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  3. Works: 1965-1995
Works: 1965-1995

UPC · Release

Works: 1965-1995

Steve Reich

647216607571
82 tracksReleased 2005-01-01Skin Graft Records

Last verified: July 20, 2026

647216607571 is the Universal Product Code (UPC barcode) for the release “Works: 1965-1995” by Steve Reich, released 2005-01-01 on Skin Graft Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include USNO18716901, USNO18717001, USNO18717002.

Format

6Number system
47216Manufacturer
60757Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCWorks: 1965-1995
ISRC35 recordings
ISWC4 works
IPI3 songwriters

Track List (82)

#Track TitleArtist(s)ISWC
Come Out1Come OutSteve Reich—
Piano Phase2Piano Phase—
It's Gonna Rain, Parts I & II3It's Gonna Rain, Parts I & II—
Four Organs4Four Organs—
Drumming: Part I2-1Drumming: Part ISteve Reich and MusiciansT-802.401.913-5
Drumming: Part II2-2Drumming: Part IISteve Reich and MusiciansT-072.283.280-5
Drumming: Part III2-3Drumming: Part IIISteve Reich and Musicians—
Drumming: Part IV2-4Drumming: Part IVSteve Reich and Musicians—
Music for Mallet Instruments, Voices and Organ3-1Music for Mallet Instruments, Voices and OrganSteve Reich—
Clapping Music3-2Clapping Music—
Six Marimbas3-3Six Marimbas—
Music for 18 Musicians: Pulses4-1Music for 18 Musicians: PulsesSteve Reich and Musicians—
Music for 18 Musicians: Section I4-2Music for 18 Musicians: Section ISteve Reich and Musicians—
Music for 18 Musicians: Section II4-3Music for 18 Musicians: Section IISteve Reich and Musicians—
Music for 18 Musicians: Section IIIA4-4Music for 18 Musicians: Section IIIASteve Reich and Musicians—
Music for 18 Musicians: Section IIIB4-5Music for 18 Musicians: Section IIIBSteve Reich and Musicians—
Music for 18 Musicians: Section IV4-6Music for 18 Musicians: Section IVSteve Reich and Musicians—
Music for 18 Musicians: Section V4-7Music for 18 Musicians: Section VSteve Reich and Musicians—
Music for 18 Musicians: Section VI4-8Music for 18 Musicians: Section VISteve Reich and Musicians—
Music for 18 Musicians: Section VII4-9Music for 18 Musicians: Section VIISteve Reich and Musicians—
Music for 18 Musicians: Section VIII4-10Music for 18 Musicians: Section VIIISteve Reich and Musicians—
Music for 18 Musicians: Section IX4-11Music for 18 Musicians: Section IXSteve Reich and Musicians—
Music for 18 Musicians: Section X4-12Music for 18 Musicians: Section XSteve Reich and Musicians—
Music for 18 Musicians: Section XI4-13Music for 18 Musicians: Section XISteve Reich and Musicians—
Music for 18 Musicians: Pulses4-14Music for 18 Musicians: PulsesSteve Reich and Musicians—
Eight Lines (Octet)5-1Eight Lines (Octet)—
Tehillim, Part I: Fast5-2Tehillim, Part I: FastBarbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw—
Tehillim, Part II: Fast5-3Tehillim, Part II: FastBarbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw—
Tehillim, Part III: Slow5-4Tehillim, Part III: SlowBarbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw—
Tehillim: IV. Fast5-5Tehillim: IV. Fast—
The Desert Music: I. Fast6-1The Desert Music: I. FastSteve Reich—
The Desert Music: II. Moderate6-2The Desert Music: II. ModerateSteve Reich—
The Desert Music: III. Part One: Slow6-3The Desert Music: III. Part One: SlowSteve Reich—
The Desert Music: III. Part Two: Moderate6-4The Desert Music: III. Part Two: ModerateSteve Reich—
The Desert Music: III. Part Three: Slow6-5The Desert Music: III. Part Three: SlowSteve Reich—
The Desert Music: IV. Moderate6-6The Desert Music: IV. ModerateSteve Reich—
The Desert Music: V. Fast6-7The Desert Music: V. FastSteve Reich—
New York Counterpoint: I. Fast7-1New York Counterpoint: I. Fast—
New York Counterpoint: II. Slow7-2New York Counterpoint: II. Slow—
New York Counterpoint: III. Fast7-3New York Counterpoint: III. Fast—
Sextet: I.7-4Sextet: I.—
Sextet: II.7-5Sextet: II.—
Sextet: III.7-6Sextet: III.—
Sextet: IV.7-7Sextet: IV.—
Sextet: V.7-8Sextet: V.—
The Four Sections: I. Strings (with Winds and Brass)7-9The Four Sections: I. Strings (with Winds and Brass)—
The Four Sections: II. Percussion7-10The Four Sections: II. Percussion—
The Four Sections: III. Winds and Brass (with Strings)7-11The Four Sections: III. Winds and Brass (with Strings)—
The Four Sections: IV. Full Orchestra7-12The Four Sections: IV. Full Orchestra—
