Medieval and Renaissance Music: Songs and Dances From 1200 to 1550 Spain, Italy, France and Germany

UPC · Release

Medieval and Renaissance Music: Songs and Dances From 1200 to 1550 Spain, Italy, France and Germany

Kalenda Maya

7025560101724
15 tracksReleased 1995-01-01Simax Classics

Last verified:

7025560101724 is the Universal Product Code (UPC barcode) for the release Medieval and Renaissance Music: Songs and Dances From 1200 to 1550 Spain, Italy, France and Germany by Kalenda Maya, released 1995-01-01 on Simax Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC.

Format

702GS1 prefix
5560Company prefix
10172Product
4Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (15)

Quena Virgen Ben Servira a Parayso Ira (Cantigas de Santa Maria)
Quena Virgen Ben Servira a Parayso Ira (Cantigas de Santa Maria)
De moi Doleros Vos Chant
De moi Doleros Vos Chant
El Rey de Francia (Traditional Sephardic song)
El Rey de Francia (Traditional Sephardic song)
La Rotta (Italian dance, ca. 1390)
La Rotta (Italian dance, ca. 1390)
Rodrigo Martines (ca. 1490: Cancionero de Palacio)
Rodrigo Martines (ca. 1490: Cancionero de Palacio)
Como Poden per sas Culpas (Cantigas de Santa Maria)
Como Poden per sas Culpas (Cantigas de Santa Maria)
Mayenzeit one Neidt
Mayenzeit one Neidt
Riu, Riu, Chiu (ca. 1520: Cancionero de Upsala)
Riu, Riu, Chiu (ca. 1520: Cancionero de Upsala)
Lavava y Suspirava (Traditional Sephardic Song)
Lavava y Suspirava (Traditional Sephardic Song)
Christ ist Erstanden
Christ ist Erstanden
Como o Nome de Virgen (Cantigas de Santa Maria)
Como o Nome de Virgen (Cantigas de Santa Maria)
Saltarello (ca 1390, Italian dance)
Saltarello (ca 1390, Italian dance)
Yo me soy la Morenica (Cancionero de Upsala)
Yo me soy la Morenica (Cancionero de Upsala)
Virelai: Mariam Matrem (Llibre Vermell de Montserrat)
Virelai: Mariam Matrem (Llibre Vermell de Montserrat)
Maravillosos e Piadosos (Cantigas de Santa Maria)
Maravillosos e Piadosos (Cantigas de Santa Maria)
SourcesMusicBrainzDiscogs2 sources

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People also ask

What is UPC 7025560101724?
UPC 7025560101724 is the Universal Product Code (barcode) for "Medieval and Renaissance Music: Songs and Dances From 1200 to 1550 Spain, Italy, France and Germany" by Kalenda Maya, released on Simax Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 7025560101724?
UPC 7025560101724 contains 15 tracks.

What is UPC 7025560101724?

7025560101724 is a Universal Product Code (UPC) assigned to Medieval and Renaissance Music: Songs and Dances From 1200 to 1550 Spain, Italy, France and Germany by Kalenda Maya. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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