UPC · Release
100 Hits: Reggae
Various Artists
Last verified:
654378702426 is the Universal Product Code (UPC barcode) for the release “100 Hits: Reggae” by Various Artists, released 2008-01-01 on 100 Hits. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include GBAJE6600116, GBAJE6700419, GBAJE0610859.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keep On Moving | — | ||
| 2 | 007 | Desmond Dekker and the Aces | T-900.010.985-3 | |
| 3 | Rudy a Message to You | Dandy Livingstone | T-305.544.161-3 | |
| 4 | To Be Young Gifted & Black | Bob & Marcia | T-070.183.223-6 | |
| 5 | My Boy Lollipop | Millie | T-071.001.066-4 | |
| 6 | Liquidator | Harry J. All Stars | T-010.338.118-5 | |
| 7 | Double Barrel | Dave & Ansel Collins | T-010.086.743-3 | |
| 8 | Black and White | — | ||
| 9 | I’m in the Mood for Love | — | ||
| 10 | 54–46 Was My Number | — | ||
| 11 | The Harder They Come | Jimmy Cliff | T-070.880.819-8 | |
| 12 | Train to Skaville | The Ethiopians | T-700.073.954-0 | |
| 13 | Dat | — | ||
| 14 | Guns of Navarone | The Skatalites | — | |
| 15 | Tighten Up | The Untouchables | T-010.440.534-6 | |
| 16 | Kingston Town | Lord Creator | T-010.006.737-5 | |
| 17 | Angel of the Morning | — | ||
| 18 | Everything I Own | — | ||
| 19 | Help Me Make It Through the Night | John Holt | T-070.918.750-7 | |
| 20 | Can’t Be With You Tonight | — | ||
| 2-1 | Uptown Top Ranking | — | ||
| 2-2 | Police and Thieves | — | ||
| 2-3 | You Can Get It If You Really Want | — | ||
| 2-4 | Let Your Yeah Be Yeah | — | ||
| 2-5 | It Mek | Desmond Dekker and the Aces | T-900.008.993-0 | |
| 2-6 | Dollar in the Teeth | — | ||
| 2-7 | Montego Bay | Freddie Notes & the Rudies | — | |
| 2-8 | Hurt So Good | Susan Cadogan | T-070.241.222-3 | |
| 2-9 | Love of the Common People | — | ||
| 2-10 | The Tide Is High | The Paragons | T-902.668.787-6 | |
| 2-11 | Red Red Wine | Tony Tribe | T-070.249.913-5 | |
| 2-12 | Sideshow | — | ||
| 2-13 | I Want to Wake Up With You | — | ||
| 2-14 | Money in My Pocket | — | ||
| 2-15 | Monkey Man | — | ||
| 2-16 | Snoopy vs. The Red Baron | — | ||
| 2-17 | Crying Over You | — | ||
| 2-18 | Silly Games | Janet Kay | T-011.361.242-2 | |
| 2-19 | Mad About You | — | ||
| 2-20 | Give a Little Love | — | ||
| 3-1 | Satisfy My Soul Babe | Bob Marley & The Wailers | T-909.226.301-9 | |
| 3-2 | Cherry Oh Baby | Eric Donaldson | T-900.012.994-2 | |
| 3-3 | Baby I Love You So | Jacob Miller | T-900.020.842-4 | |
| 3-4 | Reggae Got Soul | — | ||
| 3-5 | Suzanne, Beware of the Devil | — | ||
| 3-6 | Return of Django | The Upsetters | T-900.296.850-5 | |
| 3-7 | Put a Little Love in Your Heart | — | ||
| 3-8 | Rainy Night in Georgia | — | ||
| 3-9 | Dreaming of a Little Island | — | ||
| 3-10 | Easy | — | ||
| 3-11 | Wide Awake in a Dream | — | ||
| 3-12 | What Is Life | — | ||
| 3-13 | Rain | — | ||
| 3-14 | Slavery Days | — | ||
| 3-15 | Live & Let Die | — | ||
| 3-16 | King Tubby Meets the Rockers Uptown | Augustus Pablo | — | |
| 3-17 | Soul Fire | — | ||
| 3-18 | War Ina Babylon | Max Romeo, The Upsetters | T-010.178.451-3 | |
| 3-19 | Marcus Garvey | Burning Spear | T-011.217.301-9 | |
| 3-20 | Many Rivers to Cross | — | ||
| 4-1 | Oh Carolina | — | ||
| 4-2 | Don’t Turn Around | Aswad | T-042.189.522-8 | |
| 4-3 | Now That We’ve Found Love | — | ||
| 4-4 | Pass the Dutchie | Musical Youth | T-070.920.444-3 | |
| 4-5 | Under Mi Sensi | — | ||
| 4-6 | Tease Me | — | ||
| 4-7 | Two Sevens Clash | — | ||
| 4-8 | OK Fred | Errol Dunkley | T-010.465.869-6 | |
| 4-9 | Night Nurse | — | ||
| 4-10 | Killing Me Softly | — | ||
| 4-11 | I Chase the Devil | Max Romeo, The Upsetters | T-010.013.020-8 | |
| 4-12 | Herbs | B.T. Express | T-911.061.072-5 | |
| 4-13 | Reggaematic Funk | — | ||
| 4-14 | Stop the Train | The Wailers | T-071.289.904-1 | |
| 4-15 | Your Honour | — | ||
| 4-16 | Prodigal Son | — | ||
| 4-17 | Ain’t No Sunshine | — | ||
| 4-18 | Hello Darling | — | ||
| 4-19 | Please Don’t Make Me Cry | — | ||
| 4-20 | Greetings | — | ||
| 5-1 | Compliments on Your Kiss | — | ||
| 5-2 | She Don’t Let Nobody | — | ||
| 5-3 | Here I Come | Barrington Levy | T-072.347.003-8 | |
| 5-4 | Some Guys Have All the Luck | — | ||
| 5-5 | No Letting Go | — | ||
| 5-6 | Heads High | — | ||
| 5-7 | Over You | — | ||
| 5-8 | Sinsemilla | — | ||
| 5-9 | Babylon Too Rough | — | ||
| 5-10 | Another One Bites the Dust | — | ||
| 5-12 | Wa‐Do‐Dem | — | ||
| 5-13 | Go Deh Yaka (Go to the Top) | — | ||
| 5-14 | Mr. Loverman | — | ||
| 5-15 | Boops (Here to Go) | — | ||
| 5-16 | Girlie Girlie | — | ||
| 5-17 | Ring the Alarm | — | ||
| 5-18 | Under Mi Sleng Teng | — | ||
| 5-19 | I Shot the Sheriff | — | ||
| 5-20 | A Little Love | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 007 (Shanty Town) | Desmond Dekker | T-900.010.985-3 |
| Montego Bay | Freddie Notes & the Rudies | — |
| War Ina Babylon | Max Romeo, The Upsetters | T-010.011.349-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
+68 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 654378702426?
654378702426 is a Universal Product Code (UPC) assigned to 100 Hits: Reggae by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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