Different Trains: I. America - Before the War8-1Different Trains: I. America - Before the WarKronos Quartet—
Different Trains: II. Europe - During the War8-2Different Trains: II. Europe - During the WarKronos Quartet—
Different Trains: III. After the War8-3Different Trains: III. After the War—
Electric Counterpoint: I. Fast8-4Electric Counterpoint: I. FastPat Metheny—
Electric Counterpoint: II. Slow8-5Electric Counterpoint: II. SlowPat Metheny—
Electric Counterpoint: III. Fast8-6Electric Counterpoint: III. Fast—
Three Movements: Movement I8-7Three Movements: Movement I—
Three Movements: Movement II8-8Three Movements: Movement II—
Three Movements: Movement III8-9Three Movements: Movement III—
The Cave, Act 1: I. Typing Music (Genesis XVI)9-1The Cave, Act 1: I. Typing Music (Genesis XVI)—
The Cave, Act 1: II. Who is Abraham?9-2The Cave, Act 1: II. Who is Abraham?—
The Cave, Act 1: VII. Who is Ishmael?9-3The Cave, Act 1: VII. Who is Ishmael?—
The Cave, Act 1: VIII. Genesis XVIII9-4The Cave, Act 1: VIII. Genesis XVIII—
The Cave, Act 1: X. Genesis XXI9-5The Cave, Act 1: X. Genesis XXI—
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar9-6The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar—
The Cave, Act 1: XII. Machpelah Commentary9-7The Cave, Act 1: XII. Machpelah Commentary—
The Cave, Act 1: XIII. Genesis XXV9-8The Cave, Act 1: XIII. Genesis XXV—
The Cave, Act 1: XIV. Interior of the Cave9-9The Cave, Act 1: XIV. Interior of the Cave—
The Cave, Act 2: I. Surah 39-10The Cave, Act 2: I. Surah 3—
The Cave, Act 2: V. El Khalil Commentary9-11The Cave, Act 2: V. El Khalil Commentary—
The Cave, Act 3: I. Who is Abraham?9-12The Cave, Act 3: I. Who is Abraham?—
The Cave, Act 3: II. Who is Sarah?9-13The Cave, Act 3: II. Who is Sarah?—
The Cave, Act 3: III. Who is Hagar?9-14The Cave, Act 3: III. Who is Hagar?—
The Cave, Act 3: IV. Who is Ishmael?9-15The Cave, Act 3: IV. Who is Ishmael?—
The Cave, Act 3: V. The Binding of Isaac9-16The Cave, Act 3: V. The Binding of Isaac—
The Cave, Act 3: VI. The Cave of Machpelah9-17The Cave, Act 3: VI. The Cave of Machpelah—
Proverb10-1ProverbSteve Reich—
Nagoya Marimbas10-2Nagoya Marimbas—
City Life: I. "Check It Out"10-3City Life: I. "Check It Out"—
City Life: II. "Pile Driver / Alarms"10-4City Life: II. "Pile Driver / Alarms"—
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"10-5City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"—
City Life: IV. "Heartbeats / Boats & Buoys"10-6City Life: IV. "Heartbeats / Boats & Buoys"—
City Life: V. "Heavy Smoke"10-7City Life: V. "Heavy Smoke"—
Come Out
Come Out
Steve Reich
—
Piano Phase
Piano Phase
—
It's Gonna Rain, Parts I & II
It's Gonna Rain, Parts I & II
—
Four Organs
Four Organs
—
Drumming: Part I
Drumming: Part I
Steve Reich and Musicians
T-802.401.913-5
Drumming: Part II
Drumming: Part II
Steve Reich and Musicians
T-072.283.280-5
Drumming: Part III
Drumming: Part III
Steve Reich and Musicians
—
Drumming: Part IV
Drumming: Part IV
Steve Reich and Musicians
—
Music for Mallet Instruments, Voices and Organ
Music for Mallet Instruments, Voices and Organ
Steve Reich
—
Clapping Music
Clapping Music
—
Six Marimbas
Six Marimbas
—
Music for 18 Musicians: Pulses
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—
Music for 18 Musicians: Section I
Music for 18 Musicians: Section I
Steve Reich and Musicians
—
Music for 18 Musicians: Section II
Music for 18 Musicians: Section II
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIA
Music for 18 Musicians: Section IIIA
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIB
Music for 18 Musicians: Section IIIB
Steve Reich and Musicians
—
Music for 18 Musicians: Section IV
Music for 18 Musicians: Section IV
Steve Reich and Musicians
—
Music for 18 Musicians: Section V
Music for 18 Musicians: Section V
Steve Reich and Musicians
—
Music for 18 Musicians: Section VI
Music for 18 Musicians: Section VI
Steve Reich and Musicians
—
Music for 18 Musicians: Section VII
Music for 18 Musicians: Section VII
Steve Reich and Musicians
—
Music for 18 Musicians: Section VIII
Music for 18 Musicians: Section VIII
Steve Reich and Musicians
—
Music for 18 Musicians: Section IX
Music for 18 Musicians: Section IX
Steve Reich and Musicians
—
Music for 18 Musicians: Section X
