UPC · Album

3/60: The Eighties

Various Artists

654378609725
60 tracksReleased 2011-01-01Crimson Productions (2)

Last verified:

654378609725 is the Universal Product Code (UPC barcode) for the release 3/60: The Eighties by Various Artists, released 2011-01-01 on Crimson Productions (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include GBAAP0000546, GBAAP0000766, GBAAP0001068.

Format

6Number system
54378Manufacturer
60972Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPC3/60: The Eighties
ISRC121 recordings
ISWC85 works
IPI10 songwriters

Track List (121)

Why?
Bronski Beat
Don’t Call Me Baby
Voice of the Beehive
Young at Heart
The Bluebells
Never Can Say Goodbye
The Communards
Big Area
Then Jerico
Blue Monday
New Order
Living on the Ceiling
Blancmange
Hit That Perfect Beat
Bronski Beat
Never Can Say Goodbye
The Communards
Don’t Tell Me
Blancmange
Just What I Always Wanted
Mari Wilson
You’re History
Shakespears Sister
Venus
Bananarama
Living on the Ceiling
Blancmange
Cruel Summer
Bananarama
Venus
Bananarama
Venus
Bananarama
Don’t Tell Me
Blancmange
Don’t Go
Hothouse Flowers
You’re History
Shakespears Sister
Young at Heart
The Bluebells
Big Area
Then Jerico
Don’t Call Me Baby
Voice of the Beehive
Blue Monday
New Order
Why?
Bronski Beat
Johnny Come Home
Fine Young Cannibals
Suspicious Minds
Fine Young Cannibals
Johnny Come Home
Fine Young Cannibals
Suspicious Minds
Fine Young Cannibals
Too Nice to Talk To
The Beat
Young at Heart
The Bluebells
Don’t Leave Me This Way
The Communards
La bamba
Los Lobos
Never Can Say Goodbye
The Communards
Don’t Go
Hothouse Flowers
Venus
Bananarama
Why?
Bronski Beat
Cruel Summer
Bananarama
Blue Monday
New Order
Wrote for Luck
Happy Mondays
Don’t Go
Hothouse Flowers
Venus
Bananarama
For America
Red Box
Like to Get to Know You Well
Howard Jones
Half a Minute
Matt Bianco
On the Beach (Summer ’88)
Chris Rea
This Corrosion
The Sisters of Mercy
This Corrosion
The Sisters of Mercy
Like to Get to Know You Well
Howard Jones
This Corrosion
The Sisters of Mercy
On the Beach (Summer ’88)
Chris Rea
Let’s Dance
Chris Rea
Let’s Dance
Chris Rea
Good Tradition
Tanita Tikaram
Each Time You Break My Heart
Nick Kamen
The Killing Moon
Echo & the Bunnymen
Some Candy Talking
The Jesus and Mary Chain
For America
Red Box
Don’t Get Me Wrong
Pretenders
Some Candy Talking
The Jesus and Mary Chain
Don’t Get Me Wrong
Pretenders
Some Candy Talking
The Jesus and Mary Chain
Somewhere in My Heart
Aztec Camera
Each Time You Break My Heart
Nick Kamen
Some Candy Talking
The Jesus and Mary Chain
Don’t Get Me Wrong
Pretenders
Somewhere in My Heart
Aztec Camera
Each Time You Break My Heart
Nick Kamen
Blue Monday
New Order
The Killing Moon
Echo & the Bunnymen
Don’t Get Me Wrong
Pretenders
The Killing Moon
Echo & the Bunnymen
Jump
Aztec Camera
Don’t Get Me Wrong
Pretenders
Somewhere in My Heart
Aztec Camera
Johnny Come Home
Fine Young Cannibals
Johnny Come Home
Fine Young Cannibals
Suspicious Minds
Fine Young Cannibals
Johnny Come Home
Fine Young Cannibals
Don't Leave Me This Way
The Communards, Sarah Jane Morris
Don’t Leave Me This Way
Communards, Sarah Jane Morris
La bamba
Los Lobos
Venus
Bananarama
Don't Leave Me This Way
The Communards, Sarah Jane Morris
Blue Monday
New Order
The Killing Moon
Echo & the Bunnymen
Blue Monday
New Order
Frankie
Sister Sledge
Frankie
Sister Sledge
Frankie
Sister Sledge
Owner of a Lonely Heart
Yes
Frankie
Sister Sledge
Shake Your Love
Debbie Gibson
Shake Your Love
Debbie Gibson
La bamba
Los Lobos
Like to Get to Know You Well
Howard Jones
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Owner of a Lonely Heart
Yes
Let’s Dance
Chris Rea
Owner of a Lonely Heart
Yes
Blue Monday
New Order
La bamba
Los Lobos
Gimme All Your Lovin’
ZZ Top
California Girls
David Lee Roth
Gimme All Your Lovin’
ZZ Top
Remembrance Day
B-Movie
Gimme All Your Lovin’
ZZ Top
La bamba
Los Lobos
Gimme All Your Lovin’
ZZ Top
La bamba
Los Lobos
California Girls
David Lee Roth
Gimme All Your Lovin’
ZZ Top
Gimme All Your Lovin’
ZZ Top
Gimme All Your Lovin’
ZZ Top
Don’t Get Me Wrong
Pretenders
La bamba
Los Lobos
Gimme All Your Lovin’
ZZ Top
California Girls
David Lee Roth

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

People also ask

What is UPC 654378609725?
UPC 654378609725 is the Universal Product Code (barcode) for "3/60: The Eighties" by Various Artists, released on Crimson Productions (2).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 654378609725?
UPC 654378609725 contains 60 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 654378609725?

654378609725 is a Universal Product Code (UPC) assigned to 3/60: The Eighties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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