UPC · Release
Various Artists
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680125070128 is the Universal Product Code (UPC barcode) for the release “Great Choral Favourites” by Various Artists, released 2003-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 159 tracks, each with its own ISRC. Tracks include GBUM70814370, GBUM70814371, GBUM70814372.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Matthew Passion, BWV 244: Chorus: Come ye daughters, share my mourning | — | ||
| 2 | St. Matthew Passion, BWV 244: Recitative: When Jesus had completed all these sayings | — | ||
| 3 | St. Matthew Passion, BWV 244: Chorale: O blessed Jesu, how hast thou offended? | — | ||
| 4 | St. Matthew Passion, BWV 244: Recitative: At that time there assembled the chief priests | — | ||
| 5 | St. Matthew Passion, BWV 244: Chorus: Not upon the feast | — | ||
| 6 | St. Matthew Passion, BWV 244: Recitative: Now when Jesus was in Bethany | — | ||
| 7 | St. Matthew Passion, BWV 244: Chorus: To what purpose is this waste? | — | ||
| 8 | St. Matthew Passion, BWV 244: Recitative: When Jesus understood it | — | ||
| 9 | St. Matthew Passion, BWV 244: Recitative: My Master and my Lord | — | ||
| 10 | St. Matthew Passion, BWV 244: Contralto Aria: Grief for sin | — | ||
| 11 | St. Matthew Passion, BWV 244: Recitative: Then went one of the disciples | — | ||
| 12 | St. Matthew Passion, BWV 244: Soprano Aria: Break in grief | — | ||
| 13 | St. Matthew Passion, BWV 244: Recitative: Now on the first day of the unleavened bread | — | ||
| 14 | St. Matthew Passion, BWV 244: Chorus: Where wilt thou? | — | ||
| 15 | St. Matthew Passion, BWV 244: Recit & Chorus: He said, Go to one in the city yonder | — | ||
| 16 | St. Matthew Passion, BWV 244: Chorale: Tis I, whose sins have bound thee | — | ||
| 17 | St. Matthew Passion, BWV 244: Recitative: He answered then and said | — | ||
| 18 | St. Matthew Passion, BWV 244: Recitative: Although our eyes with tears o'erflow | — | ||
| 19 | St. Matthew Passion, BWV 244: Soprano Aria: Jesus, Saviour, I am thine | — | ||
| 20 | St. Matthew Passion, BWV 244: Recitative: And after they had sung an hymn together | — | ||
| 21 | St. Matthew Passion, BWV 244: Chorale: Receive me, my Redeemer | — | ||
| 22 | St. Matthew Passion, BWV 244: Recitative: Simon Peter made answer | — | ||
| 23 | St. Matthew Passion, BWV 244: Chorale: Here would I stand beside them | — | ||
| 24 | St. Matthew Passion, BWV 244: Recitative: Then came Jesus with them | — | ||
| 25 | St. Matthew Passion, BWV 244: Tenor Solo with Chorus: O grief! how throbs His heavy-laden breast | — | ||
| 26 | St. Matthew Passion, BWV 244: Tenor Solo with Chorus: I would beside my Lord be watching | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Recitative: And he went away | — | ||
| 2-2 | St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bending | — | ||
| 2-3 | St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me | — | ||
| 2-4 | St. Matthew Passion, BWV 244: Recitative: And he came to his disciples | — | ||
| 2-5 | St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done | — | ||
| 2-6 | St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping | — | ||
| 2-7 | St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is taken | — | ||
| 2-8 | St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus | — | ||
| 2-9 | St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan | — | ||
| 2-10 | St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone | — | ||
| 2-11 | St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus | — | ||
| 2-12 | St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse! | — | ||