Music for 18 Musicians: Section X
Steve Reich and Musicians
—
Music for 18 Musicians: Section XI
Music for 18 Musicians: Section XI
Steve Reich and Musicians
—
Music for 18 Musicians: Pulses
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—
Eight Lines (Octet)
Eight Lines (Octet)
—
Tehillim, Part I: Fast
Tehillim, Part I: Fast
Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw
—
Tehillim, Part II: Fast
Tehillim, Part II: Fast
Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw
—
Tehillim, Part III: Slow
Tehillim, Part III: Slow
Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw
—
Tehillim: IV. Fast
Tehillim: IV. Fast
—
The Desert Music: I. Fast
The Desert Music: I. Fast
Steve Reich
—
The Desert Music: II. Moderate
The Desert Music: II. Moderate
Steve Reich
—
The Desert Music: III. Part One: Slow
The Desert Music: III. Part One: Slow
Steve Reich
—
The Desert Music: III. Part Two: Moderate
The Desert Music: III. Part Two: Moderate
Steve Reich
—
The Desert Music: III. Part Three: Slow
The Desert Music: III. Part Three: Slow
Steve Reich
—
The Desert Music: IV. Moderate
The Desert Music: IV. Moderate
Steve Reich
—
The Desert Music: V. Fast
The Desert Music: V. Fast
Steve Reich
—
New York Counterpoint: I. Fast
New York Counterpoint: I. Fast
—
New York Counterpoint: II. Slow
New York Counterpoint: II. Slow
—
New York Counterpoint: III. Fast
New York Counterpoint: III. Fast
—
Sextet: I.
Sextet: I.
—
Sextet: II.
Sextet: II.
—
Sextet: III.
Sextet: III.
—
Sextet: IV.
Sextet: IV.
—
Sextet: V.
Sextet: V.
—
The Four Sections: I. Strings (with Winds and Brass)
The Four Sections: I. Strings (with Winds and Brass)
—
The Four Sections: II. Percussion
The Four Sections: II. Percussion
—
The Four Sections: III. Winds and Brass (with Strings)
The Four Sections: III. Winds and Brass (with Strings)
—
The Four Sections: IV. Full Orchestra
The Four Sections: IV. Full Orchestra
—
Different Trains: I. America - Before the War
Different Trains: I. America - Before the War
Kronos Quartet
—
Different Trains: II. Europe - During the War
Different Trains: II. Europe - During the War
Kronos Quartet
—
Different Trains: III. After the War
Different Trains: III. After the War
—
Electric Counterpoint: I. Fast
Electric Counterpoint: I. Fast
Pat Metheny
—
Electric Counterpoint: II. Slow
Electric Counterpoint: II. Slow
Pat Metheny
—
Electric Counterpoint: III. Fast
Electric Counterpoint: III. Fast
—
Three Movements: Movement I
Three Movements: Movement I
—
Three Movements: Movement II
Three Movements: Movement II
—
Three Movements: Movement III
Three Movements: Movement III
—
The Cave, Act 1: I. Typing Music (Genesis XVI)
The Cave, Act 1: I. Typing Music (Genesis XVI)
—
The Cave, Act 1: II. Who is Abraham?
The Cave, Act 1: II. Who is Abraham?
—
The Cave, Act 1: VII. Who is Ishmael?
The Cave, Act 1: VII. Who is Ishmael?
—
The Cave, Act 1: VIII. Genesis XVIII
The Cave, Act 1: VIII. Genesis XVIII
—
The Cave, Act 1: X. Genesis XXI
The Cave, Act 1: X. Genesis XXI
—
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
—
The Cave, Act 1: XII. Machpelah Commentary
The Cave, Act 1: XII. Machpelah Commentary
—
The Cave, Act 1: XIII. Genesis XXV
The Cave, Act 1: XIII. Genesis XXV
—
The Cave, Act 1: XIV. Interior of the Cave
The Cave, Act 1: XIV. Interior of the Cave
—
The Cave, Act 2: I. Surah 3
The Cave, Act 2: I. Surah 3
—
The Cave, Act 2: V. El Khalil Commentary
The Cave, Act 2: V. El Khalil Commentary
—
The Cave, Act 3: I. Who is Abraham?
The Cave, Act 3: I. Who is Abraham?
—
The Cave, Act 3: II. Who is Sarah?
The Cave, Act 3: II. Who is Sarah?
—
The Cave, Act 3: III. Who is Hagar?
The Cave, Act 3: III. Who is Hagar?
—
The Cave, Act 3: IV. Who is Ishmael?
The Cave, Act 3: IV. Who is Ishmael?
—
The Cave, Act 3: V. The Binding of Isaac
The Cave, Act 3: V. The Binding of Isaac
—
The Cave, Act 3: VI. The Cave of Machpelah
The Cave, Act 3: VI. The Cave of Machpelah
—
Proverb
Proverb
Steve Reich
—
Nagoya Marimbas
Nagoya Marimbas
—
City Life: I. "Check It Out"
City Life: I. "Check It Out"
—
City Life: II. "Pile Driver / Alarms"
City Life: II. "Pile Driver / Alarms"
—
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"
—
City Life: IV. "Heartbeats / Boats & Buoys"
City Life: IV. "Heartbeats / Boats & Buoys"
—
City Life: V. "Heavy Smoke"
City Life: V. "Heavy Smoke"
—

