UPC · Release
Gustav Mahler, Leonard Bernstein
Last verified:
The UPC for “The Complete Symphonies” by Gustav Mahler, Leonard Bernstein is 696998949928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Sony Classical. This release contains 194 tracks, each with its own ISRC. Tracks include USSM10702785, USSM10702786, USSM10702787.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": Movement I: Langsam. Schleppend. Wie ein Naturlaut | — | ||
| 2 | Symphony no. 1 in D major "Titan": Movement I: Immer sehr gemächlich | — | ||
| 3 | Symphony no. 1 in D major "Titan": Movement I: Sehr Gemächlich | — | ||
| 4 | Symphony no. 1 in D major "Titan": Movement I: Vorwärts drängend | — | ||
| 5 | Symphony no. 1 in D major "Titan": Movement II: Kräftig bewegt | — | ||
| 6 | Symphony no. 1 in D major "Titan": Movement II: Trio. Recht gemächlich | — | ||
| 7 | Symphony no. 1 in D major "Titan": Movement II: Tempo primo | — | ||
| 8 | Symphony no. 1 in D major "Titan": Movement III: Feierlich und gemessen, ohne zu schleppen | — | ||
| 9 | Symphony no. 1 in D major "Titan": Movement III: A tempo. Ziemlich langsam | — | ||
| 10 | Symphony no. 1 in D major "Titan": Movement III: Sehr einfach und schlicht wie eine Volksweise | — | ||
| 11 | Symphony no. 1 in D major "Titan": Movement III: Wieder etwas bewegter, wie im Anfang | — | ||
| 12 | Symphony no. 1 in D major "Titan": Movement IV: Stürmisch bewegt | — | ||
| 13 | Symphony no. 1 in D major "Titan": Movement IV: Sehr gesangvoll | — | ||
| 14 | Symphony no. 1 in D major "Titan": Movement IV: Wieder wie zu Anfang. Stürmisch bewegt | — | ||
| 15 | Symphony no. 1 in D major "Titan": Movement IV: Sehr langsam | — | ||
| 16 | Symphony no. 1 in D major "Titan": Movement IV: Wieder vorwärts drängend | — | ||
| 17 | Adagio from Symphony no. 10: Andante | — | ||
| 18 | Adagio from Symphony no. 10: Andante come prima | — | ||
| 19 | Adagio from Symphony no. 10: A tempo (fließend) | — | ||
| 20 | Adagio from Symphony no. 10: Measure 104 | — | ||
| 21 | Adagio from Symphony no. 10: Measure 194 | — | ||
| 22 | Adagio from Symphony no. 10: A tempo | — | ||
| 2-1 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso | — | ||
| 2-2 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Sehr mässig und zurückhaltend | — | ||
| 2-3 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Schnell | — | ||
| 2-4 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Tempo I | — | ||
| 2-5 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Tempo sostenuto | — | ||
| 2-6 | Symphony no. 2 in C minor “Resurrection”: Movement II: Andante moderato | — | ||
| 2-7 | Symphony no. 2 in C minor “Resurrection”: Movement II: Andante moderato: Energisch bewegt | — | ||
| 2-8 | Symphony no. 2 in C minor “Resurrection”: Movement II: Andante moderato: Wieder in's Tempo zurückgehen, Tempo I | — | ||
| 2-9 | Symphony no. 2 in C minor “Resurrection”: Movement III: In ruhig fließender Bewegung | — | ||
| 2-10 | Symphony no. 2 in C minor “Resurrection”: Movement III: Vorwärts | — | ||
| 2-11 | Symphony no. 2 in C minor “Resurrection”: Movement III: Zum Tempo I, zurückkehren | — | ||
| 3-1 | Symphony no. 2 in C minor “Resurrection”: Movement IV: “Urlicht” — Sehr feierlich, aber schlicht | — | ||
| 3-2 | Symphony no. 2 in C minor “Resurrection”: Movement IV: Etwas bewegter | — | ||
| 3-3 | Symphony no. 2 in C minor “Resurrection”: Movement V: Im Tempo des Scherzos. Wild herausfahrend | — | ||
| 3-4 | Symphony no. 2 in C minor “Resurrection”: Movement V: Langsam | — | ||
| 3-5 | Symphony no. 2 in C minor “Resurrection”: Movement V: Im Anfang sehr zurückgehalten | — | ||
| 3-6 | Symphony no. 2 in C minor “Resurrection”: Movement V: Maestoso | — | ||
| 3-7 | Symphony no. 2 in C minor “Resurrection”: Movement V: Wieder zurückhaltend | — | ||
| 3-8 | Symphony no. 2 in C minor “Resurrection”: Movement V: Sehr langsam und gedehnt | — | ||
| 3-9 | Symphony no. 2 in C minor “Resurrection”: Movement V: Langsam. Misterioso | — | ||
| 3-10 | Symphony no. 2 in C minor “Resurrection”: Movement V: Etwas bewegter | — | ||
| 3-11 | Symphony no. 2 in C minor “Resurrection”: Movement V: Mit Aufschwung, aber nicht eilen “O Schmerz!” | — | ||
| 3-12 | Symphony no. 2 in C minor “Resurrection”: Movement V: Più mosso “Sterben” | — | ||
