UPC · Release
Various Artists
Last verified:
The UPC for “The Jazz Years: The History of Jazz” by Various Artists is 654378610721. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Crimson. This release contains 200 tracks, each with its own ISRC. Tracks include DEU240800647, DEU240800898, DEU240800868.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Perdido Street Blues | New Orleans Wanderers | T-070.165.538-0 | |
| 2 | Grandpa’s Spells | — | ||
| 3 | Doctor Jazz | — | ||
| 4 | The Savoyager’s Stomp | Carroll Dickerson’s Savoyagers | — | |
| 5 | Stringing the Blues | — | ||
| 6 | Henderson Stomp | — | ||
| 7 | Stomp Time Blues | — | ||
| 8 | Clarinet Marmalade | — | ||
| 9 | Singin’ the Blues | — | ||
| 10 | Snake Rag | — | ||
| 11 | Wild Cat Blues | — | ||
| 12 | New Orleans Wiggle | — | ||
| 13 | Golden Leaf Strut (Milenburg Joys) | — | ||
| 14 | Stomp Off, Let’s Go | — | ||
| 15 | The One I Love Belongs to Somebody Else | — | ||
| 16 | Tiger Rag | — | ||
| 17 | Ostrich Walk | — | ||
| 18 | Keep Off the Grass | — | ||
| 19 | High Society Rag | — | ||
| 20 | Shanghai Shuffle | — | ||
| 2-1 | Alligator Crawl | — | ||
| 2-2 | Wild Man Blues | Louis Armstrong and His Hot Seven | T-070.200.175-9 | |
| 2-3 | Potato Head Blues | Louis Armstrong and His Hot Seven | T-070.273.309-2 | |
| 2-4 | Creole Love Call | — | ||
| 2-5 | Black and Tan Fantasy | — | ||
| 2-6 | Nobody’s Sweetheart | — | ||
| 2-7 | Riverboat Shuffle | — | ||
| 2-8 | Lonely Melody | — | ||
| 2-9 | Sugar | — | ||
| 2-10 | Oh Sister Ain’t That Hot? | — | ||
| 2-11 | You Took Advantage of Me | — | ||
| 2-12 | Friar’s Point Shuffle | — | ||
| 2-13 | Kansas City Stomps | — | ||
| 2-14 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 2-15 | The Mooche | — | ||
| 2-16 | Mahogany Hall Stomp | Louis Armstrong and His Savoy Ballroom Five | T-901.129.193-3 | |
| 2-17 | Blue Devil Blues | — | ||
| 2-18 | St. Louis Blues | — | ||
| 2-19 | Panama | — | ||
| 2-20 | Sugar Foot Stomp | — | ||
| 3-1 | Chant of the Weed | — | ||
| 3-2 | Lazy River | — | ||
| 3-3 | Stardust | — | ||
| 3-4 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | — | ||
| 3-5 | Moten Swing | — | ||
| 3-6 | A Hundred Years From Today | — | ||
| 3-7 | Sophisticated Lady | — | ||
| 3-8 | Down South Camp Meeting | — | ||
| 3-9 | Rock and Rye | — | ||
| 3-10 | Blue Skies | — | ||
| 3-11 | King Porter Stomp | — | ||
| 3-12 | Bubbling Over | — | ||
| 3-13 | Limehouse Blues | — | ||
| 3-14 | Christopher Columbus | — | ||
| 3-15 | Sing Me a Swing Song (and Let Me dance) | — | ||
| 3-16 | Organ Grinder’s Swing | — | ||
| 3-17 | Blues in C-sharp minor | — | ||
| 3-18 | Who | — | ||
| 3-19 | Shoe Shine Boy | — | ||
| 3-20 | Stompin’ at the Savoy | — | ||
| 4-1 | Exactly Like You | — | ||
| 4-2 | Improvisation | — | ||
| 4-3 | Song of India | — | ||
| 4-4 | Lazy Afternoon | — | ||
| 4-5 | Caravan | — | ||
| 4-6 | One O’Clock Jump | — | ||
| 4-7 | Harlem Congo | — | ||
| 4-8 | I Can’t Get Started With You | — | ||
| 4-9 | J’Attendrai (Tournerai) | — | ||
| 4-10 | Little Joe From Chicago | — | ||
| 4-11 | Sent for You Yesterday | — | ||
| 4-12 | Don’t Be That Way | — | ||
| 4-13 | Swing From Paris | — | ||