| 2-13 | St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward | — | ||
| 2-14 | St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falsely | — | ||
| 2-15 | St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure | — | ||
| 2-16 | St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him | — | ||
| 2-17 | St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face | — | ||
| 2-18 | St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee? | — | ||
| 2-19 | St. Matthew Passion, BWV 244: Recitative with Chorus: Simon Peter sat outside the court | — | ||
| 2-20 | St. Matthew Passion, BWV 244: Recitative: And then began he to curse and to swear | — | ||
| 2-21 | St. Matthew Passion, BWV 244: Contralto Aria: Have mercy, Lord, on me | — | ||
| 2-22 | St. Matthew Passion, BWV 244: Chorale: Lamb of God, I fall before Thee | — | ||
| 2-23 | St. Matthew Passion, BWV 244: Recitative with Chorus: Now when the morning came | — | ||
| 2-24 | St. Matthew Passion, BWV 244: Recitative: And he cast the silver pieces down in the temple | — | ||
| 2-25 | St. Matthew Passion, BWV 244: Bass Aria: Give, O give me back my Lord | — | ||
| 2-26 | St. Matthew Passion, BWV 244: Recitative: And they took counsel together | — | ||
| 2-27 | St. Matthew Passion, BWV 244: Chorale: Commit thy way to Jesus | — | ||
| 3-1 | St. Matthew Passion, BWV 244: Recitative with Chorus: At that feast then | — | ||
| 3-2 | St. Matthew Passion, BWV 244: Chorale: O wondrous love, that suffers this correction! | — | ||
| 3-3 | St. Matthew Passion, BWV 244: Recitative: The governor answered | — | ||
| 3-4 | St. Matthew Passion, BWV 244: Recitative: To all men Jesus good hath done | — | ||
| 3-5 | St. Matthew Passion, BWV 244: Soprano Aria: For love my Saviour now is dying | — | ||
| 3-6 | St. Matthew Passion, BWV 244: Recitative with Chorus: But they cried out the more | — | ||
| 3-7 | St. Matthew Passion, BWV 244: Recitative: O gracious God! | — | ||
| 3-8 | St. Matthew Passion, BWV 244: Contralto Aria: If my tears be unavailing | — | ||
| 3-9 | St. Matthew Passion, BWV 244: Recitative with Chorus: And then did the soldiers of the governor | — | ||
| 3-10 | St. Matthew Passion, BWV 244: Chorale: O Sacred Head surrounded by crown of piercing thorn | — | ||
| 3-11 | St. Matthew Passion, BWV 244: Recitative: And after they had mocked at him | — | ||
| 3-12 | St. Matthew Passion, BWV 244: Recitative: In truth, to bear the cross | — | ||
| 3-13 | St. Matthew Passion, BWV 244: Bass Aria: Come, healing cross | — | ||
| 3-14 | St. Matthew Passion, BWV 244: Recitative with Chorus: And when they came unto the place that is called Golgotha | — | ||
| 3-15 | St. Matthew Passion, BWV 244: Recitative: The same was cast in His teeth by the robbers | — | ||
| 3-16 | St. Matthew Passion, BWV 244: Recitative: Ah Golgotha! Unhappy Golgotha! | — | ||
| 3-17 | St. Matthew Passion, BWV 244: Contralto Aria with Chorus: See ye! See the Saviour's outstretched hands! | — | ||
| 3-18 | St. Matthew Passion, BWV 244: Recitative with Chorus: Now from the sixth hour | — | ||
| 3-19 | St. Matthew Passion, BWV 244: Chorale: Be near me Lord, when dying | — | ||
| 3-20 | St. Matthew Passion, BWV 244: Recitative with Chorus: And then, behold, the veil of the temple was rent | — | ||
| 3-21 | St. Matthew Passion, BWV 244: Recitative: At evening, hour of calm and peace | — | ||
| 3-22 | St. Matthew Passion, BWV 244: Bass Aria: Make thee clean, my heart, from sin | — | ||
| 3-23 | St. Matthew Passion, BWV 244: Recitative with Chorus: And Joseph took the body | — | ||
| 3-24 | St. Matthew Passion, BWV 244: Recitative with Chorus: And now the Lord to rest is laid | — | ||
| 3-25 | St. Matthew Passion, BWV 244: Chorus: In tears of grief, dear Lord, we leave thee | — | ||