Additional database matches (14)

Track TitleArtist(s)ISWC
Music for 18 Musicians: PulsesSteve Reich and Musicians—
Music for 18 Musicians: Section ISteve Reich and Musicians—
Music for 18 Musicians: Section IISteve Reich and Musicians—
Music for 18 Musicians: Section IIIASteve Reich and Musicians—
Music for 18 Musicians: Section IIIBSteve Reich and Musicians—
Music for 18 Musicians: Section IVSteve Reich and Musicians—
Music for 18 Musicians: Section VSteve Reich and Musicians—
Music for 18 Musicians: Section VISteve Reich and Musicians—
Music for 18 Musicians: Section VIISteve Reich and Musicians—
Music for 18 Musicians: Section VIIISteve Reich and Musicians—
Music for 18 Musicians: Section IXSteve Reich and Musicians—
Music for 18 Musicians: Section XSteve Reich and Musicians—
Music for 18 Musicians: Section XISteve Reich and Musicians—
Music for 18 Musicians: PulsesSteve Reich and Musicians—
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—
Music for 18 Musicians: Section I
Steve Reich and Musicians
—
Music for 18 Musicians: Section II
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIA
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIB
Steve Reich and Musicians
—
Music for 18 Musicians: Section IV
Steve Reich and Musicians
—
Music for 18 Musicians: Section V
Steve Reich and Musicians
—
Music for 18 Musicians: Section VI
Steve Reich and Musicians
—
Music for 18 Musicians: Section VII
Steve Reich and Musicians
—
Music for 18 Musicians: Section VIII
Steve Reich and Musicians
—
Music for 18 Musicians: Section IX
Steve Reich and Musicians
—
Music for 18 Musicians: Section X
Steve Reich and Musicians
—
Music for 18 Musicians: Section XI
Steve Reich and Musicians
—
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-700.057.248-7T-801.624.977-8T-072.283.280-5T-802.401.913-5

Songwriters/Publishers (IPI)

000176534860002563609800087724245

Creative Contributors (ISNI)

00000000397447450000000055138841000000010689527X0000000109374170000000010938091700000001144995330000000120335359000000012123698500000001216951960000000122479217
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UPCWorks: 1965-1995ISRCCome OutISRCDrumming: Part IISRCDrumming: Part …ISRCDrumming: Part …ISRCDrumming: Part …

People also ask

What is UPC 647216607571?+
UPC 647216607571 is the Universal Product Code (barcode) for "Works: 1965-1995" by Steve Reich, released on Skin Graft Records.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 647216607571?+
UPC 647216607571 contains 82 tracks, each with its own ISRC.

