UPC · Release
Discover Opera
Various Artists
636943819623
37 tracksReleased 2006-01-01Naxos Educational
Last verified:
636943819623 is the Universal Product Code (UPC barcode) for the release “Discover Opera” by Various Artists, released 2006-01-01 on Naxos Educational. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include HKI199503006, HKI199719901, HKI199719905.
Format
6Number system
36943Manufacturer
81962Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDiscover Opera
ISRC37 recordings
ISWC7 works
IPI3 songwriters
Track List (37)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Amfiparnaso: Atto II, Scena 2. "Vien'à qua" | Cappella Musicale di San Petronio di Bologna, Sergio Vartolo | — | |
| 2 | L'Orfeo: Toccata | Cappella Musicale di San Petronio di Bologna, Sergio Vartolo | T-702.928.999-6 | |
| 3 | Orfeo: Act I: Rosa del ciel | Alessandro Carmignani, Rosita Frisani, Orchestra della Cappella Musicale di San Petronio, Sergio Vartolo | — | |
| 4 | Orfeo: Act II: Ahi caso acerbo | Alessandro Carmignani, Rosita Frisani, Orchestra della Cappella Musicale di San Petronio, Sergio Vartolo | — | |
| 5 | Calisto: Act III, Scene 7: Dolcissimi baci | Gloria Banditelli, Gianluca Belfiori Doro, Mediterraneo Concento, Sergio Vartolo | — | |
| 6 | Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda; darkness shades me | Kym Amps, The Scholars Baroque Ensemble | — | |
| 7 | Dido and Aeneas: Act III, Scene 2: When I am laid in earth | Kym Amps, The Scholars Baroque Ensemble | T-312.527.291-1 | |
| 8 | Rinaldo: Lascia ch'io pianga | Susanne Rydén, London Baroque, Charles Medlam | T-309.312.570-9 | |
| 9 | Castor et Pullux: Act II, Scene 2: Tristes apprets | Monica Whicher, Aradia Ensemble, Kevin Mallon | — | |
| 10 | Orfeo ed Euridice, Act III, Scene 1: "Che farò senza Euridice?" | Drottningholm Court Theatre Orchestra, Arnold Östman | — | |
| 11 | Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recicativo & Aria "Giunse alfin il momento ... Deh, vieni, non tardar" (Susanna) | Judith Halász, Nicolaus Esterhazy Sinfonia, Michael Halasz | — | |
| 12 | Don Giovanni, K. 527: Act I, Scene 15: Aria: “Fin ch'han dal vino” (Don Giovanni) | Bo Skovhus, Nicolaus Esterházy Sinfonia, Michael Halász | T-306.481.937-6 | |
| 13 | Don Giovanni, K. 527: Act II, Scene 3: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni) | Bo Skovhus, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 14 | Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) | Hellen Kwon, Failoni Kamarazenekar, Michael Halász | — | |
| 15 | Fidelio: Act 1 Scene 9: Abscheulicher! wo eilst du hin? | Edith Lienbacher, Nicolaus Esterhazy Sinfonia, Michael Halasz | — | |
| 16 | Tristan und Isolde: Prelude | Hedwig Fassbender, Swedish Opera Orchestra, Leif Segerstam | — | |
| 17 | Tristan und Isolde: Act III, Scene 3: Mild und leise ("Liebestod') | Hedwig Fassbender, Swedish Opera Orchestra, Leif Segerstam | — | |
| 18 | La Cenerentola: Act I, Scene 3. Duet and Finale "Zitto, zitto, piano, piano" (Ramiro, Dandini, Clorinda, Tisbe) | SWR Rundfunkorchester Kaiserslautern, Alberto Zedda, José Manuel Zapata, Paolo Bordogna, Patrizia Cigna, Martina Borst | T-304.872.410-9 | |
| 19 | Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) | Luba Orgonasova, Slovak Radio Symphony Orchestra, Will Humburg | T-923.881.703-3 | |
| 2-1 | Rigoletto: Act 1. Prelude | Yordy Ramiro, Jitka Saparová, Alida Ferrarini, Eduard Tumagian, Slovak Radio Symphony Orchestra, Ali Rahbari | — | |
| 2-2 | Rigoletto: Act 3. “Bella figlia dell’amore” | Alida Ferrarini, Yordy Ramiro, Jitka Saparová, Eduard Tumagian, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | — | |
| 2-3 | Falstaff: Atto III, scena 2. “Facciamo il parentado... Tutto nel mundo è burla” (Ford, Falstaff, tutti) | Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Dilbèr, Enrico Facini, Julia Faulkner, Franco de Grandis, Hungarian State Opera Chorus, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Orchestra, Will Humburg | — | |
