UPC · Release
Sidney Foster: Rediscovering an American Master
Sidney Foster
638335700120
118 tracksReleased 2018-01-01
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638335700120 is the Universal Product Code (UPC barcode) for the release “Sidney Foster: Rediscovering an American Master” by Sidney Foster, released 2018-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 118 tracks, each with its own ISRC.
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UPCSidney Foster: Rediscovering an American Master
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Track List (118)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso — Allegro con spirito | — | ||
| 2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice — Prestissimo — Tempo I | — | ||
| 3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco — Molto meno mosso — Allegro vivo | — | ||
| 4 | Opening announcement | — | ||
| 5 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio (cadenza by Sidney Foster)- Sidney Foster | — | ||
| 6 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 7 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo — Allegro | — | ||
| 8 | Fantasia and Fugue in G minor, BWV 542 | — | ||
| 9 | Songs Without Words, op. 62, no. 1, "May Breezes" | — | ||
| 2-1 | Fantasy in F-sharp minor, op. 28: I. Con moto agitato | — | ||
| 2-2 | Fantasy in F-sharp minor, op. 28: II. Allegro con moto | — | ||
| 2-3 | Fantasy in F-sharp minor, op. 28: III. Presto | — | ||
| 2-4 | Carnaval, op. 9: I. Préambule | — | ||
| 2-5 | Carnaval, op. 9: II. Pierrot | — | ||
| 2-6 | Carnaval, op. 9: III. Arlequin | — | ||
| 2-7 | Carnaval, op. 9: IV. Valse noble | — | ||
| 2-8 | Carnaval, op. 9: V. Eusebius | — | ||
| 2-9 | Carnaval, op. 9: VI. Florestan | — | ||
| 2-10 | Carnaval, op. 9: VII. Coquette | — | ||
| 2-11 | Carnaval, op. 9: VIII. Réplique | — | ||
| 2-12 | Carnaval, op. 9: IX. Papillons | — | ||
| 2-13 | Carnaval, op. 9: X. A.S.C.H — S.C.H.A. "Lettres dansantes" | — | ||
| 2-14 | Carnaval, op. 9: XI. Chiarina | — | ||
| 2-15 | Carnaval, op. 9: XII. Chopin | — | ||
| 2-16 | Carnaval, op. 9: XIII. Estrella | — | ||
| 2-17 | Carnaval, op. 9: XIV. Reconnaissance | — | ||
| 2-18 | Carnaval, op. 9: XV. Pantalon et Colombine | — | ||
| 2-19 | Carnaval, op. 9: XVI. Valse allemande | — | ||
| 2-20 | Carnaval, op. 9: XVII. Paganini | — | ||
| 2-21 | Carnaval, op. 9: XVIII. Aveu | — | ||
| 2-22 | Carnaval, op. 9: XIX. Promenade | — | ||
| 2-23 | Carnaval, op. 9: XX. Pause | — | ||
| 2-24 | Carnaval, op. 9: XXI. Marche des "Davidsbündler" contre les Philistins | — | ||
| 2-25 | Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave — Doppio movimento | — | ||
| 2-26 | Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo — Piu lento — Tempo I | — | ||
| 2-27 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre: Lento | — | ||
| 2-28 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale: Presto | — | ||
| 2-29 | Consolation in D-flat, S. 172, no. 3 | — | ||
| 2-30 | Venezia e Napoli, S. 162, no. 3, "Tarantella" | — | ||
| 2-31 | Prelude for the left hand, op. 9, no. 1 | — | ||
| 2-32 | Piano Sonata no. 1 in C, op. 24: Fourth Movement, "Perpetuum Mobile" | — | ||
| 2-33 | Romance in F-sharp, op. 28, no. 2 | — | ||
| 3-1 | Piano Sonata no. 5 in G, K. 283: I. Allegro | — | ||
| 3-2 | Piano Sonata no. 5 in G, K. 283: II. Andante | — | ||
| 3-3 | Piano Sonata no. 5 in G, K. 283: III. Presto | — | ||
| 3-4 | Piano Sonata no. 21 in C, op. 53, "Waldstein": I. Allegro con brio | — | ||
| 3-5 | Piano Sonata no. 21 in C, op. 53, "Waldstein": II. Introduzione: Adagio molto | — | ||
| 3-6 | Piano Sonata no. 21 in C, op. 53, "Waldstein": III. Rondo: Allegretto moderato — Prestissimo | — | ||
| 3-7 | Piano Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 3-8 | Piano Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 3-9 | Piano Sonata no. 31 in A-flat, op. 110: III. Adagio ma non troppo — Allegro ma non troppo | — | ||
| 3-10 | Piano Sonata in B minor, S. 178: Lento assai — Allegro energico | — | ||
| 3-11 | Piano Sonata in B minor, S. 178: Andante sostenuto | — | ||
| 3-12 | Piano Sonata in B minor, S. 178: Allegro energico | — | ||
| 4-1 | Papillons, op. 2 | — | ||
| 4-2 | Piano Concerto in A minor, op. 54: I. Allegro affetuoso | — | ||
| 4-3 | Piano Concerto in A minor, op. 54: II. Intermezzo | — | ||
| 4-4 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 4-5 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | — | ||
| 4-6 | Piano Sonata no. 3 in F minor, op. 5: II. Andante: Andante espressivo | — | ||
| 4-7 | Piano Sonata no. 3 in F minor, op. 5: III. Scherzo: Allegro energico | — | ||
| 4-8 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto | — | ||
| 4-9 | Piano Sonata no. 3 in F minor, op. 5: V. Finale: Allegro moderato ma rubato | — | ||
| 4-10 | Nocturne in C, op. 54, no. 4 | — | ||
| 5-1 | Prelude, Chorale, and Fugue: I. Prelude | — | ||
| 5-2 | Prelude, Chorale, and Fugue: II. Chorale | — | ||