| 4-1 | Messiah (arr. Mozart, K572): Part I. Overture | — | ||
| 4-2 | Messiah (arr. Mozart, K572): Part I. Allegro moderato | — | ||
| 4-3 | Messiah (arr. Mozart, K572): Part I. Recitative: Comfort ye (tenor) | — | ||
| 4-4 | Messiah (arr. Mozart, K572): Part I. Aria: Every Valley (tenor) | — | ||
| 4-5 | Messiah (arr. Mozart, K572): Part I. Chorus: And the Glory of the Lord | — | ||
| 4-6 | Messiah (arr. Mozart, K572): Part I. Recitative: Thus saith the Lord (bass) | — | ||
| 4-7 | Messiah (arr. Mozart, K572): Part I. Aria: But who may abide (bass) | — | ||
| 4-8 | Messiah (arr. Mozart, K572): Part I. Chorus: And He shall purify | — | ||
| 4-9 | Messiah (arr. Mozart, K572): Part I. Recitative: Behold! A Virgin (alto) | — | ||
| 4-10 | Messiah (arr. Mozart, K572): Part I. Aria: O thou that tellest good tidings to Zion (alto) | — | ||
| 4-11 | Messiah (arr. Mozart, K572): Part I. Recitative: For behold, darkness shall cover the earth (bass) | — | ||
| 4-12 | Messiah (arr. Mozart, K572): Part I. Aria: The people that walked in darkness (bass) | — | ||
| 4-13 | Messiah (arr. Mozart, K572): Part I. Chorus: For unto us a Child is born | — | ||
| 4-14 | Messiah (arr. Mozart, K572): Part I. Pastoral Symphony: Recitative: There were shepherds (soprano) | — | ||
| 4-15 | Messiah (arr. Mozart, K572): Part I. Accompagnato: And lo!, the Angel (soprano) | — | ||
| 4-16 | Messiah (arr. Mozart, K572): Part I. Recitative: And the Angel said unto them (soprano) | — | ||
| 4-17 | Messiah (arr. Mozart, K572): Part I. Accompagnato: And suddenly there was with the Angel (soprano) | — | ||
| 4-18 | Messiah (arr. Mozart, K572): Part I. Chorus: Glory to God | — | ||
| 4-19 | Messiah (arr. Mozart, K572): Part I. Aria: Rejoice greatly (soprano) | — | ||
| 4-20 | Messiah (arr. Mozart, K572): Part I. Recitative: Then shall the eyes of the blind (alto) | — | ||
| 4-21 | Messiah (arr. Mozart, K572): Part I. Aria: He shall feed His flock Aria: Come unto him (soprano) | — | ||
| 4-22 | Messiah (arr. Mozart, K572): Part I. Chorus: His yoke is easy | — | ||
| 5-1 | Messiah (arr. Mozart, K572): Part II. Chorus: Behold the Lamb of God | — | ||
| 5-2 | Messiah (arr. Mozart, K572): Part II. Aria: He was despised (alto) | — | ||
| 5-3 | Messiah (arr. Mozart, K572): Part II. Chorus: Surely, He hath borne our griefs | — | ||
| 5-4 | Messiah (arr. Mozart, K572): Part II. Chorus: And with his Stripes | — | ||
| 5-5 | Messiah (arr. Mozart, K572): Part II. Chorus: All we like sheep have gone astray | — | ||
| 5-6 | Messiah (arr. Mozart, K572): Part II. Recitative: All they that see Him (tenor) | — | ||
| 5-7 | Messiah (arr. Mozart, K572): Part II. Chorus: He trusted in God | — | ||
| 5-8 | Messiah (arr. Mozart, K572): Part II. Recitative: Thy rebuke hath broken His heart (tenor) | — | ||
| 5-9 | Messiah (arr. Mozart, K572): Part II. Aria: Behold, and see (tenor) | — | ||
| 5-10 | Messiah (arr. Mozart, K572): Part II. Recitative: He was cut off (tenor) | — | ||
| 5-11 | Messiah (arr. Mozart, K572): Part II. Aria: But Thou didst not leave (tenor) | — | ||
| 5-12 | Messiah (arr. Mozart, K572): Part II. Chorus: Lift up your heads | — | ||
| 5-13 | Messiah (arr. Mozart, K572): Part II. Chorus: The Lord gave the Word | — | ||
| 5-14 | Messiah (arr. Mozart, K572): Part II. Aria: How beautiful are the feet of them (soprano) | — | ||
| 5-15 | Messiah (arr. Mozart, K572): Part II. Aria: Why do the nations (bass) | — | ||
| 5-16 | Messiah (arr. Mozart, K572): Part II. Chorus: Let us break their bonds asunder | — | ||
| 5-17 | Messiah (arr. Mozart, K572): Part II. Recitative: He that dwelleth in Heaven (tenor) | — | ||
