UPC · Release
Frédéric Chopin, Jeremy Siepmann, Anton Lesser
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The UPC for “Life and Works” by Frédéric Chopin, Jeremy Siepmann, Anton Lesser is 636943800126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include HKI190327502.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chopin and the Soul of the Piano | — | ||
| 2 | Berceuse, op. 57 | — | ||
| 3 | Chopin the Pole | — | ||
| 4 | Polonaise in G minor | — | ||
| 5 | Early Education | — | ||
| 6 | Variations on a German Air | — | ||
| 7 | Encounters With the Polish Peasantry | — | ||
| 8 | Mazurka in G major | — | ||
| 9 | Chopin as Industrious Pupil | — | ||
| 10 | Sonata in C minor (opening) | — | ||
| 11 | He Finds His True Voice as a Composer | — | ||
| 12 | Rondo à la mazur, op. 5 | — | ||
| 13 | The Fun - Loving Teenager | — | ||
| 14 | Ecossaise, op. 72 no. 3 | — | ||
| 15 | Onset of Illness and the Death of a Sister | — | ||
| 16 | Nocturne in E minor | — | ||
| 17 | "Hats Off, Gentlemen! A Genius!" | — | ||
| 18 | Variations on "Là ci darem la mano", op. 2 | — | ||
| 19 | The Influence of Paganini | — | ||
| 20 | Souvenir de Paganini | — | ||
| 21 | The First Etudes | — | ||
| 22 | Etude in C-sharp minor, op. 10 no. 4 | — | ||
| 23 | Success in Vienna | — | ||
| 24 | Nocturne in C-sharp minor | — | ||
| 25 | Chopin in Love | — | ||
| 26 | Polonaise for Cello and Piano | — | ||
| 27 | Stagnation, Celebrity and the First Concerto | — | ||
| 28 | Concerto in F minor, op. 21 | — | ||
| 29 | Return of Vitality and Inspiration | — | ||
| 30 | Concerto in E minor, op. 11 | — | ||
| 31 | Farewells and the Final Departure From Poland | — | ||
| 2-1 | Europe and Chopin in Crisis | — | ||
| 2-2 | Scherzo no. 1 in B minor | — | ||
| 2-3 | Arrival in Paris | — | ||
| 2-4 | Waltz in E-flat, op. 18 | — | ||
| 2-5 | Paris, Politics, Poles and Performance | — | ||
| 2-6 | Impromptu in A-flat, op. 29 | — | ||
| 2-7 | Chopin and the Opera | — | ||
| 2-8 | Andante spianato, op. 22 | — | ||
| 2-9 | Chopin and Kalkbrenner | — | ||
| 2-10 | Etude in G-flat, op. 10 no. 5 | — | ||
| 2-11 | The Cholera Epidemic; The Fashionable Teacher | — | ||
| 2-12 | Etude in C minor, op. 10 no. 12 "Revolutionary" | — | ||
| 2-13 | Teaching in Earnest | — | ||
| 2-14 | Etude in A minor, op. 25 no. 4 | — | ||
| 2-15 | "Souplesse avant tout!" | — | ||
| 2-16 | Nocturne in B-flat minor, op. 9 no. 1 | — | ||
| 3-1 | The Wodzinska Affair | — | ||
| 3-2 | Nocturne in B major, op. 32 no. 1 | — | ||
| 3-3 | "An Elegant, Pale, Sad Young Man" | — | ||
| 3-4 | Nocturne in D‐flat major, op. 27, no. 2 | İdil Biret | — | |
| 3-5 | George Sand and a Majorcan Winter | — | ||
| 3-6 | Preludes, op. 28 | — | ||
| 3-7 | Misanthropy, Hypocrisy and Prejudice | — | ||
| 3-8 | Mazurkas | — | ||
| 3-9 | At Nohant: An Idyllic and Creative Summer | — | ||
| 3-10 | Impromptu in F-sharp | — | ||
| 3-11 | The Idyll Continues | — | ||
| 3-12 | Sonata in B-flat minor: Funeral March and Finale | — | ||
| 4-1 | The Return to Paris | — | ||
| 4-2 | Ballade no. 4 in F minor | — | ||
| 4-3 | Chopin Grows Moody, Petulant and Volatile | — | ||
| 4-4 | Sonata no. 3 in B minor, op. 58: Finale | — | ||
| 4-5 | Failing Health and Mounting Tensions | — | ||
| 4-6 | Barcarolle, op. 60 | — | ||
| 4-7 | The Break With Sand; Illness; London | — | ||
| 4-8 | Prelude in F-sharp, op. 28 no. 8 | — | ||
| 4-9 | Scotland, London, Paris; Decline and Death | — | ||
| 4-10 | Polonaise in A-flat, op. 53 | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