| 5-3 | Prelude, Chorale, and Fugue: III. Fugue | — | ||
| 5-4 | Fantasy in F minor, op. 49 | — | ||
| 5-5 | Etude in C-sharp minor, op. 10, no. 4 | — | ||
| 5-6 | Etude in G-flat, op. 10, no. 5, "Black Keys" | — | ||
| 5-7 | Etude in E-flat minor, op. 10, no. 6 | — | ||
| 5-8 | Etude in F, op. 10, no. 8 | — | ||
| 5-9 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 5-10 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | — | ||
| 5-11 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 5-12 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto non tanto | — | ||
| 5-13 | Ballade no. 4 in F minor, op. 52 | — | ||
| 5-14 | Waltz in D-flat, op. 64, no. 1, "Minute Waltz" | — | ||
| 5-15 | Guitarre, op. 45, no. 2 | — | ||
| 6-1 | Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato | — | ||
| 6-2 | Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro | — | ||
| 6-3 | Piano Sonata no. 2 in B-flat minor, op. 36: III. Allegro molto | — | ||
| 6-4 | Etude in D-flat, op. 42, no. 1 | — | ||
| 6-5 | Etude in F-sharp minor, op. 42, no. 2 | — | ||
| 6-6 | Etude in F-sharp, op. 42, no. 4 | — | ||
| 6-7 | Etude in C-sharp minor, op. 42, no. 5 | — | ||
| 6-8 | Piano Sonata no. 9, op. 68, "Black Mass" | — | ||
| 6-9 | Dirge, op. 9a, no. 4 | — | ||
| 6-10 | Piano Sonata no. 9 in C, op. 103: I. Allegretto | — | ||
| 6-11 | Piano Sonata no. 9 in C, op. 103: II. Allegro strepitoso | — | ||
| 6-12 | Piano Sonata no. 9 in C, op. 103: III. Andante tranquillo | — | ||
| 6-13 | Piano Sonata no. 9 in C, op. 103: IV. Allegro con brio, ma non troppo presto | — | ||
| 6-14 | Visions Fugitives, op. 22, no. 1 | — | ||
| 6-15 | Visions Fugitives, op. 22, no. 3 | — | ||
| 6-16 | Visions Fugitives, op. 22, no. 10 | — | ||
| 6-17 | Visions Fugitives, op. 22, no. 11 | — | ||
| 6-18 | Visions Fugitives, op. 22, no. 14 | — | ||
| 6-19 | Visions Fugitives, op. 22, no. 15 | — | ||
| 6-20 | Visions Fugitives, op. 22, no. 8 | — | ||
| 6-21 | Visions Fugitives, op. 22, no. 18 | — | ||
| 6-22 | Gavotte, op. 32, no. 3 | — | ||
| 6-23 | Cracovienne Fantastique, op. 14, no. 6 | — | ||
| 6-24 | Rondo in E-flat, op. 11 | — | ||
| 7-1 | Prelude and Fugue in A minor, BWV. 543 | — | ||
| 7-2 | Variations on a Minuet of Duport, K. 573 | — | ||
| 7-3 | Four Ballades, op. 10, no. 1 in D minor | — | ||
| 7-4 | Four Ballades, op. 10, no. 2 in D major | — | ||
| 7-5 | Four Ballades, op. 10, no. 3 in B minor | — | ||
| 7-6 | Four Ballades, op. 10, no. 4 in B major | — | ||
| 7-7 | La terrasse des audiences du clair de lune, Preludes Book II, no. 7 | — | ||
| 7-8 | Le vent dans la plaine, Preludes Book I, no. 3 | — | ||
| 7-9 | Piano Sonata no. 3 in G: I. Theme and Five Variations | — | ||
| 7-10 | Piano Sonata no. 3 in G: II. Presto e leggiero | — | ||
| 7-11 | Piano Sonata no. 3 in G: III. Adagio | — | ||
| 7-12 | Piano Sonata no. 3 in G: IV. Allegro vivo e ritmico | — | ||
| 7-13 | Piano Concerto no. 3: I. Allegretto | — | ||
| 7-14 | Piano Concerto no. 3: II. Adagio religioso | — | ||
| 7-15 | Piano Concerto no. 3: III. Allegro vivace | — |
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso — Allegro con spirito
—
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice — Prestissimo — Tempo I
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Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco — Molto meno mosso — Allegro vivo
—
Opening announcement
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Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio (cadenza by Sidney Foster)- Sidney Foster
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Piano Concerto no. 3 in C minor, op. 37: II. Largo
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Piano Concerto no. 3 in C minor, op. 37: III. Rondo — Allegro
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Fantasia and Fugue in G minor, BWV 542
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Songs Without Words, op. 62, no. 1, "May Breezes"
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Fantasy in F-sharp minor, op. 28: I. Con moto agitato
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Fantasy in F-sharp minor, op. 28: II. Allegro con moto
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Fantasy in F-sharp minor, op. 28: III. Presto
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Carnaval, op. 9: I. Préambule
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Carnaval, op. 9: II. Pierrot
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Carnaval, op. 9: III. Arlequin
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Carnaval, op. 9: IV. Valse noble
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Carnaval, op. 9: V. Eusebius
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Carnaval, op. 9: VI. Florestan
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Carnaval, op. 9: VII. Coquette
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Carnaval, op. 9: VIII. Réplique
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Carnaval, op. 9: IX. Papillons