| 5-18 | Messiah (arr. Mozart, K572): Part II. Aria: Thou shalt break them (tenor) | — | ||
| 5-19 | Messiah (arr. Mozart, K572): Part II. Chorus: Hallelujah! | — | ||
| 5-20 | Messiah (arr. Mozart, K572): Part III. Aria: I know that my Redeemer liveth (soprano) | — | ||
| 5-21 | Messiah (arr. Mozart, K572): Part III. Chorus: Since by man come death | — | ||
| 5-22 | Messiah (arr. Mozart, K572): Part III. Recitative: Behold, I tell you a mystery (bass) | — | ||
| 5-23 | Messiah (arr. Mozart, K572): Part III. Aria: The trumpet shall sound (bass) | — | ||
| 5-24 | Messiah (arr. Mozart, K572): Part III. Chorus: Worthy is the Lamb | — | ||
| 5-25 | Messiah (arr. Mozart, K572): Part III. Chorus: Amen | — | ||
| 6-1 | The Crucifixion: And They Came to a Place Named Gethsemane | — | ||
| 6-2 | The Crucifixion: The Agony | — | ||
| 6-3 | The Crucifixion: Processional to Calvary | — | ||
| 6-4 | The Crucifixion: And When They Had Come to the Place Called Calvary | — | ||
| 6-5 | The Crucifixion: The Mystery of the Divine Humiliation | — | ||
| 6-6 | The Crucifixion: He Made Himself of No Reputation | — | ||
| 6-7 | The Crucifixion: The Majesty of the Divine Humiliation | — | ||
| 6-8 | The Crucifixion: And As Moses Lifted Up the Serpent | — | ||
| 6-9 | The Crucifixion: God So Loved the World | — | ||
| 6-10 | The Crucifixion: Litany of the Passion | — | ||
| 6-11 | The Crucifixion: Jesus Said, 'Father, Forgive Them' | — | ||
| 6-12 | The Crucifixion: So Thou Liftest Thy Divine Petition | — | ||
| 6-13 | The Crucifixion: The Mystery of the Intercession | — | ||
| 6-14 | The Crucifixion: And One of the Malefactors | — | ||
| 6-15 | The Crucifixion: The Adoration of the Crucified | — | ||
| 6-16 | The Crucifixion: When Jesus Therefore Saw His Mother | — | ||
| 6-17 | The Crucifixion: Is It Nothing to You? | — | ||
| 6-18 | The Crucifixion: The Appeal of the Crucified | — | ||
| 6-19 | The Crucifixion: After This, Jesus Knowing That All Things | — | ||
| 6-20 | The Crucifixion: For the Love of Jesus | — | ||
| 7-1 | Requiem in D minor: Requiem Alternam | Judith Howarth, BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-2 | Requiem in D Minor, K. 626 (Kyrie) | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-3 | Requiem, K. 626: III. Sequentia: Dies irae | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-4 | Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum | Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover | — | |
| 7-5 | Requiem in D minor, K .626: 3. Sequentia: Rex tremendae majestatis | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-6 | Requiem in D minor, K. 626: 3. Sequentia: Recordare, Jesu pie | Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover | — | |
| 7-7 | Requiem in D minor, K. 626: 3. Sequentia: Confutatis maledictis | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-8 | Requiem, K. 626: Lacrimosa | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-9 | Requiem in D minor, K. 626: 4. Offertorium: Domine, Jesu Christe | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-10 | Requiem in D minor, K. 626: 4. Offertorium: Hostias | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-11 | Requiem in D minor, K. 626: 5. Sanctus | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-12 | Requiem in D minor, K. 626: 6. Benedictus | Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover | — | |
| 7-13 | Requiem in D minor, K. 626: 7. Agnus Dei | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-14 | Requiem in D minor, K. 626: Lux aeterna | Judith Howarth, BBC Singers, London Mozart Players, Jane Glover | — |
Songwriters/Publishers (IPI)
Identifier Graph
