UPC · Release
Pierre Luboshutz, Genia Nemenoff
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The UPC for “Luboshutz and Nemenoff: The Art of Duo-Piano Playing” by Pierre Luboshutz, Genia Nemenoff is 638335401027. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-03-01. This release contains 67 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Two Pianos in D, K. 448: I. Allegro con spirito | — | ||
| 2 | Sonata for Two Pianos in D, K. 448: II. Andante | — | ||
| 3 | Sonata for Two Pianos in D, K. 448: III. Allegro molto | — | ||
| 4 | Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: I. Allegro | — | ||
| 5 | Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: II. Andante | — | ||
| 6 | Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: III. Rondo: Allegro | — | ||
| 7 | Rondo for Two Pianos in C, op. posth. 73 | — | ||
| 8 | Andante and Variations in B-flat, op. 46 | — | ||
| 9 | Allegro Brilliant in A, op. 92 | — | ||
| 10 | Scherzo from A Midsummer Night's Dream, op. 61 | — | ||
| 2-1 | The Bat — A Fantasy from Johann Strauss's Die Fledermaus | — | ||
| 2-2 | Waltzes from Der Rosenkavalier, op. 56 | — | ||
| 2-3 | Rondo from Sonata no. 3 in D minor for Violin and Piano | — | ||
| 2-4 | Overture from Le nozze di Figaro, K. 492 | — | ||
| 2-5 | Largo al factotum from Il barbiere di Siviglia | — | ||
| 2-6 | Passacaglia from Suite no. 7 in G minor, HWV 432 | — | ||
| 2-7 | Scaramouche, op. 165b: I. Vif | — | ||
| 2-8 | Scaramouche, op. 165b: II. Modéré | — | ||
| 2-9 | Scaramouche, op. 165b: III. Brazileira: Mouvement de samba | — | ||
| 2-10 | Valse tzigane, op. 7 | — | ||
| 2-11 | Danza ritual del fuego from El amor brujo | — | ||
| 2-12 | Tambourin Chinois, op. 3 | — | ||
| 2-13 | The Lark | — | ||
| 2-14 | Orientale from Kaleidoscope, op. 50, no. 9 | — | ||
| 2-15 | Danse russe from Petrouchka | — | ||
| 2-16 | Coronation Scene from Boris Godunov | — | ||
| 2-17 | Polka from Age of Gold, op. 22 | — | ||
| 2-18 | Waltz from The Golden Mountains, op. 30 | — | ||
| 2-19 | Finale from New Dance, op. 18 | — | ||
| 3-1 | Variations on a Theme of Haydn, op. 56b | — | ||
| 3-2 | Liebeslieder Waltzes, op. 52a: I. Rede, Mädchen | — | ||
| 3-3 | Liebeslieder Waltzes, op. 52a: II. Am Gesteine rauscht die Flut | — | ||
| 3-4 | Liebeslieder Waltzes, op. 52a: III. O die Frauen | — | ||
| 3-5 | Liebeslieder Waltzes, op. 52a: IV. Wie des Abends schöne Röte | — | ||
| 3-6 | Liebeslieder Waltzes, op. 52a: V. Die grüne Hopfenranke | — | ||
| 3-7 | Liebeslieder Waltzes, op. 52a: VI. Ein kleiner, hübscher Vogel | — | ||
| 3-8 | Liebeslieder Waltzes, op. 52a: VII. Wohl schön bewandt war es | — | ||
| 3-9 | Liebeslieder Waltzes, op. 52a: VIII. Wenn so lind dein Auge mir | — | ||
| 3-10 | Liebeslieder Waltzes, op. 52a: IX. Am Donaustrande | — | ||
| 3-11 | Liebeslieder Waltzes, op. 52a: X. O wie sanft die Quelle | — | ||
| 3-12 | Liebeslieder Waltzes, op. 52a: XI. Nein, es ist nicht auszukommen | — | ||
| 3-13 | Liebeslieder Waltzes, op. 52a: XII. Schlosser auf, und mache Schlösser | — | ||
| 3-14 | Liebeslieder Waltzes, op. 52a: XIII. Vögelein durchrauscht die Luft | — | ||
| 3-15 | Liebeslieder Waltzes, op. 52a: XIV. Sieh, wie ist die Welle klar | — | ||
| 3-16 | Liebeslieder Waltzes, op. 52a: XV. Nachtigall, sie singt so schön | — | ||