| 4-14 | I Let a Song Go Out of My Heart | — | ||
| 4-15 | A‐Tisket, A‐Tasket | — | ||
| 4-16 | When the Saints Go Marching In | — | ||
| 4-17 | Begin the Beguine | — | ||
| 4-18 | Prelude to a Kiss | — | ||
| 4-19 | Jumpin’ at the Woodside | — | ||
| 4-20 | Finger Buster | — | ||
| 5-1 | T’Ain’t What You Do (It’s the Way That You Do It) | — | ||
| 5-2 | Sweethearts on Parade | — | ||
| 5-3 | Ciribiribin | Harry James and His Orchestra | — | |
| 5-4 | Grand Terrace Shuffle | — | ||
| 5-5 | Cherokee | — | ||
| 5-6 | At the Woodchopper’s Ball | — | ||
| 5-7 | In the Mood | — | ||
| 5-8 | Lester Leaps In | — | ||
| 5-9 | Body and Soul | — | ||
| 5-10 | Big Jim Blues | — | ||
| 5-11 | Your Feet’s Too Big | — | ||
| 5-12 | South Rampart Street Parade | — | ||
| 5-13 | Bouncing With Bean | — | ||
| 5-14 | Cotton Tail | — | ||
| 5-15 | Ghost of a Chance | — | ||
| 5-16 | Nuages | — | ||
| 5-17 | Day Dream | — | ||
| 5-18 | Baby Dear | — | ||
| 5-19 | Rosetta | — | ||
| 5-20 | Summit Ridge Drive | — | ||
| 6-1 | Take the ‘A’ Train | — | ||
| 6-2 | Drum Boogie | — | ||
| 6-3 | After You’ve Gone | — | ||
| 6-4 | On the Alamo | — | ||
| 6-5 | Swinmatism | — | ||
| 6-6 | God Bless This Child | — | ||
| 6-7 | Solitude | — | ||
| 6-8 | I’m Coming Virginia | — | ||
| 6-9 | The World Is Waiting for the Sunrise | — | ||
| 6-10 | Minnie the Moocher | — | ||
| 6-11 | American Patrol | — | ||
| 6-12 | I’ve Got a Gal in Kalamazoo | — | ||
| 6-13 | Little John Special | — | ||
| 6-14 | Opus No. 1 | — | ||
| 6-15 | Sweet Lorraine | — | ||
| 6-16 | I Got Rhythm | — | ||
| 6-17 | Skyliner | — | ||
| 6-18 | Oh Didn’t He Ramble? | — | ||
| 6-19 | Franklin Street Blues | — | ||
| 6-20 | Strange Fruit | — | ||
| 7-1 | Blue ’n’ Boogie | — | ||
| 7-2 | Groovin’ High | — | ||
| 7-3 | Dizzy Atmosphere | — | ||
| 7-4 | Salt Peanuts | — | ||
| 7-5 | Lover Man | Sarah Vaughan and Her Trio | T-070.268.668-7 | |
| 7-6 | Hot House | — | ||
| 7-7 | Ko‐Ko | — | ||
| 7-8 | I Can’t Escape From You | — | ||
| 7-9 | Things to Come | — | ||
| 7-10 | 52nd Street Theme | — | ||
| 7-11 | Yardbird Suite | — | ||
| 7-12 | Oop Bop Sh’Bam | — | ||
| 7-13 | Bebop | — | ||
| 7-14 | Bebop in Pastel | — | ||
| 7-15 | Cool Breeze | — | ||
| 7-16 | She’s Funny That Way | — | ||
| 7-17 | Lady Be Good | — | ||
| 7-18 | Rockin’ Chair | — | ||
| 7-19 | Bird of Paradise | — | ||
| 7-20 | Embraceable You | — | ||
| 8-1 | Fats Blows | — | ||
| 8-2 | Manteca | — | ||
| 8-3 | Early Autumn | — | ||
| 8-4 | Epistrophy | — | ||
| 8-5 | Manoir Des Mes Reves | — | ||
| 8-6 | Dance of the Infidels | — | ||
| 8-7 | Boplicity | Miles Davis | T-070.233.104-1 | |
| 8-8 | Indiana (Back Home in Indiana) | — | ||
| 8-9 | Soon | — | ||
| 8-10 | Moon Dreams | — | ||
| 8-11 | Deception | — | ||
| 8-12 | Incident in Jazz | — | ||
| 8-13 | What’s New | — | ||
| 8-14 | City of Glass: Reflections | — | ||
| 8-15 | Every Time We Say Goodbye | — | ||
| 8-16 | Popo | — | ||
| 8-17 | Ju‐Ju | — | ||
| 8-18 | Funhouse | — | ||
| 8-19 | Millenium | — | ||
| 8-20 | Petite Fleur | — | ||
| 9-1 | Cheek to Cheek | — | ||
| 9-2 | Passion Flower | — | ||
| 9-3 | That’s All | — | ||
| 9-4 | Sometimes I’m Happy | — | ||
| 9-5 | Capri | — | ||
