UPC · Release
Handel for Trumpet
Jonathan Freeman-Attwood, Anna Szalucka, Tom Freeman‐Attwood
691062073622
28 tracksReleased 2024-01-01Linn
Last verified:
691062073622 is the Universal Product Code (UPC barcode) for the release “Handel for Trumpet” by Jonathan Freeman-Attwood, Anna Szalucka, Tom Freeman‐Attwood, released 2024-01-01 on Linn. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC.
Format
6Number system
91062Manufacturer
07362Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHandel for Trumpet
IPI2 songwriters
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rodelinda, HWV 19: Ritorna, o caro (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 2 | Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): I. Andante | — | |
| 3 | Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): II. Allegro | — | |
| 4 | Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): III. Andante | — | |
| 5 | Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): IV. Allegro | — | |
| 6 | Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): V. Menuetto | — | |
| 7 | Giove in Argo, HWV A14: Nel passar da un laccio all’altro (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 8 | Suite No. 3 in D Minor, HWV 428: Prelude, Allemande and Fugue (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 9 | Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): I. Larghetto | — | |
| 10 | Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): II. Allegro | — | |
| 11 | Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): III. Larghetto | — | |
| 12 | Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): IV. Allegro | — | |
| 13 | Semele, HWV 58: Where’er You Walk (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 14 | Ariodante, HWV 33: Vezzi, lusinghe, e brio (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 15 | Berenice, HWV 38: Se il mio amor fu il tuo delitto (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 16 | Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): I. Larghetto affettuoso | — | |
| 17 | Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): II. Allegro | — | |
| 18 | Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): III. Largo e piano | — | |
| 19 | Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): IV. Allegro | — | |
| 20 | Solomon, HWV 67: With Thee th’Unsheltered Moor I’d Tread (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 21 | Alessandro, HWV 21: Brilla nell’alma (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 22 | Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): I. Ouverture | — | |
| 23 | Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): II. Allegro ma non troppo | — | |
| 24 | Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): III. Allegro | — | |
| 25 | Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): IV. Alla breve moderato | — | |
| 26 | Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): V. Minuet | — | |
| 27 | Theodora, HWV 68: To Thee, Thou Glorious Son of Worth (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — | |
| 28 | Agrippina, HWV 6: Bel piacere (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones) | — |
Rodelinda, HWV 19: Ritorna, o caro (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): I. Andante
—
Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): II. Allegro
—
Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): III. Andante
—
Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): IV. Allegro
—
Sonata No. 1 in F Major (After Handel’s Concerto grosso in F Major, Op. 3 No. 4, HWV 315): V. Menuetto
—
Giove in Argo, HWV A14: Nel passar da un laccio all’altro (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Suite No. 3 in D Minor, HWV 428: Prelude, Allemande and Fugue (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): I. Larghetto
—
Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): II. Allegro
—
Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): III. Larghetto
—
Sonata No. 3 in E Flat Major (After Handel’s Organ Concerto in F Major‘The Cuckoo and the Nightingale’, HWV 295): IV. Allegro
—
Semele, HWV 58: Where’er You Walk (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Ariodante, HWV 33: Vezzi, lusinghe, e brio (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Berenice, HWV 38: Se il mio amor fu il tuo delitto (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): I. Larghetto affettuoso
—
Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): II. Allegro
—
Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): III. Largo e piano
—
Sonata No. 2 in F Minor (After Handel’s Concerto grosso in A Minor, Op. 6 No. 4, HWV 322): IV. Allegro
—
Solomon, HWV 67: With Thee th’Unsheltered Moor I’d Tread (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Alessandro, HWV 21: Brilla nell’alma (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): I. Ouverture
—
Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): II. Allegro ma non troppo
—
Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): III. Allegro
—
Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): IV. Alla breve moderato
—
Sonata No. 4 in A Major (After Handel’s Concerto a due cori in B Flat Major, HWV 332): V. Minuet
—
Theodora, HWV 68: To Thee, Thou Glorious Son of Worth (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
Agrippina, HWV 6: Bel piacere (Arr. for Trumpet and Piano by Jonathan Freeman‐Attwood and Timothy Jones)
—
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What is UPC 691062073622?
691062073622 is a Universal Product Code (UPC) assigned to Handel for Trumpet by Jonathan Freeman-Attwood, Anna Szalucka, Tom Freeman‐Attwood. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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