680125070128 is a Universal Product Code (UPC) assigned to Great Choral Favourites by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 159 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
680125070128 is the Universal Product Code (UPC barcode) for the release “Great Choral Favourites” by Various Artists, released 2003-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 159 tracks, each with its own ISRC. Tracks include GBUM70814370, GBUM70814371, GBUM70814372.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Matthew Passion, BWV 244: Chorus: Come ye daughters, share my mourning | — | ||
| 2 | St. Matthew Passion, BWV 244: Recitative: When Jesus had completed all these sayings | — | ||
| 3 | St. Matthew Passion, BWV 244: Chorale: O blessed Jesu, how hast thou offended? | — | ||
| 4 | St. Matthew Passion, BWV 244: Recitative: At that time there assembled the chief priests | — | ||
| 5 | St. Matthew Passion, BWV 244: Chorus: Not upon the feast | — | ||
| 6 | St. Matthew Passion, BWV 244: Recitative: Now when Jesus was in Bethany | — | ||
| 7 | St. Matthew Passion, BWV 244: Chorus: To what purpose is this waste? | — | ||
| 8 | St. Matthew Passion, BWV 244: Recitative: When Jesus understood it | — | ||
| 9 | St. Matthew Passion, BWV 244: Recitative: My Master and my Lord | — | ||
| 10 | St. Matthew Passion, BWV 244: Contralto Aria: Grief for sin | — | ||
| 11 | St. Matthew Passion, BWV 244: Recitative: Then went one of the disciples | — | ||
| 12 | St. Matthew Passion, BWV 244: Soprano Aria: Break in grief | — | ||
| 13 | St. Matthew Passion, BWV 244: Recitative: Now on the first day of the unleavened bread | — | ||
| 14 | St. Matthew Passion, BWV 244: Chorus: Where wilt thou? | — | ||
| 15 | St. Matthew Passion, BWV 244: Recit & Chorus: He said, Go to one in the city yonder | — | ||
| 16 | St. Matthew Passion, BWV 244: Chorale: Tis I, whose sins have bound thee | — | ||
| 17 | St. Matthew Passion, BWV 244: Recitative: He answered then and said | — | ||
| 18 | St. Matthew Passion, BWV 244: Recitative: Although our eyes with tears o'erflow | — | ||
| 19 | St. Matthew Passion, BWV 244: Soprano Aria: Jesus, Saviour, I am thine | — | ||
| 20 | St. Matthew Passion, BWV 244: Recitative: And after they had sung an hymn together | — | ||
| 21 | St. Matthew Passion, BWV 244: Chorale: Receive me, my Redeemer | — | ||
| 22 | St. Matthew Passion, BWV 244: Recitative: Simon Peter made answer | — | ||
| 23 | St. Matthew Passion, BWV 244: Chorale: Here would I stand beside them | — | ||
| 24 | St. Matthew Passion, BWV 244: Recitative: Then came Jesus with them | — | ||
| 25 | St. Matthew Passion, BWV 244: Tenor Solo with Chorus: O grief! how throbs His heavy-laden breast | — | ||
| 26 | St. Matthew Passion, BWV 244: Tenor Solo with Chorus: I would beside my Lord be watching | — | ||
| 2-1 | St. Matthew Passion, BWV 244: Recitative: And he went away | — | ||
| 2-2 | St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bending | — | ||
| 2-3 | St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me | — | ||
| 2-4 | St. Matthew Passion, BWV 244: Recitative: And he came to his disciples | — | ||
| 2-5 | St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done | — | ||
| 2-6 | St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping | — | ||
| 2-7 | St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is taken | — | ||
| 2-8 | St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus | — | ||
| 2-9 | St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan | — | ||
| 2-10 | St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone | — | ||
| 2-11 | St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus | — | ||
| 2-12 | St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse! | — | ||