What is UPC 647216607571?

647216607571 is a Universal Product Code (UPC) assigned to Works: 1965-1995 by Steve Reich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Steve Reich

647216607571 is the Universal Product Code (UPC barcode) for the release “Works: 1965-1995” by Steve Reich, released 2005-01-01 on Skin Graft Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include USNO18716901, USNO18717001, USNO18717002.

Track List (82)

#Track TitleArtist(s)ISWC
Come Out1Come OutSteve Reich—
Piano Phase2Piano Phase—
It's Gonna Rain, Parts I & II3It's Gonna Rain, Parts I & II—
Four Organs4Four Organs—
Drumming: Part I2-1Drumming: Part ISteve Reich and MusiciansT-802.401.913-5
Drumming: Part II2-2Drumming: Part IISteve Reich and MusiciansT-072.283.280-5
Drumming: Part III2-3Drumming: Part IIISteve Reich and Musicians—
Drumming: Part IV2-4Drumming: Part IVSteve Reich and Musicians—
Music for Mallet Instruments, Voices and Organ3-1Music for Mallet Instruments, Voices and OrganSteve Reich—
Clapping Music3-2Clapping Music—
Six Marimbas3-3Six Marimbas—
Music for 18 Musicians: Pulses4-1Music for 18 Musicians: PulsesSteve Reich and Musicians—
Music for 18 Musicians: Section I4-2Music for 18 Musicians: Section ISteve Reich and Musicians—
Music for 18 Musicians: Section II4-3Music for 18 Musicians: Section IISteve Reich and Musicians—
Music for 18 Musicians: Section IIIA4-4Music for 18 Musicians: Section IIIASteve Reich and Musicians—
Music for 18 Musicians: Section IIIB4-5Music for 18 Musicians: Section IIIBSteve Reich and Musicians—
Music for 18 Musicians: Section IV4-6Music for 18 Musicians: Section IVSteve Reich and Musicians—
Music for 18 Musicians: Section V4-7Music for 18 Musicians: Section VSteve Reich and Musicians—
Music for 18 Musicians: Section VI4-8Music for 18 Musicians: Section VISteve Reich and Musicians—
Music for 18 Musicians: Section VII4-9Music for 18 Musicians: Section VIISteve Reich and Musicians—
Music for 18 Musicians: Section VIII4-10Music for 18 Musicians: Section VIIISteve Reich and Musicians—
Music for 18 Musicians: Section IX4-11Music for 18 Musicians: Section IXSteve Reich and Musicians—
Music for 18 Musicians: Section X4-12Music for 18 Musicians: Section XSteve Reich and Musicians—
Music for 18 Musicians: Section XI4-13Music for 18 Musicians: Section XISteve Reich and Musicians—
Music for 18 Musicians: Pulses4-14Music for 18 Musicians: PulsesSteve Reich and Musicians—
Eight Lines (Octet)5-1Eight Lines (Octet)—
Tehillim, Part I: Fast5-2Tehillim, Part I: FastBarbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw—
Tehillim, Part II: Fast5-3Tehillim, Part II: FastBarbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw—
Tehillim, Part III: Slow5-4Tehillim, Part III: SlowBarbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw—
Tehillim: IV. Fast5-5Tehillim: IV. Fast—
The Desert Music: I. Fast6-1The Desert Music: I. FastSteve Reich—
The Desert Music: II. Moderate6-2The Desert Music: II. ModerateSteve Reich—
The Desert Music: III. Part One: Slow6-3The Desert Music: III. Part One: SlowSteve Reich—
The Desert Music: III. Part Two: Moderate6-4The Desert Music: III. Part Two: ModerateSteve Reich—
The Desert Music: III. Part Three: Slow6-5The Desert Music: III. Part Three: SlowSteve Reich—
The Desert Music: IV. Moderate6-6The Desert Music: IV. ModerateSteve Reich—
The Desert Music: V. Fast6-7The Desert Music: V. FastSteve Reich—
New York Counterpoint: I. Fast7-1New York Counterpoint: I. Fast—
New York Counterpoint: II. Slow7-2New York Counterpoint: II. Slow—
New York Counterpoint: III. Fast7-3New York Counterpoint: III. Fast—
Sextet: I.7-4Sextet: I.—
Sextet: II.7-5Sextet: II.—
Sextet: III.7-6Sextet: III.—
Sextet: IV.7-7Sextet: IV.—
Sextet: V.7-8Sextet: V.—
The Four Sections: I. Strings (with Winds and Brass)7-9The Four Sections: I. Strings (with Winds and Brass)—
The Four Sections: II. Percussion7-10The Four Sections: II. Percussion—
The Four Sections: III. Winds and Brass (with Strings)7-11The Four Sections: III. Winds and Brass (with Strings)—
The Four Sections: IV. Full Orchestra7-12The Four Sections: IV. Full Orchestra—
Different Trains: I. America - Before the War8-1Different Trains: I. America - Before the WarKronos Quartet—
