UPC · Release
100 Hits: Opera
Various Artists
654378705328
100 tracksReleased 2010-01-01Demon Music Group
Last verified:
654378705328 is the Universal Product Code (UPC barcode) for the release “100 Hits: Opera” by Various Artists, released 2010-01-01 on Demon Music Group. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9704765, GBAYC8602467, GBF076710170.
Format
6Number system
54378Manufacturer
70532Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Hits: Opera
ISRC6 recordings
ISWC3 works
IPI1 songwriter
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rigoletto: La donna è mobile | — | ||
| 2 | Madame Butterfly: One Fine Day | — | ||
| 3 | Nessun Dorma from Turandot | Jussi Björling, Royal Opera Orchestra Stockholm, The Stockholm Symphony Orchestra, Nils Grevillius | T-005.000.838-2 | |
| 4 | Tosca: Vissi d'arte | — | ||
| 5 | Aida: Celeste Aida | — | ||
| 6 | La bohème: Che gelida manina | — | ||
| 7 | Gianni Schicci: My Beloved Father | — | ||
| 8 | Carmen: Flower Song | — | ||
| 9 | The Marriage of Figaro: Voi che sapete | — | ||
| 10 | Manon Lescaut: Donna non vidi mai | — | ||
| 11 | Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — | |
| 12 | Orfeo ed Euridice: What Is Life Without Thee | — | ||
| 13 | I Pagliacci: On With The Motley | — | ||
| 14 | The Marriage of Figaro: Non più andrai | — | ||
| 15 | Andrea Chenier: Come un bel di di maggio | — | ||
| 16 | Carmen: Near the Ramparts | — | ||
| 17 | Lakmé: The Flower Duet | — | ||
| 18 | The Magic Flute: Queen of the Night's Aria | — | ||
| 19 | Il trovatore: Di quella pira | — | ||
| 20 | La bohème: Soave fanciulla | — | ||
| 2-1 | Faust: Soldiers' Chorus | — | ||
| 2-2 | Nabucco: Chorus of the Hebrew Slaves | — | ||
| 2-3 | Cavalleria rusticana: Easter Hymn | — | ||
| 2-4 | Il trovatore: Anvil Chorus | — | ||
| 2-5 | Madama Butterfly: Humming Chorus | — | ||
| 2-6 | Il trovatore: Soldiers' Chorus | — | ||
| 2-7 | Faust: Waltz and Chorus | — | ||
| 2-8 | LOhengrin: Bridal Chorus | — | ||
| 2-9 | Carmen: Toreador's Song | — | ||
| 2-10 | Pagliacci, opera: Bell Chorus: I zampognari!... Don, din, don | Coro dell’Accademia Nazionale di Santa Cecilia, James McCracken, Coro ragazza del Colosseo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli | — | |
| 2-11 | La traviata: Brindisi | — | ||
| 2-12 | Tannhäuser: Pilgrims Chorus | — | ||
| 2-13 | Eugene Onegin: Waltz and Chorus | — | ||
| 2-14 | Mignon: Intermezzo | — | ||
| 2-15 | Prince Igor: Polovtsian Dance No. 4 | — | ||
| 2-16 | Carmen: Habanera | — | ||
| 2-17 | Don Pasquale: Servants Chorus | — | ||
| 2-18 | Faust: “Vin ou bière” | — | ||
| 2-19 | Faust: “Déposons les armes” | — | ||
| 2-20 | Aida: “Gloria all'Egitto” (Triumphal March) | — | ||
| 3-1 | The Pearl Fishers: Duet | — | ||
| 3-2 | Rusalka: Silver Moon | — | ||
| 3-3 | L'Africaine: Paradiso | — | ||
| 3-4 | Norma: Casta diva | — | ||
| 3-5 | Tosca: And the Stars Were Shining | — | ||
| 3-6 | Manon Lescaut: In quelle trine morbide | — | ||
| 3-7 | Don Giovanni: Mi tradi quell'alma ingrata | — | ||
| 3-8 | The Barber of Seville: Ecco ridente in cielo | — | ||
| 3-9 | Serse: Largo | — | ||
| 3-10 | The Marriage of Figaro: Porgi amor | — | ||
| 3-11 | The Tales of Hoffman: The Doll Song | — | ||
| 3-12 | Don Giovanni: Il mio tesoro | — | ||
| 3-13 | Il trovatore: Di tale amor | — | ||
| 3-14 | Tosca: Recondita armonia | — | ||
| 3-15 | Tosca: Dolci mani | — | ||
| 3-16 | La traviata: Ah! Dite alla giovine | — | ||
| 3-17 | Rigoletto: Parmi veder le lagrime | — | ||
| 3-18 | Romeo and Juliet: Waltz Song | — | ||
| 3-19 | Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni) | Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-20 | La traviata: Di Provenza il mar | — | ||
| 4-1 | Donna Diana: Overture | — | ||
| 4-2 | Thaïs : Meditation | — | ||
| 4-3 | The Tales of Hoffmann: Barcarolle | — | ||
| 4-4 | Die Walküre: The Ride of the Valkyries | — | ||
| 4-5 | Le Prophète : Coronation March | — | ||
| 4-6 | Cavalleria rusticana: Intermezzo | — | ||
| 4-7 | The Marriage of Figaro: Overture | — | ||
| 4-8 | Carmen : Prelude Act 1 | — | ||
| 4-9 | Polovtsian Dances (“Prince Igor”): Introduction: Andantino | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | T-902.804.388-1 | |
| 4-10 | Samson and Delilah: Bacchanale | — | ||
| 4-11 | La traviata: Prelude to Act 1 | — | ||
| 4-12 | Carmen : Intermezzo | — | ||
| 4-13 | Eugene Onegin: Polonaise | — | ||
| 4-14 | L'Arlésienne : Farandole | — | ||
| 4-15 | Faust: Dance of the Nubian Slaves | — | ||
| 4-16 | Susanna's Secret: Overture | — | ||
| 4-17 | The Bartered Bride: Polka | — | ||
| 4-18 | The Love For Three Oranges: March | — | ||
| 4-19 | Le Cid: Aragonaise | — | ||
| 4-20 | William Tell: Overture (Finale) | — | ||
| 5-1 | L’elisir d’amore: Una furtive lagrima | — | ||
| 5-2 | Faust: Jewel Song | — | ||
| 5-3 | Madama Butterfly: Viene la sera | — | ||
| 5-4 | martha: M'appari tutt’amor - Martha | — | ||
| 5-5 | Lakmé: Bell Song | — | ||
| 5-6 | Don Giovanni: La ci darem la mano | — | ||
| 5-7 | Faust: Salut, demeure chaste et pure | — | ||
| 5-8 | La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo) | Maria Callas, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto | — | |
| 5-9 | The Marriage of Figaro: Se vuol ballare | — | ||
| 5-10 | Il trovatore: Miserere | — | ||
| 5-11 | The Pearl Fishers: Je crois entendre encore | — | ||
| 5-12 | Turandot: Signore, ascolta | — | ||
| 5-13 | The Barber of Seville: Una voce poco fa | — | ||
| 5-14 | Il trovatore: Ah, si ben mio | — | ||
| 5-15 | The Magic Flute: Der Vogelfänger | — | ||
| 5-16 | Rigoletto: Questa o quella | — | ||
| 5-17 | The Barber of Seville: Di si felice innesto | — | ||
| 5-18 | The Marriage of Figaro: Non so più | — | ||
| 5-19 | Tosca: Comé lunga l’allerta | — | ||
| 5-20 | Madama Butterfly: Addio, fiorito asil | — |
Rigoletto: La donna è mobile
—
Madame Butterfly: One Fine Day
—
Jussi Björling, Royal Opera Orchestra Stockholm, The Stockholm Symphony Orchestra, Nils Grevillius
Tosca: Vissi d'arte
—
Aida: Celeste Aida
—
La bohème: Che gelida manina
—
Gianni Schicci: My Beloved Father
—
Carmen: Flower Song
—
The Marriage of Figaro: Voi che sapete
—
Manon Lescaut: Donna non vidi mai
—
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
—
Orfeo ed Euridice: What Is Life Without Thee
—
I Pagliacci: On With The Motley
—
The Marriage of Figaro: Non più andrai
—
Andrea Chenier: Come un bel di di maggio
—
Carmen: Near the Ramparts
—
Lakmé: The Flower Duet
—
The Magic Flute: Queen of the Night's Aria
—
Il trovatore: Di quella pira
—
La bohème: Soave fanciulla
—
Faust: Soldiers' Chorus
—
Nabucco: Chorus of the Hebrew Slaves
—
Cavalleria rusticana: Easter Hymn
—
Il trovatore: Anvil Chorus
—
Madama Butterfly: Humming Chorus
—
Il trovatore: Soldiers' Chorus
—
Faust: Waltz and Chorus
—
LOhengrin: Bridal Chorus
—
Carmen: Toreador's Song
—
Pagliacci, opera: Bell Chorus: I zampognari!... Don, din, don
Coro dell’Accademia Nazionale di Santa Cecilia, James McCracken, Coro ragazza del Colosseo, Orchestra dell’Accademia Nazionale di Santa Cecilia, Lamberto Gardelli
—
La traviata: Brindisi
—
Tannhäuser: Pilgrims Chorus
—
Eugene Onegin: Waltz and Chorus
—
Mignon: Intermezzo
—
Prince Igor: Polovtsian Dance No. 4
—
Carmen: Habanera
—
Don Pasquale: Servants Chorus
—
Faust: “Vin ou bière”
—
Faust: “Déposons les armes”
—
Aida: “Gloria all'Egitto” (Triumphal March)
—
The Pearl Fishers: Duet
—
Rusalka: Silver Moon
—
L'Africaine: Paradiso
—
Norma: Casta diva
—
Tosca: And the Stars Were Shining
—
Manon Lescaut: In quelle trine morbide
—
Don Giovanni: Mi tradi quell'alma ingrata
—
The Barber of Seville: Ecco ridente in cielo
—
Serse: Largo
—
The Marriage of Figaro: Porgi amor
—
The Tales of Hoffman: The Doll Song
—
Don Giovanni: Il mio tesoro
—
Il trovatore: Di tale amor
—
Tosca: Recondita armonia
—
Tosca: Dolci mani
—
La traviata: Ah! Dite alla giovine
—
Rigoletto: Parmi veder le lagrime
—
Romeo and Juliet: Waltz Song
—
Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni)
Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
La traviata: Di Provenza il mar
—
Donna Diana: Overture
—
Thaïs : Meditation
—
The Tales of Hoffmann: Barcarolle
—
Die Walküre: The Ride of the Valkyries
—
Le Prophète : Coronation March
—
Cavalleria rusticana: Intermezzo
—
The Marriage of Figaro: Overture
—
Carmen : Prelude Act 1
—
Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham
Samson and Delilah: Bacchanale
—
La traviata: Prelude to Act 1
—
Carmen : Intermezzo
—
Eugene Onegin: Polonaise
—
L'Arlésienne : Farandole
—
Faust: Dance of the Nubian Slaves
—
Susanna's Secret: Overture
—
The Bartered Bride: Polka
—
The Love For Three Oranges: March
—
Le Cid: Aragonaise
—
William Tell: Overture (Finale)
—
L’elisir d’amore: Una furtive lagrima
—
Faust: Jewel Song
—
Madama Butterfly: Viene la sera
—
martha: M'appari tutt’amor - Martha
—
Lakmé: Bell Song
—
Don Giovanni: La ci darem la mano
—
Faust: Salut, demeure chaste et pure
—
La bohème: Atto I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo)
Maria Callas, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
—
The Marriage of Figaro: Se vuol ballare
—
Il trovatore: Miserere
—
The Pearl Fishers: Je crois entendre encore
—
Turandot: Signore, ascolta
—
The Barber of Seville: Una voce poco fa
—
Il trovatore: Ah, si ben mio
—
The Magic Flute: Der Vogelfänger
—
Rigoletto: Questa o quella
—
The Barber of Seville: Di si felice innesto
—
The Marriage of Figaro: Non so più
—
Tosca: Comé lunga l’allerta
—
Madama Butterfly: Addio, fiorito asil
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don Giovanni, K. 527: Atto II, Scena I. Canzonetta "Deh vieni alla finestra" (Don Giovanni) | Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | T-928.892.679-4 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — |
Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005058564200000000551230680000000055188435000000005519351700000000593363780000000059403278000000005945025000000000615583400000000063017302000000006302270X
+40 more
00000000735745160000000073601967000000008083794300000000810627720000000081598550000000008181878700000000834914310000000083593219000000008379729700000001086750860000000108854623000000010904107700000001090696270000000109282073000000010935089X0000000109380239000000010940460800000001094333610000000110228787000000011023504700000001102738950000000110446952000000011064885300000001106576610000000110883183000000011421725X00000001143208390000000114377050000000011446188500000001145539310000000115812886000000011600906700000001170140600000000117627545000000011780281700000001187670720000000119410438000000011954617500000001195505530000000119555944
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What is UPC 654378705328?
654378705328 is a Universal Product Code (UPC) assigned to 100 Hits: Opera by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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