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  1. Home
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  3. Vol. 4: Vodou Dance
Vol. 4: Vodou Dance

UPC · Release

Vol. 4: Vodou Dance

Los Hombres Calientes

652905020425
27 tracksReleased 2003-01-01Basin Street Records

Last verified: September 13, 2026

Listen on Apple Music

652905020425 is the Universal Product Code (UPC barcode) for the release “Vol. 4: Vodou Dance” by Los Hombres Calientes, released 2003-01-01 on Basin Street Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include USBAS0300105, USBAS0300116, USBAS0300118.

Format

6Number system
52905Manufacturer
02042Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCVol. 4: Vodou Dance
ISRC4 recordings
ISWC2 works
IPI3 songwriters

Track List (27)

#Track TitleArtist(s)ISWC
Vodou Hoodoo Babalu1Vodou Hoodoo Babalu—
Obini Baila Oshun (interlude: Matanzas, Cuba)2Obini Baila Oshun (interlude: Matanzas, Cuba)—
Latin Tinge3Latin Tinge—
Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)4Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)—
BRAZILIAN SUGAR5BRAZILIAN SUGART-070.015.750-1
Wepa6Wepa—
Haitian Bamboo (interlude: Port Au Prince, Haiti)7Haitian Bamboo (interlude: Port Au Prince, Haiti)—
Creole Groove8Creole Groove—
Timba Clave Con Bata9Timba Clave Con Bata—
Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)10Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)—
Trinidad Nocturne11Trinidad Nocturne—
Pa Sango12Pa Sango—
Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)13Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)—
Wild Tchoupitoulas14Wild Tchoupitoulas—
Haitian Cornets (Port Au Prince, Haiti)15Haitian Cornets (Port Au Prince, Haiti)—
VODOU LOVE CALL16VODOU LOVE CALL—
Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)17Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)—
YO SOY EL MALO TE18YO SOY EL MALO TE—
Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)19Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)—
Mulher Bahiana (Bahia, Brazil)20Mulher Bahiana (Bahia, Brazil)—
Ghetto Get Up (Kingston, Jamaica)21Ghetto Get Up (Kingston, Jamaica)—
Oshun Bewele Mio (interlude: Port of Spain, Trinidad)22Oshun Bewele Mio (interlude: Port of Spain, Trinidad)—
I'LL FLY AWAY23I'LL FLY AWAY—
Jocimo24Jocimo—
Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)25Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)—
I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)26I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)—
Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)27Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)—
Vodou Hoodoo Babalu
Vodou Hoodoo Babalu
—
Obini Baila Oshun (interlude: Matanzas, Cuba)
Obini Baila Oshun (interlude: Matanzas, Cuba)
—
Latin Tinge
Latin Tinge
—
Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)
Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)
—
BRAZILIAN SUGAR
BRAZILIAN SUGAR
T-070.015.750-1
Wepa
Wepa
—
Haitian Bamboo (interlude: Port Au Prince, Haiti)
Haitian Bamboo (interlude: Port Au Prince, Haiti)
—
Creole Groove
Creole Groove
—
Timba Clave Con Bata
Timba Clave Con Bata
—
Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)
Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)
—
Trinidad Nocturne
Trinidad Nocturne
—
Pa Sango
Pa Sango
—
Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)
Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)
—
Wild Tchoupitoulas
Wild Tchoupitoulas
—
Haitian Cornets (Port Au Prince, Haiti)
Haitian Cornets (Port Au Prince, Haiti)
—
VODOU LOVE CALL
VODOU LOVE CALL
—
Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)
Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)
—
YO SOY EL MALO TE
YO SOY EL MALO TE
—
Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)
Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)
—
Mulher Bahiana (Bahia, Brazil)
Mulher Bahiana (Bahia, Brazil)
—
Ghetto Get Up (Kingston, Jamaica)
Ghetto Get Up (Kingston, Jamaica)
—
Oshun Bewele Mio (interlude: Port of Spain, Trinidad)
Oshun Bewele Mio (interlude: Port of Spain, Trinidad)
—
I'LL FLY AWAY
I'LL FLY AWAY
—
Jocimo
Jocimo
—
Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)
Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)
—
I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)
I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)
—
Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)
Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)
—

Additional database matches (23)

Track TitleArtist(s)ISWC
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
YE YE O, YE YE A (INTERLUDE)—
Unknown—
Unknown—
OLD TIME INDIANST-916.643.455-5
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
GHETTO GET UP—
Unknown—
Unknown—
ONILE (INTERLUDE)—
Unknown—
Unknown—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
YE YE O, YE YE A (INTERLUDE)
—
Unknown
—
Unknown
—
OLD TIME INDIANS
T-916.643.455-5
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
GHETTO GET UP
—
Unknown
—
Unknown
—
ONILE (INTERLUDE)
—
Unknown
—
Unknown
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-070.015.750-1T-916.643.455-5

Songwriters/Publishers (IPI)

000222644210006313579600125709970

Creative Contributors (ISNI)

000000006309544X00000000665657770000000073308090000000010367290000000003683719190000000472026349
SourcesMusicBrainzDiscogsApple MusicMusicBrainz✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCVol. 4: Vodou D…ISRCBRAZILIAN SUGARISRCVODOU LOVE CALLISRCYO SOY EL MALO …ISRCI'LL FLY AWAY

People also ask

What is UPC 652905020425?+
UPC 652905020425 is the Universal Product Code (barcode) for "Vol. 4: Vodou Dance" by Los Hombres Calientes, released on Basin Street Records.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 652905020425?+
UPC 652905020425 contains 27 tracks, each with its own ISRC.