| 3-13 | Symphony no. 5 in C-sharp minor: IV: Adagietto. Sehr langsam | — | ||
| 3-14 | Symphony no. 8 in E-flat major: Part One: "Veni, Creator Spiritus!" | — | ||
| 3-15 | Symphony no. 8 in E-flat major: Part One: "Imple superna gratia" | — | ||
| 3-16 | Symphony no. 8 in E-flat major: Part One: "Infirma nostri corporis" | — | ||
| 3-17 | Symphony no. 8 in E-flat major: Part One: Tempo I. (Allegro, etwas hastig) | — | ||
| 3-18 | Symphony no. 8 in E-flat major: Part One: "Infirma nostri corporis" | — | ||
| 3-19 | Symphony no. 8 in E-flat major: Part One: "Accende lumen sensibus" | — | ||
| 3-20 | Symphony no. 8 in E-flat major: Part One: "Qui Paraclitus deceris" | — | ||
| 3-21 | Symphony no. 8 in E-flat major: Part One: "Gloria Patri Domino" | — | ||
| 4-1 | Symphony no. 3 in D minor: Part One: Movement I: Kräftig. Entschieden | — | ||
| 4-2 | Symphony no. 3 in D minor: Part One: Movement I: Langsam. Schwer | — | ||
| 4-3 | Symphony no. 3 in D minor: Part One: Movement I: Tempo I | — | ||
| 4-4 | Symphony no. 3 in D minor: Part One: Movement I: a tempo | — | ||
| 4-5 | Symphony no. 3 in D minor: Part One: Movement I: Immer dasselbe Tempo (Marsch). Nicht eilen | — | ||
| 4-6 | Symphony no. 3 in D minor: Part One: Movement I: Im alten Marschtempo (Allegro moderato) | — | ||
| 4-7 | Symphony no. 3 in D minor: Part One: Movement I: Tempo I | — | ||
| 4-8 | Symphony no. 3 in D minor: Part Two: Movement II: Tempo di Menuetto. Sehr mäßig | — | ||
| 4-9 | Symphony no. 3 in D minor: Part Two: Movement II: a tempo | — | ||
| 4-10 | Symphony no. 3 in D minor: Part Two: Movement II: Ganz plötzlich gemächlich. Tempo di menuetto | — | ||
| 4-11 | Symphony no. 3 in D minor: Part Two: Movement III: Comodo. Scherzando. Ohne Hast | — | ||
| 4-12 | Symphony no. 3 in D minor: Part Two: Movement III: Wieder sehr gemächlich, wie zu Anfang | — | ||
| 4-13 | Symphony no. 3 in D minor: Part Two: Movement III: Etwas zurückhaltend - Sehr gemächlich | — | ||
| 4-14 | Symphony no. 3 in D minor: Part Two: Movement III: Tempo I. Mit geheimnisvolles Hast! | — | ||
| 4-15 | Symphony no. 3 in D minor: Part Two: Movement III: Wieder sehr gemächlich, beinahe langsam | — | ||
| 4-16 | Symphony no. 3 in D minor: Part Two: Movement IV: Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 4-17 | Symphony no. 3 in D minor: Part Two: Movement IV: Più mosso subito | — | ||
| 4-18 | Symphony no. 3 in D minor: Part Two: Movement V: Lustig im Tempo und keck im Ausdruck | — | ||
| 5-1 | Symphony no. 3 in D minor: Part Two: Movement VI: Langsam. Ruhevoll. Empfunden | — | ||
| 5-2 | Symphony no. 3 in D minor: Part Two: Movement VI: Nicht mehr so breit | — | ||
| 5-3 | Symphony no. 3 in D minor: Part Two: Movement VI: Tempo I. Ruhevoll! | — | ||
| 5-4 | Symphony no. 3 in D minor: Part Two: Movement VI: a tempo (Etwas bewegter) | — | ||
| 5-5 | Symphony no. 3 in D minor: Part Two: Movement VI: Tempo I | — | ||
| 5-6 | Symphony no. 3 in D minor: Part Two: Movement VI: Langsam. Tempo I | — | ||
| 5-7 | Three Rückert Songs: "Ich atmet einen linden Duft" | — | ||
| 5-8 | Three Rückert Songs: "Ich bin der Welt abhanden gekommen" | — | ||
| 5-9 | Three Rückert Songs: "Um mitternacht" | — | ||
| 5-10 | Das irdische Leben | — | ||
| 5-11 | Kindertotenlieder: “Nun will die Sonn’ so hell aufgeh’n” | — | ||
| 5-12 | Kindertotenlieder: “Nun seh’ ich wohl, warum so dunkle Flammen” | — | ||
| 5-13 | Kindertotenlieder: “Wenn dein Mütterlein” | — | ||
| 5-14 | Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen” | — | ||
| 5-15 | Kindertotenlieder: “In diesem Wetter” | — | ||
| 6-1 | Symphony no. 4 in G major: Movement I: Bedächtig. Nicht eilen | — | ||
| 6-2 | Symphony no. 4 in G major: Movement I: Tempo I | — | ||
| 6-3 | Symphony no. 4 in G major: Movement I: Wieder wie zu Anfang. Sehr gemächlich, behaglich | — | ||
| 6-4 | Symphony no. 4 in G major: Movement I: Wieder plötzlich langsam und bedächtig | — | ||
| 6-5 | Symphony no. 4 in G major: Movement II: In gemächlicher Bewegung. Ohne Hast | — | ||
| 6-6 | Symphony no. 4 in G major: Movement II: Nicht eilen | — | ||
| 6-7 | Symphony no. 4 in G major: Movement III: Ruhevoll | — | ||
| 6-8 | Symphony no. 4 in G major: Movement III: Viel langsamer | — | ||
| 6-9 | Symphony no. 4 in G major: Movement III: Anmutig bewegt | — | ||