| 2-4 | Madama Butterfly: "Vogliatemi bene" | Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari | — | |
| 2-5 | Les Troyens, H. 133a: Act V, Scene 2. No. 48 Aria "Adieu, fière cité" (Didon) | Michelle DeYoung, London Symphony Orchestra, Sir Colin Davis | — | |
| 2-6 | Carmen : Acte I. Prélude | Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari | T-911.507.740-2 | |
| 2-7 | Carmen: Act IV, Scene 2: Viva! | Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari | — | |
| 2-8 | Eugene Onegin, Act I: Tatiana’s Letter Scene | Marina Mescheriakova, Slovak Radio Symphony Orchestra, Michael Halász | — | |
| 2-9 | Pelléas et Mélisande: Act IV, Scène 1: Un appartement dans le château | Gérard Thèruel, Mireille Delunsch, Orchestre National de Lille, Jean-Claude Casadesus | — | |
| 2-10 | Wozzeck: Act III, Scene 2. Forest path by a pool | Katarina Dalayman, Carl Johan Falkman, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Leif Segerstam | — | |
| 2-11 | Jenufa: Act III, Scene 11 | Gabriela Beňačková, Leonie Rysanek, Wiesław Ochman, Frank Barr, New York Opera Orchestra, Eve Queler | — | |
| 2-12 | Bluebeard's Castle: Bluebeard's domain | Cornelia Kallisch, Peter Fried, Radio Sinfonieorchester Stuttgart des SWR, Peter Eötvös | — | |
| 2-13 | Oedipus Rex: Prologue | Edward Fox, Martyn Hill, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | — | |
| 2-14 | Four Sea Interludes, Op. 33a: I. Dawn (Peter Grimes, interlude at the opening of Act II) | New Zealand Symphony Orchestra, Myer Fredman | — | |
| 2-15 | Peter Grimes: Act I, Scene 2: Now the Great Bear and Pleiades | Glenn Winslade, Christopher Gillett, Anthony Michaels-Moore, Jill Grove, Sally Matthews, Alison Buchanan, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 2-16 | I was looking at the ceiling and then I saw the sky: Act II: One last look at the angel in your eyes | Martina Mühlpointner, Kimako Xavier Trotman, Holst Sinfonietta, Klaus Simon | — | |
| 2-17 | The Mask of Orpheus: Act III: Scene 2: Third Song of Magic (a) | Jon Garrison, Jean Rigby, Anne-Marie Owens, BBC Symphony Orchestra, Andrew Davis, Martyn Brabbins | — | |
| 2-18 | The Mask of Orpheus: Act III: Scene 2: Euridice Puppet - Euridice Singer | Jon Garrison, Jean Rigby, Anne-Marie Owens, BBC Symphony Orchestra, Andrew Davis, Martyn Brabbins | — |
L'Amfiparnaso: Atto II, Scena 2. "Vien'à qua"
Cappella Musicale di San Petronio di Bologna, Sergio Vartolo
—
Orfeo: Act I: Rosa del ciel
Alessandro Carmignani, Rosita Frisani, Orchestra della Cappella Musicale di San Petronio, Sergio Vartolo
—
Orfeo: Act II: Ahi caso acerbo
Alessandro Carmignani, Rosita Frisani, Orchestra della Cappella Musicale di San Petronio, Sergio Vartolo
—
Calisto: Act III, Scene 7: Dolcissimi baci
Gloria Banditelli, Gianluca Belfiori Doro, Mediterraneo Concento, Sergio Vartolo
—
Dido and Aeneas: Act III, Scene 2: Thy hand, Belinda; darkness shades me
Kym Amps, The Scholars Baroque Ensemble
—
Kym Amps, The Scholars Baroque Ensemble
Castor et Pullux: Act II, Scene 2: Tristes apprets
Monica Whicher, Aradia Ensemble, Kevin Mallon
—
Orfeo ed Euridice, Act III, Scene 1: "Che farò senza Euridice?"
Drottningholm Court Theatre Orchestra, Arnold Östman
—
Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recicativo & Aria "Giunse alfin il momento ... Deh, vieni, non tardar" (Susanna)
Judith Halász, Nicolaus Esterhazy Sinfonia, Michael Halasz
—
Bo Skovhus, Nicolaus Esterházy Sinfonia, Michael Halász
Don Giovanni, K. 527: Act II, Scene 3: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
Bo Skovhus, Nicolaus Esterházy Sinfonia, Michael Halász
—
Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
Hellen Kwon, Failoni Kamarazenekar, Michael Halász
—
Fidelio: Act 1 Scene 9: Abscheulicher! wo eilst du hin?