| 9-6 | Lullaby of Birdland | — | ||
| 9-7 | I Like to Recognise the Tune | — | ||
| 9-8 | Crisp Day | — | ||
| 9-9 | Poinciana | — | ||
| 9-10 | Where or When | — | ||
| 9-11 | Mack the Knife | — | ||
| 9-12 | Have You Met Miss Jones? | — | ||
| 9-13 | Stop Time | — | ||
| 9-14 | Line Up | — | ||
| 9-15 | Broadway | — | ||
| 9-16 | Query | — | ||
| 9-17 | Profile of Jackie | — | ||
| 9-18 | Versailles | — | ||
| 9-19 | Angel Eyes | — | ||
| 9-20 | Dr. Free‐Zee | — | ||
| 10-1 | How Long Has This Been Going On? | — | ||
| 10-2 | Tune Up | — | ||
| 10-3 | My Blues | — | ||
| 10-4 | Evening in Paris | — | ||
| 10-5 | Gotta Dance | — | ||
| 10-6 | Gypsy Arab | — | ||
| 10-7 | Crepuscule With Nellie | — | ||
| 10-8 | Miles Ahead (master) | Miles Davis + 19, Gil Evans | T-905.297.131-0 | |
| 10-9 | Turquoise | — | ||
| 10-10 | Will You Still Be Mine? | — | ||
| 10-11 | Saturn | — | ||
| 10-12 | Just a Gigolo | — | ||
| 10-13 | Take Five | — | ||
| 10-14 | Eventually | — | ||
| 10-15 | Giant Steps (alternate take) | John Coltrane | T-070.234.217-3 | |
| 10-16 | Blue in Green | Miles Davis | T-073.092.724-8 | |
| 10-17 | Self-Portrait in Three Colors | Charles Mingus | T-070.243.425-0 | |
| 10-18 | Anthropology | — | ||
| 10-19 | Just for You | — | ||
| 10-20 | Concierto de Aranjuez (adagio) (Part Two Ending) | Miles Davis | T-041.489.061-1 |
Identifier Graph
654378610721 is a Universal Product Code (UPC) assigned to The Jazz Years: The History of Jazz by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 200 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| West End Blues | Louis Armstrong and His Hot Five | — |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Jazz Years: The History of Jazz” by Various Artists is 654378610721. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Crimson. This release contains 200 tracks, each with its own ISRC. Tracks include DEU240800647, DEU240800898, DEU240800868.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Perdido Street Blues | New Orleans Wanderers | T-070.165.538-0 | |
| 2 | Grandpa’s Spells | — | ||
| 3 | Doctor Jazz | — | ||
| 4 | The Savoyager’s Stomp | Carroll Dickerson’s Savoyagers | — | |
| 5 | Stringing the Blues | — | ||
| 6 | Henderson Stomp | — | ||
| 7 | Stomp Time Blues | — | ||
| 8 | Clarinet Marmalade | — | ||
| 9 | Singin’ the Blues | — | ||
| 10 | Snake Rag | — | ||
| 11 | Wild Cat Blues | — | ||
| 12 | New Orleans Wiggle | — | ||
| 13 | Golden Leaf Strut (Milenburg Joys) | — | ||
| 14 | Stomp Off, Let’s Go | — | ||
| 15 | The One I Love Belongs to Somebody Else | — | ||
| 16 | Tiger Rag | — | ||
| 17 | Ostrich Walk | — | ||
| 18 | Keep Off the Grass | — | ||
| 19 | High Society Rag | — | ||
| 20 | Shanghai Shuffle | — | ||
| 2-1 | Alligator Crawl | — | ||
| 2-2 | Wild Man Blues | Louis Armstrong and His Hot Seven | T-070.200.175-9 | |
| 2-3 | Potato Head Blues | Louis Armstrong and His Hot Seven | T-070.273.309-2 | |
| 2-4 | Creole Love Call | — | ||
| 2-5 | Black and Tan Fantasy | — | ||
| 2-6 | Nobody’s Sweetheart | — | ||
| 2-7 | Riverboat Shuffle | — | ||
| 2-8 | Lonely Melody | — | ||
| 2-9 | Sugar | — | ||
| 2-10 | Oh Sister Ain’t That Hot? | — | ||