| 6-10 | Symphony no. 4 in G major: Movement III: Andante | — | ||
| 6-11 | Symphony no. 4 in G major: Movement III: Vorwärts. Poco più osso | — | ||
| 6-12 | Symphony no. 4 in G major: Movement IV: Sehr behaglich | — | ||
| 6-13 | Symphony no. 4 in G major: Movement IV: Wieder lebhaft | — | ||
| 6-14 | Symphony no. 4 in G major: Movement IV: Tempo I. Sehr zart und geheimnisvoll bis zum Schluss | — | ||
| 7-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Symphony no. 7 in E minor: Movement I: Langsam (Adagio) | — | ||
| 9-2 | Symphony no. 7 in E minor: Movement I: Nicht schleppen | — | ||
| 9-3 | Symphony no. 7 in E minor: Movement I: Allegro risoluto, ma non troppo | — | ||
| 9-4 | Symphony no. 7 in E minor: Movement I: A tempo (sempre l’istesso) | — | ||
| 9-5 | Symphony no. 7 in E minor: Movement I: Subito Allegro I. Ziemlich ruhig | — | ||
| 9-6 | Symphony no. 7 in E minor: Movement I: Adagio (Tempo der Einleitung) | — | ||
| 9-7 | Symphony no. 7 in E minor: Movement I: Maestoso. Allegro come prima | — | ||
| 9-8 | Symphony no. 7 in E minor: Movement II: Nachtmusik I. Allegro moderato | — | ||
| 9-9 | Symphony no. 7 in E minor: Movement II: Sempre l'istesso tempo. Nicht eilen, sehr gemächlich | — | ||
| 9-10 | Symphony no. 7 in E minor: Movement II: Tempo | — | ||
| 9-11 | Symphony no. 7 in E minor: Movement III: Scherzo. Schattenhaft, fließend, aber nicht zu schnell | — | ||
| 9-12 | Symphony no. 7 in E minor: Movement III: Trio | — | ||
| 9-13 | Symphony no. 7 in E minor: Movement III: Wieder wie zu Anfang (nicht eilen) | — | ||
| 9-14 | Symphony no. 7 in E minor: Movement IV: Nachtmusik II. Andante amoroso | — | ||
| 9-15 | Symphony no. 7 in E minor: Movement IV: [Figure 197] | — | ||
| 9-16 | Symphony no. 7 in E minor: Movement V: Rondo-Final. Tempo I (Allegro ordinario) | — | ||
| 9-17 | Symphony no. 7 in E minor: Movement V: Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico) | — | ||
| 9-18 | Symphony no. 7 in E minor: Movement V: Tempo I (Halbe wie die Viertel des Tempo I) | — | ||
| 9-19 | Symphony no. 7 in E minor: Movement V: Sempre l'istesso tempo | — | ||
| 10-1 | Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-2 | Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-3 | Kindertotenlieder: III. Wenn dein Mütterlein | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-4 | Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-5 | Kindertotenlieder: “In diesem Wetter!” | — | ||
| 10-6 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Veni, Creator Spiritus!” | — | ||
| 10-7 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Imple superna gratia” | — | ||
| 10-8 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Infirma nostri corporis” | — | ||
| 10-9 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! Tempo I. (Allegro, etwas hastig.) | — | ||
| 10-10 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Infirma nostri corporis” | — | ||
| 10-11 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Accende lumen sensibus” | — | ||
| 10-12 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Qui Paraclitus diceris” | — | ||
| 10-13 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Gloria Patri Domino” | — | ||
| 11-1 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Poco adagio | — | ||
| 11-2 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Più mosso. (Allegro moderato) | — | ||
| 11-3 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Waldung, sie schwankt heran” (Heilige Anachoreten) | — | ||
| 11-4 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Ewiger Wonnebrand” (Pater Ecstaticus) | — | ||
| 11-5 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Wie Felsenabgrund mir zu Füßen” (Pater Profundus) | — | ||
| 11-6 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Gerettet ist das edle Glied” (Chor der Engel und Chor seliger Knaben) | — | ||
| 11-7 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Jene Rosen, aus den Händen” (Chor der jüngeren Engel) | — | ||
| 11-8 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Uns bleibt ein Erdenrest” (Die vollendeteren Engel) | — | ||
| 11-9 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Ich spür’ soeben” (Die jüngeren Engel) | — | ||