| 2-13 | St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward | — | ||
| 2-14 | St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falsely | — | ||
| 2-15 | St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure | — | ||
| 2-16 | St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him | — | ||
| 2-17 | St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face | — | ||
| 2-18 | St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee? | — | ||
| 2-19 | St. Matthew Passion, BWV 244: Recitative with Chorus: Simon Peter sat outside the court | — | ||
| 2-20 | St. Matthew Passion, BWV 244: Recitative: And then began he to curse and to swear | — | ||
| 2-21 | St. Matthew Passion, BWV 244: Contralto Aria: Have mercy, Lord, on me | — | ||
| 2-22 | St. Matthew Passion, BWV 244: Chorale: Lamb of God, I fall before Thee | — | ||
| 2-23 | St. Matthew Passion, BWV 244: Recitative with Chorus: Now when the morning came | — | ||
| 2-24 | St. Matthew Passion, BWV 244: Recitative: And he cast the silver pieces down in the temple | — | ||
| 2-25 | St. Matthew Passion, BWV 244: Bass Aria: Give, O give me back my Lord | — | ||
| 2-26 | St. Matthew Passion, BWV 244: Recitative: And they took counsel together | — | ||
| 2-27 | St. Matthew Passion, BWV 244: Chorale: Commit thy way to Jesus | — | ||
| 3-1 | St. Matthew Passion, BWV 244: Recitative with Chorus: At that feast then | — | ||
| 3-2 | St. Matthew Passion, BWV 244: Chorale: O wondrous love, that suffers this correction! | — | ||
| 3-3 | St. Matthew Passion, BWV 244: Recitative: The governor answered | — | ||
| 3-4 | St. Matthew Passion, BWV 244: Recitative: To all men Jesus good hath done | — | ||
| 3-5 | St. Matthew Passion, BWV 244: Soprano Aria: For love my Saviour now is dying | — | ||
| 3-6 | St. Matthew Passion, BWV 244: Recitative with Chorus: But they cried out the more | — | ||
| 3-7 | St. Matthew Passion, BWV 244: Recitative: O gracious God! | — | ||
| 3-8 | St. Matthew Passion, BWV 244: Contralto Aria: If my tears be unavailing | — | ||
| 3-9 | St. Matthew Passion, BWV 244: Recitative with Chorus: And then did the soldiers of the governor | — | ||
| 3-10 | St. Matthew Passion, BWV 244: Chorale: O Sacred Head surrounded by crown of piercing thorn | — | ||
| 3-11 | St. Matthew Passion, BWV 244: Recitative: And after they had mocked at him | — | ||
| 3-12 | St. Matthew Passion, BWV 244: Recitative: In truth, to bear the cross | — | ||
| 3-13 | St. Matthew Passion, BWV 244: Bass Aria: Come, healing cross | — | ||
| 3-14 | St. Matthew Passion, BWV 244: Recitative with Chorus: And when they came unto the place that is called Golgotha | — | ||
| 3-15 | St. Matthew Passion, BWV 244: Recitative: The same was cast in His teeth by the robbers | — | ||
| 3-16 | St. Matthew Passion, BWV 244: Recitative: Ah Golgotha! Unhappy Golgotha! | — | ||
| 3-17 | St. Matthew Passion, BWV 244: Contralto Aria with Chorus: See ye! See the Saviour's outstretched hands! | — | ||
| 3-18 | St. Matthew Passion, BWV 244: Recitative with Chorus: Now from the sixth hour | — | ||
| 3-19 | St. Matthew Passion, BWV 244: Chorale: Be near me Lord, when dying | — | ||
| 3-20 | St. Matthew Passion, BWV 244: Recitative with Chorus: And then, behold, the veil of the temple was rent | — | ||
| 3-21 | St. Matthew Passion, BWV 244: Recitative: At evening, hour of calm and peace | — | ||
| 3-22 | St. Matthew Passion, BWV 244: Bass Aria: Make thee clean, my heart, from sin | — | ||
| 3-23 | St. Matthew Passion, BWV 244: Recitative with Chorus: And Joseph took the body | — | ||
| 3-24 | St. Matthew Passion, BWV 244: Recitative with Chorus: And now the Lord to rest is laid | — | ||
