UPC · Album
100 Hits: Drivetime
Various Artists
Last verified:
654378702624 is the Universal Product Code (UPC barcode) for the release “100 Hits: Drivetime” by Various Artists, released 2008-01-01 on 100 Hits. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include ARF411001616, AUUM70801787, DEC610600169.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (175)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| In My Own Time | Family | ARF411001616 |
| Sweet Home Alabama | Lynyrd Skynyrd | AUUM70801787 |
| Hedonism (Just Because You Feel Good) | Skunk Anansie | DEC610600169 |
| Hedonism (Just Because You Feel Good) | Skunk Anansie | DEG129600971 |
| Stuck in the Middle With You | Stealers Wheel | ES5709668267 |
| All Right Now | Free | FRY680900067 |
| Ace of Spades | Motörhead | GB5KW1904841 |
| Come Back Around | Feeder | GB5KW2402247 |
| All Night Long | Rainbow | GBA147900010 |
| Nights in White Satin | The Moody Blues | GBA176700080 |
| Out in the Fields | Gary Moore | GBAAA0200769 |
| Out in the Fields | Gary Moore | GBAAA8500210 |
| Stuck in the Middle With You | Stealers Wheel | GBAAM7200002 |
| Stuck in the Middle With You | Stealers Wheel | GBAAM7300001 |
| Up the Junction | Squeeze | GBAAM7901001 |
| Steppin’ Out | Joe Jackson | GBAAM8200001 |
| Good Enough | Dodgy | GBAAM9601203 |
| Good Enough | Dodgy | GBAAM9601235 |
| Sewn | The Feeling | GBAAN0500368 |
| All Right Now | Free | GBAAN7000001 |
| Like the Way I Do | Melissa Etheridge | GBAAN7000064 |
| This Town Ain’t Big Enough for Both of Us | Sparks | GBAAN7400025 |
| Wake Up Boo! | The Boo Radleys | GBAAW0020002 |
| Movin’ On Up | Primal Scream | GBAAW9100556 |
| Solid Gold Easy Action | T. Rex | GBAFR7210020 |
| 20th Century Boy | T. Rex | GBAFR7310001 |
| 20th Century Boy | T. Rex | GBAFR7310032 |
| Solid Gold Easy Action | T. Rex | GBAFR7310077 |
| Take Me to the River | Al Green | GBAFR7410031 |
| What a Waste! | Ian Dury & the Blockheads | GBAFR7710186 |
| Ace of Spades | Motörhead | GBAJE0417839 |
| Ace of Spades | Motörhead | GBAJE0418131 |
| Ace of Spades | Motörhead | GBAJE8000033 |
| Ace of Spades | Motörhead | GBAJE8100011 |
| Touch Sensitive | The Fall | GBAJE9900151 |
| Save Tonight | Eagle-Eye Cherry | GBAKW0201563 |
| Going Underground | The Jam | GBAKW8001001 |
| Town Called Malice | The Jam | GBAKW8201004 |
| Running in the Family | Level 42 | GBAKW8701001 |
| Speakeasy | Shed Seven | GBAKW9400220 |
| Ocean Drive (7" radio mix) | Lighthouse Family | GBAKW9500508 |
| Save Tonight | Eagle-Eye Cherry | GBAKW9800044 |
| Speakeasy | Shed Seven | GBAKW9900114 |
| You Keep It All In | The Beautiful South | GBAQT8900002 |
| The Changingman | Paul Weller | GBAQT9500032 |
| Movin’ On Up | Primal Scream | GBARL1001510 |
| Movin’ On Up | Primal Scream | GBARL1900118 |
| How Long | Ace | GBAZJ0600006 |
| Touch Sensitive | The Fall | GBAZJ0600035 |
| Nights in White Satin | The Moody Blues | GBBBA6760792 |
| Music | John Miles | GBBBA7660200 |
| Hush | Kula Shaker | GBBBN9601025 |
| I Want Your Love | Transvision Vamp | GBBBY0080015 |
| The Day We Caught the Train | Ocean Colour Scene | GBBBY9610057 |
| Groovy Train | The Farm | GBBLG9100018 |