| 11-10 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Hier ist die Aussicht frei” (Doctor Marianus) / “Freudig empfangen wir” (Chor seliger Knaben) | — | ||
| 11-11 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Höchste Herrscherin der Welt” (Doctor Marianus) | — | ||
| 11-12 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Jungfrau, rein im schönsten Sinne” (Doctor Marianus und Chor) | — | ||
| 11-13 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Aussert langsam. Adagissimo. | — | ||
| 11-14 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Dir, der Unberührbaren” (Chöre) / “Du schwebst zu Höhen” (Una Poenitentium und Chor der Büßerinnen) | — | ||
| 11-15 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei der Liebe, die den Fen” (Magna Peccatrix) | — | ||
| 11-16 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei dem Bronn, zu dem schon weiland” (Mulier Samaritana) | — | ||
| 11-17 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei dem hochgeweihten Orte” (Maria Aegyptiaca) | — | ||
| 11-18 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Die du grossen Sünderinnen” (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | — | ||
| 11-19 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Neige, neige, du Ohnegleiche” (Una Poenitentium) | — | ||
| 11-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Er überwächst uns schon” (Selige Knaben) | — | ||
| 11-21 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Vom edlen Geisterchor umgeben” (Una Poenitentium (Gretchen)) | — | ||
| 11-22 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Komm! Hebe dich zu höhern Sphären!” (Mater Gloriosa) | — | ||
| 11-23 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Blicket auf zum Retterblick” (Doctor Marianus) | — | ||
| 11-24 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Alles Vergängliche” (Chorus Mysticus) | — | ||
| 12-1 | Symphony no. 9 in D major: Movement I: Andante comodo | — | ||
| 12-2 | Symphony no. 9 in D major: Movement I: Etwas frischer | — | ||
| 12-3 | Symphony no. 9 in D major: Movement I: Tempo I subito | — | ||
| 12-4 | Symphony no. 9 in D major: Movement I: Mit Wut. Allegro risoluto | — | ||
| 12-5 | Symphony no. 9 in D major: Movement I: Schattenhaft | — | ||
| 12-6 | Symphony no. 9 in D major: Movement I: Wie von Anfang | — | ||
| 12-7 | Symphony no. 9 in D major: Movement I: Plötzlich bedeutend langsamer (Lento) und leise | — | ||
| 12-8 | Symphony no. 9 in D major: Movement I: Schon ganz langsam | — | ||
| 12-9 | Symphony no. 9 in D major: Movement II: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 12-10 | Symphony no. 9 in D major: Movement II: Poco più mosso subito (Tempo II) | — | ||
| 12-11 | Symphony no. 9 in D major: Movement II: Tempo III | — | ||
| 12-12 | Symphony no. 9 in D major: Movement II: A Tempo II | — | ||
| 12-13 | Symphony no. 9 in D major: Movement II: Tempo I | — | ||
| 12-14 | Symphony no. 9 in D major: Movement II: Tempo II | — | ||
| 12-15 | Symphony no. 9 in D major: Movement II: Tempo I subito | — | ||
| 12-16 | Symphony no. 9 in D major: Movement III: Rondo - Burleske. Allegro assai. Sehr trotzig | — | ||
| 12-17 | Symphony no. 9 in D major: Movement III: L’istesso tempo | — | ||
| 12-18 | Symphony no. 9 in D major: Movement III: Sempre l’istesso tempo | — | ||
| 12-19 | Symphony no. 9 in D major: Movement III: Nicht eilen | — | ||
| 12-20 | Symphony no. 9 in D major: Movement III: Più stretto | — | ||
| 12-21 | Symphony no. 9 in D major: Movement IV: Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 12-22 | Symphony no. 9 in D major: Movement IV: Plötzlich wieder langsam (wie zu Anfang) und etwas zögernd | — | ||
| 12-23 | Symphony no. 9 in D major: Movement IV: Molto adagio subito | — | ||
| 12-24 | Symphony no. 9 in D major: Movement IV: A tempo (Molto adagio) | — | ||
| 12-25 | Symphony no. 9 in D major: Movement IV: Stets sehr gehalten | — | ||
| 12-26 | Symphony no. 9 in D major: Movement IV: Fließender, doch durchaus nicht eilend | — | ||
| 12-27 | Symphony no. 9 in D major: Movement IV: Tempo I. Molto adagio | — | ||
| 12-28 | Symphony no. 9 in D major: Movement IV: Adagissimo | — |
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Identifier Graph