| 2-11 | You Took Advantage of Me | — | ||
| 2-12 | Friar’s Point Shuffle | — | ||
| 2-13 | Kansas City Stomps | — | ||
| 2-14 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 2-15 | The Mooche | — | ||
| 2-16 | Mahogany Hall Stomp | Louis Armstrong and His Savoy Ballroom Five | T-901.129.193-3 | |
| 2-17 | Blue Devil Blues | — | ||
| 2-18 | St. Louis Blues | — | ||
| 2-19 | Panama | — | ||
| 2-20 | Sugar Foot Stomp | — | ||
| 3-1 | Chant of the Weed | — | ||
| 3-2 | Lazy River | — | ||
| 3-3 | Stardust | — | ||
| 3-4 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | — | ||
| 3-5 | Moten Swing | — | ||
| 3-6 | A Hundred Years From Today | — | ||
| 3-7 | Sophisticated Lady | — | ||
| 3-8 | Down South Camp Meeting | — | ||
| 3-9 | Rock and Rye | — | ||
| 3-10 | Blue Skies | — | ||
| 3-11 | King Porter Stomp | — | ||
| 3-12 | Bubbling Over | — | ||
| 3-13 | Limehouse Blues | — | ||
| 3-14 | Christopher Columbus | — | ||
| 3-15 | Sing Me a Swing Song (and Let Me dance) | — | ||
| 3-16 | Organ Grinder’s Swing | — | ||
| 3-17 | Blues in C-sharp minor | — | ||
| 3-18 | Who | — | ||
| 3-19 | Shoe Shine Boy | — | ||
| 3-20 | Stompin’ at the Savoy | — | ||
| 4-1 | Exactly Like You | — | ||
| 4-2 | Improvisation | — | ||
| 4-3 | Song of India | — | ||
| 4-4 | Lazy Afternoon | — | ||
| 4-5 | Caravan | — | ||
| 4-6 | One O’Clock Jump | — | ||
| 4-7 | Harlem Congo | — | ||
| 4-8 | I Can’t Get Started With You | — | ||
| 4-9 | J’Attendrai (Tournerai) | — | ||
| 4-10 | Little Joe From Chicago | — | ||
| 4-11 | Sent for You Yesterday | — | ||
| 4-12 | Don’t Be That Way | — | ||
| 4-13 | Swing From Paris | — | ||
| 4-14 | I Let a Song Go Out of My Heart | — | ||
| 4-15 | A‐Tisket, A‐Tasket | — | ||
| 4-16 | When the Saints Go Marching In | — | ||
| 4-17 | Begin the Beguine | — | ||
| 4-18 | Prelude to a Kiss | — | ||
| 4-19 | Jumpin’ at the Woodside | — | ||
| 4-20 | Finger Buster | — | ||
| 5-1 | T’Ain’t What You Do (It’s the Way That You Do It) | — | ||
| 5-2 | Sweethearts on Parade | — | ||
| 5-3 | Ciribiribin | Harry James and His Orchestra | — | |
| 5-4 | Grand Terrace Shuffle | — | ||
| 5-5 | Cherokee | — | ||
| 5-6 | At the Woodchopper’s Ball | — | ||
| 5-7 | In the Mood | — | ||
| 5-8 | Lester Leaps In | — | ||
| 5-9 | Body and Soul | — | ||
| 5-10 | Big Jim Blues | — | ||
| 5-11 | Your Feet’s Too Big | — | ||
| 5-12 | South Rampart Street Parade | — | ||
| 5-13 | Bouncing With Bean | — | ||
| 5-14 | Cotton Tail | — | ||
| 5-15 | Ghost of a Chance | — | ||
| 5-16 | Nuages | — | ||
| 5-17 | Day Dream | — | ||
| 5-18 | Baby Dear | — | ||
| 5-19 | Rosetta | — | ||
| 5-20 | Summit Ridge Drive | — | ||
| 6-1 | Take the ‘A’ Train | — | ||
| 6-2 | Drum Boogie | — | ||
| 6-3 | After You’ve Gone | — | ||
| 6-4 | On the Alamo | — | ||
| 6-5 | Swinmatism | — | ||
| 6-6 | God Bless This Child | — | ||
| 6-7 | Solitude | — | ||
| 6-8 | I’m Coming Virginia | — | ||
| 6-9 | The World Is Waiting for the Sunrise | — | ||
| 6-10 | Minnie the Moocher | — | ||
| 6-11 | American Patrol | — | ||
| 6-12 | I’ve Got a Gal in Kalamazoo | — | ||
| 6-13 | Little John Special | — | ||
| 6-14 | Opus No. 1 | — | ||
| 6-15 | Sweet Lorraine | — | ||
| 6-16 | I Got Rhythm | — | ||
