UPC · Release
Edvard Grieg, Camille Saint‐Saëns, Raoul Pugno, Louis Diémer, Jules Massenet, Claude Debussy
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The UPC for “Legendary Piano Recordings: The Complete Grieg, Saint‐Saëns, Pugno and Diémer and Other G&T Rarities” by Edvard Grieg, Camille Saint‐Saëns, Raoul Pugno, Louis Diémer, Jules Massenet, Claude Debussy is 638335205427. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Marston Records. This release contains 55 tracks, each with its own ISRC. Tracks include DEU240904885.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alla menuetto, from Sonata in E minor, op. 7 | — | ||
| 2 | Finale (Molto allegro), from Sonata in E minor, op.7 (abridged) | — | ||
| 3 | Humoreske in G‐sharp minor, op. 6, no. 2 | — | ||
| 4 | Bridal Procession, op. 19, no. 2 | — | ||
| 5 | Lyrische Stücke, op. 43, Nr. 1 Butterfly | Edvard Grieg (piano) | — | |
| 6 | To Spring, op. 43, no. 6 | — | ||
| 7 | Gangar (Norwegian Peasants’ March), op. 54, no. 2 | — | ||
| 8 | Wedding‐Day at Troldhaugen, op. 65, no. 6 | — | ||
| 9 | Remembrances, op. 71, no. 7 | — | ||
| 10 | Andante sostenuto / Molto animato, from Piano Concerto no. 2 in G minor, op. 22 (extracts) | — | ||
| 11 | Rhapsodie d’Auvergne, op. 73 | — | ||
| 12 | Improvised Cadenza on Africa, op. 89 | — | ||
| 13 | Valse mignonne, op. 104 | — | ||
| 14 | Valse nonchalante, op. 110 | — | ||
| 15 | Mazurka no. 1 in G minor, op. 21 | — | ||
| 16 | Rêverie du soir à Blidah, op. 60, no. 3 from Suite Algérienne | — | ||
| 17 | Marche militaire française, op. 60, no. 4 from Suite Algérienne | — | ||
| 18 | Valse mignonne, op. 104 | — | ||
| 19 | Prélude, arr. from Le Déluge, op. 45 | — | ||
| 20 | Élégie, op. 143 | — | ||
| 21 | Havanaise, op. 83 | — | ||
| 22 | Ascanio : « La, la, la ! Fiorentinelle ! Ah ! qui m’appelle ? » | — | ||
| 23 | Samson et Dalila : « Printemps qui commence » | — | ||
| 24 | Rêverie | — | ||
| 25 | La Solitaire, op. 26, no. 3 | — | ||
| 26 | Sapho : « Pendant un an je fus ta femme » | — | ||
| 2-1 | Pelléas et Mélisande : « Mes Longs cheveux descendent » | — | ||
| 2-2 | Il pleure dans mon cœur (Ariettes oubliées no. 2) | — | ||
| 2-3 | L’Ombre des arbres (Ariettes oubliées no. 3) | — | ||
| 2-4 | Aquarelles – Green (Ariettes oubliées no. 5) | — | ||
| 2-5 | Sonata in A, L. 495 (K. 24) | — | ||
| 2-6 | Gavotte varié, from Suite no. 14, HWV 411 | — | ||
| 2-7 | Rondo brillante in E‐flat, op. 62 | — | ||
| 2-8 | Scherzo in E minor, op. 16, no. 2 | — | ||
| 2-9 | Song Without Words in A, op. 19, no. 3, “Hunting Song” | — | ||
| 2-10 | Song Without Words in C, op. 67, no. 4, “Spinning Song” | — | ||
| 2-11 | Impromptu in A‐flat, op. 29 | — | ||
| 2-12 | Berceuse in D‐flat, op. 57 | — | ||
| 2-13 | Nocturne in F‐flat, op. 15, no. 2 | — | ||
| 2-14 | Waltz in A‐flat, op. 34, no. 1 | — | ||
| 2-15 | Marche funèbre: Lento, from Sonata no. 2 in B‐flat minor, op. 35 | — | ||
| 2-16 | Hungarian Rhapsody no. 11 in A minor | — | ||
| 2-17 | Scherzo‐valse, no. 10 from Pièces pittoresques | — | ||
| 2-18 | Valse folle | — | ||
| 2-19 | Valse lente | — | ||
| 2-20 | Sérénade à la lune | — | ||
| 2-21 | Impromptu | — | ||
| 2-22 | Page d’amour | — | ||
| 2-23 | Song Without Words in C, op. 67, no. 4, “Spinning Song” | — | ||
| 2-24 | Nocturne no. 8 in D‐flat, op. 27, no. 2 (abridged) | — | ||
| 2-25 | Valse chromatique | — | ||
| 2-26 | Grande valse de concert in D‐flat, op. 37 | — | ||
| 2-27 | Caprice de concert in D, op. 12, from Chant du Nautonier | — | ||
| 2-28 | Grande valse de concert in D‐flat, op. 37 | — | ||
| 2-29 | Caprice de concert in D, op. 12, from Chant du Nautonier | — |
Songwriters/Publishers (IPI)
Credits Graph
