UPC · Album
Greatest Ever! Eighties: The Definitive Collection
Various Artists
Last verified:
698458410221 is the Universal Product Code (UPC barcode) for the release “Greatest Ever! Eighties: The Definitive Collection” by Various Artists, released 2006-01-01 on Union Square Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include DKAAS9600606, GB5KW1904841, GB5KW2103369.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (118)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Come On Eileen | Dexys Midnight Runners, The Emerald Express | DKAAS9600606 |
| Ace of Spades | Motörhead | GB5KW1904841 |
| Never Gonna Give You Up | Rick Astley | GB5KW2103369 |
| Never Gonna Give You Up | Rick Astley | GB5KW2202504 |
| It’s Different for Girls | Joe Jackson | GBAAM8001004 |
| The Lady in Red | Chris de Burgh | GBAAM8600001 |
| Happy Hour | The Housemartins | GBAAM8601005 |
| The Lady in Red | Chris de Burgh | GBAAM8990015 |
| World Shut Your Mouth | Julian Cope | GBAAN8600017 |
| You’ll Always Find Me in the Kitchen at Parties | Jona Lewie | GBAHW0500174 |
| Swords of a Thousand Men | Tenpole Tudor | GBAHW0500321 |
| A New England | Kirsty MacColl | GBAHW0500737 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | GBAJE0402339 |
| Ace of Spades | Motörhead | GBAJE0417839 |
| Ace of Spades | Motörhead | GBAJE0418131 |
| Two Pints of Lager and a Packet of Crisps Please | Splodgenessabounds | GBAJE0501229 |
| Drowning in Berlin | Mobiles | GBAJE0504712 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | GBAJE0609103 |
| The Message | Grandmaster Flash & The Furious Five | GBAJE0609113 |
| And the Beat Goes On | The Whispers | GBAJE7900025 |
| And the Beat Goes On | The Whispers | GBAJE7900166 |
| Ace of Spades | Motörhead | GBAJE8000033 |
| Everybody’s Got to Learn Sometime | The Korgis | GBAJE8000325 |
| Ace of Spades | Motörhead | GBAJE8100011 |
| A Night to Remember | Shalamar | GBAJE8200003 |
| The Message | Grandmaster Flash & The Furious Five | GBAJE8200004 |
| Nellie the Elephant | The Toy Dolls | GBAJE8200093 |
| The Message | Grandmaster Flash & The Furious Five | GBAJE8200116 |
| White Lines (Don’t Do It) | Grandmaster Flash & Melle Mel | GBAJE8300075 |
| Midas Touch | Midnight Star | GBAJE8600024 |
| Shout to the Top | The Style Council | GBAKW0080210 |
| Going Underground | The Jam | GBAKW8001001 |
| Perfect Skin | Lloyd Cole and the Commotions | GBAKW8400485 |
| Shout to the Top | The Style Council | GBAKW8401003 |
| Cry | Godley & Creme | GBAKW8500003 |
| Cry | Godley & Creme | GBAKW8501005 |
| Something About You | Level 42 | GBAKW8901001 |
| Don’t Turn Around | Aswad | GBAPA8800004 |
| Don’t Turn Around | Aswad | GBAPA8800030 |
| Annie. I’m Not Your Daddy | Kid Creole and the Coconuts | GBAPQ8200002 |
| Fantastic Day | Haircut One Hundred | GBARK8200001 |
| Theme From S'Express | S’Express | GBARL0401209 |
| Never Gonna Give You Up | Rick Astley | GBARL0401372 |
| Never Gonna Give You Up | Rick Astley | GBARL0600786 |
| Never Gonna Give You Up | Rick Astley | GBARL0600789 |
| System Addict | Five Star | GBARL8500044 |
| Never Gonna Give You Up | Rick Astley | GBARL8700052 |
| PERFECT | FAIRGROUND ATTRACTION | GBARL8800011 |
| Never Gonna Give You Up | Rick Astley | GBARL9300135 |
| Baby I Don’t Care | Transvision Vamp | GBBBY0080003 |
| Don’t Turn Around | Aswad | GBBFR0201061 |
| Swing the Mood | Jive Bunny & the Mastermixers | GBCMJ9904890 |
| Swing the Mood | Jive Bunny & the Mastermixers | GBCMJ9905669 |
| Going Underground | The Jam | GBF068000010 |
| Perfect Skin | Lloyd Cole and the Commotions | GBF068400480 |
| Reward | The Teardrop Explodes | GBF088000023 |