696998949928 is a Universal Product Code (UPC) assigned to The Complete Symphonies by Gustav Mahler, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 194 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Symphonies” by Gustav Mahler, Leonard Bernstein is 696998949928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: Sony Classical. This release contains 194 tracks, each with its own ISRC. Tracks include USSM10702785, USSM10702786, USSM10702787.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": Movement I: Langsam. Schleppend. Wie ein Naturlaut | — | ||
| 2 | Symphony no. 1 in D major "Titan": Movement I: Immer sehr gemächlich | — | ||
| 3 | Symphony no. 1 in D major "Titan": Movement I: Sehr Gemächlich | — | ||
| 4 | Symphony no. 1 in D major "Titan": Movement I: Vorwärts drängend | — | ||
| 5 | Symphony no. 1 in D major "Titan": Movement II: Kräftig bewegt | — | ||
| 6 | Symphony no. 1 in D major "Titan": Movement II: Trio. Recht gemächlich | — | ||
| 7 | Symphony no. 1 in D major "Titan": Movement II: Tempo primo | — | ||
| 8 | Symphony no. 1 in D major "Titan": Movement III: Feierlich und gemessen, ohne zu schleppen | — | ||
| 9 | Symphony no. 1 in D major "Titan": Movement III: A tempo. Ziemlich langsam | — | ||
| 10 | Symphony no. 1 in D major "Titan": Movement III: Sehr einfach und schlicht wie eine Volksweise | — | ||
| 11 | Symphony no. 1 in D major "Titan": Movement III: Wieder etwas bewegter, wie im Anfang | — | ||
| 12 | Symphony no. 1 in D major "Titan": Movement IV: Stürmisch bewegt | — | ||
| 13 | Symphony no. 1 in D major "Titan": Movement IV: Sehr gesangvoll | — | ||
| 14 | Symphony no. 1 in D major "Titan": Movement IV: Wieder wie zu Anfang. Stürmisch bewegt | — | ||
| 15 | Symphony no. 1 in D major "Titan": Movement IV: Sehr langsam | — | ||
| 16 | Symphony no. 1 in D major "Titan": Movement IV: Wieder vorwärts drängend | — | ||
| 17 | Adagio from Symphony no. 10: Andante | — | ||
| 18 | Adagio from Symphony no. 10: Andante come prima | — | ||
| 19 | Adagio from Symphony no. 10: A tempo (fließend) | — | ||
| 20 | Adagio from Symphony no. 10: Measure 104 | — | ||
| 21 | Adagio from Symphony no. 10: Measure 194 | — | ||
| 22 | Adagio from Symphony no. 10: A tempo | — | ||
| 2-1 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso | — | ||
| 2-2 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Sehr mässig und zurückhaltend | — | ||
| 2-3 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Schnell | — | ||
| 2-4 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Tempo I | — | ||
| 2-5 | Symphony no. 2 in C minor “Resurrection”: Movement I: Allegro maestoso: Tempo sostenuto | — | ||
| 2-6 | Symphony no. 2 in C minor “Resurrection”: Movement II: Andante moderato | — | ||
| 2-7 | Symphony no. 2 in C minor “Resurrection”: Movement II: Andante moderato: Energisch bewegt | — | ||
| 2-8 | Symphony no. 2 in C minor “Resurrection”: Movement II: Andante moderato: Wieder in's Tempo zurückgehen, Tempo I | — | ||
| 2-9 | Symphony no. 2 in C minor “Resurrection”: Movement III: In ruhig fließender Bewegung | — | ||
| 2-10 | Symphony no. 2 in C minor “Resurrection”: Movement III: Vorwärts | — | ||
| 2-11 | Symphony no. 2 in C minor “Resurrection”: Movement III: Zum Tempo I, zurückkehren | — | ||
| 3-1 | Symphony no. 2 in C minor “Resurrection”: Movement IV: “Urlicht” — Sehr feierlich, aber schlicht | — | ||
| 3-2 | Symphony no. 2 in C minor “Resurrection”: Movement IV: Etwas bewegter | — | ||
| 3-3 | Symphony no. 2 in C minor “Resurrection”: Movement V: Im Tempo des Scherzos. Wild herausfahrend | — | ||
| 3-4 | Symphony no. 2 in C minor “Resurrection”: Movement V: Langsam | — | ||
| 3-5 | Symphony no. 2 in C minor “Resurrection”: Movement V: Im Anfang sehr zurückgehalten | — | ||
| 3-6 | Symphony no. 2 in C minor “Resurrection”: Movement V: Maestoso | — | ||
| 3-7 | Symphony no. 2 in C minor “Resurrection”: Movement V: Wieder zurückhaltend | — | ||
| 3-8 | Symphony no. 2 in C minor “Resurrection”: Movement V: Sehr langsam und gedehnt | — | ||
| 3-9 | Symphony no. 2 in C minor “Resurrection”: Movement V: Langsam. Misterioso | — | ||
| 3-10 | Symphony no. 2 in C minor “Resurrection”: Movement V: Etwas bewegter | — | ||
| 3-11 | Symphony no. 2 in C minor “Resurrection”: Movement V: Mit Aufschwung, aber nicht eilen “O Schmerz!” | — | ||
| 3-12 | Symphony no. 2 in C minor “Resurrection”: Movement V: Più mosso “Sterben” | — | ||