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Carnaval, op. 9: X. A.S.C.H — S.C.H.A. "Lettres dansantes"
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Carnaval, op. 9: XI. Chiarina
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Carnaval, op. 9: XII. Chopin
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Carnaval, op. 9: XIII. Estrella
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Carnaval, op. 9: XIV. Reconnaissance
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Carnaval, op. 9: XV. Pantalon et Colombine
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Carnaval, op. 9: XVI. Valse allemande
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Carnaval, op. 9: XVII. Paganini
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Carnaval, op. 9: XVIII. Aveu
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Carnaval, op. 9: XIX. Promenade
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Carnaval, op. 9: XX. Pause
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Carnaval, op. 9: XXI. Marche des "Davidsbündler" contre les Philistins
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Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave — Doppio movimento
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Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo — Piu lento — Tempo I
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Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre: Lento
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Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale: Presto
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Consolation in D-flat, S. 172, no. 3
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Venezia e Napoli, S. 162, no. 3, "Tarantella"
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Prelude for the left hand, op. 9, no. 1
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Piano Sonata no. 1 in C, op. 24: Fourth Movement, "Perpetuum Mobile"
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Romance in F-sharp, op. 28, no. 2
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Piano Sonata no. 5 in G, K. 283: I. Allegro
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Piano Sonata no. 5 in G, K. 283: II. Andante
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Piano Sonata no. 5 in G, K. 283: III. Presto
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Piano Sonata no. 21 in C, op. 53, "Waldstein": I. Allegro con brio
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Piano Sonata no. 21 in C, op. 53, "Waldstein": II. Introduzione: Adagio molto
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Piano Sonata no. 21 in C, op. 53, "Waldstein": III. Rondo: Allegretto moderato — Prestissimo
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Piano Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile molto espressivo
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Piano Sonata no. 31 in A-flat, op. 110: II. Allegro molto
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Piano Sonata no. 31 in A-flat, op. 110: III. Adagio ma non troppo — Allegro ma non troppo
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Piano Sonata in B minor, S. 178: Lento assai — Allegro energico
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Piano Sonata in B minor, S. 178: Andante sostenuto
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Piano Sonata in B minor, S. 178: Allegro energico
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Papillons, op. 2
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Piano Concerto in A minor, op. 54: I. Allegro affetuoso
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Piano Concerto in A minor, op. 54: II. Intermezzo
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Piano Concerto in A minor, op. 54: III. Allegro vivace
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Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso
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Piano Sonata no. 3 in F minor, op. 5: II. Andante: Andante espressivo
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Piano Sonata no. 3 in F minor, op. 5: III. Scherzo: Allegro energico
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Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto
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Piano Sonata no. 3 in F minor, op. 5: V. Finale: Allegro moderato ma rubato
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Nocturne in C, op. 54, no. 4
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Prelude, Chorale, and Fugue: I. Prelude
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Prelude, Chorale, and Fugue: II. Chorale
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Prelude, Chorale, and Fugue: III. Fugue
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Fantasy in F minor, op. 49
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Etude in C-sharp minor, op. 10, no. 4
