UPC · Release
Complete Acoustical Recordings Berlin, 1923–1925
Wilhelm Kempff
638335302522
42 tracksReleased 2022-12-01
Last verified:
638335302522 is the Universal Product Code (UPC barcode) for the release “Complete Acoustical Recordings Berlin, 1923–1925” by Wilhelm Kempff, released 2022-12-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC.
Format
6Number system
38335Manufacturer
30252Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Well‐Tempered Clavier, Book 1: Prelude and Fugue in C‐sharp, no. 3 | — | ||
| 2 | The Well‐Tempered Clavier, Book 1: Prelude and Fugue in D, no. 5 | — | ||
| 3 | Italian Concerto in F, BWV 971: III Presto | — | ||
| 4 | Cantata, BWV 29: Sinfonia | — | ||
| 5 | Sonata for Flute and Klavier in E‐flat, BWV 1031: Sicilienne | — | ||
| 6 | Gavotte from Iphigénie en Aulide | — | ||
| 7 | Sonata no. 8 in C minor, op. 13, “Pathétique”: I Grave – Allegro di molto e con brio | — | ||
| 8 | Sonata no. 8 in C minor, op. 13, “Pathétique”: II Adagio Cantabile | — | ||
| 9 | Sonata no. 8 in C minor, op. 13, “Pathétique”: III Rondo: Allegro | — | ||
| 10 | Sonata no. 12 in A‐flat, op. 26: I Andante con variazioni | — | ||
| 11 | Sonata no. 12 in A‐flat, op. 26: II Scherzo. Allegro molto | — | ||
| 12 | Sonata no. 12 in A‐flat, op. 26: III Marcia funebre sulla morte d’un eroe. Maestoso andante | — | ||
| 13 | Sonata no. 12 in A‐flat, op. 26: IV Allegro | — | ||
| 14 | Sonata no. 14 in C‐sharp minor, op. 27, no. 2, “Moonlight”: I Adagio sostenuto | — | ||
| 15 | Sonata no. 14 in C‐sharp minor, op. 27, no. 2, “Moonlight”: II Allegretto | — | ||
| 16 | Sonata no. 14 in C‐sharp minor, op. 27, no. 2, “Moonlight”: III Presto agitato | — | ||
| 2-1 | Bagatelle in C, op. 33, no. 5 | — | ||
| 2-2 | Rondo in G, op. 51, no. 2 | — | ||
| 2-3 | Sonata no. 21 in C, op. 53, “Waldstein”: I Allegro con brio | — | ||
| 2-4 | Sonata no. 21 in C, op. 53, “Waldstein”: II Introduzione. Adagio molto | — | ||
| 2-5 | Sonata no. 21 in C, op. 53, “Waldstein”: III Rondo. Allegretto moderato – Prestissimo | — | ||
| 2-6 | Sonata no. 23 in F minor, op. 57, “Appassionata”: I Allegro assai | — | ||
| 2-7 | Sonata no. 23 in F minor, op. 57, “Appassionata”: II Andante con moto | — | ||
| 2-8 | Sonata no. 23 in F minor, op. 57, “Appassionata”: III Allegro ma non troppo – Presto | — | ||
| 2-9 | Sonata no. 26 in E‐flat, op. 81a, “Les Adieux”: I Das Lebewohl | — | ||
| 2-10 | Sonata no. 26 in E‐flat, op. 81a, “Les Adieux”: II Abwesenheit | — | ||
| 2-11 | Sonata no. 26 in E‐flat, op. 81a, “Les Adieux”: III Das Wiedersehen | — | ||
| 2-12 | Sonata no. 27 in E minor, op. 90: I Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 2-13 | Sonata no. 27 in E minor, op. 90: II Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 3-1 | Sonata no. 28 in A, op. 101: I Etwas lebhaft, und mit der innigsten Empfindung (Allegretto ma non troppo) | — | ||
| 3-2 | Sonata no. 28 in A, op. 101: II Lebhaft, marschmäßig (Vivace alla Marcia) | — | ||
| 3-3 | Sonata no. 28 in A, op. 101: III Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | — | ||
| 3-4 | Sonata no. 28 in A, op. 101: IV Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro) | — | ||
| 3-5 | Ecossaises in E‐flat, WoO 86 | — | ||
| 3-6 | Concerto no. 1 in C, op. 15: I Allegro con brio | — | ||
| 3-7 | Concerto no. 1 in C, op. 15: II Largo | — | ||
| 3-8 | Concerto no. 1 in C, op. 15: III Rondo. Allegro scherzando | — | ||
| 3-9 | Scherzo in E minor, op. 16, no. 2 | — | ||
| 3-10 | Song Without Words, op. 102, no. 5 | — | ||