| 3-17 | Liebeslieder Waltzes, op. 52a: XVI. Ein dunkeler Schacht ist Liebe | — | ||
| 3-18 | Liebeslieder Waltzes, op. 52a: XVII. Nicht wandle, mein Licht | — | ||
| 3-19 | Liebeslieder Waltzes, op. 52a: XVIII. Es bebet das Gesträuche | — | ||
| 3-20 | Perpetual Motion on Brahms' Vergebliches Ständchen | — | ||
| 3-21 | Sicilienne from Sonata for Flute and Klavier in E-flat, BWV 1031 | — | ||
| 3-22 | Organ Concerto after Vivaldi in A minor, BWV 593: I. Allegro maestoso | — | ||
| 3-23 | Organ Concerto after Vivaldi in A minor, BWV 593: II. Adagio | — | ||
| 3-24 | Organ Concerto after Vivaldi in A minor, BWV 593: III. Allegro | — | ||
| 3-25 | Nun komm, der Heiden Heiland, BWV 61 | — | ||
| 3-26 | Concerto in C for Two Klaviers, BWV 1061: I. Allegro | — | ||
| 3-27 | Concerto in C for Two Klaviers, BWV 1061: II. Largo | — | ||
| 3-28 | Concerto in C for Two Klaviers, BWV 1061: III. Presto | — | ||
| 4-1 | Lindaraja | — | ||
| 4-2 | Danse Macabre, op. 40 | — | ||
| 4-3 | Variations on a theme of Beethoven, op. 35 | — | ||
| 4-4 | Three Pieces for Two Pianos: Ostinato | — | ||
| 4-5 | Three Pieces for Two Pianos: Romance | — | ||
| 4-6 | Three Pieces for Two Pianos: Fantastic Waltz | — | ||
| 4-7 | Introduction, Passacaglia and Fugue, op. 96 | — | ||
| 4-8 | Concerto for Two Pianos and Orchestra: I. Molto moderato | — | ||
| 4-9 | Concerto for Two Pianos and Orchestra: II. Theme and Variations: Andante espressivo | — | ||
| 4-10 | Concerto for Two Pianos and Orchestra: III. Juarezca: Allegro | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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638335401027 is a Universal Product Code (UPC) assigned to Luboshutz and Nemenoff: The Art of Duo-Piano Playing by Pierre Luboshutz, Genia Nemenoff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Luboshutz and Nemenoff: The Art of Duo-Piano Playing” by Pierre Luboshutz, Genia Nemenoff is 638335401027. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-03-01. This release contains 67 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Two Pianos in D, K. 448: I. Allegro con spirito | — | ||
| 2 | Sonata for Two Pianos in D, K. 448: II. Andante | — | ||
| 3 | Sonata for Two Pianos in D, K. 448: III. Allegro molto | — | ||
| 4 | Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: I. Allegro | — | ||
| 5 | Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: II. Andante | — | ||
| 6 | Piano Concerto no. 10 in E-flat for Two Pianos, K. 365/316A: III. Rondo: Allegro | — | ||
| 7 | Rondo for Two Pianos in C, op. posth. 73 | — | ||
| 8 | Andante and Variations in B-flat, op. 46 | — | ||
| 9 | Allegro Brilliant in A, op. 92 | — | ||
| 10 | Scherzo from A Midsummer Night's Dream, op. 61 | — | ||
| 2-1 | The Bat — A Fantasy from Johann Strauss's Die Fledermaus | — | ||
| 2-2 | Waltzes from Der Rosenkavalier, op. 56 | — | ||
| 2-3 | Rondo from Sonata no. 3 in D minor for Violin and Piano | — | ||
| 2-4 | Overture from Le nozze di Figaro, K. 492 | — | ||
| 2-5 | Largo al factotum from Il barbiere di Siviglia | — | ||
| 2-6 | Passacaglia from Suite no. 7 in G minor, HWV 432 | — | ||
| 2-7 | Scaramouche, op. 165b: I. Vif | — | ||
| 2-8 | Scaramouche, op. 165b: II. Modéré | — | ||
