UPC · Release
The Pop Years: 1990–1991
Various Artists
Last verified:
654378602122 is the Universal Product Code (UPC barcode) for the release “The Pop Years: 1990–1991” by Various Artists, released 2009-01-01 on Crimson. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBAHK0200215, USSM19000468, GBARL9000001.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Where Are You Baby? | — | ||
| 2 | Step Back in Time | Kylie Minogue | T-010.783.020-5 | |
| 3 | Tonight | New Kids on the Block | T-070.187.642-7 | |
| 4 | Mona | — | ||
| 5 | I’ve Been Thinking About You | Londonbeat | T-011.391.516-4 | |
| 6 | Gonna Make You Sweat (Everybody Dance Now) | C+C Music Factory, Freedom Williams | T-070.895.048-4 | |
| 7 | Happenin’ All Over Again | — | ||
| 8 | I Still Haven’t Found What I’m Looking For | — | ||
| 9 | Love Thing | — | ||
| 10 | Hitchin’ a Ride | — | ||
| 11 | Madly in Love | — | ||
| 12 | Rhythm of the Rain | — | ||
| 13 | I’m Not in Love | Will to Power | T-010.175.450-0 | |
| 14 | How Am I Supposed to Live Without You | Michael Bolton | T-070.240.400-9 | |
| 15 | More Than You Know | — | ||
| 16 | Silly Games | — | ||
| 17 | All Together Now | — | ||
| 18 | Make Me Smile (Come Up and See Me) | — | ||
| 19 | 96 Tears | The Stranglers | T-070.251.751-8 | |
| 20 | Touched by the Hand of Cicciolina | — | ||
| 2-1 | What Do I Have to Do (7″ mix) | Kylie Minogue | T-905.385.445-8 | |
| 2-2 | Cry for Help | Rick Astley | T-011.396.210-9 | |
| 2-3 | Love… Thy Will Be Done | Martika | T-070.103.164-2 | |
| 2-4 | Promise Me | Beverley Craven | T-011.429.808-6 | |
| 2-5 | When a Man Loves a Woman | Michael Bolton | T-011.238.602-3 | |
| 2-6 | Don’t Dream It’s Over | Paul Young | T-060.008.088-3 | |
| 2-7 | How Can I Love You More | M People | T-011.424.688-6 | |
| 2-8 | I’m Too Sexy | Right Said Fred | T-011.417.038-5 | |
| 2-9 | Everybody’s Free (to Feel Good) | Rozalla | T-010.143.286-3 | |
| 2-10 | Things That Make You Go Hmmmm… | — | ||
| 2-11 | Let the Beat Hit ’em | — | ||
| 2-12 | 7 Ways to Love | Cola Boy | T-010.271.838-6 | |
| 2-13 | Only Fools (Never Fall in Love) | — | ||
| 2-14 | Happy Together | Jason Donovan | T-070.234.423-7 | |
| 2-15 | If You Go Away | New Kids on the Block | T-070.241.109-3 | |
| 2-16 | Are You Mine? | — | ||
| 2-17 | Guaranteed | Level 42 | T-900.902.652-2 | |
| 2-18 | Love Rears Its Ugly Head | — | ||
| 2-19 | Hey Stoopid | Alice Cooper | T-913.601.390-6 | |
| 2-20 | Cherry Pie | Warrant | T-070.881.068-7 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I’ve Been Thinking About You (7″ version) | Londonbeat | T-011.391.516-4 |
| I've Been Thinking About You | Londonbeat | T-011.391.516-4 |
| What Do I Have to Do? | Kylie Minogue | T-905.385.445-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+48 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 654378602122?
654378602122 is a Universal Product Code (UPC) assigned to The Pop Years: 1990–1991 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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