| 3-25 | St. Matthew Passion, BWV 244: Chorus: In tears of grief, dear Lord, we leave thee | — | ||
| 4-1 | Messiah (arr. Mozart, K572): Part I. Overture | — | ||
| 4-2 | Messiah (arr. Mozart, K572): Part I. Allegro moderato | — | ||
| 4-3 | Messiah (arr. Mozart, K572): Part I. Recitative: Comfort ye (tenor) | — | ||
| 4-4 | Messiah (arr. Mozart, K572): Part I. Aria: Every Valley (tenor) | — | ||
| 4-5 | Messiah (arr. Mozart, K572): Part I. Chorus: And the Glory of the Lord | — | ||
| 4-6 | Messiah (arr. Mozart, K572): Part I. Recitative: Thus saith the Lord (bass) | — | ||
| 4-7 | Messiah (arr. Mozart, K572): Part I. Aria: But who may abide (bass) | — | ||
| 4-8 | Messiah (arr. Mozart, K572): Part I. Chorus: And He shall purify | — | ||
| 4-9 | Messiah (arr. Mozart, K572): Part I. Recitative: Behold! A Virgin (alto) | — | ||
| 4-10 | Messiah (arr. Mozart, K572): Part I. Aria: O thou that tellest good tidings to Zion (alto) | — | ||
| 4-11 | Messiah (arr. Mozart, K572): Part I. Recitative: For behold, darkness shall cover the earth (bass) | — | ||
| 4-12 | Messiah (arr. Mozart, K572): Part I. Aria: The people that walked in darkness (bass) | — | ||
| 4-13 | Messiah (arr. Mozart, K572): Part I. Chorus: For unto us a Child is born | — | ||
| 4-14 | Messiah (arr. Mozart, K572): Part I. Pastoral Symphony: Recitative: There were shepherds (soprano) | — | ||
| 4-15 | Messiah (arr. Mozart, K572): Part I. Accompagnato: And lo!, the Angel (soprano) | — | ||
| 4-16 | Messiah (arr. Mozart, K572): Part I. Recitative: And the Angel said unto them (soprano) | — | ||
| 4-17 | Messiah (arr. Mozart, K572): Part I. Accompagnato: And suddenly there was with the Angel (soprano) | — | ||
| 4-18 | Messiah (arr. Mozart, K572): Part I. Chorus: Glory to God | — | ||
| 4-19 | Messiah (arr. Mozart, K572): Part I. Aria: Rejoice greatly (soprano) | — | ||
| 4-20 | Messiah (arr. Mozart, K572): Part I. Recitative: Then shall the eyes of the blind (alto) | — | ||
| 4-21 | Messiah (arr. Mozart, K572): Part I. Aria: He shall feed His flock Aria: Come unto him (soprano) | — | ||
| 4-22 | Messiah (arr. Mozart, K572): Part I. Chorus: His yoke is easy | — | ||
| 5-1 | Messiah (arr. Mozart, K572): Part II. Chorus: Behold the Lamb of God | — | ||
| 5-2 | Messiah (arr. Mozart, K572): Part II. Aria: He was despised (alto) | — | ||
| 5-3 | Messiah (arr. Mozart, K572): Part II. Chorus: Surely, He hath borne our griefs | — | ||
| 5-4 | Messiah (arr. Mozart, K572): Part II. Chorus: And with his Stripes | — | ||
| 5-5 | Messiah (arr. Mozart, K572): Part II. Chorus: All we like sheep have gone astray | — | ||
| 5-6 | Messiah (arr. Mozart, K572): Part II. Recitative: All they that see Him (tenor) | — | ||
| 5-7 | Messiah (arr. Mozart, K572): Part II. Chorus: He trusted in God | — | ||
| 5-8 | Messiah (arr. Mozart, K572): Part II. Recitative: Thy rebuke hath broken His heart (tenor) | — | ||
| 5-9 | Messiah (arr. Mozart, K572): Part II. Aria: Behold, and see (tenor) | — | ||
| 5-10 | Messiah (arr. Mozart, K572): Part II. Recitative: He was cut off (tenor) | — | ||
| 5-11 | Messiah (arr. Mozart, K572): Part II. Aria: But Thou didst not leave (tenor) | — | ||
| 5-12 | Messiah (arr. Mozart, K572): Part II. Chorus: Lift up your heads | — | ||
| 5-13 | Messiah (arr. Mozart, K572): Part II. Chorus: The Lord gave the Word | — | ||
| 5-14 | Messiah (arr. Mozart, K572): Part II. Aria: How beautiful are the feet of them (soprano) | — | ||
| 5-15 | Messiah (arr. Mozart, K572): Part II. Aria: Why do the nations (bass) | — | ||
| 5-16 | Messiah (arr. Mozart, K572): Part II. Chorus: Let us break their bonds asunder | — | ||
| 5-17 | Messiah (arr. Mozart, K572): Part II. Recitative: He that dwelleth in Heaven (tenor) | — | ||