| A Thousand Trees | Stereophonics | GBBLK9700133 |
| Just a Day | Feeder | GBBND0100860 |
| Come Back Around | Feeder | GBBND0200939 |
| Trash | Suede | GBBQM9600002 |
| Wake Up Boo! | The Boo Radleys | GBBQY0500011 |
| We Gotta Get Out of This Place | Space | GBBRL9810340 |
| Hedonism (Just Because You Feel Good) | Skunk Anansie | GBBTF9600005 |
| Music | John Miles | GBF007620010 |
| Going Underground | The Jam | GBF068000010 |
| Town Called Malice | The Jam | GBF068200100 |
| Running in the Family | Level 42 | GBF068625690 |
| Running in the Family | Level 42 | GBF068990011 |
| Concrete and Clay | Unit 4+2 | GBF076523330 |
| Nights in White Satin | The Moody Blues | GBF077420500 |
| Music | John Miles | GBF077620010 |
| Out in the Fields | Gary Moore | GBF080080112 |
| Wild Thing | The Troggs | GBF086600001 |
| Down Down | Status Quo | GBF087400009 |
| The Boys Are Back in Town | Thin Lizzy | GBF087600063 |
| Rockin’ All Over the World | Status Quo | GBF087700030 |
| 5.7.0.5 | City Boy | GBF087800640 |
| Fields of Fire | Big Country | GBF088300773 |
| Everybody Wants to Rule the World | Tears for Fears | GBF088590110 |
| The First Time | Robin Beck | GBF088800002 |
| Halo | Texas | GBF089607483 |
| She’s a Star | James | GBF089607522 |
| Halo | Texas | GBF089700243 |
| Nights in White Satin | The Moody Blues | GBFO76720080 |
| Music | John Miles | GBFO77600010 |
| Music | John Miles | GBFO77620010 |
| Fields of Fire | Big Country | GBFO88300773 |
| Everybody Wants to Rule the World | Tears for Fears | GBFO88590110 |
| Halo | Texas | GBFO89607483 |
| Trash | Suede | GBL2J1000036 |
| More Than a Feeling | Boston | GBSM19804762 |
| All Right Now | Free | GBUM70500893 |
| Everybody Wants to Rule the World (single version) | Tears for Fears | GBUM70501053 |
| Fields of Fire | Big Country | GFB088300090 |
| Son of My Father | Chicory Tip | NLB120600078 |
| Concrete and Clay | Unit 4+2 | NLB120600153 |
| Sylvia | Focus | NLC287200147 |
| Radar Love | Golden Earring | NLC289900007 |
| Radar Love | Golden Earring | NLC289900008 |
| My Favourite Game | The Cardigans | SEBKB9802010 |
| Save Tonight | Eagle-Eye Cherry | SELEB9702010 |
| Save Tonight | Eagle-Eye Cherry | SELEB9754010 |
| Steppin’ Out | Joe Jackson | US23A1522510 |
| Baby, I Love Your Way | Peter Frampton | USAM10000274 |
| Black Hole Sun | Soundgarden | USAM10200572 |
| Baby, I Love Your Way | Peter Frampton | USAM17600052 |
| Up the Junction | Squeeze | USAM17900382 |
| Real Wild Child | Iggy Pop | USAM18600001 |
| Get the Funk Out | Extreme | USAM19090004 |
| Hey Jealousy | Gin Blossoms | USAM19201246 |
| Black Hole Sun | Soundgarden | USAM19400007 |
| Smooth Criminal | Alien Ant Farm | USDW10022224 |
| Heat of the Moment | Asia | USGF18200801 |
| Somewhere Down the Crazy River | Robbie Robertson | USGF18716006 |
| What I Am | Edie Brickell & New Bohemians | USGF18819201 |
| Just Like Jesse James | Cher | USGF18923902 |
| Love Spreads | The Stone Roses | USGF19450311 |
| Heat of the Moment | Asia | USGF19929802 |
| Take Me to the River | Al Green | USHC17400021 |
| Love Spreads | The Stone Roses | USIR10001070 |
