UPC · Release
Various Artists
Last verified:
The UPC for “The Great Singers” by Various Artists is 636943178126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. This release contains 23 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | — | ||
| 2 | Trois Chansons de Bilitis | — | ||
| 3 | L’elisir d’amore: “Una furtiva lagrima” | — | ||
| 4 | Il trovatore: Atto IV. “Mira, di acerbe lagrime” | — | ||
| 5 | Il Penseroso: “Sweet Bird That Shunn’st the Noise of Folly” | — | ||
| 6 | Das Lied von der Erde: IV. Von der Schönheit | — | ||
| 7 | Serenade | — | ||
| 8 | Mignon: “Leb’ wohl Mignon” / “Wie ihre Unschuld” | — | ||
| 9 | Werther : « Il faut nous séparer » (Garden Scene) | — | ||
| 10 | Pagliacci: “Un tal gioco, credetemi” | — | ||
| 11 | Tristan und Isolde: “Mild und leise” (Liebestod) | — | ||
| 2-1 | La bohème: Atto I. “O soave fanciulla” | — | ||
| 2-2 | Der Hirt auf dem Felsen (The Shepherd on the Rock), op. 129, D. 965 | — | ||
| 2-3 | Die Meistersinger: “Morgenlich leuchtend” (Preislied) | — | ||
| 2-4 | Chopin: Grand Aria | — | ||
| 2-5 | Don Quichotte : « Oh, mon maître » … « Oui ! Je fus le chef » | — | ||
| 2-6 | Die tote Stadt: “Glück, das mir verblieb” | — | ||
| 2-7 | Die Entführung aus dem Serail: “Martern aller Arten” | — | ||
| 2-8 | Fidelio: “Abscheulicher, wo eilst du hin?” | — | ||
| 2-9 | Parsifal: “Ich sah’ das Kind an seiner Mutter Brust” | — | ||
| 2-10 | Martha: Atto III. “M’appari tutt’amor” (Ach so fromm) | — | ||
| 2-11 | Requiem: Confutatis | — | ||
| 2-12 | La bohème: Atto I. “Sì, mi chiamano Mimì” | — |
Songwriters/Publishers (IPI)
Credits Graph
636943178126 is a Universal Product Code (UPC) assigned to The Great Singers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Great Singers” by Various Artists is 636943178126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. This release contains 23 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turandot: “Nessun dorma” | — | ||
| 2 | Trois Chansons de Bilitis | — | ||
| 3 | L’elisir d’amore: “Una furtiva lagrima” | — | ||
| 4 | Il trovatore: Atto IV. “Mira, di acerbe lagrime” | — | ||
| 5 | Il Penseroso: “Sweet Bird That Shunn’st the Noise of Folly” | — | ||
| 6 | Das Lied von der Erde: IV. Von der Schönheit | — | ||
| 7 | Serenade | — | ||
| 8 | Mignon: “Leb’ wohl Mignon” / “Wie ihre Unschuld” | — | ||
| 9 | Werther : « Il faut nous séparer » (Garden Scene) | — | ||
| 10 | Pagliacci: “Un tal gioco, credetemi” | — | ||
| 11 | Tristan und Isolde: “Mild und leise” (Liebestod) | — | ||
| 2-1 | La bohème: Atto I. “O soave fanciulla” | — | ||
| 2-2 | Der Hirt auf dem Felsen (The Shepherd on the Rock), op. 129, D. 965 | — | ||
| 2-3 | Die Meistersinger: “Morgenlich leuchtend” (Preislied) | — | ||
| 2-4 | Chopin: Grand Aria | — | ||
| 2-5 | Don Quichotte : « Oh, mon maître » … « Oui ! Je fus le chef » | — | ||
| 2-6 | Die tote Stadt: “Glück, das mir verblieb” | — | ||
| 2-7 | Die Entführung aus dem Serail: “Martern aller Arten” | — | ||
| 2-8 | Fidelio: “Abscheulicher, wo eilst du hin?” | — | ||
| 2-9 | Parsifal: “Ich sah’ das Kind an seiner Mutter Brust” | — | ||
| 2-10 | Martha: Atto III. “M’appari tutt’amor” (Ach so fromm) | — | ||
| 2-11 | Requiem: Confutatis | — | ||
| 2-12 | La bohème: Atto I. “Sì, mi chiamano Mimì” | — |