Different Trains: II. Europe - During the War8-2Different Trains: II. Europe - During the WarKronos Quartet—
Different Trains: III. After the War8-3Different Trains: III. After the War—
Electric Counterpoint: I. Fast8-4Electric Counterpoint: I. FastPat Metheny—
Electric Counterpoint: II. Slow8-5Electric Counterpoint: II. SlowPat Metheny—
Electric Counterpoint: III. Fast8-6Electric Counterpoint: III. Fast—
Three Movements: Movement I8-7Three Movements: Movement I—
Three Movements: Movement II8-8Three Movements: Movement II—
Three Movements: Movement III8-9Three Movements: Movement III—
The Cave, Act 1: I. Typing Music (Genesis XVI)9-1The Cave, Act 1: I. Typing Music (Genesis XVI)—
The Cave, Act 1: II. Who is Abraham?9-2The Cave, Act 1: II. Who is Abraham?—
The Cave, Act 1: VII. Who is Ishmael?9-3The Cave, Act 1: VII. Who is Ishmael?—
The Cave, Act 1: VIII. Genesis XVIII9-4The Cave, Act 1: VIII. Genesis XVIII—
The Cave, Act 1: X. Genesis XXI9-5The Cave, Act 1: X. Genesis XXI—
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar9-6The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar—
The Cave, Act 1: XII. Machpelah Commentary9-7The Cave, Act 1: XII. Machpelah Commentary—
The Cave, Act 1: XIII. Genesis XXV9-8The Cave, Act 1: XIII. Genesis XXV—
The Cave, Act 1: XIV. Interior of the Cave9-9The Cave, Act 1: XIV. Interior of the Cave—
The Cave, Act 2: I. Surah 39-10The Cave, Act 2: I. Surah 3—
The Cave, Act 2: V. El Khalil Commentary9-11The Cave, Act 2: V. El Khalil Commentary—
The Cave, Act 3: I. Who is Abraham?9-12The Cave, Act 3: I. Who is Abraham?—
The Cave, Act 3: II. Who is Sarah?9-13The Cave, Act 3: II. Who is Sarah?—
The Cave, Act 3: III. Who is Hagar?9-14The Cave, Act 3: III. Who is Hagar?—
The Cave, Act 3: IV. Who is Ishmael?9-15The Cave, Act 3: IV. Who is Ishmael?—
The Cave, Act 3: V. The Binding of Isaac9-16The Cave, Act 3: V. The Binding of Isaac—
The Cave, Act 3: VI. The Cave of Machpelah9-17The Cave, Act 3: VI. The Cave of Machpelah—
Proverb10-1ProverbSteve Reich—
Nagoya Marimbas10-2Nagoya Marimbas—
City Life: I. "Check It Out"10-3City Life: I. "Check It Out"—
City Life: II. "Pile Driver / Alarms"10-4City Life: II. "Pile Driver / Alarms"—
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"10-5City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"—
City Life: IV. "Heartbeats / Boats & Buoys"10-6City Life: IV. "Heartbeats / Boats & Buoys"—
City Life: V. "Heavy Smoke"10-7City Life: V. "Heavy Smoke"—
Come Out
Come Out
Steve Reich
—
Piano Phase
Piano Phase
—
It's Gonna Rain, Parts I & II
It's Gonna Rain, Parts I & II
—
Four Organs
Four Organs
—
Drumming: Part I
Drumming: Part I
Steve Reich and Musicians
T-802.401.913-5
Drumming: Part II
Drumming: Part II
Steve Reich and Musicians
T-072.283.280-5
Drumming: Part III
Drumming: Part III
Steve Reich and Musicians
—
Drumming: Part IV
Drumming: Part IV
Steve Reich and Musicians
—
Music for Mallet Instruments, Voices and Organ
Music for Mallet Instruments, Voices and Organ
Steve Reich
—
Clapping Music
Clapping Music
—
Six Marimbas
Six Marimbas
—
Music for 18 Musicians: Pulses
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—
Music for 18 Musicians: Section I
Music for 18 Musicians: Section I
Steve Reich and Musicians
—
Music for 18 Musicians: Section II
Music for 18 Musicians: Section II
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIA
Music for 18 Musicians: Section IIIA
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIB
Music for 18 Musicians: Section IIIB
Steve Reich and Musicians
—
Music for 18 Musicians: Section IV
Music for 18 Musicians: Section IV
Steve Reich and Musicians
—
Music for 18 Musicians: Section V
Music for 18 Musicians: Section V
Steve Reich and Musicians
—
Music for 18 Musicians: Section VI
Music for 18 Musicians: Section VI
Steve Reich and Musicians
—
Music for 18 Musicians: Section VII
Music for 18 Musicians: Section VII
Steve Reich and Musicians
—
Music for 18 Musicians: Section VIII
Music for 18 Musicians: Section VIII
Steve Reich and Musicians
—
Music for 18 Musicians: Section IX
Music for 18 Musicians: Section IX
Steve Reich and Musicians
—
Music for 18 Musicians: Section X
Music for 18 Musicians: Section X
Steve Reich and Musicians
—
Music for 18 Musicians: Section XI
Music for 18 Musicians: Section XI