What is UPC 652905020425?

652905020425 is a Universal Product Code (UPC) assigned to Vol. 4: Vodou Dance by Los Hombres Calientes. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Los Hombres Calientes

652905020425 is the Universal Product Code (UPC barcode) for the release “Vol. 4: Vodou Dance” by Los Hombres Calientes, released 2003-01-01 on Basin Street Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include USBAS0300105, USBAS0300116, USBAS0300118.

Track List (27)

#Track TitleArtist(s)ISWC
Vodou Hoodoo Babalu1Vodou Hoodoo Babalu—
Obini Baila Oshun (interlude: Matanzas, Cuba)2Obini Baila Oshun (interlude: Matanzas, Cuba)—
Latin Tinge3Latin Tinge—
Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)4Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)—
BRAZILIAN SUGAR5BRAZILIAN SUGART-070.015.750-1
Wepa6Wepa—
Haitian Bamboo (interlude: Port Au Prince, Haiti)7Haitian Bamboo (interlude: Port Au Prince, Haiti)—
Creole Groove8Creole Groove—
Timba Clave Con Bata9Timba Clave Con Bata—
Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)10Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)—
Trinidad Nocturne11Trinidad Nocturne—
Pa Sango12Pa Sango—
Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)13Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)—
Wild Tchoupitoulas14Wild Tchoupitoulas—
Haitian Cornets (Port Au Prince, Haiti)15Haitian Cornets (Port Au Prince, Haiti)—
VODOU LOVE CALL16VODOU LOVE CALL—
Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)17Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)—
YO SOY EL MALO TE18YO SOY EL MALO TE—
Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)19Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)—
Mulher Bahiana (Bahia, Brazil)20Mulher Bahiana (Bahia, Brazil)—
Ghetto Get Up (Kingston, Jamaica)21Ghetto Get Up (Kingston, Jamaica)—
Oshun Bewele Mio (interlude: Port of Spain, Trinidad)22Oshun Bewele Mio (interlude: Port of Spain, Trinidad)—
I'LL FLY AWAY23I'LL FLY AWAY—
Jocimo24Jocimo—
Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)25Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)—
I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)26I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)—
Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)27Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)—
Vodou Hoodoo Babalu
Vodou Hoodoo Babalu
—
Obini Baila Oshun (interlude: Matanzas, Cuba)
Obini Baila Oshun (interlude: Matanzas, Cuba)
—
Latin Tinge
Latin Tinge
—
Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)
Aguere Oshossi, Pt 1 (interlude: Rio de Janeiro)
—
BRAZILIAN SUGAR
BRAZILIAN SUGAR
T-070.015.750-1
Wepa
Wepa
—
Haitian Bamboo (interlude: Port Au Prince, Haiti)
Haitian Bamboo (interlude: Port Au Prince, Haiti)
—
Creole Groove
Creole Groove
—
Timba Clave Con Bata
Timba Clave Con Bata
—
Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)
Ye Ye O, Ye Ye A (interlude: Rainforest, Port of Spain, Trinidad)
—
Trinidad Nocturne
Trinidad Nocturne
—
Pa Sango
Pa Sango
—
Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)
Old Time Indians (Meeting of Big Chiefs, Mardi Gras Morning, New Orleans)
—
Wild Tchoupitoulas
Wild Tchoupitoulas
—
Haitian Cornets (Port Au Prince, Haiti)
Haitian Cornets (Port Au Prince, Haiti)
—
VODOU LOVE CALL
VODOU LOVE CALL
—
Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)
Negro, Pancho Quinto Y Bill (interlude: Pancho's House, Havana, Cuba)
—
YO SOY EL MALO TE
YO SOY EL MALO TE
—
Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)
Aguere Oshossi, Pt. 2 (interlude: Rio de Janeiro, Brazil)
—
Mulher Bahiana (Bahia, Brazil)
Mulher Bahiana (Bahia, Brazil)
—
Ghetto Get Up (Kingston, Jamaica)
Ghetto Get Up (Kingston, Jamaica)
—
Oshun Bewele Mio (interlude: Port of Spain, Trinidad)
Oshun Bewele Mio (interlude: Port of Spain, Trinidad)
—
I'LL FLY AWAY
I'LL FLY AWAY
—
Jocimo
Jocimo
—
Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)
Onile (interlude: Santa Cruz, Pancho Quinto's House, Havana, Cuba)
—
I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)
I Wouldn't Have Religion (interlude: Greater Providence Baptist Church, New Orleans)
—
Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)
Yayiti Kongo, Petwo Et Nago (Port Au Prince, Haiti)
—

Additional database matches (23)

Track TitleArtist(s)ISWC
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
YE YE O, YE YE A (INTERLUDE)—
Unknown—
Unknown—
OLD TIME INDIANST-916.643.455-5
Unknown—
Unknown—
Unknown—
Unknown—
Unknown—
GHETTO GET UP—
Unknown—
Unknown—
ONILE (INTERLUDE)—
Unknown—
Unknown—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
YE YE O, YE YE A (INTERLUDE)
—
Unknown
—
Unknown
—
OLD TIME INDIANS
T-916.643.455-5
Unknown
—
Unknown
—
Unknown
—
Unknown
—
Unknown
—
GHETTO GET UP
—
Unknown
—
Unknown
—
ONILE (INTERLUDE)
—
Unknown
—
Unknown
—