| 3-11 | Song Without Words, op. 102, no. 6 | — | ||
| 3-12 | Toccata in C, op. 7 | — | ||
| 3-13 | Rhapsody in E‐flat, op. 119, no. 4 | — |
The Well‐Tempered Clavier, Book 1: Prelude and Fugue in C‐sharp, no. 3
—
The Well‐Tempered Clavier, Book 1: Prelude and Fugue in D, no. 5
—
Italian Concerto in F, BWV 971: III Presto
—
Cantata, BWV 29: Sinfonia
—
Sonata for Flute and Klavier in E‐flat, BWV 1031: Sicilienne
—
Gavotte from Iphigénie en Aulide
—
Sonata no. 8 in C minor, op. 13, “Pathétique”: I Grave – Allegro di molto e con brio
—
Sonata no. 8 in C minor, op. 13, “Pathétique”: II Adagio Cantabile
—
Sonata no. 8 in C minor, op. 13, “Pathétique”: III Rondo: Allegro
—
Sonata no. 12 in A‐flat, op. 26: I Andante con variazioni
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Sonata no. 12 in A‐flat, op. 26: II Scherzo. Allegro molto
—
Sonata no. 12 in A‐flat, op. 26: III Marcia funebre sulla morte d’un eroe. Maestoso andante
—
Sonata no. 12 in A‐flat, op. 26: IV Allegro
—
Sonata no. 14 in C‐sharp minor, op. 27, no. 2, “Moonlight”: I Adagio sostenuto
—
Sonata no. 14 in C‐sharp minor, op. 27, no. 2, “Moonlight”: II Allegretto
—
Sonata no. 14 in C‐sharp minor, op. 27, no. 2, “Moonlight”: III Presto agitato
—
Bagatelle in C, op. 33, no. 5
—
Rondo in G, op. 51, no. 2
—
Sonata no. 21 in C, op. 53, “Waldstein”: I Allegro con brio
—
Sonata no. 21 in C, op. 53, “Waldstein”: II Introduzione. Adagio molto
—
Sonata no. 21 in C, op. 53, “Waldstein”: III Rondo. Allegretto moderato – Prestissimo
—
Sonata no. 23 in F minor, op. 57, “Appassionata”: I Allegro assai
—
Sonata no. 23 in F minor, op. 57, “Appassionata”: II Andante con moto
—
Sonata no. 23 in F minor, op. 57, “Appassionata”: III Allegro ma non troppo – Presto
—
Sonata no. 26 in E‐flat, op. 81a, “Les Adieux”: I Das Lebewohl
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Sonata no. 26 in E‐flat, op. 81a, “Les Adieux”: II Abwesenheit
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Sonata no. 26 in E‐flat, op. 81a, “Les Adieux”: III Das Wiedersehen
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Sonata no. 27 in E minor, op. 90: I Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
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Sonata no. 27 in E minor, op. 90: II Nicht zu geschwind und sehr singbar vorgetragen
—
Sonata no. 28 in A, op. 101: I Etwas lebhaft, und mit der innigsten Empfindung (Allegretto ma non troppo)
—
Sonata no. 28 in A, op. 101: II Lebhaft, marschmäßig (Vivace alla Marcia)
—
Sonata no. 28 in A, op. 101: III Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto)
—
Sonata no. 28 in A, op. 101: IV Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro)
—
Ecossaises in E‐flat, WoO 86
—
Concerto no. 1 in C, op. 15: I Allegro con brio
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Concerto no. 1 in C, op. 15: II Largo
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Concerto no. 1 in C, op. 15: III Rondo. Allegro scherzando
—
Scherzo in E minor, op. 16, no. 2
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Song Without Words, op. 102, no. 5
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Song Without Words, op. 102, no. 6
—
Toccata in C, op. 7
—
Rhapsody in E‐flat, op. 119, no. 4
—
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What is UPC 638335302522?
638335302522 is a Universal Product Code (UPC) assigned to Complete Acoustical Recordings Berlin, 1923–1925 by Wilhelm Kempff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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