| 5-18 | Messiah (arr. Mozart, K572): Part II. Aria: Thou shalt break them (tenor) | — | ||
| 5-19 | Messiah (arr. Mozart, K572): Part II. Chorus: Hallelujah! | — | ||
| 5-20 | Messiah (arr. Mozart, K572): Part III. Aria: I know that my Redeemer liveth (soprano) | — | ||
| 5-21 | Messiah (arr. Mozart, K572): Part III. Chorus: Since by man come death | — | ||
| 5-22 | Messiah (arr. Mozart, K572): Part III. Recitative: Behold, I tell you a mystery (bass) | — | ||
| 5-23 | Messiah (arr. Mozart, K572): Part III. Aria: The trumpet shall sound (bass) | — | ||
| 5-24 | Messiah (arr. Mozart, K572): Part III. Chorus: Worthy is the Lamb | — | ||
| 5-25 | Messiah (arr. Mozart, K572): Part III. Chorus: Amen | — | ||
| 6-1 | The Crucifixion: And They Came to a Place Named Gethsemane | — | ||
| 6-2 | The Crucifixion: The Agony | — | ||
| 6-3 | The Crucifixion: Processional to Calvary | — | ||
| 6-4 | The Crucifixion: And When They Had Come to the Place Called Calvary | — | ||
| 6-5 | The Crucifixion: The Mystery of the Divine Humiliation | — | ||
| 6-6 | The Crucifixion: He Made Himself of No Reputation | — | ||
| 6-7 | The Crucifixion: The Majesty of the Divine Humiliation | — | ||
| 6-8 | The Crucifixion: And As Moses Lifted Up the Serpent | — | ||
| 6-9 | The Crucifixion: God So Loved the World | — | ||
| 6-10 | The Crucifixion: Litany of the Passion | — | ||
| 6-11 | The Crucifixion: Jesus Said, 'Father, Forgive Them' | — | ||
| 6-12 | The Crucifixion: So Thou Liftest Thy Divine Petition | — | ||
| 6-13 | The Crucifixion: The Mystery of the Intercession | — | ||
| 6-14 | The Crucifixion: And One of the Malefactors | — | ||
| 6-15 | The Crucifixion: The Adoration of the Crucified | — | ||
| 6-16 | The Crucifixion: When Jesus Therefore Saw His Mother | — | ||
| 6-17 | The Crucifixion: Is It Nothing to You? | — | ||
| 6-18 | The Crucifixion: The Appeal of the Crucified | — | ||
| 6-19 | The Crucifixion: After This, Jesus Knowing That All Things | — | ||
| 6-20 | The Crucifixion: For the Love of Jesus | — | ||
| 7-1 | Requiem in D minor: Requiem Alternam | Judith Howarth, BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-2 | Requiem in D Minor, K. 626 (Kyrie) | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-3 | Requiem, K. 626: III. Sequentia: Dies irae | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-4 | Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum | Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover | — | |
| 7-5 | Requiem in D minor, K .626: 3. Sequentia: Rex tremendae majestatis | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-6 | Requiem in D minor, K. 626: 3. Sequentia: Recordare, Jesu pie | Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover | — | |
| 7-7 | Requiem in D minor, K. 626: 3. Sequentia: Confutatis maledictis | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-8 | Requiem, K. 626: Lacrimosa | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-9 | Requiem in D minor, K. 626: 4. Offertorium: Domine, Jesu Christe | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-10 | Requiem in D minor, K. 626: 4. Offertorium: Hostias | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-11 | Requiem in D minor, K. 626: 5. Sanctus | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-12 | Requiem in D minor, K. 626: 6. Benedictus | Judith Howarth, Diana Montague, Maldwyn Davies, Stephen Roberts, London Mozart Players, Jane Glover | — | |
| 7-13 | Requiem in D minor, K. 626: 7. Agnus Dei | BBC Singers, London Mozart Players, Jane Glover | — | |
| 7-14 | Requiem in D minor, K. 626: Lux aeterna | Judith Howarth, BBC Singers, London Mozart Players, Jane Glover | — |