UPC · Release
100 Hits: Rock ’n’ Roll Love Songs
Various Artists
Last verified:
654378704727 is the Universal Product Code (UPC barcode) for the release “100 Hits: Rock ’n’ Roll Love Songs” by Various Artists, released 2010-01-01 on 100 Hits. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYE5900044, DEU241001260, FRX281906402.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Teenager in Love | — | ||
| 2 | Heartbeat | — | ||
| 3 | Lipstick on Your Collar | — | ||
| 4 | Living Doll | — | ||
| 5 | What Do You Want | Adam Faith | T-010.159.250-0 | |
| 6 | Love Potion No.9 | — | ||
| 7 | You Send Me | Sam Cooke | T-070.248.329-1 | |
| 8 | Venus | — | ||
| 9 | Baby Talk | — | ||
| 10 | Please Don’t Touch | — | ||
| 11 | Why Do Fools Fall in Love | Frankie Lymon & The Teenagers | T-070.200.014-3 | |
| 12 | At the Hop | Danny & the Juniors | T-070.232.042-0 | |
| 13 | C’mon Everybody | Eddie Cochran | T-070.880.972-6 | |
| 14 | Long Tall Sally | — | ||
| 15 | Ain’t That a Shame | — | ||
| 16 | Maybe Tomorrow | — | ||
| 17 | Earth Angel | The Penguins | T-070.233.855-3 | |
| 18 | Only You (And You Alone) | — | ||
| 19 | Sea of Love | — | ||
| 20 | Since I Don’t Have You | — | ||
| 2-1 | Lollipop | The Chordettes | T-070.241.796-6 | |
| 2-2 | Tears on My Pillow | Little Anthony & the Imperials | T-070.178.202-6 | |
| 2-3 | Runaway | — | ||
| 2-4 | Poetry in Motion | — | ||
| 2-5 | La Bamba | — | ||
| 2-6 | Oh Boy | — | ||
| 2-7 | Chantilly Lace | — | ||
| 2-8 | Endless Sleep | — | ||
| 2-9 | Only Sixteen | Craig Douglas | T-070.242.765-3 | |
| 2-10 | Someday (You’ll Want Me to Want You) | — | ||
| 2-11 | You Got What It Takes | — | ||
| 2-12 | Be‐Bop‐A‐Lula | Gene Vincent & His Blue Caps | T-070.880.754-8 | |
| 2-13 | Shake, Rattle and Roll | — | ||
| 2-14 | Brand New Cadillac | — | ||
| 2-15 | If You Were the Only Girl in the World | — | ||
| 2-16 | You Little Baby Faced Thing | — | ||
| 2-17 | Baby It’s Love | — | ||
| 2-18 | Letter to an Angel | — | ||
| 2-19 | Come Softly to Me | — | ||
| 2-20 | To Know Him Is to Love Him | — | ||
| 3-1 | A Town Without Pity | — | ||
| 3-2 | Will You Love Me Tomorrow | The Shirelles | T-071.017.458-5 | |
| 3-3 | All I Have to Do Is Dream | — | ||
| 3-4 | Singing the Blues | — | ||
| 3-5 | Wonderful Girl | Dion & The Belmonts | — | |
| 3-6 | Why | Frankie Avalon | T-070.199.955-4 | |
| 3-7 | Smoke Gets in Your Eyes | — | ||
| 3-8 | Stupid Cupid | — | ||
| 3-9 | Move It! | Cliff Richard, The Drifters | T-010.162.759-1 | |
| 3-10 | Summertime Blues | Eddie Cochran | T-070.244.055-8 | |
| 3-11 | Johnny B. Goode | Chuck Berry | T-070.939.624-6 | |
| 3-12 | Bad Boy | — | ||
| 3-13 | Devil Doll | — | ||
| 3-14 | For Your Precious Love | — | ||
| 3-15 | Personality | — | ||
| 3-16 | Here Comes Summer | — | ||
| 3-17 | It’s All in the Game | — | ||
| 3-18 | Big Man | — | ||
| 3-19 | Running Bear | — | ||
| 3-20 | Dizzy Miss Lizzie | — | ||
| 4-1 | Donna | — | ||
| 4-2 | Poor Little Fool | — | ||
| 4-3 | Venus in Blue Jeans | — | ||
| 4-4 | I Want to Walk You Home | — | ||
| 4-5 | Baby, Baby | Frankie Lymon & The Teenagers | T-071.129.064-0 | |
| 4-6 | Words of Love | — | ||
| 4-7 | What Do You Want to Make Those Eyes at Me For | Emile Ford & the Checkmates | T-914.779.805-8 | |
| 4-8 | Do You Wanna Dance | Bobby Freeman | T-070.233.694-4 | |
| 4-9 | Baby It’s You | — | ||
| 4-10 | Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 | |
| 4-11 | Sweet Little Sixteen | Chuck Berry | T-070.940.450-1 | |
| 4-12 | It’s Only Make Believe | — | ||
| 4-13 | Susie Q | Dale Hawkins | T-070.244.095-6 | |
| 4-14 | There’s a Moon Out Tonight | — | ||
| 4-15 | See You in September | — | ||
| 4-16 | Little Darlin’ | — | ||
| 4-17 | I Love My Baby | — | ||
| 4-18 | Don’t You Think It’s Time | — | ||
| 4-19 | Gee Baby | — | ||
| 4-20 | Gonna Get Along Without You Now | — | ||
| 5-1 | Dedicated to the One I Love | The Shirelles | T-070.881.723-5 | |
| 5-2 | Let’s Dance | — | ||
| 5-3 | Wake Up Little Susie | — | ||
| 5-4 | That’ll Be the Day | — | ||
| 5-5 | Great Balls of Fire | — | ||
| 5-6 | Rip It Up | — | ||
| 5-7 | Bony Moronie | — | ||
| 5-8 | Sea Cruise | — | ||
| 5-9 | Don’t You Just Know It | — | ||
| 5-10 | Just Like Eddie | — | ||
| 5-11 | Whole Lotta Woman | — | ||
| 5-12 | True True Happiness | — | ||
| 5-13 | Teen Angel | — | ||
| 5-14 | Sh‐Boom (Life Could Be a Dream) | The Crew-Cuts | T-071.017.283-0 | |
| 5-15 | My Love Is Here to Stay | — | ||
| 5-16 | I Kneel at Your Throne | — | ||
| 5-17 | My Little Baby | — | ||
| 5-18 | Teenage Wedding | — | ||
| 5-19 | My Special Angel | — | ||
| 5-20 | Unchained Melody | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mule Train | Tennessee Ernie Ford | T-070.110.445-1 |
| What Do You Want? | Adam Faith | T-010.159.250-0 |
| (We’re Gonna) Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 |
| Rock Around the Clock | Bill Haley and His Comets | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+64 more
Songwriters/Publishers (IPI)
+31 more
Creative Contributors (ISNI)
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People also ask
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What is UPC 654378704727?
654378704727 is a Universal Product Code (UPC) assigned to 100 Hits: Rock ’n’ Roll Love Songs by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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