UPC · Album
Saddles, Sagebrush, and Steiner - Western Score of Max Steiner
Max Steiner
Last verified:
700261479286 is the Universal Product Code (UPC barcode) for the release “Saddles, Sagebrush, and Steiner - Western Score of Max Steiner” by Max Steiner, released 2019-01-01 on Brigham Young University Film Music Archives. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 108 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (108)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | Virginia City: Main Title | — | |
| 2 | Passing Through to Libby Prison / Caught in the Tunnel | — | |
| 3 | Julia and Vance | — | |
| 4 | Escape | — | |
| 5 | Explosion / Union Headquarters | — | |
| 6 | Stagecoach | — | |
| 7 | Bandits | — | |
| 8 | The Journey Resumes | — | |
| 9 | Rest Stop | — | |
| 10 | Virginia City | — | |
| 11 | Union Army Garrison | — | |
| 12 | Santa Fe Trail: Main Title | — | |
| 13 | West Point | — | |
| 14 | Saddling Up to Hunt for John Brown | — | |
| 15 | Execution Scaffold | — | |
| 16 | San Antonio: Main Title | — | |
| 17 | Coach | — | |
| 18 | Dallas: Main Title | — | |
| 19 | Riding After the Raiders | — | |
| 20 | Wanted Poster | — | |
| 21 | Gunned Down by Marshal Hickock | — | |
| 22 | Reward for Bryant Marlow | — | |
| 23 | Diversion and Formulating Plans | — | |
| 24 | Night Moves in Dallas | — | |
| 25 | Reb Hollister Unmasked | — | |
| 26 | Reb Guns Down Bryant | — | |
| 27 | Weatherbee Clears Reb / Fort Worth | — | |
| 28 | End Title | — | |
| 29 | Virginia City Bonus Tracks: Main Title – aborted | — | |
| 30 | Main Title – unapproved | — | |
| 31 | Julia and Vance – final bars | — | |
| 32 | Escape – final bars unapproved | — | |
| 33 | Explosion / Union Headquarters – unapproved | — | |
| 34 | Explosion / Union Headquarters – unapproved | — | |
| 35 | Santa Fe Trail Bonus Tracks: Saddling Up to Hunt for John Brown – aborted | — | |
| 36 | West Point – final bars unapproved | — | |
| 37 | Dallas Bonus Tracks: Main Title – unapproved | — | |
| 38 | Riding After the Raiders – final bars unapprove | — | |
| 39 | Reward for Bryant Marlow – unapproved | — | |
| 40 | Diversion and Formulating Plans – aborted | — | |
| 2-1 | Rocky Mountain: Main Title | — | |
| 2-2 | Stagecoach Under Attack | — | |
| 2-3 | Staging an Ambush | — | |
| 2-4 | Memories of Robert E. Lee | — | |
| 2-5 | Bedded Down | — | |
| 2-6 | Escape | — | |
| 2-7 | Reassurances | — | |
| 2-8 | Defending Her Honor | — | |
| 2-9 | Banding Together | — | |
| 2-10 | Cavalry To The Rescue | — | |
| 2-11 | Valiant Enemies / End Title | — | |
| 2-12 | The Charge at Feather River: Main Title | — | |
| 2-13 | Motley Crew | — | |
| 2-14 | Johnny Wounded / Wilhelm Screams | — | |
| 2-15 | Night Vigil | — | |
| 2-16 | Jealous Husband / Intermission | — | |
| 2-17 | Vanquished Fort - After Intermission | — | |
| 2-18 | Moving Out | — | |
| 2-19 | Indian Retreat | — | |
| 2-20 | Lame Horse | — | |
| 2-21 | End Title | — | |
| 2-22 | Rocky Mountain Bonus Tracks: Coach Under Attack Part Three aborted | — | |
| 2-23 | Memories of Robert E. Lee pick-up unapproved | — | |
| 2-24 | Escape pick-up aborted | — | |
| 2-25 | Reassurances pick-up aborted | — | |
| 2-26 | Banding Together pick-up aborted | — | |
| 2-27 | Banding Together – unapproved | — | |
| 2-28 | Unmixed End Title | — | |
| 2-29 | Charge at Feather River: Johnny Wounded / Wilhelm Screams aborted | — | |
| 3-1 | The Lion and the Horse:That Slippery Devil | — | |
| 3-2 | Lots Of Little Friends | — | |
| 3-3 | Bill Rides Wildfire | — | |
| 3-4 | Raton Pass: Main Title | — | |
| 3-5 | Foreword | — | |
| 3-6 | “Adios Mama Carlota” | — | |
| 3-7 | “Cielito Lindo” | — | |
| 3-8 | “Jarabe Tapatio” | — | |
| 3-9 | Lunch With a Lady | — | |
| 3-10 | Ride to the Challon Ranch | — | |
| 3-11 | Lighting a Candle | — | |
| 3-12 | A Woman's House | — | |
| 3-13 | Wedding Present | — | |
| 3-14 | No Job For a Lady | — | |
| 3-15 | Prentiss Rides After Ann | — | |
| 3-16 | Ann Romances Prentiss | — | |
| 3-17 | “Chiapanecas” | — | |
| 3-18 | “La Paloma” | — | |
| 3-19 | Where Did You Learn To Lie Like That? | — | |
| 3-20 | Ambushed by Van Cleave | — | |
| 3-21 | Get Him Yourself | — | |
| 3-22 | Arrest Marc Challon | — | |
| 3-23 | Van Cleave Moves in on Posner | — | |
| 3-24 | The Challon Men Ride | — | |
| 3-25 | Marc Rides Into Town Alone | — | |
| 3-26 | Regrouping | — | |
| 3-27 | Lena Takes Charge | — | |
| 3-28 | Marc Joins the Fight | — | |
| 3-29 | Ann's New Partner | — | |
| 3-30 | Van Cleave Shoots Pierre | — | |
| 3-31 | Showdown and Finale | — | |
| 3-32 | Raton Pass Bonus Tracks: Prentiss Rides After Ann – aborted | — | |
| 3-33 | working “Chiapanecas” | — | |
| 3-34 | Ambushed by Van Cleave pick-up – unapproved | — | |
| 3-35 | Get Him Yourself – aborted | — | |
| 3-36 | Marc Rides into Town Alone – aborted | — | |
| 3-37 | Marc Rides into Town Alone – unapproved | — | |
| 3-38 | Marc Rides into Town Alone pick-up aborted | — | |
| 3-39 | working End Title pick-up | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 700261479286?
700261479286 is a Universal Product Code (UPC) assigned to Saddles, Sagebrush, and Steiner - Western Score of Max Steiner by Max Steiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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