UPC · Release
The Golden Years of Louis Armstrong
Louis Armstrong
Last verified:
698458151629 is the Universal Product Code (UPC barcode) for the release “The Golden Years of Louis Armstrong” by Louis Armstrong, released 2003-01-01 on Soho. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEU240820371, DEU240800872, DEU240800884.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | When the Saints Go Marchin’ In | Louis Armstrong and His Orchestra | T-902.752.332-6 | |
| 2-2 | Marie | — | ||
| 2-3 | That Lucky Old Sun | — | ||
| 2-4 | Heebie Jeebies | — | ||
| 2-5 | Melancholy Blues | Louis Armstrong and His Hot Seven | T-071.066.466-6 | |
| 2-6 | Once in a While | Louis Armstrong and His Hot Five | T-070.159.067-1 | |
| 2-7 | Basin Street Blues | Louis Armstrong & His Orchestra | T-070.010.455-7 | |
| 2-8 | Do You Know What It Means to Miss New Orleans | — | ||
| 2-9 | Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — | |
| 2-10 | Dallas Blues | — | ||
| 2-11 | Thanks a Million | — | ||
| 2-12 | Lyin’ to Myself | Louis Armstrong & His Orchestra | T-070097870-6 | |
| 2-13 | Thankful | Louis Armstrong and His Orchestra | T-070.183.180-2 | |
| 2-14 | Red Nose | Louis Armstrong and His Orchestra | — | |
| 2-15 | The Peanut Vendor | Louis Armstrong & His Sebastian New Cotton Club | — | |
| 2-16 | You’re Lucky to Me | Louis Armstrong & His Sebastian New Cotton Club Orchestra | T-070.211.350-5 | |
| 2-17 | St. James’ Infirmary | — | ||
| 2-18 | (I’ll Be Glad When You’re Dead) You Rascal, You | Louis Armstrong & His Orchestra | T-071063907-8 | |
| 2-19 | Lazy River | Louis Armstrong & His Orchestra | T-070.095.195-6 | |
| 2-20 | I Ain’t Got Nobody | — |
Additional database matches (46)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| If We Never Meet Again | Louis Armstrong & His Orchestra | T-072400840-5 |
| Muskrat Ramble | Louis Armstrong and His Hot Five | T-071.067.361-2 |
| Skid‐Dat‐De‐Dat | Louis Armstrong and His Hot Five | — |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Savoy Blues | Louis Armstrong and His Hot Five | — |
| West End Blues | Louis Armstrong and His Hot Five | — |
| Beau Koo Jack | Louis Armstrong and His Savoy Ballroom Five | T-070.019.845-3 |
| Wolverine Blues | Louis Armstrong and His Orchestra | T-070.200.602-7 |
| Jazz Lips | Louis Armstrong and His Hot Five | T-070.088.248-9 |
| Alligator Crawl | Louis Armstrong and His Hot Seven | T-906.846.765-2 |
| I’m Not Rough | Louis Armstrong and His Hot Five | T-070.903.955-3 |
| Hotter Than That | Louis Armstrong and His Hot Five | T-070.265.109-9 |
| Skip the Gutter | Louis Armstrong and His Hot Five | T-070.276.021-1 |
| Weather Bird | Louis Armstrong | — |
| Muggles | Louis Armstrong & His Orchestra | T0702700444 |
| I Come From a Musical Family | Louis Armstrong & His Orchestra | — |
| Ev’ntide | Louis Armstrong & His Orchestra | T-800.127.575-9 |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Weather Bird | Louis Armstrong | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| I Come From a Musical Family | Louis Armstrong & His Orchestra | — |
| Red Nose | Louis Armstrong and His Orchestra | — |
| West End Blues | Louis Armstrong and His Hot Five | — |
| Weather Bird | Louis Armstrong | — |
| When the Saints Go Marching In | Louis Armstrong | T-902752332-6 |
| Savoy Blues | Louis Armstrong and His Hot Five | — |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Skid‐Dat‐De‐Dat | Louis Armstrong and His Hot Five | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| Willie the Weeper | Louis Armstrong and His Hot Seven | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| West End Blues | Louis Armstrong and His Hot Five | T0702807757 |
| Weather Bird | Louis Armstrong | — |
| Tight Like This | Louis Armstrong and His Savoy Ballroom Five | — |
| If We Never Meet Again | Louis Armstrong & His Orchestra | T-072400840-5 |
| Muskrat Ramble | Louis Armstrong and His Hot Five | T-071.067.361-2 |
| Muskrat Ramble | Louis Armstrong and His Hot Five | T-071.067.361-2 |
| Beau Koo Jack | Louis Armstrong and His Savoy Ballroom Five | T-070.019.845-3 |
| Jazz Lips | Louis Armstrong and His Hot Five | T-070.088.248-9 |
| Alligator Crawl | Louis Armstrong and His Hot Seven | T-906.846.765-2 |
| I’m Not Rough | Louis Armstrong and His Hot Five | T-070.903.955-3 |
| Hotter Than That | Louis Armstrong and His Hot Five | T-070.265.109-9 |
| Skip the Gutter | Louis Armstrong and His Hot Five | T-070.276.021-1 |
| Ev’ntide | Louis Armstrong & His Orchestra | T-800.127.575-9 |
| West End Blues | Louis Armstrong and His Hot Five | T0702807757 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 698458151629?
698458151629 is a Universal Product Code (UPC) assigned to The Golden Years of Louis Armstrong by Louis Armstrong. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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