UPC · Release
Lulu (Vienna State Opera 1968)
Berg, Silja, Hotter, Mödl, Kmentt, Gutstein, Blankenship, Orchestra, Chorus of the Vienna State Opera, Karl Böhm
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699487305021 is the Universal Product Code (UPC barcode) for the release “Lulu (Vienna State Opera 1968)” by Berg, Silja, Hotter, Mödl, Kmentt, Gutstein, Blankenship, Orchestra, Chorus of the Vienna State Opera, Karl Böhm, released 2004-01-01 on Andante. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lulu: Prologue: "Hereinspaziert in die Menagerie" | — | ||
| 2 | Lulu: Act I, Scene I. "Darf ich eintreten?" | — | ||
| 3 | Lulu: Act I, Scene I. "Gnädige Frau ... Frau Medizinalrat" | — | ||
| 4 | Lulu: Act I, Scene I. "Machen Sie auf!" | — | ||
| 5 | Lulu: Act I, Scene I. "Auf einmal springt er auf" | — | ||
| 6 | Lulu: Act I, Scene I. "Noch nicht wieder zur Besinnung gekommen?" | — | ||
| 7 | Lulu: Act I, Scene I. "Ich möchte tauschen mit dir, du Toter!" | — | ||
| 8 | Lulu: Act I, Scene I. "Wollen Sie mir zuhaken ?" - Verwandlungsmusik | — | ||
| 9 | Lulu: Act I, Scene II. "Eva?" / "Befehlen?" | — | ||
| 10 | Lulu: Act I, Scene II. "Ich finde, du siehst heute reizend aus" | — | ||
| 11 | Lulu: Act I, Scene II. "Den hab ich mir auch ganz anders vorgestellt " | — | ||
| 12 | Lulu: Act I, Scene II. "Was tut denn Ihr Vater da?" | — | ||
| 13 | Lulu: Act I, Scene II. "Du hast eine halbe Million geheiratet" | — | ||
| 14 | Lulu: Act I, Scene II. "Sei bitte ruhig" | — | ||
| 15 | Lulu: Act I, Scene II. Verwandlungsmusik | — | ||
| 16 | Lulu: Act I, Scene III. "Seit ich für die Bühne arbeite" | — | ||
| 17 | Lulu: Act I, Scene III. "Ich hatte bei Herrn Dr. Schön das Vergnügen" | — | ||
| 18 | Lulu: Act I, Scene III. "Das hättest du dir besser erspart" | — | ||
| 19 | Lulu: Act I, Scene III. "Wie kannst du die Szene gegen mich ausspielen?" | — | ||
| 2-1 | Lulu: Act II, Scene I. "Sie glauben nicht, wie ich mich darauf freue" | — | ||
| 2-2 | Lulu: Act II, Scene I. "Könntest du dich heute nachmittag nicht freimachen?" | — | ||
| 2-3 | Lulu: Act II, Scene I. "Gott sei Dank, daß wir endlich zuhause sind" | — | ||
| 2-4 | Lulu: Act II, Scene I. "Die Matinee wird, wie ich mir denke" | — | ||
| 2-5 | Lulu: Act II, Scene I. "Wo ist denn der hin?" | — | ||
| 2-6 | Lulu: Act II, Scene I. "Wenn sich die Menschen um meinetwillen umgebracht haben" | — | ||
| 2-7 | Lulu: Act II, Scene I. "Halt! Nicht von der Stelle" | — | ||
| 2-8 | Lulu: Act II, Scene I. Verwandlung (Filmmusik) | — | ||
| 2-9 | Lulu: Act II, Scene II. "Er läßt auf sich warten" | — | ||
| 2-10 | Lulu: Act II, Scene II. "Sie wollten der verrückten Rakete noch Geld geben!" | — | ||
| 2-11 | Lulu: Act II, Scene II. "Hü, kleine Lulu" | — | ||
| 2-12 | Lulu: Act II, Scene II. "O Freiheit! Herrgott im Himmel!" | — | ||
| 2-13 | Lulu: Act II, Scene II. "Jtzt liegt sie da drüben" | — | ||
| 2-14 | Lulu: Act II, Scene II. Variationen | — | ||
| 2-15 | Lulu: Act II, Scene II. Adagio | — |
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What is UPC 699487305021?
699487305021 is a Universal Product Code (UPC) assigned to Lulu (Vienna State Opera 1968) by Berg, Silja, Hotter, Mödl, Kmentt, Gutstein, Blankenship, Orchestra, Chorus of the Vienna State Opera, Karl Böhm. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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