| 6-17 | Skyliner | — | ||
| 6-18 | Oh Didn’t He Ramble? | — | ||
| 6-19 | Franklin Street Blues | — | ||
| 6-20 | Strange Fruit | — | ||
| 7-1 | Blue ’n’ Boogie | — | ||
| 7-2 | Groovin’ High | — | ||
| 7-3 | Dizzy Atmosphere | — | ||
| 7-4 | Salt Peanuts | — | ||
| 7-5 | Lover Man | Sarah Vaughan and Her Trio | T-070.268.668-7 | |
| 7-6 | Hot House | — | ||
| 7-7 | Ko‐Ko | — | ||
| 7-8 | I Can’t Escape From You | — | ||
| 7-9 | Things to Come | — | ||
| 7-10 | 52nd Street Theme | — | ||
| 7-11 | Yardbird Suite | — | ||
| 7-12 | Oop Bop Sh’Bam | — | ||
| 7-13 | Bebop | — | ||
| 7-14 | Bebop in Pastel | — | ||
| 7-15 | Cool Breeze | — | ||
| 7-16 | She’s Funny That Way | — | ||
| 7-17 | Lady Be Good | — | ||
| 7-18 | Rockin’ Chair | — | ||
| 7-19 | Bird of Paradise | — | ||
| 7-20 | Embraceable You | — | ||
| 8-1 | Fats Blows | — | ||
| 8-2 | Manteca | — | ||
| 8-3 | Early Autumn | — | ||
| 8-4 | Epistrophy | — | ||
| 8-5 | Manoir Des Mes Reves | — | ||
| 8-6 | Dance of the Infidels | — | ||
| 8-7 | Boplicity | Miles Davis | T-070.233.104-1 | |
| 8-8 | Indiana (Back Home in Indiana) | — | ||
| 8-9 | Soon | — | ||
| 8-10 | Moon Dreams | — | ||
| 8-11 | Deception | — | ||
| 8-12 | Incident in Jazz | — | ||
| 8-13 | What’s New | — | ||
| 8-14 | City of Glass: Reflections | — | ||
| 8-15 | Every Time We Say Goodbye | — | ||
| 8-16 | Popo | — | ||
| 8-17 | Ju‐Ju | — | ||
| 8-18 | Funhouse | — | ||
| 8-19 | Millenium | — | ||
| 8-20 | Petite Fleur | — | ||
| 9-1 | Cheek to Cheek | — | ||
| 9-2 | Passion Flower | — | ||
| 9-3 | That’s All | — | ||
| 9-4 | Sometimes I’m Happy | — | ||
| 9-5 | Capri | — | ||
| 9-6 | Lullaby of Birdland | — | ||
| 9-7 | I Like to Recognise the Tune | — | ||
| 9-8 | Crisp Day | — | ||
| 9-9 | Poinciana | — | ||
| 9-10 | Where or When | — | ||
| 9-11 | Mack the Knife | — | ||
| 9-12 | Have You Met Miss Jones? | — | ||
| 9-13 | Stop Time | — | ||
| 9-14 | Line Up | — | ||
| 9-15 | Broadway | — | ||
| 9-16 | Query | — | ||
| 9-17 | Profile of Jackie | — | ||
| 9-18 | Versailles | — | ||
| 9-19 | Angel Eyes | — | ||
| 9-20 | Dr. Free‐Zee | — | ||
| 10-1 | How Long Has This Been Going On? | — | ||
| 10-2 | Tune Up | — | ||
| 10-3 | My Blues | — | ||
| 10-4 | Evening in Paris | — | ||
| 10-5 | Gotta Dance | — | ||
| 10-6 | Gypsy Arab | — | ||
| 10-7 | Crepuscule With Nellie | — | ||
| 10-8 | Miles Ahead (master) | Miles Davis + 19, Gil Evans | T-905.297.131-0 | |
| 10-9 | Turquoise | — | ||
| 10-10 | Will You Still Be Mine? | — | ||
| 10-11 | Saturn | — | ||
| 10-12 | Just a Gigolo | — | ||
| 10-13 | Take Five | — | ||
| 10-14 | Eventually | — | ||
| 10-15 | Giant Steps (alternate take) | John Coltrane | T-070.234.217-3 | |
| 10-16 | Blue in Green | Miles Davis | T-073.092.724-8 | |
| 10-17 | Self-Portrait in Three Colors | Charles Mingus | T-070.243.425-0 | |
| 10-18 | Anthropology | — | ||
| 10-19 | Just for You | — | ||
| 10-20 | Concierto de Aranjuez (adagio) (Part Two Ending) | Miles Davis | T-041.489.061-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| West End Blues | Louis Armstrong and His Hot Five | — |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
| West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 |
