UPC · Album
100 Hits: The Best 80s Groove Album
Various Artists
Last verified:
654378721229 is the Universal Product Code (UPC barcode) for the release “100 Hits: The Best 80s Groove Album” by Various Artists, released 2018-01-01 on 100 Hits. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include BRFDZ0700005, DEC731400129, DEC738600004.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (111)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Give It Up | KC and the Sunshine Band | BRFDZ0700005 |
| Brother Louie | Modern Talking | DEC731400129 |
| Brother Louie (new version) | Modern Talking | DEC738600004 |
| Girl You Know It’s True | Milli Vanilli | DED169400019 |
| Girl I’m Gonna Miss You | Milli Vanilli | DED169400021 |
| Promised Land (club mix) | Joe Smooth, Anthony Thomas | FR6V82454517 |
| Caribbean Queen (No More Love on the Run) | Billy Ocean | GB1100900232 |
| Caribbean Queen (No More Love on the Run) | Billy Ocean | GBAHK8400001 |
| Get Outta My Dreams, Get Into My Car | Billy Ocean | GBAHK9700111 |
| Got to Get | Rob ’n’ Raz, Leila K. | GBARK0900014 |
| All Around the World | Lisa Stansfield | GBARK8900003 |
| All Around the World | Lisa Stansfield | GBARK8900004 |
| All Around the World | Lisa Stansfield | GBARK8900017 |
| All Around the World | Lisa Stansfield | GBARL0300125 |
| Beat Dis | Bomb the Bass | GBARL8700041 |
| Beat Dis | Bomb the Bass | GBARL8700088 |
| All Around the World | Lisa Stansfield | GBARL8900017 |
| Hey DJ / I Can’t Dance to That Music You’re Playing | The Beatmasters, Betty Boo | GBARL8900052 |
| Showing Out (Get Fresh at the Weekend) | Mel & Kim | GBAYE8600070 |
| Showing Out (Get Fresh at the Weekend) | Mel & Kim | GBAYE8600214 |
| Wham Rap! (Enjoy What You Do) | Wham! | GBBBM8200001 |
| Wham Rap! (Enjoy What You Do) | Wham! | GBBBM8202067 |
| Sign Your Name | Terence Trent D’Arby | GBBBN0009285 |
| If You Let Me Stay | Terence Trent D’Arby | GBBBN0009286 |
| Sign Your Name | Terence Trent D’Arby | GBBBN8700004 |
| If You Let Me Stay | Terence Trent D’Arby | GBBBN8700006 |
| Sign Your Name | Terence Trent D’Arby | GBBBN8701992 |
| Sign Your Name | Terence Trent D’Arby | GBBBN8702002 |
| Sign Your Name | Terence Trent D’Arby | GBBBN8702035 |
| Promised Land | Joe Smooth | GBBLG0100301 |
| Promised Land (club mix) | Joe Smooth, Anthony Thomas | GBBLG0100568 |
| Caravan of Love (single version) | Isley Jasper Isley | GBZYX1600090 |
| How ’bout Us | Champaign | GBZYX1600136 |
| Love Is in Control (Finger on the Trigger) (7″ version) | Donna Summer | IT3A87200005 |
| Give It Up | KC and the Sunshine Band | NLG620400589 |
| Give It Up | KC and the Sunshine Band | NLG620402354 |
| Got to Get | Rob ’n’ Raz, Leila K. | SEPQA0005100 |
| Got to Get | Rob ’n’ Raz, Leila K. | SEPQA1500608 |
| Wanna Dance with Somebody | Whitney Houston | USAR10000249 |
| Freeway of Love | Aretha Franklin | USAR10200592 |
| Indestructible | Four Tops | USAR10301419 |
| Tell It to My Heart | Taylor Dayne | USAR10400895 |
| Freeway of Love | Aretha Franklin | USAR10401311 |
| Freeway of Love | Aretha Franklin | USAR18500023 |
| It’s Tricky | Run-D.M.C. | USAR18600005 |
| Tell It to My Heart | Taylor Dayne | USAR18700005 |
| I Wanna Dance With Somebody (Who Loves Me) | Whitney Houston | USAR18700121 |
| Tell It to My Heart | Taylor Dayne | USAR18700139 |
| Tell It to My Heart | Taylor Dayne | USAR18700173 |
| Prove Your Love | Taylor Dayne | USAR18800001 |
| Loco in Acapulco | Four Tops | USAR18800117 |
| Tell It to My Heart | Taylor Dayne | USAR19600246 |
| Automatic | The Pointer Sisters | USEC10400022 |
| It’s Tricky | Run-D.M.C. | USEE10900657 |
| Girls Ain’t Nothing but Trouble (1988 single version) | DJ Jazzy Jeff & the Fresh Prince | USJI11300007 |
| Parents Just Don’t Understand | DJ Jazzy Jeff & the Fresh Prince | USJI18800004 |
| Parents Just Don’t Understand | DJ Jazzy Jeff & the Fresh Prince | USJI18800006 |
| Give It Up | KC and the Sunshine Band | USMC30710035 |
| Party All the Time | Eddie Murphy | USMO10200515 |
| Out of Touch | Daryl Hall & John Oates | USRC10000836 |
| Out of Touch | Daryl Hall & John Oates | USRC10301824 |
| Automatic | The Pointer Sisters | USRC10400022 |
| I Can’t Go for That (No Can Do) | Daryl Hall & John Oates | USRC10401061 |
| I Can’t Go for That (No Can Do) | Daryl Hall & John Oates | USRC18108216 |
| Jump (For My Love) | The Pointer Sisters | USRC18308013 |
| Out of Touch (video mix) | Daryl Hall & John Oates | USRC18403649 |
| Out of Touch | Daryl Hall & John Oates | USRC18404650 |
| Out of Touch | Daryl Hall & John Oates | USRC18404698 |
| Give It Up | KC and the Sunshine Band | USRHD0300891 |
| Caribbean Queen (No More Love on the Run) | Billy Ocean | USRHD0702835 |
| Living in America | James Brown | USSB18580020 |
| Living in America | James Brown | USSB18680090 |
| Dr. Beat | Miami Sound Machine | USSD19004008 |
| State of Shock | The Jacksons | USSM10027407 |
| Let’s Hear It for the Boy | Deniece Williams | USSM10027607 |
| Caravan of Love (single version) | Isley Jasper Isley | USSM10103269 |
| Taste of Bitter Love | Gladys Knight & the Pips | USSM10105236 |
| Show Me the Way | Regina Belle | USSM10105652 |
| Lovely Day (7″ Sunshine mix) | Bill Withers | USSM10311119 |
| Sexual Healing | Marvin Gaye | USSM10414210 |
| The Groove | Rodney Franklin | USSM10414218 |
| Can You Feel It | The Jacksons | USSM10503851 |
| Sexual Healing | Marvin Gaye | USSM10605879 |
| How ’Bout Us | Champaign | USSM10605884 |
| Dr. Beat | Miami Sound Machine | USSM10702822 |
| Lost in Emotion (Can’t Find Myself) | Lisa Lisa & Cult Jam | USSM11001023 |
| Give It Up | KC and the Sunshine Band | USSM11500957 |
| Caravan of Love (single version) | Isley Jasper Isley | USSM11509191 |
| How ’bout Us | Champaign | USSM18100819 |
| Sexual Healing | Marvin Gaye | USSM18200060 |
| Sexual Healing | Marvin Gaye | USSM18200506 |
| State of Shock | The Jacksons | USSM18400007 |
| Let’s Hear It for the Boy | Deniece Williams | USSM18400032 |
| Dr. Beat | Miami Sound Machine | USSM18400404 |
| Let’s Hear It for the Boy | Deniece Williams | USSM18400508 |
| Let’s Hear It for the Boy | Deniece Williams | USSM18400909 |
| Shake You Down | Gregory Abbott | USSM18600059 |
| Shake You Down | Gregory Abbott | USSM18600202 |
| Shake You Down | Gregory Abbott | USSM18600269 |
| Shake You Down | Gregory Abbott | USSM18600471 |
| Party All the Time | Eddie Murphy | USSM19801503 |
| Give It Up | KC and the Sunshine Band | USSM19801505 |
| I’ve Had Enough | Earth, Wind & Fire | USSM19802937 |
| Sexual Healing | Marvin Gaye | USSM19803028 |
| Can You Feel It | The Jacksons | USSM19803304 |
| Sexual Healing | Marvin Gaye | USSM19805454 |
| Rockit | Herbie Hancock | USSM19913332 |
| Alice, I Want You Just for Me | Full Force | USSM19928847 |
| Let’s Hear It for the Boy | Deniece Williams | USSMI8400032 |
| You Are My All and All | Joyce Sims | USWR39400004 |
| Rockit | Herbie Hancock | USY252308423 |
What other identifiers does this connect to?
Musical Works (ISWC)
+85 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
People also ask
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What is UPC 654378721229?
654378721229 is a Universal Product Code (UPC) assigned to 100 Hits: The Best 80s Groove Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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