UPC · Release
Jorge Bolet: Volume 2
Jorge Bolet
Last verified:
638335600321 is the Universal Product Code (UPC barcode) for the release “Jorge Bolet: Volume 2” by Jorge Bolet, released 2014-01-01 on Marston Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 78 tracks, each with its own ISRC. Tracks include GBF078210695.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (78)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intermezzo no. 1 in E-flat, op. 117 | — | ||
| 2 | Intermezzo no. 2 in B-flat minor, op. 117 | — | ||
| 3 | Intermezzo no. 3 in C-sharp minor, op. 117 | — | ||
| 4 | Piano Sonata no. 62 in E-flat, Hob. XVI/52: I. Allegro Moderato | — | ||
| 5 | Piano Sonata no. 62 in E-flat, Hob. XVI/52: II. Adagio | — | ||
| 6 | Piano Sonata no. 62 in E-flat, Hob. XVI/52: III. Finale. Presto | — | ||
| 7 | Fantasy in F-sharp minor, op. 28: I. Con moto agitato | — | ||
| 8 | Fantasy in F-sharp minor, op. 28: II. Allegro con moto | — | ||
| 9 | Fantasy in F-sharp minor, op. 28: III. Presto | — | ||
| 10 | Variations sérieuses, op. 54 | — | ||
| 11 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Allegro | — | ||
| 12 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | — | ||
| 13 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | — | ||
| 2-1 | Fantasy in F minor, op. 49 | — | ||
| 2-2 | Etude in E minor, op. 25 no. 5 | — | ||
| 2-3 | Waltz in D-flat, op. 64 no. 1 "Minute" | — | ||
| 2-4 | Waltz in E minor, op. post. | — | ||
| 2-5 | Nocturne in F-sharp minor, op. 48 no. 2 | — | ||
| 2-6 | Réminiscences de Lucia di Lammermoor, S. 397 | — | ||
| 2-7 | Concert Paraphrase on Rigoletto, S. 434 | Jorge Bolet | — | |
| 2-8 | Hungarian Rhapsody no. 12, S. 244 | — | ||
| 2-9 | Venezia e Napoli: Gondoliera, S. 162 no. 1 | — | ||
| 2-10 | Venezia e Napoli: Tarantella, S. 162 no. 3 | — | ||
| 2-11 | Spinnerlied aus Der fliegende Holländer, S. 440 | — | ||
| 2-12 | Widmung, S. 566 | — | ||
| 3-1 | Ballade No. 2 in B Minor, S. 171 | — | ||
| 3-2 | Prélude, aria et final: I. Prélude | — | ||
| 3-3 | Prélude, aria et final: II. Aria | — | ||
| 3-4 | Prélude, aria et final: III. Finale | — | ||
| 3-5 | Ballade in G minor, op. 24 | — | ||
| 3-6 | Danseuses de Delphes (Préludes, Book I no. 1) | — | ||
| 3-7 | La sérénade interrompue (Préludes, Book I no. 9) | — | ||
| 3-8 | La terrasse des audiences du clair de lune (Préludes, Book II no. 7) | — | ||
| 3-9 | Feux d’artifice (Préludes no. 12, Book II) | — | ||
| 3-10 | Clair de lune (Suite Bergamasque no. 3) | — | ||
| 4-1 | Impromptu in E, op. 7 no. 5 | — | ||
| 4-2 | Impromptu in G-flat, op. 90 (D. 899) no. 3 | — | ||
| 4-3 | Etude in A-flat, op. 1 no. 2 | — | ||
| 4-4 | Prelude in G-flat, op. 23 no. 10 | — | ||
| 4-5 | Prelude in F minor, op. 32 no. 6 | — | ||
| 4-6 | Prelude in F, op. 32 no. 7 | — | ||
| 4-7 | Prelude in G-sharp minor, op. 32 no. 12 | — | ||
| 4-8 | Variations on a theme of Chopin, op. 22 | — | ||
| 4-9 | Polka de V.R. | — | ||
| 4-10 | Lullaby | — | ||
| 4-11 | Prelude no. 14 in E-flat minor, op. 12 no. 2 | — | ||
| 4-12 | Prelude no. 15 in B-flat minor, op. 12 no. 3 | — | ||
| 4-13 | Invitation to the Dance, op. 65 | — | ||
| 5-1 | Minuet in A minor (no. 3 from Renaissance) | — | ||
| 5-2 | Rosamunde: Ballet Music | — | ||
| 5-3 | Moment Musical, op. 94 (D. 780) no. 3 | — | ||
| 5-4 | Study no. 25 (after op. 25 no. 1) | — | ||
| 5-5 | Study no. 5 (after op. 10 no. 3 for the left hand) | — | ||
| 5-6 | Study no. 7 (after op. 10 no. 5) | — | ||
| 5-7 | Study no. 12 (after op. 10 no. 5) | — | ||
| 5-8 | Study no. 13 (after op. 10 no. 6, for the left hand) | — | ||
| 5-9 | Study no. 15 (after op. 10 no. 7) | — | ||
| 5-10 | Study no. 1 (after op. 10 no. 1) | — | ||
| 5-11 | Waltz in D-flat, op. 64 no. 1 "Minute" | — | ||
| 5-12 | Symphonic Metamorphoses on Themes from Die Fledermaus | — | ||
| 5-13 | Ständchen, op. 17 no. 2 | — | ||
| 5-14 | The Swan (from Carnival of the Animals) | — | ||
| 5-15 | Adagietto (from L’Arlésienne, Suite no. 1) | — | ||
| 5-16 | Tango in D, op. 165 no. 2 | — | ||
| 5-17 | Elegy (for the left hand) | — | ||
| 5-18 | The Gardens of Buitenzorg (no. 8 from Java Suite) | — | ||
| 5-19 | The Salon (no. 21 from Triakontameron) | — | ||
| 5-20 | Caprice Espagnole, op. 37 | — | ||
| 5-21 | La Jongleuse, op. 52 no. 4 | — | ||
| 6-1 | Toccata in D, BWV 912 | — | ||
| 6-2 | Rondo in D, K. 485 | — | ||
| 6-3 | Piano Sonata no. 26 in E-flat, op. 81a "Lebewohl": I. Das Lebewohl: Adagio—Allegro | — | ||
| 6-4 | Piano Sonata no. 26 in E-flat, op. 81a "Lebewohl": II. Abwesenheit: Andante espressivo | — | ||
| 6-5 | Piano Sonata no. 26 in E-flat, op. 81a "Lebewohl": III. Das Wiedersehen: Vivacissimamente | — | ||
| 6-6 | Prelude in E-flat, op. 23 no. 6 | — | ||
| 6-7 | Schwanda Fantasy (after Weinberger) | — | ||
| 6-8 | Réminiscences de Don Juan, S. 418 | — | ||
| 6-9 | Tannhäuser: Overture, S. 442 | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 638335600321?
638335600321 is a Universal Product Code (UPC) assigned to Jorge Bolet: Volume 2 by Jorge Bolet. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 78 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm