UPC · Release
200 Decibel (Live á Roskilde 2006)
200
Last verified:
663993541891 is the Universal Product Code (UPC barcode) for the release “200 Decibel (Live á Roskilde 2006)” by 200, released 2008-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tað einasta góða | — | ||
| 2 | Muscleman blað | — | ||
| 3 | Mogghøvd! | — | ||
| 4 | 200% | — | ||
| 5 | Tað stóra bankaránið | — | ||
| 6 | Sig ikki nei Kaj | — | ||
| 7 | Sambandsmálaráðharrin | — | ||
| 8 | Jóannesar táttur | — | ||
| 9 | Fjern den klud | — | ||
| 10 | Talibann | — | ||
| 11 | Frustreraðir javnaðarmenn | — | ||
| 12 | Null hugsjón | — | ||
| 13 | Radikalt sjálvstýri (meg í reyvina) | — | ||
| 14 | Graceland | — | ||
| 15 | Hasjsigarett | — | ||
| 16 | MF666 | — | ||
| 17 | Drotningavitjan | — | ||
| 18 | Punkurin frá Helviti #2 | — | ||
| 19 | Sambandsgimpurin | — |
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What is UPC 663993541891?
663993541891 is a Universal Product Code (UPC) assigned to 200 Decibel (Live á Roskilde 2006) by 200. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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