| 3-13 | Symphony no. 5 in C-sharp minor: IV: Adagietto. Sehr langsam | — | ||
| 3-14 | Symphony no. 8 in E-flat major: Part One: "Veni, Creator Spiritus!" | — | ||
| 3-15 | Symphony no. 8 in E-flat major: Part One: "Imple superna gratia" | — | ||
| 3-16 | Symphony no. 8 in E-flat major: Part One: "Infirma nostri corporis" | — | ||
| 3-17 | Symphony no. 8 in E-flat major: Part One: Tempo I. (Allegro, etwas hastig) | — | ||
| 3-18 | Symphony no. 8 in E-flat major: Part One: "Infirma nostri corporis" | — | ||
| 3-19 | Symphony no. 8 in E-flat major: Part One: "Accende lumen sensibus" | — | ||
| 3-20 | Symphony no. 8 in E-flat major: Part One: "Qui Paraclitus deceris" | — | ||
| 3-21 | Symphony no. 8 in E-flat major: Part One: "Gloria Patri Domino" | — | ||
| 4-1 | Symphony no. 3 in D minor: Part One: Movement I: Kräftig. Entschieden | — | ||
| 4-2 | Symphony no. 3 in D minor: Part One: Movement I: Langsam. Schwer | — | ||
| 4-3 | Symphony no. 3 in D minor: Part One: Movement I: Tempo I | — | ||
| 4-4 | Symphony no. 3 in D minor: Part One: Movement I: a tempo | — | ||
| 4-5 | Symphony no. 3 in D minor: Part One: Movement I: Immer dasselbe Tempo (Marsch). Nicht eilen | — | ||
| 4-6 | Symphony no. 3 in D minor: Part One: Movement I: Im alten Marschtempo (Allegro moderato) | — | ||
| 4-7 | Symphony no. 3 in D minor: Part One: Movement I: Tempo I | — | ||
| 4-8 | Symphony no. 3 in D minor: Part Two: Movement II: Tempo di Menuetto. Sehr mäßig | — | ||
| 4-9 | Symphony no. 3 in D minor: Part Two: Movement II: a tempo | — | ||
| 4-10 | Symphony no. 3 in D minor: Part Two: Movement II: Ganz plötzlich gemächlich. Tempo di menuetto | — | ||
| 4-11 | Symphony no. 3 in D minor: Part Two: Movement III: Comodo. Scherzando. Ohne Hast | — | ||
| 4-12 | Symphony no. 3 in D minor: Part Two: Movement III: Wieder sehr gemächlich, wie zu Anfang | — | ||
| 4-13 | Symphony no. 3 in D minor: Part Two: Movement III: Etwas zurückhaltend - Sehr gemächlich | — | ||
| 4-14 | Symphony no. 3 in D minor: Part Two: Movement III: Tempo I. Mit geheimnisvolles Hast! | — | ||
| 4-15 | Symphony no. 3 in D minor: Part Two: Movement III: Wieder sehr gemächlich, beinahe langsam | — | ||
| 4-16 | Symphony no. 3 in D minor: Part Two: Movement IV: Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 4-17 | Symphony no. 3 in D minor: Part Two: Movement IV: Più mosso subito | — | ||
| 4-18 | Symphony no. 3 in D minor: Part Two: Movement V: Lustig im Tempo und keck im Ausdruck | — | ||
| 5-1 | Symphony no. 3 in D minor: Part Two: Movement VI: Langsam. Ruhevoll. Empfunden | — | ||
| 5-2 | Symphony no. 3 in D minor: Part Two: Movement VI: Nicht mehr so breit | — | ||
| 5-3 | Symphony no. 3 in D minor: Part Two: Movement VI: Tempo I. Ruhevoll! | — | ||
| 5-4 | Symphony no. 3 in D minor: Part Two: Movement VI: a tempo (Etwas bewegter) | — | ||
| 5-5 | Symphony no. 3 in D minor: Part Two: Movement VI: Tempo I | — | ||
| 5-6 | Symphony no. 3 in D minor: Part Two: Movement VI: Langsam. Tempo I | — | ||
| 5-7 | Three Rückert Songs: "Ich atmet einen linden Duft" | — | ||
| 5-8 | Three Rückert Songs: "Ich bin der Welt abhanden gekommen" | — | ||
| 5-9 | Three Rückert Songs: "Um mitternacht" | — | ||
| 5-10 | Das irdische Leben | — | ||
| 5-11 | Kindertotenlieder: “Nun will die Sonn’ so hell aufgeh’n” | — | ||
| 5-12 | Kindertotenlieder: “Nun seh’ ich wohl, warum so dunkle Flammen” | — | ||
| 5-13 | Kindertotenlieder: “Wenn dein Mütterlein” | — | ||
| 5-14 | Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen” | — | ||
| 5-15 | Kindertotenlieder: “In diesem Wetter” | — | ||
| 6-1 | Symphony no. 4 in G major: Movement I: Bedächtig. Nicht eilen | — | ||
| 6-2 | Symphony no. 4 in G major: Movement I: Tempo I | — | ||
| 6-3 | Symphony no. 4 in G major: Movement I: Wieder wie zu Anfang. Sehr gemächlich, behaglich | — | ||
| 6-4 | Symphony no. 4 in G major: Movement I: Wieder plötzlich langsam und bedächtig | — | ||
| 6-5 | Symphony no. 4 in G major: Movement II: In gemächlicher Bewegung. Ohne Hast | — | ||
| 6-6 | Symphony no. 4 in G major: Movement II: Nicht eilen | — | ||
| 6-7 | Symphony no. 4 in G major: Movement III: Ruhevoll | — | ||
| 6-8 | Symphony no. 4 in G major: Movement III: Viel langsamer | — | ||
| 6-9 | Symphony no. 4 in G major: Movement III: Anmutig bewegt | — | ||