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Etude in G-flat, op. 10, no. 5, "Black Keys"
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Etude in E-flat minor, op. 10, no. 6
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Etude in F, op. 10, no. 8
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Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso
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Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace
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Piano Sonata no. 3 in B minor, op. 58: III. Largo
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Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto non tanto
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Ballade no. 4 in F minor, op. 52
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Waltz in D-flat, op. 64, no. 1, "Minute Waltz"
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Guitarre, op. 45, no. 2
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Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato
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Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro
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Piano Sonata no. 2 in B-flat minor, op. 36: III. Allegro molto
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Etude in D-flat, op. 42, no. 1
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Etude in F-sharp minor, op. 42, no. 2
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Etude in F-sharp, op. 42, no. 4
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Etude in C-sharp minor, op. 42, no. 5
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Piano Sonata no. 9, op. 68, "Black Mass"
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Dirge, op. 9a, no. 4
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Piano Sonata no. 9 in C, op. 103: I. Allegretto
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Piano Sonata no. 9 in C, op. 103: II. Allegro strepitoso
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Piano Sonata no. 9 in C, op. 103: III. Andante tranquillo
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Piano Sonata no. 9 in C, op. 103: IV. Allegro con brio, ma non troppo presto
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Visions Fugitives, op. 22, no. 1
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Visions Fugitives, op. 22, no. 3
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Visions Fugitives, op. 22, no. 10
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Visions Fugitives, op. 22, no. 11
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Visions Fugitives, op. 22, no. 14
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Visions Fugitives, op. 22, no. 15
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Visions Fugitives, op. 22, no. 8
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Visions Fugitives, op. 22, no. 18
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Gavotte, op. 32, no. 3
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Cracovienne Fantastique, op. 14, no. 6
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Rondo in E-flat, op. 11
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Prelude and Fugue in A minor, BWV. 543
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Variations on a Minuet of Duport, K. 573
—
Four Ballades, op. 10, no. 1 in D minor
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Four Ballades, op. 10, no. 2 in D major
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Four Ballades, op. 10, no. 3 in B minor
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Four Ballades, op. 10, no. 4 in B major
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La terrasse des audiences du clair de lune, Preludes Book II, no. 7
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Le vent dans la plaine, Preludes Book I, no. 3
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Piano Sonata no. 3 in G: I. Theme and Five Variations
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Piano Sonata no. 3 in G: II. Presto e leggiero
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Piano Sonata no. 3 in G: III. Adagio
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Piano Sonata no. 3 in G: IV. Allegro vivo e ritmico
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Piano Concerto no. 3: I. Allegretto
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Piano Concerto no. 3: II. Adagio religioso
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Piano Concerto no. 3: III. Allegro vivace
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What is UPC 638335700120?
638335700120 is a Universal Product Code (UPC) assigned to Sidney Foster: Rediscovering an American Master by Sidney Foster. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 118 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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