Edith Lienbacher, Nicolaus Esterhazy Sinfonia, Michael Halasz
—
Tristan und Isolde: Prelude
Hedwig Fassbender, Swedish Opera Orchestra, Leif Segerstam
—
Tristan und Isolde: Act III, Scene 3: Mild und leise ("Liebestod')
Hedwig Fassbender, Swedish Opera Orchestra, Leif Segerstam
—
SWR Rundfunkorchester Kaiserslautern, Alberto Zedda, José Manuel Zapata, Paolo Bordogna, Patrizia Cigna, Martina Borst
Luba Orgonasova, Slovak Radio Symphony Orchestra, Will Humburg
Rigoletto: Act 1. Prelude
Yordy Ramiro, Jitka Saparová, Alida Ferrarini, Eduard Tumagian, Slovak Radio Symphony Orchestra, Ali Rahbari
—
Rigoletto: Act 3. “Bella figlia dell’amore”
Alida Ferrarini, Yordy Ramiro, Jitka Saparová, Eduard Tumagian, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
—
Falstaff: Atto III, scena 2. “Facciamo il parentado... Tutto nel mundo è burla” (Ford, Falstaff, tutti)
Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Dilbèr, Enrico Facini, Julia Faulkner, Franco de Grandis, Hungarian State Opera Chorus, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Orchestra, Will Humburg
—
Madama Butterfly: "Vogliatemi bene"
Miriam Gauci, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari
—
Les Troyens, H. 133a: Act V, Scene 2. No. 48 Aria "Adieu, fière cité" (Didon)
Michelle DeYoung, London Symphony Orchestra, Sir Colin Davis
—
Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari
Carmen: Act IV, Scene 2: Viva!
Giorgio Lamberti, Graciela Alperyn, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Ali Rahbari
—
Eugene Onegin, Act I: Tatiana’s Letter Scene
Marina Mescheriakova, Slovak Radio Symphony Orchestra, Michael Halász
—
Pelléas et Mélisande: Act IV, Scène 1: Un appartement dans le château
Gérard Thèruel, Mireille Delunsch, Orchestre National de Lille, Jean-Claude Casadesus
—
Wozzeck: Act III, Scene 2. Forest path by a pool
Katarina Dalayman, Carl Johan Falkman, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Leif Segerstam
—
Jenufa: Act III, Scene 11
Gabriela Beňačková, Leonie Rysanek, Wiesław Ochman, Frank Barr, New York Opera Orchestra, Eve Queler
—
Bluebeard's Castle: Bluebeard's domain
Cornelia Kallisch, Peter Fried, Radio Sinfonieorchester Stuttgart des SWR, Peter Eötvös
—
Oedipus Rex: Prologue
Edward Fox, Martyn Hill, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft
—
Four Sea Interludes, Op. 33a: I. Dawn (Peter Grimes, interlude at the opening of Act II)
New Zealand Symphony Orchestra, Myer Fredman
—
Peter Grimes: Act I, Scene 2: Now the Great Bear and Pleiades
Glenn Winslade, Christopher Gillett, Anthony Michaels-Moore, Jill Grove, Sally Matthews, Alison Buchanan, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
—
I was looking at the ceiling and then I saw the sky: Act II: One last look at the angel in your eyes
Martina Mühlpointner, Kimako Xavier Trotman, Holst Sinfonietta, Klaus Simon
—
The Mask of Orpheus: Act III: Scene 2: Third Song of Magic (a)
Jon Garrison, Jean Rigby, Anne-Marie Owens, BBC Symphony Orchestra, Andrew Davis, Martyn Brabbins
—
The Mask of Orpheus: Act III: Scene 2: Euridice Puppet - Euridice Singer
Jon Garrison, Jean Rigby, Anne-Marie Owens, BBC Symphony Orchestra, Andrew Davis, Martyn Brabbins
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen: Act I. Prélude | Slovak Radio Symphony Orchestra, Alexander Rahbari | — |
Carmen: Act I. Prélude
Slovak Radio Symphony Orchestra, Alexander Rahbari
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000003915469X0000000049057236000000005513068X0000000055134322000000005515691900000000551609770000000055172361000000005517874700000000551803960000000055189825
+40 more
00000000551951090000000055560188000000007244470100000000736568880000000078395453000000007840825000000000784100940000000078412428000000007853532100000000801490750000000080969532000000008141278700000000814380980000000083617110000000008413346800000000841498220000000087892048000000010654109200000001067309690000000106751073000000010869408400000001089939730000000109131785000000010924021X000000010935740X0000000109407024000000010946378X000000010955436600000001096609350000000109781737000000011010686X000000011016510600000001102620880000000110279963000000011041728900000001104260970000000110591965000000011086843400000001137004850000000114320839
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What is UPC 636943819623?
636943819623 is a Universal Product Code (UPC) assigned to Discover Opera by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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