UPC · Release
Shaft Anthology: His Big Score and More!
Isaac Hayes, Gordon Parks, Johnny Pate
638558025628
92 tracksReleased 2008-01-01Film Score Monthly
Last verified:
638558025628 is the Universal Product Code (UPC barcode) for the release “Shaft Anthology: His Big Score and More!” by Isaac Hayes, Gordon Parks, Johnny Pate, released 2008-01-01 on Film Score Monthly. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 92 tracks, each with its own ISRC.
Format
6Number system
38558Manufacturer
02562Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCShaft Anthology: His Big Score and More!
ISWC4 works
IPI5 songwriters
Track List (92)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Title Shaft (Theme From Shaft) | — | ||
| 2 | Shaft's First Fight | — | ||
| 3 | Reel 2 Part 2 / Cat Oughta Be Here | — | ||
| 4 | Bumpy's Theme (Bumpy's Lament) | — | ||
| 5 | Harlem Montage (Soulsville) | — | ||
| 6 | Love Scene Ellie (Ellie's Love Theme) | — | ||
| 7 | Shaft's Cab Ride / Shaft Enters Building | — | ||
| 8 | I Can't Get Over Losin' You | — | ||
| 9 | Reel 4 Part 6 | — | ||
| 10 | Reel 5 Part 1 | — | ||
| 11 | Reel 5 Part 2 (A Friend's Place) | — | ||
| 12 | Source No. 1--A (Bumpy's Blues) | — | ||
| 13 | Source No. 1--B (Bumpy's Lament) | — | ||
| 14 | Source No. 1--C (Early Sunday Morning) | — | ||
| 15 | Source No. 2--A (Do Your Thang) | — | ||
| 16 | Source No. 2--B (Be Yourself) | — | ||
| 17 | Source No. 2--C (No Name Bar) | — | ||
| 18 | Shaft Strikes Again/Return of Shaft | — | ||
| 19 | Source No. 3 (Caffe Reggio) | — | ||
| 20 | Shaft's Walk to Hideout (Walk From Reggio) | — | ||
| 21 | Shaft's Pain | — | ||
| 22 | Rescue / Roll Up | — | ||
| 23 | Theme From The Men | — | ||
| 24 | Type Thang (From Shaft's Big Score!) | — | ||
| 2-1 | Blowin' Your Mind (Main Title) | — | ||
| 2-2 | The Other Side | — | ||
| 2-3 | Smart Money | — | ||
| 2-4 | The Search / Sad Circles | — | ||
| 2-5 | Asby-Kelly Man | — | ||
| 2-6 | First Meeting | — | ||
| 2-7 | Don't Misunderstand | — | ||
| 2-8 | Fight Scene | — | ||
| 2-9 | Ike's Place | — | ||
| 2-10 | Move On In | — | ||
| 2-11 | 8M1 / 8M2 | — | ||
| 2-12 | Funeral Home | — | ||
| 2-13 | Don't Misunderstand (instrumental) | — | ||
| 2-14 | 9M3 | — | ||
| 2-15 | Symphony for Shafted Souls (Take-Off / Dance of the Cars / Water Ballet / Call and Response / The Last Amen) | — | ||
| 2-16 | End Title | — | ||
| 2-17 | Don’t Misunderstand (demo) | — | ||
| 2-18 | Courtroom / Leaving Court | — | ||
| 2-19 | Dawson's Trial | — | ||
| 2-20 | Shaft Leaves Barbara / East River / He's Dead, Barb / Cunningham's Breakfast | — | ||
| 2-21 | Visiting Jane / Act End / Jury Meets | — | ||
| 2-22 | Cars and Bridges | — | ||
| 2-23 | Leaving Airfield / Shaft Checks Hospital | — | ||
| 2-24 | Shaft Gets Shot / Shaft in Car | — | ||
| 2-25 | Night Blues | — | ||
| 2-26 | Day Blues | — | ||
| 2-27 | Pimp Gets Shot | — | ||
| 2-28 | Handle It / Follow Cunningham | — | ||
| 2-29 | Shaft Escapes / Stalking Menace | — | ||
| 2-30 | End Theme | — | ||
| 3-1 | Opening | — | ||
| 3-2 | Diana in Hospital | — | ||
| 3-3 | Window Shop / Leaving Hospital / Ciao | — | ||
| 3-4 | Restaurant Scene / Punchin' Sonny | — | ||
| 3-5 | Hotel Room | — | ||
| 3-6 | Diana Splits / Booking Shaft | — | ||
| 3-7 | Shaft Gets Sprung / Searchin' | — | ||
| 3-8 | Pimps / Lick Her Store / Wettin' His Hand / Diana Ducks Out | — | ||
| 3-9 | Juke Box / Hands in the Box | — | ||
| 3-10 | Shaft | — | ||
| 3-11 | Iggie's Tail | — | ||
| 3-12 | Kyle Goes Down / Case Dismissed | — | ||
| 3-13 | Opening | — | ||
| 3-14 | He's the Best / Reenact / Good Day | — | ||