636943800126 is a Universal Product Code (UPC) assigned to Life and Works by Frédéric Chopin, Jeremy Siepmann, Anton Lesser. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Nocturne in D‐flat major, op. 27, no. 2 | İdil Biret | — |
The UPC for “Life and Works” by Frédéric Chopin, Jeremy Siepmann, Anton Lesser is 636943800126. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include HKI190327502.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chopin and the Soul of the Piano | — | ||
| 2 | Berceuse, op. 57 | — | ||
| 3 | Chopin the Pole | — | ||
| 4 | Polonaise in G minor | — | ||
| 5 | Early Education | — | ||
| 6 | Variations on a German Air | — | ||
| 7 | Encounters With the Polish Peasantry | — | ||
| 8 | Mazurka in G major | — | ||
| 9 | Chopin as Industrious Pupil | — | ||
| 10 | Sonata in C minor (opening) | — | ||
| 11 | He Finds His True Voice as a Composer | — | ||
| 12 | Rondo à la mazur, op. 5 | — | ||
| 13 | The Fun - Loving Teenager | — | ||
| 14 | Ecossaise, op. 72 no. 3 | — | ||
| 15 | Onset of Illness and the Death of a Sister | — | ||
| 16 | Nocturne in E minor | — | ||
| 17 | "Hats Off, Gentlemen! A Genius!" | — | ||
| 18 | Variations on "Là ci darem la mano", op. 2 | — | ||
| 19 | The Influence of Paganini | — | ||
| 20 | Souvenir de Paganini | — | ||
| 21 | The First Etudes | — | ||
| 22 | Etude in C-sharp minor, op. 10 no. 4 | — | ||
| 23 | Success in Vienna | — | ||
| 24 | Nocturne in C-sharp minor | — | ||
| 25 | Chopin in Love | — | ||
| 26 | Polonaise for Cello and Piano | — | ||
| 27 | Stagnation, Celebrity and the First Concerto | — | ||
| 28 | Concerto in F minor, op. 21 | — | ||
| 29 | Return of Vitality and Inspiration | — | ||
| 30 | Concerto in E minor, op. 11 | — | ||
| 31 | Farewells and the Final Departure From Poland | — | ||
| 2-1 | Europe and Chopin in Crisis | — | ||
| 2-2 | Scherzo no. 1 in B minor | — | ||
| 2-3 | Arrival in Paris | — | ||
| 2-4 | Waltz in E-flat, op. 18 | — | ||
| 2-5 | Paris, Politics, Poles and Performance | — | ||
| 2-6 | Impromptu in A-flat, op. 29 | — | ||
| 2-7 | Chopin and the Opera | — | ||
| 2-8 | Andante spianato, op. 22 | — | ||
| 2-9 | Chopin and Kalkbrenner | — | ||
| 2-10 | Etude in G-flat, op. 10 no. 5 | — | ||
| 2-11 | The Cholera Epidemic; The Fashionable Teacher | — | ||
| 2-12 | Etude in C minor, op. 10 no. 12 "Revolutionary" | — | ||
| 2-13 | Teaching in Earnest | — | ||
| 2-14 | Etude in A minor, op. 25 no. 4 | — | ||
| 2-15 | "Souplesse avant tout!" | — | ||
| 2-16 | Nocturne in B-flat minor, op. 9 no. 1 | — | ||
| 3-1 | The Wodzinska Affair | — | ||
| 3-2 | Nocturne in B major, op. 32 no. 1 | — | ||
| 3-3 | "An Elegant, Pale, Sad Young Man" | — | ||
| 3-4 | Nocturne in D‐flat major, op. 27, no. 2 | İdil Biret | — | |
| 3-5 | George Sand and a Majorcan Winter | — | ||
| 3-6 | Preludes, op. 28 | — | ||
| 3-7 | Misanthropy, Hypocrisy and Prejudice | — | ||
| 3-8 | Mazurkas | — | ||
| 3-9 | At Nohant: An Idyllic and Creative Summer | — | ||
| 3-10 | Impromptu in F-sharp | — | ||
| 3-11 | The Idyll Continues | — | ||
| 3-12 | Sonata in B-flat minor: Funeral March and Finale | — | ||
| 4-1 | The Return to Paris | — | ||
| 4-2 | Ballade no. 4 in F minor | — | ||
| 4-3 | Chopin Grows Moody, Petulant and Volatile | — | ||
| 4-4 | Sonata no. 3 in B minor, op. 58: Finale | — | ||
| 4-5 | Failing Health and Mounting Tensions | — | ||
| 4-6 | Barcarolle, op. 60 | — | ||
| 4-7 | The Break With Sand; Illness; London | — | ||
| 4-8 | Prelude in F-sharp, op. 28 no. 8 | — | ||
| 4-9 | Scotland, London, Paris; Decline and Death | — | ||
| 4-10 | Polonaise in A-flat, op. 53 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Nocturne in D‐flat major, op. 27, no. 2 | İdil Biret | — |