UPC · Release
Messiah
Handel, Trinity Choir, Trinity Church Orchestra, Owen Burdick
636943451120
54 tracksReleased 1996-01-01Naxos
Last verified:
636943451120 is the Universal Product Code (UPC barcode) for the release “Messiah” by Handel, Trinity Choir, Trinity Church Orchestra, Owen Burdick, released 1996-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
6Number system
36943Manufacturer
45112Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messiah: No. 1. Overture | — | ||
| 2 | Messiah: Part One: Scene One: No. 2. Arioso for Tenor | — | ||
| 3 | Messiah: Part One: Scene One: No. 3. Air for Tenor | — | ||
| 4 | Messiah: Part One: Scene One: No. 4. Chorus | — | ||
| 5 | Messiah: Part One: Scene Two: No. 5. Recitative for Bass | — | ||
| 6 | Messiah: Part One: Scene Two: No. 6. Air for Bass | — | ||
| 7 | Messiah: Part One: Scene Two: No. 7. Chorus | — | ||
| 8 | Messiah: Part One: Scene Three: No. 8. Recitative for Alto | — | ||
| 9 | Messiah: Part One: Scene Three: No. 9. Air for Alto and Chorus | — | ||
| 10 | Messiah: Part One: Scene Four: No. 10. Arioso for Bass | — | ||
| 11 | Messiah: Part One: Scene Four: No. 11. Air for Bass | — | ||
| 12 | Messiah: Part One: Scene Four: No. 12. Chorus | — | ||
| 13 | Messiah: Part One: Scene Four: No. 13. Pifa (Pastoral Symphony) | — | ||
| 14 | Messiah: Part One: Scene Five: No. 14a. Recitative and No. 14b. Arioso for Soprano | — | ||
| 15 | Messiah: Part One: Scene Five: No. 15. Recitative for Soprano | — | ||
| 16 | Messiah: Part One: Scene Five: No. 16. Arioso for Soprano | — | ||
| 17 | Messiah: Part One: Scene Five: No. 17. Chorus | — | ||
| 18 | Messiah: Part One: Scene Six: No. 18. Air for Soprano | — | ||
| 19 | Messiah: Part One: Scene Six: No. 19. Recitative for Alto | — | ||
| 20 | Messiah: Part One: Scene Six: No. 20. Air for Alto and Soprano | — | ||
| 21 | Messiah: Part One: Scene Six: No. 21. Chorus | — | ||
| 22 | Messiah: Part Two: Scene One: No. 22. Chorus | — | ||
| 23 | Messiah: Part Two: Scene One: No. 23. Air for Alto | — | ||
| 24 | Messiah: Part Two: Scene One: No. 24. Chorus | — | ||
| 25 | Messiah: Part Two: Scene One: No. 25. Chorus | — | ||
| 26 | Messiah: Part Two: Scene One: No. 26. Chorus | — | ||
| 2-1 | Messiah: Part Two: Scene Two: No. 27. Arioso for Tenor | — | ||
| 2-2 | Messiah: Part Two: Scene Two: No. 28. Chorus | — | ||
| 2-3 | Messiah: Part Two: Scene Two: No. 29. Recitative for Tenor | — | ||
| 2-4 | Messiah: Part Two: Scene Two: No. 30. Air for Tenor | — | ||
| 2-5 | Messiah: Part Two: Scene Two: No. 31. Recitative for Tenor | — | ||
| 2-6 | Messiah: Part Two: Scene Three: No. 32. Air for Tenor | — | ||
| 2-7 | Messiah: Part Two: Scene Three: No. 33. Chorus | — | ||
| 2-8 | Messiah: Part Two: Scene Three: No. 34. Recitative for Tenor | — | ||
| 2-9 | Messiah: Part Two: Scene Three: No. 35. Chorus | — | ||
| 2-10 | Messiah: Part Two: Scene Three: No. 36. Air for Alto | — | ||
| 2-11 | Messiah: Part Two: Scene Four: No. 37. Chorus | — | ||
| 2-12 | Messiah: Part Two: Scene Four: No. 38. Aria for Soprano | — | ||
| 2-13 | Messiah: Part Two: Scene Four: No. 39. Chorus | — | ||
| 2-14 | Messiah: Part Two: Scene Five: No. 40. Air for Bass | — | ||
| 2-15 | Messiah: Part Two: Scene Five: No. 41. Chorus | — | ||
| 2-16 | Messiah: Part Two: Scene Five: No. 42. Recitative for Tenor | — | ||
| 2-17 | Messiah: Part Two: Scene Five: No. 43. Air for Tenor | — | ||
| 2-18 | Messiah: Part Two: Scene Five: No. 44. Chorus | — | ||
| 2-19 | Messiah: Part Three: Scene One: No. 45. Air for Soprano | — | ||
| 2-20 | Messiah: Part Three: Scene Two: No. 46. Chorus | — | ||
| 2-21 | Messiah: Part Three: Scene Two: No. 47. Recitative for Bass | — | ||
| 2-22 | Messiah: Part Three: Scene Two: No. 48. Air for Bass | — | ||
| 2-23 | Messiah: Part Three: Scene Three: No. 49. Recitative for Alto | — | ||
| 2-24 | Messiah: Part Three: Scene Three: No. 50. Duet for Alto and Tenor | — | ||
| 2-25 | Messiah: Part Three: Scene Three: No. 51. Chorus | — | ||
| 2-26 | Messiah: Part Three: Scene Four: No. 52. Air for Soprano | — | ||
| 2-27 | Messiah: Part Three: Scene Four: No. 53. Chorus | — | ||
| 2-28 | Messiah: Part Three: Scene Four: Amen | — |
Messiah: No. 1. Overture
—
Messiah: Part One: Scene One: No. 2. Arioso for Tenor
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Messiah: Part One: Scene One: No. 3. Air for Tenor
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Messiah: Part One: Scene One: No. 4. Chorus
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Messiah: Part One: Scene Two: No. 5. Recitative for Bass
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Messiah: Part One: Scene Two: No. 6. Air for Bass
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Messiah: Part One: Scene Two: No. 7. Chorus
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Messiah: Part One: Scene Three: No. 8. Recitative for Alto
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Messiah: Part One: Scene Three: No. 9. Air for Alto and Chorus
