UPC · Album
Various Artists
Last verified:
7039691001877 is the Universal Product Code (UPC barcode) for the release “The Best of the Eighties: Forty Tracks, Original Hits” by Various Artists, released 1998-01-01 on Arcade. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include AUC441100023, AUWA00207690, AUWC41010228.
Credit Chain
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Hey Little Girl | Icehouse | AUC441100023 |
| Hey Little Girl | Icehouse | AUWA00207690 |
| Need You Tonight | INXS | AUWC41010228 |
| Need You Tonight | INXS | AUWC41010365 |
| Hey Little Girl | Icehouse | DED468200003 |
| Hey Little Girl | Icehouse | DEKF21000457 |
| Clouds Across the Moon | RAH Band | FRR848500200 |
| I Ran | A Flock of Seagulls | GB5KW2203251 |
| You Came | Kim Wilde | GBAAN0300318 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP2000255 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP2500352 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP8790001 |
| She Drives Me Crazy | Fine Young Cannibals | GBAAP9300297 |
| I Ran | A Flock of Seagulls | GBAHK0100091 |
| Touch Me (I Want Your Body) | Samantha Fox | GBAHK9500206 |
| I Ran (So Far Away) | A Flock of Seagulls | GBAHK9500304 |
| p:Machinery | Propaganda | GBAHW0000199 |
| Relax | Frankie Goes to Hollywood | GBAHW0100371 |
| Moments in Love | Art of Noise | GBAHW0200487 |
| Relax | Frankie Goes to Hollywood | GBAHW0900004 |
| Relax | Frankie Goes to Hollywood | GBAHW9900051 |
| Never Let Me Down Again | Depeche Mode | GBAJH0000011 |
| Sometimes | Erasure | GBAJH0100079 |
| Never Let Me Down Again | Depeche Mode | GBAJH0602212 |
| Situation | Yazoo | GBAJH0800147 |
| Sometimes | Erasure | GBAJH0801279 |
| Sometimes | Erasure | GBAJH1100066 |
| Never Let Me Down Again | Depeche Mode | GBAJH9800141 |
| Sometimes | Erasure | GBAJH9900098 |
| Sometimes | Erasure | GBAJH9900201 |
| Never Let Me Down Again | Depeche Mode | GBAJH9900251 |
| Town Called Malice | The Jam | GBAKW8201004 |
| Running in the Family | Level 42 | GBAKW8701001 |
| Need You Tonight | INXS | GBAMX8700008 |
| She Drives Me Crazy | Fine Young Cannibals | GBAMY1300001 |
| She Drives Me Crazy | Fine Young Cannibals | GBAMY8800001 |
| Cars | Gary Numan | GBAZP1500019 |
| Cars | Gary Numan | GBAZP9700067 |
| The Riddle | Nik Kershaw | GBBBY0200033 |
| The Safety Dance | Men Without Hats | GBBLG0200043 |
| Relax | Frankie Goes to Hollywood | GBCFZ0900700 |
| She Drives Me Crazy | Fine Young Cannibals | GBCRL0800754 |
| Town Called Malice | The Jam | GBF068200100 |
| Running in the Family | Level 42 | GBF068625690 |
| Running in the Family | Level 42 | GBF068990011 |
| Tainted Love | Soft Cell | GBF088100001 |
| Tainted Love | Soft Cell | GBF088100017 |
| Tainted Love | Soft Cell | GBF088100120 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | GBFO88100017 |
| I Ran | A Flock of Seagulls | GBLGL1274300 |
| p:Machinery | Propaganda | GBUM72106212 |
| Tainted Love | Soft Cell | GBUM72304240 |
| West End Girls (single version) | Pet Shop Boys | NLP438490041 |
| I Think We’re Alone Now | Tiffany | UKDNQ1535905 |
| I Ran | A Flock of Seagulls | USA560649514 |
| I Ran | A Flock of Seagulls | USA560654728 |
| I Ran | A Flock of Seagulls | USA560745863 |
| I Ran | A Flock of Seagulls | USA560749052 |
| I Ran | A Flock of Seagulls | USA560749114 |
| Need You Tonight | INXS | USAT20106089 |
| Need You Tonight | INXS | USAT29901629 |
| I Think We’re Alone Now | Tiffany | USCK30802812 |
| I Ran | A Flock of Seagulls | USDPS0600383 |
| Dance Hall Days (remix) | Wang Chung | USGF18400401 |
| Cars | Gary Numan | USGMP0800025 |
| Obsession | Animotion | USIV30200035 |
| The Heat Is On | Glenn Frey | USLIC0600598 |
| The Riddle | Nik Kershaw | USMC10101031 |
| Axel F | Harold Faltermeyer | USMC10200811 |
| The Safety Dance | Men Without Hats | USMC18314274 |
| The Heat Is On | Glenn Frey | USMC18416576 |
| Axel F (from “Beverly Hills Cop” soundtrack) | Harold Faltermeyer | USMC18416586 |
| He’s Back (The Man Behind the Mask) | Alice Cooper | USMC18621289 |
| I Think We’re Alone Now | Tiffany | USMC18722580 |
| I Think We’re Alone Now | Tiffany | USMC18723898 |
| Licence to Kill | Gladys Knight | USMC18828829 |
| You Came | Kim Wilde | USMC18841634 |
| He’s Back (The Man Behind the Mask) | Alice Cooper | USMC18953905 |
| Fade to Grey | Visage | USPR38080067 |
| Obsession | Animotion | USPR38530022 |
| She Drives Me Crazy | Fine Young Cannibals | USRH10901907 |
| Sometimes | Erasure | USRHD0900076 |
| Fade to Grey | Visage | USUM70601704 |
| Licence to Kill | Gladys Knight | USUM70602970 |
| The Safety Dance | Men Without Hats | USUM71918013 |
| You Came | Kim Wilde | USUV70601365 |
| Relax | Frankie Goes to Hollywood | USWWW0132027 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
7039691001877 is a Universal Product Code (UPC) assigned to The Best of the Eighties: Forty Tracks, Original Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
