UPC · Release
Various Artists
Last verified:
654378609725 is the Universal Product Code (UPC barcode) for the release “3/60: The Eighties” by Various Artists, released 2011-01-01 on Crimson Productions (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include GBAAP0400232, GBAAP0000546, GBAHS0200070.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Living Daylights | — | ||
| 2 | Venus | Bananarama | T-030.275.121-8 | |
| 3 | Why? | Bronski Beat | T-011.404.252-2 | |
| 4 | Like to Get to Know You Well | Howard Jones | T-010.139.010-6 | |
| 5 | Don’t Get Me Wrong | Pretenders | T-010.045.063-2 | |
| 6 | For America | Red Box | T-010.311.998-7 | |
| 7 | Owner of a Lonely Heart | Yes | T-072.336.039-1 | |
| 8 | Big Area | Then Jerico | T-011.350.479-2 | |
| 9 | Jump | Aztec Camera | T-070.090.357-6 | |
| 10 | On the Beach (Summer ’88) | Chris Rea | T-010.309.525-5 | |
| 11 | Johnny Come Home | Fine Young Cannibals | T-011.316.823-2 | |
| 12 | Blue Monday | New Order | T-010.480.981-5 | |
| 13 | Imperial | — | ||
| 14 | The Killing Moon | Echo & the Bunnymen | T-010.304.679-2 | |
| 15 | Some Candy Talking | The Jesus and Mary Chain | T-010.484.526-2 | |
| 16 | Living on the Ceiling | Blancmange | T-011.284.145-8 | |
| 17 | Kokomo | — | ||
| 18 | A New Flame | — | ||
| 19 | Good Tradition | Tanita Tikaram | T-011.363.382-1 | |
| 20 | Just What I Always Wanted | Mari Wilson | — | |
| 2-1 | Smalltown Boy | — | ||
| 2-2 | Mirror Mirror | — | ||
| 2-3 | La bamba | Los Lobos | T-071.000.650-0 | |
| 2-4 | Each Time You Break My Heart | Nick Kamen | T-070.051.539-4 | |
| 2-5 | You’re History | Shakespears Sister | T-070.213.194-9 | |
| 2-6 | The Right Thing | — | ||
| 2-7 | Cruel Summer | Bananarama | T-011.288.089-3 | |
| 2-8 | Let’s Dance | Chris Rea | — | |
| 2-9 | California Girls | David Lee Roth | T-070.233.209-9 | |
| 2-10 | Hide and Seek | — | ||
| 2-11 | London Nights | — | ||
| 2-12 | Since Yesterday | — | ||
| 2-13 | Young at Heart | The Bluebells | T-010.489.161-3 | |
| 2-14 | True Faith | — | ||
| 2-15 | Never Can Say Goodbye | The Communards | T-070.153.814-8 | |
| 2-16 | Frankie | Sister Sledge | T-902.468.432-0 | |
| 2-17 | Lean on Me (Ah-Li-Ayo) | — | ||
| 2-18 | Half a Minute | Matt Bianco | T-011.299.654-9 | |
| 2-19 | C'Mon and Get My Love | — | ||
| 2-20 | Don’t Tell Me | Blancmange | T-011.296.210-3 | |
| 3-1 | What's the Colour of Money? | — | ||
| 3-2 | Don’t Leave Me This Way | The Communards | T-070.233.736-7 | |
| 3-3 | Bass (How Low Can You Go) | — | ||
| 3-4 | Talk of the Town | — | ||
| 3-5 | Best Years of Our Lives | — | ||
| 3-6 | Somewhere in My Heart | Aztec Camera | T-011.327.836-6 | |
| 3-7 | Shake Your Love | Debbie Gibson | T-070.147.219-6 | |
| 3-8 | Hand Held in Black and White | — | ||
| 3-9 | Suspicious Minds | Fine Young Cannibals | T-070.244.099-0 | |
| 3-10 | Wrote for Luck | Happy Mondays | T-010.148.932-0 | |
| 3-11 | Don’t Go | Hothouse Flowers | T-030.029.155-7 | |
| 3-12 | The Motive (Living without You) | — | ||
| 3-13 | Gimme All Your Lovin’ | ZZ Top | T-039.258.302-6 | |
| 3-14 | Too Nice to Talk To | The Beat | T-070.271.956-9 | |
| 3-15 | Remembrance Day | B-Movie | T-901.207.166-8 | |
| 3-16 | Hit That Perfect Beat | Bronski Beat | T-011.413.555-5 | |
| 3-17 | Pink Sunshine | — | ||
| 3-18 | I Beg Your Pardon | — | ||
| 3-19 | This Corrosion | The Sisters of Mercy | T-011.344.864-8 | |
| 3-20 | Don’t Call Me Baby | Voice of the Beehive | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Call Me Baby | Voice of the Beehive | — |
| Let’s Dance | Chris Rea | — |
| Don't Leave Me This Way | The Communards, Sarah Jane Morris | T-070.233.736-7 |
| Like to Get to Know You Well | Howard Jones | — |
| Let’s Dance | Chris Rea | — |
| Don't Leave Me This Way | The Communards, Sarah Jane Morris | T-070.233.736-7 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
654378609725 is a Universal Product Code (UPC) assigned to 3/60: The Eighties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
654378609725 is the Universal Product Code (UPC barcode) for the release “3/60: The Eighties” by Various Artists, released 2011-01-01 on Crimson Productions (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include GBAAP0400232, GBAAP0000546, GBAHS0200070.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Call Me Baby | Voice of the Beehive | — |
| Let’s Dance | Chris Rea | — |
| Don't Leave Me This Way | The Communards, Sarah Jane Morris | T-070.233.736-7 |
| Like to Get to Know You Well | Howard Jones | — |
| Let’s Dance | Chris Rea | — |
| Don't Leave Me This Way | The Communards, Sarah Jane Morris | T-070.233.736-7 |