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Messiah: Part One: Scene Four: No. 10. Arioso for Bass
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Messiah: Part One: Scene Four: No. 11. Air for Bass
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Messiah: Part One: Scene Four: No. 12. Chorus
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Messiah: Part One: Scene Four: No. 13. Pifa (Pastoral Symphony)
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Messiah: Part One: Scene Five: No. 14a. Recitative and No. 14b. Arioso for Soprano
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Messiah: Part One: Scene Five: No. 15. Recitative for Soprano
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Messiah: Part One: Scene Five: No. 16. Arioso for Soprano
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Messiah: Part One: Scene Five: No. 17. Chorus
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Messiah: Part One: Scene Six: No. 18. Air for Soprano
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Messiah: Part One: Scene Six: No. 19. Recitative for Alto
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Messiah: Part One: Scene Six: No. 20. Air for Alto and Soprano
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Messiah: Part One: Scene Six: No. 21. Chorus
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Messiah: Part Two: Scene One: No. 22. Chorus
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Messiah: Part Two: Scene One: No. 23. Air for Alto
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Messiah: Part Two: Scene One: No. 24. Chorus
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Messiah: Part Two: Scene One: No. 25. Chorus
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Messiah: Part Two: Scene One: No. 26. Chorus
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Messiah: Part Two: Scene Two: No. 27. Arioso for Tenor
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Messiah: Part Two: Scene Two: No. 28. Chorus
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Messiah: Part Two: Scene Two: No. 29. Recitative for Tenor
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Messiah: Part Two: Scene Two: No. 30. Air for Tenor
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Messiah: Part Two: Scene Two: No. 31. Recitative for Tenor
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Messiah: Part Two: Scene Three: No. 32. Air for Tenor
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Messiah: Part Two: Scene Three: No. 33. Chorus
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Messiah: Part Two: Scene Three: No. 34. Recitative for Tenor
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Messiah: Part Two: Scene Three: No. 35. Chorus
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Messiah: Part Two: Scene Three: No. 36. Air for Alto
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Messiah: Part Two: Scene Four: No. 37. Chorus
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Messiah: Part Two: Scene Four: No. 38. Aria for Soprano
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Messiah: Part Two: Scene Four: No. 39. Chorus
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Messiah: Part Two: Scene Five: No. 40. Air for Bass
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Messiah: Part Two: Scene Five: No. 41. Chorus
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Messiah: Part Two: Scene Five: No. 42. Recitative for Tenor
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Messiah: Part Two: Scene Five: No. 43. Air for Tenor
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Messiah: Part Two: Scene Five: No. 44. Chorus
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Messiah: Part Three: Scene One: No. 45. Air for Soprano
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Messiah: Part Three: Scene Two: No. 46. Chorus
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Messiah: Part Three: Scene Two: No. 47. Recitative for Bass
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Messiah: Part Three: Scene Two: No. 48. Air for Bass
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Messiah: Part Three: Scene Three: No. 49. Recitative for Alto
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Messiah: Part Three: Scene Three: No. 50. Duet for Alto and Tenor
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Messiah: Part Three: Scene Three: No. 51. Chorus
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Messiah: Part Three: Scene Four: No. 52. Air for Soprano
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Messiah: Part Three: Scene Four: No. 53. Chorus
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Messiah: Part Three: Scene Four: Amen
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What is UPC 636943451120?
636943451120 is a Universal Product Code (UPC) assigned to Messiah by Handel, Trinity Choir, Trinity Church Orchestra, Owen Burdick. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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