UPC · Release
100 Hits: Swing
Various Artists
Last verified:
654378712029 is the Universal Product Code (UPC barcode) for the release “100 Hits: Swing” by Various Artists, released 2013-11-11. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USBB19101011, USLIC0601229, USBB10100516.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | MOONLIGHT SERENADE | Glenn Miller and His Orchestra | T-070.110.054-0 | |
| 2 | Begin the Beguine | — | ||
| 3 | King Porter Stomp | Benny Goodman and His Orchestra | T-070.092.517-2 | |
| 4 | Take the "A" Train | — | ||
| 5 | Sentimental Journey | — | ||
| 6 | 't Ain't What You Do (It's the Way You Do It) | — | ||
| 7 | Opus One | Tommy Dorsey and His Orchestra | T-070.242.784-6 | |
| 8 | Skyliner | — | ||
| 9 | You Made Me Love You (I Didn’t Want to Do It) | Harry James and His Orchestra | T-900.763.314-9 | |
| 10 | Besame Mucho | — | ||
| 11 | At the Woodchopper's Ball | — | ||
| 12 | In the Mood | Glenn Miller | T-070.906.423-2 | |
| 13 | A‐Tisket, A‐Tasket | Chick Webb and His Orchestra, Ella Fitzgerald | T-902.841.722-3 | |
| 14 | Jumpin' at the Woodside | — | ||
| 15 | Minnie the Moocher | — | ||
| 16 | After You've Gone | — | ||
| 17 | I'm Getting Sentimental Over You | — | ||
| 18 | American Patrol | — | ||
| 19 | Sophisticated Lady | — | ||
| 20 | Stealin' Apples | — | ||
| 2-1 | Blue Skies | — | ||
| 2-2 | Ciribiribin | Harry James and His Orchestra | — | |
| 2-3 | Solitude | — | ||
| 2-4 | (I’ve Got a Gal in) Kalamazoo | The Glenn Miller Orchestra | T-070.907.755-3 | |
| 2-5 | Marie | — | ||
| 2-6 | They're Either Too Young or Too Old | — | ||
| 2-7 | Exactly Like You | — | ||
| 2-8 | In a Sentimental Mood | — | ||
| 2-9 | Tuxedo Junction | — | ||
| 2-10 | I Can't Get Started With You | — | ||
| 2-11 | Rhythm Is Our Business | — | ||
| 2-12 | Don't Get Around Much Anymore (Never No Lament) | — | ||
| 2-13 | Nagasaki | — | ||
| 2-14 | And Her Tears Flowed Like Wine | — | ||
| 2-15 | I’ve Heard That Song Before | Harry James and His Orchestra | T-070.907.814-7 | |
| 2-16 | Song of India | Tommy Dorsey | — | |
| 2-17 | Bubbling Over | — | ||
| 2-18 | The Mooche | — | ||
| 2-19 | Moten Swing | — | ||
| 2-20 | Panama Rag | — | ||
| 3-1 | Casa Loma Stomp | — | ||
| 3-2 | Sweethearts on Parade | — | ||
| 3-3 | Artistry in Rhythm | — | ||
| 3-4 | Swingmatism | — | ||
| 3-5 | Wrappin' Up | — | ||
| 3-6 | When Lights Are Low | — | ||
| 3-7 | Blues Downstairs | — | ||
| 3-8 | For Dancers Only | — | ||
| 3-9 | Little Joe From Chicago | Andy Kirk and His Twelve Clouds of Joy | T-911.817.994-5 | |
| 3-10 | I Let a Song Out of My Heart | — | ||
| 3-11 | Summit Ridge Drive | — | ||
| 3-12 | The Peanut Vendor | — | ||
| 3-13 | Maria Elena | — | ||
| 3-14 | A String of Pearls | — | ||
| 3-15 | On the Sunny Side of the Street | — | ||
| 3-16 | Little John Special | — | ||
| 3-17 | Drum Boogie | — | ||
| 3-18 | I Got It Bad (And That Ain't Good) | — | ||
| 3-19 | (I Don't Stand) A Ghost of a Chance With You | — | ||
| 3-20 | Big Jim Blues | — | ||
| 4-1 | Sepian Bounce | — | ||
| 4-2 | Ko Ko | — | ||
| 4-3 | Body & Soul | — | ||
| 4-4 | Cherokee | — | ||
| 4-5 | Grand Terrace Shuffle | — | ||
| 4-6 | Don't Be That Way | — | ||
| 4-7 | Harlem Congo | Chick Webb and His Orchestra | — | |
| 4-8 | Caravan | — | ||
| 4-9 | Lazy Afternoon | — | ||
| 4-10 | Organ Grinder's Swing | — | ||
| 4-11 | Sing Me a Swing Song (And Let Me dance) | — | ||
| 4-12 | Christopher Columbus | — | ||
| 4-13 | Sometimes I'm Happy | — | ||
| 4-14 | Prelude to a Kiss | — | ||
| 4-15 | Deep Purple | — | ||
| 4-16 | I’ll Get By (As Long As I Have You) | Harry James and His Orchestra, Dick Haymes | T-070.905.537-7 | |
| 4-17 | Pennsylvania 6-5000 | — | ||
| 4-18 | Rock & Rye | — | ||
| 4-19 | Down South Camp Meetin' | — | ||
| 4-20 | Toby | — | ||
| 5-1 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | Duke Ellington & His Orchestra | T-071.064.010-0 | |
| 5-2 | Chant of the Weed | — | ||
| 5-3 | Sugar Foot Stomp | — | ||
| 5-4 | Cotton Tail | — | ||
| 5-5 | When Buddha Smiles | — | ||
| 5-6 | Walkin' & Swingin' | — | ||
| 5-7 | Little White Lies | — | ||
| 5-8 | Goody, Goody | — | ||
| 5-9 | Yours Is My Heart Alone | — | ||
| 5-10 | Twilight Time | — | ||
| 5-11 | On a Little Street in Singapore | — | ||
| 5-12 | My Dreams Are Getting Better All the Time | — | ||
| 5-13 | Star Dust | Frank Sinatra, Tommy Dorsey and His Orchestra, The Pied Pipers | T-031.563.049-9 | |
| 5-14 | Frenesi | — | ||
| 5-15 | And the Angels Sing | — | ||
| 5-16 | Juke Box Saturday Night | — | ||
| 5-17 | Concerto for Cootie (Do Nothin' Till You Hear From Me) | — | ||
| 5-18 | All Thethings You Are | — | ||
| 5-19 | Sleepy Lagoon | Harry James and His Orchestra | — | |
| 5-20 | Goodbye | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Song of India | Tommy Dorsey | — |
| Song of India | Tommy Dorsey | — |
| Harlem Congo | Chick Webb and His Orchestra | — |
| Harlem Congo | Chick Webb and His Orchestra | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 654378712029?
654378712029 is a Universal Product Code (UPC) assigned to 100 Hits: Swing by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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