UPC · Release
Art & Music: Degas - Music Of His Time
Pierre-Alain Volondat
Last verified:
636943814420 is the Universal Product Code (UPC barcode) for the release “Art & Music: Degas - Music Of His Time” by Pierre-Alain Volondat, released 2003-10-26 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include HKI199202219, HKI199202220, HKI199203002.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Giselle: Act I. Allegro un peu louré | Slovak Radio Symphony Orchestra, Andrew Mogrelia | — | |
| 2 | Giselle: Act I. Galop général | Slovak Radio Symphony Orchestra, Andrew Mogrelia | — | |
| 3 | Preludes, op. 31: No. 13. J'étais endormie, mais mon cœur veillait... (Cantique des cantiques, 5:2). Lentement | Laurent Martin | T0393129593 | |
| 4 | Preludes, op. 31: No. 17. Rêve d'amour | Laurent Martin | — | |
| 5 | Faust: I. Les Nubiennes: Allegretto | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | — | |
| 6 | Faust Ballet music: Adagio | — | ||
| 7 | Faust: III. Danse antique: Allegretto | Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | — | |
| 8 | Esquisses, op. 63: No. 5. Les Initiés | Laurent Martin | — | |
| 9 | Esquisses, op. 63: No. 16. Fantaisie | Laurent Martin | — | |
| 10 | Coppélia Suite, Act I: Valse | Slovenská filharmónia, Symfonický orchester Slovenského rozhlasu, Andrew Mogrelia | T-900090016-3 | |
| 11 | Coppélia Suite, Act I: Mazurka | Slovak Radio Symphony Orchestra, Andrew Mogrelia | T3023650575 | |
| 12 | Carmen - Suite No. 1: I. Prélude | — | ||
| 13 | Carmen - Suite No. 1: II. Aragonaise | — | ||
| 14 | Carmen - Suite No. 1: III. Intermezzo | — | ||
| 15 | Carmen - Suite No. 1: IV. Séguedille | — | ||
| 16 | Carmen - Suite No. 1: V. Les dragons d'Alcala | — | ||
| 17 | Carmen - Suite No. 1: VI. Marche du toreador | — | ||
| 23 | Arabesque No. 2 | — | ||
| 24 | Rêverie, L. 68 | François-Joël Thiollier | T-304253550-8 | |
| 25 | Pour le piano - Toccata | — | ||
| 26 | Firebird Suite: Berceuse | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | T9099355234 | |
| 27 | Firebird Suite: Finale | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | T0702578877 |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Esquisses, op. 63: No. 5. Les Initiés | Laurent Martin | — |
| Esquisses, op. 63: No. 16. Fantaisie | Laurent Martin | — |
| Faust: III. Danse antique: Allegretto | Symfonický orchester Slovenského rozhlasu, Ondrej Lenárd | — |
| Coppélia Suite, Act I: Valse | Slovenská filharmónia, Symfonický orchester Slovenského rozhlasu, Andrew Mogrelia | — |
| Coppélia Suite, Act I: Valse | Slovenská filharmónia, Symfonický orchester Slovenského rozhlasu, Andrew Mogrelia | — |
| Coppélia Suite, Act I: Mazurka | Slovak Radio Symphony Orchestra, Andrew Mogrelia | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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People also ask
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What is UPC 636943814420?
636943814420 is a Universal Product Code (UPC) assigned to Art & Music: Degas - Music Of His Time by Pierre-Alain Volondat. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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