Steve Reich and Musicians
—
Music for 18 Musicians: Pulses
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—
Eight Lines (Octet)
Eight Lines (Octet)
—
Tehillim, Part I: Fast
Tehillim, Part I: Fast
Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw
—
Tehillim, Part II: Fast
Tehillim, Part II: Fast
Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw
—
Tehillim, Part III: Slow
Tehillim, Part III: Slow
Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw
—
Tehillim: IV. Fast
Tehillim: IV. Fast
—
The Desert Music: I. Fast
The Desert Music: I. Fast
Steve Reich
—
The Desert Music: II. Moderate
The Desert Music: II. Moderate
Steve Reich
—
The Desert Music: III. Part One: Slow
The Desert Music: III. Part One: Slow
Steve Reich
—
The Desert Music: III. Part Two: Moderate
The Desert Music: III. Part Two: Moderate
Steve Reich
—
The Desert Music: III. Part Three: Slow
The Desert Music: III. Part Three: Slow
Steve Reich
—
The Desert Music: IV. Moderate
The Desert Music: IV. Moderate
Steve Reich
—
The Desert Music: V. Fast
The Desert Music: V. Fast
Steve Reich
—
New York Counterpoint: I. Fast
New York Counterpoint: I. Fast
—
New York Counterpoint: II. Slow
New York Counterpoint: II. Slow
—
New York Counterpoint: III. Fast
New York Counterpoint: III. Fast
—
Sextet: I.
Sextet: I.
—
Sextet: II.
Sextet: II.
—
Sextet: III.
Sextet: III.
—
Sextet: IV.
Sextet: IV.
—
Sextet: V.
Sextet: V.
—
The Four Sections: I. Strings (with Winds and Brass)
The Four Sections: I. Strings (with Winds and Brass)
—
The Four Sections: II. Percussion
The Four Sections: II. Percussion
—
The Four Sections: III. Winds and Brass (with Strings)
The Four Sections: III. Winds and Brass (with Strings)
—
The Four Sections: IV. Full Orchestra
The Four Sections: IV. Full Orchestra
—
Different Trains: I. America - Before the War
Different Trains: I. America - Before the War
Kronos Quartet
—
Different Trains: II. Europe - During the War
Different Trains: II. Europe - During the War
Kronos Quartet
—
Different Trains: III. After the War
Different Trains: III. After the War
—
Electric Counterpoint: I. Fast
Electric Counterpoint: I. Fast
Pat Metheny
—
Electric Counterpoint: II. Slow
Electric Counterpoint: II. Slow
Pat Metheny
—
Electric Counterpoint: III. Fast
Electric Counterpoint: III. Fast
—
Three Movements: Movement I
Three Movements: Movement I
—
Three Movements: Movement II
Three Movements: Movement II
—
Three Movements: Movement III
Three Movements: Movement III
—
The Cave, Act 1: I. Typing Music (Genesis XVI)
The Cave, Act 1: I. Typing Music (Genesis XVI)
—
The Cave, Act 1: II. Who is Abraham?
The Cave, Act 1: II. Who is Abraham?
—
The Cave, Act 1: VII. Who is Ishmael?
The Cave, Act 1: VII. Who is Ishmael?
—
The Cave, Act 1: VIII. Genesis XVIII
The Cave, Act 1: VIII. Genesis XVIII
—
The Cave, Act 1: X. Genesis XXI
The Cave, Act 1: X. Genesis XXI
—
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
—
The Cave, Act 1: XII. Machpelah Commentary
The Cave, Act 1: XII. Machpelah Commentary
—
The Cave, Act 1: XIII. Genesis XXV
The Cave, Act 1: XIII. Genesis XXV
—
The Cave, Act 1: XIV. Interior of the Cave
The Cave, Act 1: XIV. Interior of the Cave
—
The Cave, Act 2: I. Surah 3
The Cave, Act 2: I. Surah 3
—
The Cave, Act 2: V. El Khalil Commentary
The Cave, Act 2: V. El Khalil Commentary
—
The Cave, Act 3: I. Who is Abraham?
The Cave, Act 3: I. Who is Abraham?
—
The Cave, Act 3: II. Who is Sarah?
The Cave, Act 3: II. Who is Sarah?
—
The Cave, Act 3: III. Who is Hagar?
The Cave, Act 3: III. Who is Hagar?
—
The Cave, Act 3: IV. Who is Ishmael?
The Cave, Act 3: IV. Who is Ishmael?
—
The Cave, Act 3: V. The Binding of Isaac
The Cave, Act 3: V. The Binding of Isaac
—
The Cave, Act 3: VI. The Cave of Machpelah
The Cave, Act 3: VI. The Cave of Machpelah
—
Proverb
Proverb
Steve Reich
—
Nagoya Marimbas
Nagoya Marimbas
—
City Life: I. "Check It Out"
City Life: I. "Check It Out"
—
City Life: II. "Pile Driver / Alarms"
City Life: II. "Pile Driver / Alarms"
—
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"
City Life: III. "It Has Been a Honeymoon - Can't Take No Mo'"
—
City Life: IV. "Heartbeats / Boats & Buoys"
City Life: IV. "Heartbeats / Boats & Buoys"
—
City Life: V. "Heavy Smoke"
City Life: V. "Heavy Smoke"
—