| 3-15 | Travel Shaft | — | ||
| 3-16 | Coffin Time | — | ||
| 3-17 | To the Club | — | ||
| 3-18 | Ann Appears/Shaft Gets It | — | ||
| 3-19 | Jacquard | — | ||
| 3-20 | Dart Board / Kissin' Time | — | ||
| 3-21 | Omelette | — | ||
| 3-22 | Cheek Pat / Don't Shoot / Shaft's Move | — | ||
| 3-23 | Funny Time | — | ||
| 3-24 | At the Club | — | ||
| 3-25 | Ending | — | ||
| 3-26 | Chasin' Shaft | — | ||
| 3-27 | Sleep, Dog, Sleep | — | ||
| 3-28 | Here Comes the Fuzz | — | ||
| 3-29 | I Said Goodnight / Walkie Talkie | — | ||
| 3-30 | Shoot Out | — | ||
| 3-31 | Rossi Gets It / Hospital / Who the Hell Are You | — | ||
| 3-32 | Honky Horn | — | ||
| 3-33 | Sleeping Pigs | — | ||
| 3-34 | Splash Time | — | ||
| 3-35 | Shaft Gets It | — | ||
| 3-36 | Vacate the Van | — | ||
| 3-37 | Fork Lift | — | ||
| 3-38 | Shaft Theme (End Credit Version) | — |
Title Shaft (Theme From Shaft)
—
Shaft's First Fight
—
Reel 2 Part 2 / Cat Oughta Be Here
—
Bumpy's Theme (Bumpy's Lament)
—
Harlem Montage (Soulsville)
—
Love Scene Ellie (Ellie's Love Theme)
—
Shaft's Cab Ride / Shaft Enters Building
—
I Can't Get Over Losin' You
—
Reel 4 Part 6
—
Reel 5 Part 1
—
Reel 5 Part 2 (A Friend's Place)
—
Source No. 1--A (Bumpy's Blues)
—
Source No. 1--B (Bumpy's Lament)
—
Source No. 1--C (Early Sunday Morning)
—
Source No. 2--A (Do Your Thang)
—
Source No. 2--B (Be Yourself)
—
Source No. 2--C (No Name Bar)
—
Shaft Strikes Again/Return of Shaft
—
Source No. 3 (Caffe Reggio)
—
Shaft's Walk to Hideout (Walk From Reggio)
—
Shaft's Pain
—
Rescue / Roll Up
—
Theme From The Men
—
Type Thang (From Shaft's Big Score!)
—
Blowin' Your Mind (Main Title)
—
The Other Side
—
Smart Money
—
The Search / Sad Circles
—
Asby-Kelly Man
—
First Meeting
—
Don't Misunderstand
—
Fight Scene
—
Ike's Place
—
Move On In
—
8M1 / 8M2
—
Funeral Home
—
Don't Misunderstand (instrumental)
—
9M3
—
Symphony for Shafted Souls (Take-Off / Dance of the Cars / Water Ballet / Call and Response / The Last Amen)
—
End Title
—
Don’t Misunderstand (demo)
—
Courtroom / Leaving Court
—
Dawson's Trial
—
Shaft Leaves Barbara / East River / He's Dead, Barb / Cunningham's Breakfast
—
Visiting Jane / Act End / Jury Meets
—
Cars and Bridges
—
Leaving Airfield / Shaft Checks Hospital
—
Shaft Gets Shot / Shaft in Car
—
Night Blues
—
Day Blues
—
Pimp Gets Shot
—
Handle It / Follow Cunningham
—
Shaft Escapes / Stalking Menace
—
End Theme
—
Opening
—
Diana in Hospital
—
Window Shop / Leaving Hospital / Ciao
—
Restaurant Scene / Punchin' Sonny
—
Hotel Room
—
Diana Splits / Booking Shaft
—
Shaft Gets Sprung / Searchin'
—
Pimps / Lick Her Store / Wettin' His Hand / Diana Ducks Out
—
Juke Box / Hands in the Box
—
Shaft
—
Iggie's Tail
—
Kyle Goes Down / Case Dismissed
—
Opening
—
He's the Best / Reenact / Good Day
—
Travel Shaft
—
Coffin Time
—
To the Club
—
Ann Appears/Shaft Gets It
—
Jacquard
—
Dart Board / Kissin' Time
—
Omelette
—
Cheek Pat / Don't Shoot / Shaft's Move
—
Funny Time
—
At the Club
—
Ending
—
Chasin' Shaft
—
Sleep, Dog, Sleep
—
Here Comes the Fuzz
—
I Said Goodnight / Walkie Talkie
—
Shoot Out
—
Rossi Gets It / Hospital / Who the Hell Are You
—
Honky Horn
—
Sleeping Pigs
—
Splash Time
—
Shaft Gets It
—
Vacate the Van
—
Fork Lift
—
Shaft Theme (End Credit Version)
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 638558025628?
638558025628 is a Universal Product Code (UPC) assigned to Shaft Anthology: His Big Score and More! by Isaac Hayes, Gordon Parks, Johnny Pate. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 92 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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