UPC · Release
The Lost Tapes
Ghostface Killah
Last verified:
680599101427 is the Universal Product Code (UPC barcode) for the release “The Lost Tapes” by Ghostface Killah, released 2019-01-01 on Holy Toledo Productions. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include IEWNY2318609, IEWNY2319160, IEWNY2319162.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | Ghostface Killah, Michael Rapaport | — | |
| 2 | Buckingham Palace | Ghostface Killah, KXNG Crooked, Benny the Butcher, 38 Spesh | T-930.542.958-7 | |
| 3 | Majestic Accolades | Ghostface Killah, Planet Asia, Hus Kingpin | — | |
| 4 | Cold Crush | Ghostface Killah, La the Darkman, Ras Kass, Chris Rivers, Harley | T-927.088.379-9 | |
| 5 | Put the Ghostface on It (interlude 1) | Ghostface Killah | — | |
| 6 | Saigon Velour | Ghostface Killah, Snoop Dogg, E-40 | T-316.243.812-8 | |
| 7 | Constant Struggle | Ghostface Killah, Killah Priest, Bishop Lamont | T-927.115.895-3 | |
| 8 | Done It Again | Ghostface Killah, Big Daddy Kane, Cappadonna, Styliztik Jones, Harley | T-927.115.888-4 | |
| 9 | Reflections of C.R.E.A.M. (interlude 2) | Ghostface Killah | — | |
| 10 | Watch ’Em Holla | Ghostface Killah, Raekwon, Masta Killa, Cappadonna, DJ Grouch | — | |
| 11 | I Think I Saw a Ghost | Ghostface Killah, Sheek Louch, Vic Spencer, Reignwolf, Luke Holland | — | |
| 12 | Outroduction | Ghostface Killah, Michael Rapaport | — | |
| 2-1 | Ivory Rose (instrumental) | — | ||
| 2-2 | Buckingham Palace (instrumental) | — | ||
| 2-3 | Majestic Accolades (instrumental) | — | ||
| 2-4 | Cold Crush (instrumental) | — | ||
| 2-5 | Tony’s Theme (instrumental) | — | ||
| 2-6 | Saigon Valour (instrumental) | — | ||
| 2-7 | Constant Struggle (instrumental) | — | ||
| 2-8 | Done It Again (instrumental) | — | ||
| 2-9 | Havana Cabana Brothers (instrumental) | — | ||
| 2-10 | The God’s Build (instrumental) | — | ||
| 2-11 | Whiskey Slippers (instrumental) | — | ||
| 2-12 | Slums of Paradise (instrumental) | — |
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Saigon Velour (remix) | Ghostface Killah, Snoop Dogg, E-40, Tricky | T-927.148.205-4 |
| Introduction | Ghostface Killah, Michael Rapaport | — |
| Majestic Accolades | Ghostface Killah, Planet Asia, Hus Kingpin | — |
| Put the Ghostface on It (interlude 1) | Ghostface Killah | T-926.831.277-2 |
| Reflections of C.R.E.A.M. (interlude 2) | Ghostface Killah | T-926.831.454-1 |
| Watch ’Em Holla | Ghostface Killah, Raekwon, Masta Killa, Cappadonna, DJ Grouch | T-927.115.906-9 |
| I Think I Saw a Ghost | Ghostface Killah, Sheek Louch, Vic Spencer, Reignwolf, Luke Holland | — |
| Outroduction | Ghostface Killah, Michael Rapaport | — |
| Saigon Velour (remix) | Ghostface Killah, Snoop Dogg, E-40, Tricky | T-316.243.812-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 680599101427?
680599101427 is a Universal Product Code (UPC) assigned to The Lost Tapes by Ghostface Killah. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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