens | — | |
| 12 | Porgy and Bess: Act II, Scene 3. (Street Cries) a. Strawberry Woman’s Call / b. Crab Man’s Call | Decca Symphony Orchestra, Alexander Smallens | — | |
| 13 | Porgy and Bess: Act II, Scene 3. I Loves You, Porgy | Anne Brown, Todd Duncan, Decca Symphony Orchestra, Alexander Smallens | — | |
| 14 | Porgy and Bess: Act III, Scene 1. The Requiem | Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens | — | |
| 15 | Porgy and Bess: Act III, Scene 2. There’s a Boat Dat’s Leavin’ Soon for New York | Anne Brown, Avon Long, Decca Symphony Orchestra, Alexander Smallens | T-004.025.172-6 | |
| 16 | Porgy and Bess: Act III, Scene 3. Porgy’s Lament (Where Is My Bess?) | Todd Duncan | T-801.269.905-8 | |
| 17 | Porgy and Bess: Act III, Scene 3. Finale (I’m on My Way) | Todd Duncan, Eva Jessye Choir | — | |
| 18 | It Ain’t Necessarily So | Avon Long, Edward Matthews | T9007578623 | |
| 19 | A Woman Is a Sometime Thing | Avon Long | T9011219537 | |
| 20 | Summertime | Helen Dowdy | T9109785093 | |
| 21 | There’s a Boat Dat’s Leavin’ Soon for New York | Avon Long | T0701793818 | |
| 22 | I Got Plenty o’ Nuttin’ | Avon Long | — | |
| 23 | Bess, You Is My Woman | Avon Long, Helen Dowdy | T9000823552 | |
| 24 | I Got Plenty o’ Nuttin’ | Edward Matthews | — |
Additional database matches (21)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| It Ain’t Necessarily So | Edward Matthews | T9007578623 |
| Lullaby: Summertime / Livin’s Easy | Helen Jepson | — |
| Summertime and Crap Game | Helen Jepson, Lawrence Tibbett | — |
| A Woman Is a Sometime Thing | Lawrence Tibbett | — |
| My Man’s Gone Now | Helen Jepson | T9107683147 |
| I Got Plenty o’ Nuttin’ | Lawrence Tibbett | — |
| Buzzard Song | Lawrence Tibbett | — |
| Bess, You Is My Woman Now | Lawrence Tibbett, Helen Jepson | — |
| It Ain’t Necessarily So | Lawrence Tibbett | — |
| Where Is My Bess? | Lawrence Tibbett | — |
| Lullaby: Summertime / Livin’s Easy | Paul Robeson, Clifford Greenwood | T0700821266 |
| A Woman Is a Sometime Thing | Paul Robeson, Clifford Greenwood | — |
| It Takes a Long Pull to Get There | Paul Robeson, Clifford Greenwood | — |
| It Ain’t Necessarily So | Paul Robeson, Clifford Greenwood | — |
| Summertime | Jascha Heifetz, Emmanuel Bay | — |
| A Woman Is a Sometime Thing | Jascha Heifetz, Emmanuel Bay | — |
| My Man’s Gone Now | Jascha Heifetz, Emmanuel Bay | — |
| Porgy and Bess: It Ain't Necessarily So | Jascha Heifetz, Emmanuel Bay | T9007578623 |
| Bess, You Is My Woman Now | Jascha Heifetz, Emmanuel Bay | — |
| Tempo di Blues: There’s a Boat Dat’s Leavin’ Soon for New York | Jascha Heifetz, Emmanuel Bay | — |
| Porgy and Bess: A Symphonic Picture | The Philharmonic Orchestra of Los Angeles, Alfred Wallenstein | T9211508360 |
What other identifiers does this connect to?
Identifier Graph
People also ask
Verified on
What is UPC 636943121924?
636943121924 is a Universal Product Code (UPC) assigned to Porgy and Bess (Selections): Original Cast and Other Early Recordings (Recorded 1935–1942) by Gershwin, Anne Brown, Todd Duncan, Avon Long, Paul Robeson, Lawrence Tibbett, Jascha Heifetz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm