UPC · Release
Various Artists
Last verified:
The UPC for “100 Hits: Electric Eighties” by Various Artists is 654378706523. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: 100 Hits. This release contains 99 tracks, each with its own ISRC. Tracks include GBAAP0001115, GB2DY2000070, GB7GZ1000013.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Blue Monday | New Order | T-010.480.981-5 | |
| 2 | Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | T-011.295.553-9 | |
| 3 | Wings of a Dove (A Celebratory Song) | Madness | T-010.157.276-2 | |
| 4 | Why? | — | ||
| 5 | Living on the Ceiling | Blancmange | T-011.284.145-8 | |
| 7 | Please, Please, Please Let Me Get What I Want | The Dream Academy | T-900.227.110-5 | |
| 8 | Remembrance Day | B-Movie | T-901.207.166-8 | |
| 9 | Just Like Honey | The Jesus and Mary Chain | T-011.318.964-2 | |
| 10 | Game | — | ||
| 11 | Forever Young | Alphaville | T-800.091.238-0 | |
| 12 | Underpass | John Foxx | — | |
| 13 | For America | Red Box | T-010.311.998-7 | |
| 14 | I Beg Your Pardon | — | ||
| 15 | Blue | Fine Young Cannibals | T-011.322.921-2 | |
| 16 | Broken Land | — | ||
| 17 | This Corrosion | The Sisters of Mercy | T-011.344.864-8 | |
| 18 | Since Yesterday | Strawberry Switchblade | T-011.301.544-3 | |
| 19 | Each and Everyone | Everything but the Girl | T-010.304.896-9 | |
| 20 | Bad Day | Carmel | T-010.302.824-5 | |
| 2-1 | Close (to the Edit) | — | ||
| 2-2 | Duel | Propaganda | T-801.031.516-0 | |
| 2-3 | True Faith | — | ||
| 2-4 | Never Stop (Discotheque) | Echo & the Bunnymen | T-070.903.447-8 | |
| 2-5 | Big in Japan | Alphaville | T-800.091.230-2 | |
| 2-6 | What Is Love? | Howard Jones | T-011.294.024-5 | |
| 2-7 | The Safety Dance | Men Without Hats | T-071.515.183-9 | |
| 2-8 | Blind Vision | — | ||
| 2-9 | Life in a Northern Town | The Dream Academy | T-011.307.568-5 | |
| 2-10 | April Skies | The Jesus and Mary Chain | T-011.337.928-4 | |
| 2-11 | Imperial | — | ||
| 2-12 | Hit That Perfect Beat | Bronski Beat | T-011.413.555-5 | |
| 2-13 | Radio Heart | Radio Heart, Gary Numan | T-011.392.665-0 | |
| 2-14 | Cry Boy Cry | — | ||
| 2-15 | Johnny Come Home | Fine Young Cannibals | T-011.316.823-2 | |
| 2-16 | Lean on Me (Ah-Li-Ayo) | — | ||
| 2-17 | Oblivious | Aztec Camera | T-011.289.093-3 | |
| 2-18 | Don’t Go | Hothouse Flowers | T-030.029.155-7 | |
| 2-19 | Drowning in a Sea of Love | — | ||
| 2-20 | Private Revolution | — | ||
| 3-1 | Temptation | New Order | T-010.206.456-1 | |
| 3-2 | Gentle Tuesday | — | ||
| 3-3 | Some Candy Talking | The Jesus and Mary Chain | T-010.484.526-2 | |
| 3-4 | Lips Like Sugar | Echo & the Bunnymen | T-010.318.172-1 | |
| 3-5 | Ship of Fools | World Party | T-010.310.892-4 | |
| 3-6 | Wrote for Luck | — | ||
| 3-7 | Nowhere Girl | B-Movie | T-010.476.523-2 | |
| 3-8 | Jolene | Strawberry Switchblade | T-070.939.628-0 | |
| 3-9 | Love Is the Slug | Fuzzbox | T-011.327.568-5 | |
| 3-10 | All I Need Is Everything | Aztec Camera | T-011.300.247-3 | |
| 3-11 | The Motive (Living Without You) | — | ||
| 3-12 | Owner of a Lonely Heart | Yes | T-072.336.039-1 | |
| 3-13 | It’s a Good Thing | — | ||
| 3-14 | Jet Set Junta | — | ||
| 3-15 | I’m in Love With the Girl on a Certain Manchester Megastore Checkout Desk | — | ||
| 3-16 | Holiday in Cambodia | Dead Kennedys | T-070.918.814-6 | |
| 3-17 | Is Vic There? | Department S | T-070.905.741-9 | |
| 3-18 | It’s a Mystery | — | ||
| 3-19 | Native Land | Everything but the Girl | — | |
| 3-20 | It's a Fine Day | Jane, Barton | T-010.375.823-1 | |
| 4-1 | New Song | Howard Jones | T-010.139.003-7 | |
| 4-2 | Comment te dire adieu | Jimmy Somerville, June Miles-Kingston | T-313.534.812-4 | |
| 4-3 | Money’s Too Tight to Mention | — | ||
| 4-4 | Don’t Tell Me | Blancmange | T-011.296.210-3 | |
| 4-5 | Hand Held in Black and White | — | ||
| 4-6 | You Are My World | The Communards | T-011.407.846-4 | |
| 4-7 | Self Control | Laura Branigan | T-800.688.488-5 | |
| 4-8 | Shy Boy | Bananarama | T-010.302.085-4 | |
| 4-9 | The House That Jack Built | — | ||
| 4-10 | What’s the Colour of Money? | — | ||
| 4-11 | Pink Sunshine | — | ||
| 4-12 | You’re History | — | ||
| 4-13 | I Say Nothing | — | ||
| 4-14 | I Feel for You | Chaka Khan | T-070.082.207-6 | |
| 4-15 | Body Work | — | ||
| 4-16 | Love Can’t Turn Around | — | ||
| 4-17 | I Can't Wait | Nu Shooz | T-070.918.906-9 | |
| 4-18 | C’mon & Get My Love | — | ||
| 4-19 | Bass (How Low Can You Go) | — | ||
| 4-20 | The Sun Rising | — | ||
| 5-1 | Like to Get to Know You Well | Howard Jones | T-010.139.010-6 | |
| 5-2 | Rough Justice | — | ||
| 5-3 | Videotheque | — | ||
| 5-4 | A New England | Kirsty MacColl | T-010.010.414-0 | |
| 5-5 | You’ll Always Find Me in the Kitchen at Parties | Jona Lewie | T-010.086.492-3 | |
| 5-6 | They Don’t Know | Tracey Ullman | T-010.017.909-6 | |
| 5-7 | Just What I Always Wanted | Mari Wilson | — | |
| 5-8 | Heartache Avenue | The Maisonettes | — | |
| 5-9 | Gloria | Laura Branigan | T-902.190.101-9 | |
| 5-10 | Heroine | Shakespear’s Sister | T-070.896.804-0 | |
| 5-11 | Don’t Call Me Baby | Voice of the Beehive | — | |
| 5-12 | Open Up the Red Box | — | ||
| 5-13 | Best Years of Our Lives | — | ||
| 5-14 | Big Area | — | ||
| 5-15 | It Can Happen | Yes | T-900.224.598-9 | |
| 5-16 | I Still Believe (Great Design) | The Call | T-071.397.900-0 | |
| 5-17 | Since You’re Gone | The Cars | T-070.144.631-2 | |
| 5-18 | I Won’t Let You Down | Ph.D. | T-010.476.588-9 | |
| 5-19 | London Times | — | ||
| 5-20 | No One Driving | — |
Identifier Graph
654378706523 is a Universal Product Code (UPC) assigned to 100 Hits: Electric Eighties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Call Me Baby | Voice of the Beehive | — |
| Native Land | Everything but the Girl | — |
| Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 |
| I Can’t Wait | Nu Shooz | T-070.918.906-9 |
| Like to Get to Know You Well | Howard Jones | — |
| Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 |
Creative Contributors (ISNI)
The UPC for “100 Hits: Electric Eighties” by Various Artists is 654378706523. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: 100 Hits. This release contains 99 tracks, each with its own ISRC. Tracks include GBAAP0001115, GB2DY2000070, GB7GZ1000013.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Call Me Baby | Voice of the Beehive | — |
| Native Land | Everything but the Girl | — |
| Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 |
| I Can’t Wait | Nu Shooz | T-070.918.906-9 |
| Like to Get to Know You Well | Howard Jones | — |
| Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 |