| Come On Eileen | Dexys Midnight Runners, The Emerald Express | GBF088200006 |
| Poison Arrow | ABC | GBF088200044 |
| Poison Arrow | ABC | GBF088200180 |
| Come On Eileen | Dexys Midnight Runners | GBF088200340 |
| Come On Eileen | Dexys Midnight Runners | GBF088200872 |
| Fields of Fire | Big Country | GBF088300773 |
| Down to Earth | Curiosity Killed the Cat | GBF088600037 |
| Breakout | Swing Out Sister | GBF088690112 |
| The First Time | Robin Beck | GBF088800002 |
| I Don’t Want a Lover | Texas | GBF088900156 |
| Sowing the Seeds of Love | Tears for Fears | GBF088990128 |
| Sowing the Seeds of Love | Tears for Fears | GBF088990167 |
| Poison Arrow | ABC | GBFO88200044 |
| Fields of Fire | Big Country | GBFO88300773 |
| Pop Muzik | M | GBGHQ7900001 |
| Down to Earth | Curiosity Killed the Cat | GBHCD2300900 |
| Everybody’s Got to Learn Sometime | The Korgis | GBHMX0220402 |
| Poison Arrow | ABC | GBL280400769 |
| Don’t Turn Around | Aswad | GBUM70600837 |
| Come On Eileen | Dexys Midnight Runners | GBUM70603306 |
| Sowing the Seeds of Love | Tears for Fears | GBUM70604695 |
| A Night to Remember | Shalamar | GBUM70817464 |
| If I Could Turn Back Time | Cher | GED244390007 |
| Fields of Fire | Big Country | GFB088300090 |
| I Think We’re Alone Now | Tiffany | UKDNQ1535905 |
| Poison Arrow | ABC | USA371574602 |
| Real Wild Child | Iggy Pop | USAM18600001 |
| The Lady in Red | Chris de Burgh | USAM19500658 |
| All Out of Love | Air Supply | USAR18000002 |
| All Out of Love | Air Supply | USAR18000170 |
| All Out of Love | Air Supply | USAR19901113 |
| Never Gonna Give You Up | Rick Astley | USAT21601138 |
| I Think We’re Alone Now | Tiffany | USCK30802812 |
| Happy Hour | The Housemartins | USEE18600004 |
| If I Could Turn Back Time | Cher | USGF18923901 |
| If I Could Turn Back Time | Cher | USGFI8923901 |
| Up Where We Belong | Joe Cocker, Jennifer Warnes | USIR28200024 |
| Up Where We Belong | Joe Cocker, Jennifer Warnes | USIR28200025 |
| Teardrops | Womack & Womack | USIR28800141 |
| Teardrops | Womack & Womack | USIR28800378 |
| It’s Different for Girls | Joe Jackson | USIV20300439 |
| Axel F | Harold Faltermeyer | USMC10200811 |
| Axel F (from “Beverly Hills Cop” soundtrack) | Harold Faltermeyer | USMC18416586 |
| I Think We’re Alone Now | Tiffany | USMC18722580 |
| I Think We’re Alone Now | Tiffany | USMC18723898 |
| Celebration | Kool & the Gang | USPR38000043 |
| Celebration | Kool & the Gang | USPR38007166 |
| Celebration | Kool & the Gang | USPR38007190 |
| Fade to Grey | Visage | USPR38080067 |
| Crazy Crazy Nights | KISS | USPR38700083 |
| Word Up | Cameo | USPR39402455 |
| Word Up | Cameo | USPR39402457 |
| Maneater | Daryl Hall & John Oates | USRC10000831 |
| Maneater | Daryl Hall & John Oates | USRC10301821 |
| Maneater (edited version) | Hall & Oates | USRC10400906 |
| Maneater | Daryl Hall & John Oates | USRC10600303 |
| Maneater | Daryl Hall & John Oates | USRC18207933 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | USRH10651162 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | USRH10903053 |
| Celebration | Kool & the Gang | USRHD0532219 |
| Fields of Fire | Big Country | USRHD1102282 |
| Fade to Grey | Visage | USUM70601704 |
What other identifiers does this connect to?
Musical Works (ISWC)
+88 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+37 more
People also ask
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What is UPC 698458410221?
698458410221 is a Universal Product Code (UPC) assigned to Greatest Ever! Eighties: The Definitive Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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