| 2-9 | Scaramouche, op. 165b: III. Brazileira: Mouvement de samba | — | ||
| 2-10 | Valse tzigane, op. 7 | — | ||
| 2-11 | Danza ritual del fuego from El amor brujo | — | ||
| 2-12 | Tambourin Chinois, op. 3 | — | ||
| 2-13 | The Lark | — | ||
| 2-14 | Orientale from Kaleidoscope, op. 50, no. 9 | — | ||
| 2-15 | Danse russe from Petrouchka | — | ||
| 2-16 | Coronation Scene from Boris Godunov | — | ||
| 2-17 | Polka from Age of Gold, op. 22 | — | ||
| 2-18 | Waltz from The Golden Mountains, op. 30 | — | ||
| 2-19 | Finale from New Dance, op. 18 | — | ||
| 3-1 | Variations on a Theme of Haydn, op. 56b | — | ||
| 3-2 | Liebeslieder Waltzes, op. 52a: I. Rede, Mädchen | — | ||
| 3-3 | Liebeslieder Waltzes, op. 52a: II. Am Gesteine rauscht die Flut | — | ||
| 3-4 | Liebeslieder Waltzes, op. 52a: III. O die Frauen | — | ||
| 3-5 | Liebeslieder Waltzes, op. 52a: IV. Wie des Abends schöne Röte | — | ||
| 3-6 | Liebeslieder Waltzes, op. 52a: V. Die grüne Hopfenranke | — | ||
| 3-7 | Liebeslieder Waltzes, op. 52a: VI. Ein kleiner, hübscher Vogel | — | ||
| 3-8 | Liebeslieder Waltzes, op. 52a: VII. Wohl schön bewandt war es | — | ||
| 3-9 | Liebeslieder Waltzes, op. 52a: VIII. Wenn so lind dein Auge mir | — | ||
| 3-10 | Liebeslieder Waltzes, op. 52a: IX. Am Donaustrande | — | ||
| 3-11 | Liebeslieder Waltzes, op. 52a: X. O wie sanft die Quelle | — | ||
| 3-12 | Liebeslieder Waltzes, op. 52a: XI. Nein, es ist nicht auszukommen | — | ||
| 3-13 | Liebeslieder Waltzes, op. 52a: XII. Schlosser auf, und mache Schlösser | — | ||
| 3-14 | Liebeslieder Waltzes, op. 52a: XIII. Vögelein durchrauscht die Luft | — | ||
| 3-15 | Liebeslieder Waltzes, op. 52a: XIV. Sieh, wie ist die Welle klar | — | ||
| 3-16 | Liebeslieder Waltzes, op. 52a: XV. Nachtigall, sie singt so schön | — | ||
| 3-17 | Liebeslieder Waltzes, op. 52a: XVI. Ein dunkeler Schacht ist Liebe | — | ||
| 3-18 | Liebeslieder Waltzes, op. 52a: XVII. Nicht wandle, mein Licht | — | ||
| 3-19 | Liebeslieder Waltzes, op. 52a: XVIII. Es bebet das Gesträuche | — | ||
| 3-20 | Perpetual Motion on Brahms' Vergebliches Ständchen | — | ||
| 3-21 | Sicilienne from Sonata for Flute and Klavier in E-flat, BWV 1031 | — | ||
| 3-22 | Organ Concerto after Vivaldi in A minor, BWV 593: I. Allegro maestoso | — | ||
| 3-23 | Organ Concerto after Vivaldi in A minor, BWV 593: II. Adagio | — | ||
| 3-24 | Organ Concerto after Vivaldi in A minor, BWV 593: III. Allegro | — | ||
| 3-25 | Nun komm, der Heiden Heiland, BWV 61 | — | ||
| 3-26 | Concerto in C for Two Klaviers, BWV 1061: I. Allegro | — | ||
| 3-27 | Concerto in C for Two Klaviers, BWV 1061: II. Largo | — | ||
| 3-28 | Concerto in C for Two Klaviers, BWV 1061: III. Presto | — | ||
| 4-1 | Lindaraja | — | ||
| 4-2 | Danse Macabre, op. 40 | — | ||
| 4-3 | Variations on a theme of Beethoven, op. 35 | — | ||
| 4-4 | Three Pieces for Two Pianos: Ostinato | — | ||
| 4-5 | Three Pieces for Two Pianos: Romance | — | ||
| 4-6 | Three Pieces for Two Pianos: Fantastic Waltz | — | ||
| 4-7 | Introduction, Passacaglia and Fugue, op. 96 | — | ||
| 4-8 | Concerto for Two Pianos and Orchestra: I. Molto moderato | — | ||
| 4-9 | Concerto for Two Pianos and Orchestra: II. Theme and Variations: Andante espressivo | — | ||
| 4-10 | Concerto for Two Pianos and Orchestra: III. Juarezca: Allegro | — |
