UPC · Release
The Big Stiff Box Set
Various Artists
Last verified:
698458840226 is the Universal Product Code (UPC barcode) for the release “The Big Stiff Box Set” by Various Artists, released 2007-01-01 on Salvo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include GBAJE0415018, GBASQ7700008, GBAAA7800008.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Heart of the City | — | ||
| 2 | Between the Lines | — | ||
| 3 | All Aboard | — | ||
| 4 | Styrofoam | — | ||
| 5 | Boogie on the Street | — | ||
| 6 | New Rose | — | ||
| 7 | Silver Shirt | — | ||
| 8 | White Line Fever | — | ||
| 9 | Neat Neat Neat | The Damned | T-010.018.158-5 | |
| 10 | Less Than Zero | Elvis Costello | — | |
| 11 | (I Can’t Get No) Satisfaction | DEVO | T-010.072.181-0 | |
| 12 | England’s Glory | — | ||
| 13 | One Chord Wonders | — | ||
| 14 | Marie Provost | — | ||
| 15 | Whole Wide World | — | ||
| 16 | Sex & Drugs & Rock & Roll | Ian Dury | T-010.178.784-1 | |
| 17 | Problem Child | — | ||
| 18 | Suffice to Say | — | ||
| 19 | Police Car | Larry Wallis | T-010.067.020-9 | |
| 20 | Let’s Loot the Supermarket Again Like We Did Last Summer | — | ||
| 21 | Sweet Gene Vincent | Ian Dury | T-010.178.772-7 | |
| 22 | One Way Love | — | ||
| 23 | Reconnez Cherie | — | ||
| 24 | Yankee Wheels | — | ||
| 25 | Romeo & The Lonely Girl | — | ||
| 2-1 | Solitary Confinement | — | ||
| 2-2 | Whoops a Daisy | — | ||
| 2-3 | I’ve Got a Heart | — | ||
| 2-4 | The Baby, She’s on the Street | — | ||
| 2-5 | I Think We’re Alone Now | Lene Lovich | T-070.919.061-3 | |
| 2-6 | Be Stiff | — | ||
| 2-7 | Take the Cash (K.A.S.H.) | — | ||
| 2-8 | Old Rock ’n’ Roller | — | ||
| 2-9 | B‐A‐B‐Y | Rachel Sweet | T-070.232.055-5 | |
| 2-10 | Lucky Number | Lene Lovich | T-010.467.862-7 | |
| 2-11 | Who Listens to the Radio? | The Sports | T-060.042.199-5 | |
| 2-12 | Gimme Your Heart | — | ||
| 2-13 | Frozen Years | — | ||
| 2-14 | I Go to Pieces | — | ||
| 2-15 | Say When | Lene Lovich | — | |
| 2-16 | One Step Beyond | Madness | T-010.173.459-1 | |
| 2-17 | You Caught Me Out | — | ||
| 2-18 | Out of Luck | — | ||
| 2-19 | Lie to Me | — | ||
| 2-20 | You’ll Always Find Me in the Kitchen at Parties | — | ||
| 2-21 | Yesterday’s Love | — | ||
| 2-22 | Butcher Baby | Plasmatics | T-070.015.826-4 | |
| 2-23 | We Got the Beat | Go-Go’s | T-903.006.712-0 | |
| 2-24 | Drive Friendly | — | ||
| 2-25 | Please Don’t Bend | — | ||
| 2-26 | Buena | — | ||
| 3-1 | Girls Are Always Right | — | ||
| 3-2 | Baby Come Back | — | ||
| 3-3 | Thunderbird | — | ||
| 3-4 | Stop the Cavalry | Jona Lewie | T-010.054.767-8 | |
| 3-5 | What Becomes of the Broken Hearted? | — | ||
| 3-6 | Swords of a Thousand Men | Tenpole Tudor | T-010.182.767-1 | |
| 3-7 | Going Left Right | — | ||
| 3-8 | Do You Believe in the Westworld? | — | ||
| 3-9 | Wunderbar | — | ||
| 3-10 | Pretend | Alvin Stardust | T-070.166.638-7 | |
| 3-11 | It’s My Party | Dave Stewart, Barbara Gaskin | T-070.079.069-7 | |
| 3-12 | Loud Music in Cars | Billy Bremner | T-900.018.943-5 | |
| 3-13 | The Lost Platoon | — | ||
| 3-14 | Language Problems | — | ||
| 3-15 | Danube | — | ||
| 3-16 | The Clapping Song | The Belle Stars | T-070.027.110-8 | |
| 3-17 | Who Likes Jazz? | — | ||
| 3-18 | Sign of the Times | The Belle Stars | — | |
| 3-19 | Breakaway | Tracey Ullman | T-070.013.430-0 | |
| 3-20 | I Love You | Yello | T-800.098.133-0 | |
| 3-21 | The Hayrick Song | — | ||
| 3-22 | Like Dust | — | ||
| 3-23 | They Don’t Know | Tracey Ullman | T-010.017.909-6 | |
| 4-1 | Terry | — | ||
| 4-2 | Pick Me Up | — | ||
| 4-3 | Move Over Darling | Tracey Ullman | T-900.008.768-3 | |
| 4-4 | Dark Streets of London | — | ||
| 4-5 | A New England | Kirsty MacColl | T-010.010.414-0 | |
| 4-6 | A Pair of Brown Eyes | The Pogues | T-900.228.390-1 | |
| 4-7 | Free Yourself | — | ||
| 4-8 | Here Is My Number | — | ||
| 4-9 | I Spy (for the FBI) | — | ||
| 4-10 | Dirty Old Town | The Pogues | T-010.162.590-4 | |
| 4-11 | The Wild Colonial Boy | — | ||
| 4-12 | Religious Persuasion | — | ||
| 4-13 | Only Love Can Break Your Heart | — | ||
| 4-14 | Brilliant Mind | Furniture | T-010.079.312-1 | |
| 4-15 | Don’t Wait Up | — | ||
| 4-16 | Killer Joe (Right Cross) | — | ||
| 4-17 | Whenever I’m Gone | — | ||
| 4-18 | The Irish Rover | — | ||
| 4-19 | Dancin’ All Night | — | ||
| 4-20 | What Is Woman? | — | ||
| 4-21 | Barking Up the Right Tree | — | ||
| 4-22 | Broken Houses | — | ||
| 4-23 | That Sound | — | ||
| 4-24 | The Wit & The Wisdom of Ronald Reagan (Extract) | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sign of the Times | The Belle Stars | — |
| Sign of the Times | The Belle Stars | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+66 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+24 more
Credits Graph
People also ask
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What is UPC 698458840226?
698458840226 is a Universal Product Code (UPC) assigned to The Big Stiff Box Set by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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