UPC · Album
Dirty 3rd: Home Sweet Home V2
Wreckshop Records
Last verified:
651634202027 is the Universal Product Code (UPC barcode) for the release “Dirty 3rd: Home Sweet Home V2” by Wreckshop Records, released 2002-01-01 on Wreckshop Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include USQY50926425, USQY50926426, USQY50926427.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (32)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Wreckshop | Wreckshop Records, Z-Ro, D-Reck, Nut, Noke D | USQY50926425 |
| That’s What I Like | Wreckshop Records, Tyte Eyez, Isis Re, D-Reck, Noke D | USQY50926426 |
| Ridin Fly | Wreckshop Records, D-Gotti, Ronnie Spencer | USQY50926427 |
| Have Hope | Wreckshop Records, Tyte Eyez, Ronnie Spencer, Noke D | USQY50926428 |
| Skit | Wreckshop Records | USQY50926429 |
| Flossin | Wreckshop Records, Kiotti, Tyte Eyez, D-Reck, Noke D | USQY50926430 |
| Mouthpiece | Wreckshop Records, Mouthpiece | USQY50926431 |
| Skit | Wreckshop Records | USQY50926432 |
| To Live and Die | Wreckshop Records, Kiotti, Roe, Tyte Eyez, Isis Re' | USQY50926433 |
| On da Floor | Wreckshop Records, D-Gotti, Dirty $, Noke D | USQY50926434 |
| Tryin to Survive | Wreckshop Records, Z-Ro, Ronnie Spencer, Isis Re | USQY50926435 |
| Ride Wit Me | Wreckshop Records, D-Reck, Mafia Mike, Lil’ Shay | USQY50926436 |
| Rowdy | Wreckshop Records, Mr. 3-2, Big Pokey, D-Reck, Noke D, Lil’ Toni | USQY50926437 |
| Let Me Tell You Something | Wreckshop Records, Ronnie Spencer, Isis Re | USQY50926438 |
| Skit | Wreckshop Records | USQY50926439 |
| What You Talking About | Wreckshop Records, Tyte Eyez, Dirty $, D-Reck, Lil’ Toni | USQY50926440 |
| Early Morning | Wreckshop Records, Ronnie Spencer | USQY50926441 |
| Texas Rangers | Wreckshop Records, Big Pokey, Tyte Eyez, Ronnie Spencer, D-Gotti | USQY50926442 |
| Star 2 Nite | Wreckshop Records, Big Moe, A-3, Tyte Eyez, Ronnie Spencer | USQY50926443 |
| Ghetto Stars | Wreckshop Records, D-Gotti, Dirty $, Noke D | USQY50926444 |
| Rain, Sleet or Snow | Wreckshop Records, Tyte Eyez, Noke D, D-Reck, D-Lo | USQY50926445 |
| Work It | Wreckshop Records, Z-Ro, Cl’Che’, D-Reck, Noke D | USQY50926446 |
| Got Sumthin’ 4 Yo Mouth | Wreckshop Records, D-Gotti, Noke D | USQY50926447 |
| Get Em Up | Wreckshop Records, A-3, D-Reck | USQY50926448 |
| Skit | Wreckshop Records | USQY50926449 |
| I Go Through So Much | Wreckshop Records, Z-Ro | USQY50926450 |
| Hataz Hate | Wreckshop Records, Kiotti, Tyte Eyez, Noke D | USQY50926451 |
| Fuck All Yall | Wreckshop Records, Z-Ro, D-Reck | USQY50926452 |
| Skit | Wreckshop Records | USQY50926453 |
| Gangsta Shit | Wreckshop Records, D-Gotti, Dirty $, Lil Shay | USQY50926454 |
| Want Yo Luvin’ | Wreckshop Records, Ronnie Spencer, Isis Re | USQY50926455 |
| Strive 4 Pride | Wreckshop Records, Ace, 5 Deuce, Lil Mike | USQY50926456 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 651634202027?
651634202027 is a Universal Product Code (UPC) assigned to Dirty 3rd: Home Sweet Home V2 by Wreckshop Records. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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