UPC · Release
The Best Part
J‐Live
Last verified:
670276710028 is the Universal Product Code (UPC barcode) for the release “The Best Part” by J‐Live, released 2001-01-01 on Triple Threat Productions. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Outside Looking | — | ||
| 2 | Intro | — | ||
| 3 | Got What It Takes | — | ||
| 4 | Don't Play | — | ||
| 5 | Vampire Hunter J | — | ||
| 6 | YES! | — | ||
| 7 | Them That's Not | — | ||
| 8 | Kick It to the Beat | — | ||
| 9 | Wax Paper | — | ||
| 10 | Timeless | — | ||
| 11 | Get the Third | — | ||
| 12 | School's In (remix) | — | ||
| 13 | R.A.G.E. | — | ||
| 14 | True School Anthem | — | ||
| 15 | Inside Looking Outro | — | ||
| 16 | The Best Part | — | ||
| 17 | Play | — | ||
| 18 | Braggin' Writes Revisited | — | ||
| 19 | Epilogue | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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What is UPC 670276710028?
670276710028 is a Universal Product Code (UPC) assigned to The Best Part by J‐Live. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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