| 6-10 | Symphony no. 4 in G major: Movement III: Andante | — | ||
| 6-11 | Symphony no. 4 in G major: Movement III: Vorwärts. Poco più osso | — | ||
| 6-12 | Symphony no. 4 in G major: Movement IV: Sehr behaglich | — | ||
| 6-13 | Symphony no. 4 in G major: Movement IV: Wieder lebhaft | — | ||
| 6-14 | Symphony no. 4 in G major: Movement IV: Tempo I. Sehr zart und geheimnisvoll bis zum Schluss | — | ||
| 7-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Symphony no. 7 in E minor: Movement I: Langsam (Adagio) | — | ||
| 9-2 | Symphony no. 7 in E minor: Movement I: Nicht schleppen | — | ||
| 9-3 | Symphony no. 7 in E minor: Movement I: Allegro risoluto, ma non troppo | — | ||
| 9-4 | Symphony no. 7 in E minor: Movement I: A tempo (sempre l’istesso) | — | ||
| 9-5 | Symphony no. 7 in E minor: Movement I: Subito Allegro I. Ziemlich ruhig | — | ||
| 9-6 | Symphony no. 7 in E minor: Movement I: Adagio (Tempo der Einleitung) | — | ||
| 9-7 | Symphony no. 7 in E minor: Movement I: Maestoso. Allegro come prima | — | ||
| 9-8 | Symphony no. 7 in E minor: Movement II: Nachtmusik I. Allegro moderato | — | ||
| 9-9 | Symphony no. 7 in E minor: Movement II: Sempre l'istesso tempo. Nicht eilen, sehr gemächlich | — | ||
| 9-10 | Symphony no. 7 in E minor: Movement II: Tempo | — | ||
| 9-11 | Symphony no. 7 in E minor: Movement III: Scherzo. Schattenhaft, fließend, aber nicht zu schnell | — | ||
| 9-12 | Symphony no. 7 in E minor: Movement III: Trio | — | ||
| 9-13 | Symphony no. 7 in E minor: Movement III: Wieder wie zu Anfang (nicht eilen) | — | ||
| 9-14 | Symphony no. 7 in E minor: Movement IV: Nachtmusik II. Andante amoroso | — | ||
| 9-15 | Symphony no. 7 in E minor: Movement IV: [Figure 197] | — | ||
| 9-16 | Symphony no. 7 in E minor: Movement V: Rondo-Final. Tempo I (Allegro ordinario) | — | ||
| 9-17 | Symphony no. 7 in E minor: Movement V: Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico) | — | ||
| 9-18 | Symphony no. 7 in E minor: Movement V: Tempo I (Halbe wie die Viertel des Tempo I) | — | ||
| 9-19 | Symphony no. 7 in E minor: Movement V: Sempre l'istesso tempo | — | ||
| 10-1 | Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-2 | Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-3 | Kindertotenlieder: III. Wenn dein Mütterlein | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-4 | Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen | Janet Baker, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 10-5 | Kindertotenlieder: “In diesem Wetter!” | — | ||
| 10-6 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Veni, Creator Spiritus!” | — | ||
| 10-7 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Imple superna gratia” | — | ||
| 10-8 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Infirma nostri corporis” | — | ||
| 10-9 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! Tempo I. (Allegro, etwas hastig.) | — | ||
| 10-10 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Infirma nostri corporis” | — | ||
| 10-11 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Accende lumen sensibus” | — | ||
| 10-12 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Qui Paraclitus diceris” | — | ||
| 10-13 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part I: Hymnus: Veni, Creator Spiritus! “Gloria Patri Domino” | — | ||
| 11-1 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Poco adagio | — | ||
| 11-2 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Più mosso. (Allegro moderato) | — | ||
| 11-3 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Waldung, sie schwankt heran” (Heilige Anachoreten) | — | ||
| 11-4 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Ewiger Wonnebrand” (Pater Ecstaticus) | — | ||
| 11-5 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Wie Felsenabgrund mir zu Füßen” (Pater Profundus) | — | ||
| 11-6 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Gerettet ist das edle Glied” (Chor der Engel und Chor seliger Knaben) | — | ||
| 11-7 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Jene Rosen, aus den Händen” (Chor der jüngeren Engel) | — | ||
| 11-8 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Uns bleibt ein Erdenrest” (Die vollendeteren Engel) | — | ||
