UPC · Release
The A to Z of Classical Music (3rd expanded edition)
Various Artists
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636943821220 is the Universal Product Code (UPC barcode) for the release “The A to Z of Classical Music (3rd expanded edition)” by Various Artists, released 2010-02-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include HKI190058902, HKI190344314, HKI199274102.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Piano Trio no. 1 in D minor: II. Andante con moto tranquillo | Gould Piano Trio | — | |
| 2-2 | Occhi, un tempo mia vita | Delitiæ Musicæ, Marco Longhini | — | |
| 2-3 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 “Stadler Quintet”: II. Larghetto | József Balogh, Danubius Quartet | T9001467012 | |
| 2-4 | Motet: Hodie Christus natus est | Schola Cantorum of Oxford, Jeremy Summerly | T9115320655 | |
| 2-5 | Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Antoni Wit, Kun Woo Paik | — | |
| 2-6 | Gianni Schicchi: “O mio babbino caro” | Miriam Gauci, BRT Philharmonic Orchestra, Alexander Rahbari | T9012225013 | |
| 2-7 | Preludes, op. 23: No. 5 in G minor: Alla marcia | Eldar Nebolsin | — | |
| 2-8 | Il Signor Bruschino (Sinfonia) | Gioachino Rossini | — | |
| 2-9 | 6 Little Piano Pieces, op. 19: II. Langsam | Peter Hill | — | |
| 2-10 | Piano Quintet in A major, D. 667 ‘The Trout’: IV. Tema con variazioni | István Tóth, Jenő Jandó, Kodály Quartet | — | |
| 2-11 | String Quartet in F major, Op. 41 No. 2: I. Allegro vivace | Fine Arts Quartet | — | |
| 2-12 | Jazz Suite no. 1: I. Waltz | Russian State Symphony Orchestra, Dmitry Yablonsky | — | |
| 2-13 | Vierletzte Lieder (Four Last Songs), op. posth., TrV296: No. 1. Frühling | Ricarda Merbeth, Weimar Staatskapelle, Michael Halász | — | |
| 2-14 | Petrushka, First Tableau: Russian Dance | Philharmonia Orchestra, Robert Craft | — | |
| 2-15 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 2-16 | Viola Concerto in G: IV. Presto | Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | T1065795948 | |
| 2-17 | Rigoletto: “La donna è mobile” | Yordy Ramiro, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | T9128666240 | |
| 2-18 | Concerto in B flat major, RV 501 "La Notte": III. Il sonno | Nicolaus Esterházy Sinfonia, Béla Drahos, Tamás Benkócs | — | |
| 2-19 | Concerto in B flat major, RV 501 "La Notte": IV. Sorge l’aurora | Nicolaus Esterházy Sinfonia, Béla Drahos, Tamás Benkócs | — | |
| 2-20 | Tristão e Isolda: Prelúdio | Richard Wagner | — |
Additional database matches (23)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 2 Concert Etudes, S145/R6: Gnomenreigen (Dance of the Gnomes) | William Wolfram | — |
| Klaverkonsert i A moll, op. 16: II. Adagio | Royal Scottish National Orchestra, Bjarte Engeset, Håvard Gimse | T-921645542-4 |
| Short Ride in a Fast Machine | Bournemouth Symphony Orchestra, Marin Alsop | — |
| Simple Symphony, Op. 4: II. Playful Pizzicato | Northern Sinfonia, Steuart Bedford | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright | — |
| Symphony no. 3 in F major, op. 90: III. Poco allegretto | London Philharmonic Orchestra, Marin Alsop | — |
| Trumpet Concerto in E‐flat major, Hob. VIIe:1: III. Finale. Allegro | Jürgen Schuster, Cologne Chamber Orchestra, Helmut Müller-Brühl | — |
| Trois Nocturnes, L. 91: No. 2, Fetes | MDR Rundfunkchor, Orchestre national de Lyon, Jun Märkl | T9245791280 |
| Double Concerto in D minor (Largo, ma non tanto) | Alexander Jablokov, Takako Nishizaki, Capella Istropolitana, Oliver von Dohnányi | — |
| 44 Duos for Two Violins, Book 1: XIV. Parnas Tanc (Pillow Dance) | György Pauk, Kazuki Sawa | — |
| Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | Jenő Jandó | T-915723669-6 |
| Symphonie fantastique, op. 14: IV. Marche au supplice: Allegretto non troppo | San Diego Symphony, Yoav Talmi | T7031457759 |
| Impromptu no. 1 in A-flat major, op. 29 | İdil Biret | — |
| The Messiah, Part 1 (Nos. 1-22): Chorus, For unto us a child is born | Scholars Baroque Ensemble | T0111627203 |
| Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso - Molto vivace | Slovenská filharmónia, Stephen Gunzenhauser | — |
| Sinfonietta: IV. Allegretto | Slovak Radio Symphony Orchestra (Bratislava), Ondrej Lenárd | T9009529742 |
| Rigoletto: “La donna è mobile” | Yordy Ramiro, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | T9228502963 |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 “Stadler Quintet”: II. Larghetto | József Balogh, Danubius Quartet | T9268191248 |
| Double Concerto in D minor (Largo, ma non tanto) | Alexander Jablokov, Takako Nishizaki, Capella Istropolitana, Oliver von Dohnányi | T1066771535 |
| Das Lied von der Erde: III. Von der Jugend | Thomas Harper, National Symphony Orchestra of Ireland, Michael Halász | — |
| Symphony No. 8 in G major, Op. 88: III. Allegretto grazioso - Molto vivace | Slovenská filharmónia, Stephen Gunzenhauser | — |
| Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 “Stadler Quintet”: II. Larghetto | József Balogh, Danubius Quartet | — |
| The Messiah, Part 1 (Nos. 1-22): Chorus, For unto us a child is born | Scholars Baroque Ensemble | T0111627203 |
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What is UPC 636943821220?
636943821220 is a Universal Product Code (UPC) assigned to The A to Z of Classical Music (3rd expanded edition) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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