Additional database matches (14)

Track TitleArtist(s)ISWC
Music for 18 Musicians: PulsesSteve Reich and Musicians—
Music for 18 Musicians: Section ISteve Reich and Musicians—
Music for 18 Musicians: Section IISteve Reich and Musicians—
Music for 18 Musicians: Section IIIASteve Reich and Musicians—
Music for 18 Musicians: Section IIIBSteve Reich and Musicians—
Music for 18 Musicians: Section IVSteve Reich and Musicians—
Music for 18 Musicians: Section VSteve Reich and Musicians—
Music for 18 Musicians: Section VISteve Reich and Musicians—
Music for 18 Musicians: Section VIISteve Reich and Musicians—
Music for 18 Musicians: Section VIIISteve Reich and Musicians—
Music for 18 Musicians: Section IXSteve Reich and Musicians—
Music for 18 Musicians: Section XSteve Reich and Musicians—
Music for 18 Musicians: Section XISteve Reich and Musicians—
Music for 18 Musicians: PulsesSteve Reich and Musicians—
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—
Music for 18 Musicians: Section I
Steve Reich and Musicians
—
Music for 18 Musicians: Section II
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIA
Steve Reich and Musicians
—
Music for 18 Musicians: Section IIIB
Steve Reich and Musicians
—
Music for 18 Musicians: Section IV
Steve Reich and Musicians
—
Music for 18 Musicians: Section V
Steve Reich and Musicians
—
Music for 18 Musicians: Section VI
Steve Reich and Musicians
—
Music for 18 Musicians: Section VII
Steve Reich and Musicians
—
Music for 18 Musicians: Section VIII
Steve Reich and Musicians
—
Music for 18 Musicians: Section IX
Steve Reich and Musicians
—
Music for 18 Musicians: Section X
Steve Reich and Musicians
—
Music for 18 Musicians: Section XI
Steve Reich and Musicians
—
Music for 18 Musicians: Pulses
Steve Reich and Musicians
—