UPC · Release
Kevin Johnson and the Linemen
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The UPC for “Memphis for Breakfast” by Kevin Johnson and the Linemen is 669910001523. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. Label: SAM Records (4). This release contains 11 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Working Woman | — | ||
| 2 | Heaven Knows, Enola | — | ||
| 3 | Marlene | — | ||
| 4 | House of Goin' Gone | — | ||
| 5 | Dig | — | ||
| 6 | Figure Five | — | ||
| 7 | Your Place Like Home | — | ||
| 8 | Look Over There | — | ||
| 9 | Hold Out for Mary | — | ||
| 10 | What She Wants | — | ||
| 11 | You're My Favorite Waste of Time | — |
Credits Graph
669910001523 is a Universal Product Code (UPC) assigned to Memphis for Breakfast by Kevin Johnson and the Linemen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Memphis for Breakfast” by Kevin Johnson and the Linemen is 669910001523. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. Label: SAM Records (4). This release contains 11 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Working Woman | — | ||
| 2 | Heaven Knows, Enola | — | ||
| 3 | Marlene | — | ||
| 4 | House of Goin' Gone | — | ||
| 5 | Dig | — | ||
| 6 | Figure Five | — | ||
| 7 | Your Place Like Home | — | ||
| 8 | Look Over There | — | ||
| 9 | Hold Out for Mary | — | ||
| 10 | What She Wants | — | ||
| 11 | You're My Favorite Waste of Time | — |