638335205427 is a Universal Product Code (UPC) assigned to Legendary Piano Recordings: The Complete Grieg, Saint‐Saëns, Pugno and Diémer and Other G&T Rarities by Edvard Grieg, Camille Saint‐Saëns, Raoul Pugno, Louis Diémer, Jules Massenet, Claude Debussy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 55 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Legendary Piano Recordings: The Complete Grieg, Saint‐Saëns, Pugno and Diémer and Other G&T Rarities” by Edvard Grieg, Camille Saint‐Saëns, Raoul Pugno, Louis Diémer, Jules Massenet, Claude Debussy is 638335205427. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Marston Records. This release contains 55 tracks, each with its own ISRC. Tracks include DEU240904885.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Alla menuetto, from Sonata in E minor, op. 7 | — | ||
| 2 | Finale (Molto allegro), from Sonata in E minor, op.7 (abridged) | — | ||
| 3 | Humoreske in G‐sharp minor, op. 6, no. 2 | — | ||
| 4 | Bridal Procession, op. 19, no. 2 | — | ||
| 5 | Lyrische Stücke, op. 43, Nr. 1 Butterfly | Edvard Grieg (piano) | — | |
| 6 | To Spring, op. 43, no. 6 | — | ||
| 7 | Gangar (Norwegian Peasants’ March), op. 54, no. 2 | — | ||
| 8 | Wedding‐Day at Troldhaugen, op. 65, no. 6 | — | ||
| 9 | Remembrances, op. 71, no. 7 | — | ||
| 10 | Andante sostenuto / Molto animato, from Piano Concerto no. 2 in G minor, op. 22 (extracts) | — | ||
| 11 | Rhapsodie d’Auvergne, op. 73 | — | ||
| 12 | Improvised Cadenza on Africa, op. 89 | — | ||
| 13 | Valse mignonne, op. 104 | — | ||
| 14 | Valse nonchalante, op. 110 | — | ||
| 15 | Mazurka no. 1 in G minor, op. 21 | — | ||
| 16 | Rêverie du soir à Blidah, op. 60, no. 3 from Suite Algérienne | — | ||
| 17 | Marche militaire française, op. 60, no. 4 from Suite Algérienne | — | ||
| 18 | Valse mignonne, op. 104 | — | ||
| 19 | Prélude, arr. from Le Déluge, op. 45 | — | ||
| 20 | Élégie, op. 143 | — | ||
| 21 | Havanaise, op. 83 | — | ||
| 22 | Ascanio : « La, la, la ! Fiorentinelle ! Ah ! qui m’appelle ? » | — | ||
| 23 | Samson et Dalila : « Printemps qui commence » | — | ||
| 24 | Rêverie | — | ||
| 25 | La Solitaire, op. 26, no. 3 | — | ||
| 26 | Sapho : « Pendant un an je fus ta femme » | — | ||
| 2-1 | Pelléas et Mélisande : « Mes Longs cheveux descendent » | — | ||
| 2-2 | Il pleure dans mon cœur (Ariettes oubliées no. 2) | — | ||
| 2-3 | L’Ombre des arbres (Ariettes oubliées no. 3) | — | ||
| 2-4 | Aquarelles – Green (Ariettes oubliées no. 5) | — | ||
| 2-5 | Sonata in A, L. 495 (K. 24) | — | ||
| 2-6 | Gavotte varié, from Suite no. 14, HWV 411 | — | ||
| 2-7 | Rondo brillante in E‐flat, op. 62 | — | ||
| 2-8 | Scherzo in E minor, op. 16, no. 2 | — | ||
| 2-9 | Song Without Words in A, op. 19, no. 3, “Hunting Song” | — | ||
| 2-10 | Song Without Words in C, op. 67, no. 4, “Spinning Song” | — | ||
| 2-11 | Impromptu in A‐flat, op. 29 | — | ||
| 2-12 | Berceuse in D‐flat, op. 57 | — | ||
| 2-13 | Nocturne in F‐flat, op. 15, no. 2 | — | ||
| 2-14 | Waltz in A‐flat, op. 34, no. 1 | — | ||
| 2-15 | Marche funèbre: Lento, from Sonata no. 2 in B‐flat minor, op. 35 | — | ||
| 2-16 | Hungarian Rhapsody no. 11 in A minor | — | ||
| 2-17 | Scherzo‐valse, no. 10 from Pièces pittoresques | — | ||
| 2-18 | Valse folle | — | ||
| 2-19 | Valse lente | — | ||
| 2-20 | Sérénade à la lune | — | ||
| 2-21 | Impromptu | — | ||
| 2-22 | Page d’amour | — | ||
| 2-23 | Song Without Words in C, op. 67, no. 4, “Spinning Song” | — | ||
| 2-24 | Nocturne no. 8 in D‐flat, op. 27, no. 2 (abridged) | — | ||
| 2-25 | Valse chromatique | — | ||
| 2-26 | Grande valse de concert in D‐flat, op. 37 | — | ||
| 2-27 | Caprice de concert in D, op. 12, from Chant du Nautonier | — | ||
| 2-28 | Grande valse de concert in D‐flat, op. 37 | — | ||
| 2-29 | Caprice de concert in D, op. 12, from Chant du Nautonier | — |