| Breakfast at Tiffany’s | Deep Blue Something | USIR19500177 |
| You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | USIR20000662 |
| Johnny & Mary | Robert Palmer | USIR28000057 |
| The Boys Are Back in Town | Thin Lizzy | USLIC0601831 |
| Sweet Home Alabama | Lynyrd Skynyrd | USLIC0601863 |
| Axel F | Harold Faltermeyer | USMC10200811 |
| Born to Be Wild | Steppenwolf | USMC10400120 |
| California Dreamin’ | The Mamas and the Papas | USMC16532697 |
| Born to Be Wild | Steppenwolf | USMC16846563 |
| Rocky Mountain Way | Joe Walsh | USMC17344516 |
| Rocky Mountain Way | Joe Walsh | USMC17351698 |
| Sweet Home Alabama | Lynyrd Skynyrd | USMC17402685 |
| Rocky Mountain Way | Joe Walsh | USMC17444516 |
| Sweet Home Alabama | Lynyrd Skynyrd | USMC17446153 |
| Rocky Mountain Way | Joe Walsh | USMC17451186 |
| Axel F (from “Beverly Hills Cop” soundtrack) | Harold Faltermeyer | USMC18416586 |
| Miami Vice Theme | Jan Hammer | USMC18518657 |
| Eloise | The Damned | USMC18724713 |
| Copperhead Road | Steve Earle | USMC18826253 |
| Copperhead Road | Steve Earle | USMC18827122 |
| You Get What You Give | New Radicals | USMC19858238 |
| You Get What You Give | New Radicals | USMC19858327 |
| The Spirit of Radio | Rush | USMR18070028 |
| MMMBop | Hanson | USMR19786931 |
| MMMBop | Hanson | USMR19786993 |
| Touch Sensitive | The Fall | USPBR0420169 |
| I’m Waiting for the Man | The Velvet Underground | USPR36702760 |
| All Night Long | Rainbow | USPR37905148 |
| Since You Been Gone | Rainbow | USPR37930021 |
| Since You Been Gone | Rainbow | USPR37980081 |
| Since You Been Gone | Rainbow | USPR38687029 |
| Crazy Crazy Nights | KISS | USPR38700083 |
| You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | USPR39401742 |
| Groovy Train | The Farm | USRE19901609 |
| Fields of Fire | Big Country | USRHD1102282 |
| Sweet Home Alabama | Lynyrd Skynyrd | USRY20514855 |
| Save Tonight | Eagle-Eye Cherry | USSM10027246 |
| The Final Countdown | Europe | USSM10412628 |
| More Than a Feeling | Boston | USSM17600047 |
| More Than a Feeling | Boston | USSM17600639 |
| The Final Countdown | Europe | USSM18600860 |
| Black | Pearl Jam | USSM19100412 |
| Runaway Train | Soul Asylum | USSM19200235 |
| Runaway Train | Soul Asylum | USSM19200612 |
| Wake Up Boo! | The Boo Radleys | USSM19400174 |
| Hedonism (Just Because You Feel Good) | Skunk Anansie | USSM19604829 |
| The Final Countdown | Europe | USSM19803152 |
| More Than a Feeling | Boston | USSM19907680 |
| Rocky Mountain Way | Joe Walsh | USTC50808966 |
| Solid Gold Easy Action | T. Rex | USUG10700389 |
| MMMBop | Hanson | USUM70609905 |
| Addicted to Love (12″ mix) | Robert Palmer | USUM70612588 |
| All Night Long | Rainbow | USUM71411313 |
| Heat of the Moment | Asia | USUM72205259 |
| Sweet Home Alabama | Lynyrd Skynyrd | USUMG0000661 |
| Movin’ On Up | Primal Scream | USWB19903982 |
What other identifiers does this connect to?
Musical Works (ISWC)
+125 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 654378702624?
654378702624 is a Universal Product Code (UPC) assigned to 100 Hits: Drivetime by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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