| 11-9 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Ich spür’ soeben” (Die jüngeren Engel) | — | ||
| 11-10 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Hier ist die Aussicht frei” (Doctor Marianus) / “Freudig empfangen wir” (Chor seliger Knaben) | — | ||
| 11-11 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Höchste Herrscherin der Welt” (Doctor Marianus) | — | ||
| 11-12 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Jungfrau, rein im schönsten Sinne” (Doctor Marianus und Chor) | — | ||
| 11-13 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: Aussert langsam. Adagissimo. | — | ||
| 11-14 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Dir, der Unberührbaren” (Chöre) / “Du schwebst zu Höhen” (Una Poenitentium und Chor der Büßerinnen) | — | ||
| 11-15 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei der Liebe, die den Fen” (Magna Peccatrix) | — | ||
| 11-16 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei dem Bronn, zu dem schon weiland” (Mulier Samaritana) | — | ||
| 11-17 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Bei dem hochgeweihten Orte” (Maria Aegyptiaca) | — | ||
| 11-18 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Die du grossen Sünderinnen” (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | — | ||
| 11-19 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Neige, neige, du Ohnegleiche” (Una Poenitentium) | — | ||
| 11-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Er überwächst uns schon” (Selige Knaben) | — | ||
| 11-21 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Vom edlen Geisterchor umgeben” (Una Poenitentium (Gretchen)) | — | ||
| 11-22 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Komm! Hebe dich zu höhern Sphären!” (Mater Gloriosa) | — | ||
| 11-23 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Blicket auf zum Retterblick” (Doctor Marianus) | — | ||
| 11-24 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II: Final Scene from Goethe’s “Faust”: “Alles Vergängliche” (Chorus Mysticus) | — | ||
| 12-1 | Symphony no. 9 in D major: Movement I: Andante comodo | — | ||
| 12-2 | Symphony no. 9 in D major: Movement I: Etwas frischer | — | ||
| 12-3 | Symphony no. 9 in D major: Movement I: Tempo I subito | — | ||
| 12-4 | Symphony no. 9 in D major: Movement I: Mit Wut. Allegro risoluto | — | ||
| 12-5 | Symphony no. 9 in D major: Movement I: Schattenhaft | — | ||
| 12-6 | Symphony no. 9 in D major: Movement I: Wie von Anfang | — | ||
| 12-7 | Symphony no. 9 in D major: Movement I: Plötzlich bedeutend langsamer (Lento) und leise | — | ||
| 12-8 | Symphony no. 9 in D major: Movement I: Schon ganz langsam | — | ||
| 12-9 | Symphony no. 9 in D major: Movement II: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 12-10 | Symphony no. 9 in D major: Movement II: Poco più mosso subito (Tempo II) | — | ||
| 12-11 | Symphony no. 9 in D major: Movement II: Tempo III | — | ||
| 12-12 | Symphony no. 9 in D major: Movement II: A Tempo II | — | ||
| 12-13 | Symphony no. 9 in D major: Movement II: Tempo I | — | ||
| 12-14 | Symphony no. 9 in D major: Movement II: Tempo II | — | ||
| 12-15 | Symphony no. 9 in D major: Movement II: Tempo I subito | — | ||
| 12-16 | Symphony no. 9 in D major: Movement III: Rondo - Burleske. Allegro assai. Sehr trotzig | — | ||
| 12-17 | Symphony no. 9 in D major: Movement III: L’istesso tempo | — | ||
| 12-18 | Symphony no. 9 in D major: Movement III: Sempre l’istesso tempo | — | ||
| 12-19 | Symphony no. 9 in D major: Movement III: Nicht eilen | — | ||
| 12-20 | Symphony no. 9 in D major: Movement III: Più stretto | — | ||
| 12-21 | Symphony no. 9 in D major: Movement IV: Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 12-22 | Symphony no. 9 in D major: Movement IV: Plötzlich wieder langsam (wie zu Anfang) und etwas zögernd | — | ||
| 12-23 | Symphony no. 9 in D major: Movement IV: Molto adagio subito | — | ||
| 12-24 | Symphony no. 9 in D major: Movement IV: A tempo (Molto adagio) | — | ||
| 12-25 | Symphony no. 9 in D major: Movement IV: Stets sehr gehalten | — | ||
| 12-26 | Symphony no. 9 in D major: Movement IV: Fließender, doch durchaus nicht eilend | — | ||
| 12-27 | Symphony no. 9 in D major: Movement IV: Tempo I. Molto adagio | — | ||
| 12-28 | Symphony no. 9 in D major: Movement IV: Adagissimo | — |
